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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35B998 it is the complementary color #CA4667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35B998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35B998 shade: #3AB993, #4BCBA6, #5CDDB9, #6DEFCC and #7EFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35B998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35B998 shade: #35B998, #24A785, #139572, #02835F and #00714C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35B998 shade: #35B998, #35B975, #35B951, #3DB935 and #61B935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35B998 shade: #35B998, #35B7B9, #3593B9, #3570B9 and #354CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35B998 shade matches the following richer shades: #35B998, #22CDA2 and #0FE0AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35B998 shade: #35B998, #49A68F, #5C9285, #707F7B and #836C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35B998 shade: #35B952, #35B975, #35B998, #35B7B9 and #3594B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35B998 shade: #237964, #2C997E, #35B998, #4DCBAB and #6DD4BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35B998 shade: #35B998, #353CB9 and #B96435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35B998 shade: #35B998, #9835B9 and #B99835

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35B998 shade: #35B998, #353CB9, #B93556 and #B9B335

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35B998 shade: #35B998, #5635B9, #B93556 and #98B935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

Complementary color

CMYK 0 / 65 / 49 / 21

HEX #CA4667

RGB 202 70 103

HSL 345, 0.55%, 0.53%

LAB 49.39, 54.72, 10

 

CMYK 69 / 0 / 21 / 27

HEX #3AB993

RGB 58 185 147

HSL 162.05, 0.52%, 0.48%

LAB 67.8, -43.61, 9.34

 

CMYK 63 / 0 / 18 / 20

HEX #4BCBA6

RGB 75 203 166

HSL 162.66, 0.55%, 0.55%

LAB 74.16, -43.95, 8.16

 

CMYK 58 / 0 / 16 / 13

HEX #5CDDB9

RGB 92 221 185

HSL 163.26, 0.65%, 0.61%

LAB 80.45, -44.12, 7.08

 

CMYK 54 / 0 / 15 / 6

HEX #6DEFCC

RGB 109 239 204

HSL 163.85, 0.8%, 0.68%

LAB 86.67, -44.19, 6.09

 

CMYK 51 / 0 / 13 / 0

HEX #7EFFDF

RGB 126 255 223

HSL 165.12, 1%, 0.75%

LAB 92.26, -43.3, 4.35

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 78 / 0 / 20 / 35

HEX #24A785

RGB 36 167 133

HSL 164.43, 0.65%, 0.4%

LAB 61.4, -42.4, 7.9

 

CMYK 87 / 0 / 23 / 42

HEX #139572

RGB 19 149 114

HSL 163.85, 0.77%, 0.33%

LAB 54.92, -41.28, 9.36

 

CMYK 98 / 0 / 27 / 49

HEX #02835F

RGB 2 131 95

HSL 163.26, 0.97%, 0.26%

LAB 48.35, -39.71, 11.01

 

CMYK 100 / 0 / 33 / 56

HEX #00714C

RGB 0 113 76

HSL 160.35, 1%, 0.22%

LAB 41.74, -37.22, 12.96

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 71 / 0 / 37 / 27

HEX #35B975

RGB 53 185 117

HSL 149.09, 0.55%, 0.47%

LAB 67.08, -50.98, 24.55

 

CMYK 71 / 0 / 56 / 27

HEX #35B951

RGB 53 185 81

HSL 132.73, 0.55%, 0.47%

LAB 66.56, -56.96, 42.19

 

CMYK 67 / 0 / 71 / 27

HEX #3DB935

RGB 61 185 53

HSL 116.36, 0.55%, 0.47%

LAB 66.48, -58.54, 54.26

 

CMYK 48 / 0 / 71 / 27

HEX #61B935

RGB 97 185 53

HSL 100, 0.55%, 0.47%

LAB 67.65, -49.33, 55.83

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 71 / 1 / 0 / 27

HEX #35B7B9

RGB 53 183 185

HSL 180.91, 0.55%, 0.47%

LAB 68.11, -33.23, -11.13

 

CMYK 71 / 21 / 0 / 27

HEX #3593B9

RGB 53 147 185

HSL 197.27, 0.55%, 0.47%

LAB 57.2, -14.89, -27.74

 

CMYK 71 / 39 / 0 / 27

HEX #3570B9

RGB 53 112 185

HSL 213.18, 0.55%, 0.47%

LAB 46.77, 5.61, -44.1

 

