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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35A194 it is the complementary color #CA5E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35A194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35A194 shade: #3AA18F, #4BB3A2, #5CC5B5, #6DD7C8 and #7EE9DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35A194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35A194 shade: #35A194, #248F81, #137D6E, #026B5B and #005948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35A194 shade: #35A093, #35A076, #35A059, #35A03D and #4AA035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35A194 shade: #35A093, #3590A0, #3573A0, #3556A0 and #353AA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35A194 shade matches the following richer shades: #35A093, #24B1A0, #12C3AE and #01D4BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35A194 shade: #35A093, #468F86, #587D79, #696C6C and #7A5B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35A194 shade: #35A059, #35A075, #35A092, #3592A0 and #3575A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35A194 shade: #20625A, #2B8177, #35A093, #40BFB0 and #5FC9BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35A194 shade: #35A194, #3C35A0 and #A06735

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35A194 shade: #35A194, #9235A0 and #A09235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35A194 shade: #35A194, #3C35A0, #A03543 and #99A035

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35A194 shade: #35A194, #5C35A0, #A03543 and #79A035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 8 / 37

HEX #35A194

RGB 53 161 148

HSL 172.78, 0.5%, 0.42%

LAB 60.23, -33.41, -2.17

 

Complementary color

CMYK 0 / 53 / 47 / 21

HEX #CA5E6B

RGB 202 94 107

HSL 352.78, 0.5%, 0.58%

LAB 53.63, 44.12, 13.53

 

CMYK 64 / 0 / 11 / 37

HEX #3AA18F

RGB 58 161 143

HSL 169.51, 0.47%, 0.43%

LAB 60.22, -33.92, 0.65

 

CMYK 58 / 0 / 9 / 30

HEX #4BB3A2

RGB 75 179 162

HSL 170.19, 0.41%, 0.5%

LAB 66.78, -34.16, -0.33

 

CMYK 53 / 0 / 8 / 23

HEX #5CC5B5

RGB 92 197 181

HSL 170.86, 0.48%, 0.57%

LAB 73.25, -34.27, -1.22

 

CMYK 49 / 0 / 7 / 16

HEX #6DD7C8

RGB 109 215 200

HSL 171.51, 0.57%, 0.64%

LAB 79.63, -34.29, -2.04

 

CMYK 46 / 0 / 6 / 9

HEX #7EE9DB

RGB 126 233 219

HSL 172.15, 0.71%, 0.7%

LAB 85.92, -34.27, -2.81

 

CMYK 67 / 0 / 8 / 37

HEX #35A194

RGB 53 161 148

HSL 172.78, 0.5%, 0.42%

LAB 60.23, -33.41, -2.17

 

CMYK 75 / 0 / 10 / 44

HEX #248F81

RGB 36 143 129

HSL 172.15, 0.6%, 0.35%

LAB 53.61, -32.78, -1.1

 

CMYK 85 / 0 / 12 / 51

HEX #137D6E

RGB 19 125 110

HSL 171.51, 0.74%, 0.28%

LAB 46.88, -31.78, 0.14

 

CMYK 98 / 0 / 15 / 58

HEX #026B5B

RGB 2 107 91

HSL 170.86, 0.96%, 0.21%

LAB 40.05, -30.34, 1.57

 

CMYK 100 / 0 / 19 / 65

HEX #005948

RGB 0 89 72

HSL 168.54, 1%, 0.17%

LAB 33.16, -27.84, 3.33

 

CMYK 67 / 0 / 8 / 37

HEX #35A093

RGB 53 160 147

HSL 172.71, 0.5%, 0.42%

LAB 59.89, -33.21, -2.11

 

CMYK 67 / 0 / 26 / 37

HEX #35A076

RGB 53 160 118

HSL 156.45, 0.5%, 0.42%

LAB 59.16, -40.58, 13.17

 

CMYK 67 / 0 / 44 / 37

HEX #35A059

RGB 53 160 89

HSL 140.19, 0.5%, 0.42%

LAB 58.62, -46.47, 28.31

 

CMYK 67 / 0 / 62 / 37

HEX #35A03D

RGB 53 160 61

HSL 124.49, 0.5%, 0.42%

LAB 58.26, -50.6, 41.91

 

CMYK 54 / 0 / 67 / 37

HEX #4AA035

RGB 74 160 53

HSL 108.22, 0.5%, 0.42%

LAB 58.84, -46.29, 46.3

 

CMYK 67 / 0 / 8 / 37

HEX #35A093

RGB 53 160 147

HSL 172.71, 0.5%, 0.42%

LAB 59.89, -33.21, -2.11

 

CMYK 67 / 10 / 0 / 37

HEX #3590A0

RGB 53 144 160

HSL 188.97, 0.5%, 0.42%

LAB 55.32, -21.42, -16.36

 

CMYK 67 / 28 / 0 / 37

HEX #3573A0

RGB 53 115 160

HSL 205.23, 0.5%, 0.42%

LAB 46.39, -5.2, -30.12

 

CMYK 67 / 46 / 0 / 37

HEX #3556A0

RGB 53 86 160

HSL 221.5, 0.5%, 0.42%

LAB 37.75, 13, -43.79

 

CMYK 67 / 64 / 0 / 37

HEX #353AA0

RGB 53 58 160

HSL 237.2, 0.5%, 0.42%

LAB 30.21, 31.44, -56

 

CMYK 67 / 0 / 8 / 37

HEX #35A093

RGB 53 160 147

HSL 172.71, 0.5%, 0.42%

LAB 59.89, -33.21, -2.11

 

CMYK 80 / 0 / 10 / 31

HEX #24B1A0

RGB 36 177 160

HSL 172.77, 0.66%, 0.42%

LAB 65.25, -39.55, -1.58

 

CMYK 91 / 0 / 11 / 24

HEX #12C3AE

RGB 18 195 174

HSL 172.88, 0.83%, 0.42%

LAB 71.02, -44.76, -0.85

 

CMYK 100 / 0 / 12 / 17

HEX #01D4BB

RGB 1 212 187

HSL 172.89, 0.99%, 0.42%

LAB 76.49, -48.91, 0.1

 

CMYK 67 / 0 / 8 / 37

HEX #35A093

RGB 53 160 147

HSL 172.71, 0.5%, 0.42%

LAB 59.89, -33.21, -2.11

 

CMYK 51 / 0 / 6 / 44

HEX #468F86

RGB 70 143 134

HSL 172.6, 0.34%, 0.42%

LAB 54.73, -25.09, -2.22

 

CMYK 30 / 0 / 3 / 51

HEX #587D79

RGB 88 125 121

HSL 173.51, 0.17%, 0.42%

LAB 49.64, -13.9, -2.02

 

CMYK 3 / 0 / 0 / 58

HEX #696C6C

RGB 105 108 108

HSL 180, 0.01%, 0.42%

LAB 45.37, -1.15, -0.41

 

CMYK 0 / 25 / 22 / 52

HEX #7A5B5F

RGB 122 91 95

HSL 352.26, 0.15%, 0.42%

LAB 41.92, 13.36, 2.65

 

CMYK 67 / 0 / 44 / 37

HEX #35A059

RGB 53 160 89

HSL 140.19, 0.5%, 0.42%

LAB 58.62, -46.47, 28.31

 

CMYK 67 / 0 / 27 / 37

HEX #35A075

RGB 53 160 117

HSL 155.89, 0.5%, 0.42%

LAB 59.14, -40.81, 13.7

 

CMYK 67 / 0 / 9 / 37

HEX #35A092

RGB 53 160 146

HSL 172.15, 0.5%, 0.42%

LAB 59.87, -33.49, -1.59

 

CMYK 67 / 9 / 0 / 37

HEX #3592A0

RGB 53 146 160

HSL 187.85, 0.5%, 0.42%

LAB 55.94, -22.46, -15.42

 

CMYK 67 / 27 / 0 / 37

HEX #3575A0

RGB 53 117 160

HSL 204.11, 0.5%, 0.42%

LAB 47, -6.39, -29.17

 

CMYK 67 / 0 / 8 / 62

HEX #20625A

RGB 32 98 90

HSL 172.73, 0.51%, 0.25%

LAB 37.45, -22.71, -1.57

 

CMYK 67 / 0 / 8 / 49

HEX #2B8177

RGB 43 129 119

HSL 173.02, 0.5%, 0.34%

LAB 48.94, -27.86, -2.1

 

CMYK 67 / 0 / 8 / 37

HEX #35A093

RGB 53 160 147

HSL 172.71, 0.5%, 0.42%

LAB 59.89, -33.21, -2.11

 

CMYK 66 / 0 / 8 / 25

HEX #40BFB0

RGB 64 191 176

HSL 172.91, 0.5%, 0.5%

LAB 70.52, -37.93, -2.6

 

CMYK 53 / 0 / 6 / 21

HEX #5FC9BC

RGB 95 201 188

HSL 172.64, 0.5%, 0.58%

LAB 74.72, -33.75, -2.85

 

CMYK 67 / 0 / 8 / 37

HEX #35A194

RGB 53 161 148

HSL 172.78, 0.5%, 0.42%

LAB 60.23, -33.41, -2.17

 

CMYK 63 / 67 / 0 / 37

HEX #3C35A0

RGB 60 53 160

HSL 243.93, 0.5%, 0.42%

LAB 29.53, 35.66, -57.09

 

CMYK 0 / 36 / 67 / 37

HEX #A06735

RGB 160 103 53

HSL 28.04, 0.5%, 0.42%

LAB 48.8, 18.04, 37

 

CMYK 67 / 0 / 8 / 37

HEX #35A194

RGB 53 161 148

HSL 172.78, 0.5%, 0.42%

LAB 60.23, -33.41, -2.17

 

CMYK 9 / 67 / 0 / 37

HEX #9235A0

RGB 146 53 160

HSL 292.15, 0.5%, 0.42%

LAB 39.91, 53.78, -39.81

 

CMYK 0 / 9 / 67 / 37

HEX #A09235

RGB 160 146 53

HSL 52.15, 0.5%, 0.42%

LAB 60.15, -6.09, 49.35

 

CMYK 67 / 0 / 8 / 37

HEX #35A194

RGB 53 161 148

HSL 172.78, 0.5%, 0.42%

LAB 60.23, -33.41, -2.17

 

CMYK 63 / 67 / 0 / 37

HEX #3C35A0

RGB 60 53 160

HSL 243.93, 0.5%, 0.42%

LAB 29.53, 35.66, -57.09

 

CMYK 0 / 67 / 58 / 37

HEX #A03543

RGB 160 53 67

HSL 352.15, 0.5%, 0.42%

LAB 38.59, 45.19, 16.21

 

CMYK 4 / 0 / 67 / 37

HEX #99A035

RGB 153 160 53

HSL 63.93, 0.5%, 0.42%

LAB 63.48, -16.58, 52.62

 

CMYK 67 / 0 / 8 / 37

HEX #35A194

RGB 53 161 148

HSL 172.78, 0.5%, 0.42%

LAB 60.23, -33.41, -2.17

 

CMYK 43 / 67 / 0 / 37

HEX #5C35A0

RGB 92 53 160

HSL 261.87, 0.5%, 0.42%

LAB 32.61, 41.52, -51.93

 

CMYK 0 / 67 / 58 / 37

HEX #A03543

RGB 160 53 67

HSL 352.15, 0.5%, 0.42%

LAB 38.59, 45.19, 16.21

 

CMYK 24 / 0 / 67 / 37

HEX #79A035

RGB 121 160 53

HSL 81.87, 0.5%, 0.42%

LAB 61.19, -29.97, 49.52

 

Description

Color code: HEX #35A194 | qconv.com Color code: HEX #35A194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 161 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 161 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 8 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 8% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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