CMYK 71 / 59 / 0 / 27

HEX #354CB9

RGB 53 76 185

HSL 229.55, 0.55%, 0.47%

LAB 36.8, 28.78, -60.17

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 83 / 0 / 21 / 20

HEX #22CDA2

RGB 34 205 162

HSL 164.91, 0.72%, 0.47%

LAB 73.94, -51.02, 9.89

 

CMYK 93 / 0 / 23 / 12

HEX #0FE0AC

RGB 15 224 172

HSL 165.07, 0.87%, 0.47%

LAB 79.84, -57.11, 12.91

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 56 / 0 / 14 / 35

HEX #49A68F

RGB 73 166 143

HSL 165.16, 0.39%, 0.47%

LAB 62.23, -33.3, 3.62

 

CMYK 37 / 0 / 9 / 43

HEX #5C9285

RGB 92 146 133

HSL 165.56, 0.23%, 0.47%

LAB 56.61, -21, 1.23

 

CMYK 12 / 0 / 3 / 50

HEX #707F7B

RGB 112 127 123

HSL 164, 0.06%, 0.47%

LAB 51.9, -6.35, 0.3

 

CMYK 0 / 18 / 13 / 49

HEX #836C72

RGB 131 108 114

HSL 344.35, 0.1%, 0.47%

LAB 47.96, 10.15, 0.07

 

CMYK 71 / 0 / 56 / 27

HEX #35B952

RGB 53 185 82

HSL 133.18, 0.55%, 0.47%

LAB 66.57, -56.83, 41.72

 

CMYK 71 / 0 / 37 / 27

HEX #35B975

RGB 53 185 117

HSL 149.09, 0.55%, 0.47%

LAB 67.08, -50.98, 24.55

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 71 / 1 / 0 / 27

HEX #35B7B9

RGB 53 183 185

HSL 180.91, 0.55%, 0.47%

LAB 68.11, -33.23, -11.13

 

CMYK 71 / 20 / 0 / 27

HEX #3594B9

RGB 53 148 185

HSL 196.82, 0.55%, 0.47%

LAB 57.5, -15.43, -27.28

 

CMYK 71 / 0 / 17 / 53

HEX #237964

RGB 35 121 100

HSL 165.35, 0.55%, 0.31%

LAB 45.57, -30.68, 4.2

 

CMYK 71 / 0 / 18 / 40

HEX #2C997E

RGB 44 153 126

HSL 165.14, 0.55%, 0.39%

LAB 56.9, -37.04, 5.43

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 62 / 0 / 16 / 20

HEX #4DCBAB

RGB 77 203 171

HSL 164.76, 0.55%, 0.55%

LAB 74.34, -42.39, 5.71

 

CMYK 49 / 0 / 12 / 17

HEX #6DD4BA

RGB 109 212 186

HSL 164.85, 0.54%, 0.63%

LAB 78.39, -36.24, 3.65

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 71 / 68 / 0 / 27

HEX #353CB9

RGB 53 60 185

HSL 236.82, 0.55%, 0.47%

LAB 32.9, 38.94, -66.54

 

CMYK 0 / 46 / 71 / 27

HEX #B96435

RGB 185 100 53

HSL 21.36, 0.55%, 0.47%

LAB 51.48, 30.38, 40.92

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 18 / 71 / 0 / 27

HEX #9835B9

RGB 152 53 185

HSL 285, 0.55%, 0.47%

LAB 42.34, 60, -50.71

 

CMYK 0 / 18 / 71 / 27

HEX #B99835

RGB 185 152 53

HSL 45, 0.55%, 0.47%

LAB 64.18, 1.78, 54.26

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 71 / 68 / 0 / 27

HEX #353CB9

RGB 53 60 185

HSL 236.82, 0.55%, 0.47%

LAB 32.9, 38.94, -66.54

 

CMYK 0 / 71 / 54 / 27

HEX #B93556

RGB 185 53 86

HSL 345, 0.55%, 0.47%

LAB 43.55, 54.7, 11.83

 

CMYK 0 / 3 / 71 / 27

HEX #B9B335

RGB 185 179 53

HSL 57.27, 0.55%, 0.47%

LAB 71.43, -12.51, 61.43

 

CMYK 71 / 0 / 18 / 27

HEX #35B998

RGB 53 185 152

HSL 165, 0.55%, 0.47%

LAB 67.82, -43.13, 6.6

 

CMYK 54 / 71 / 0 / 27

HEX #5635B9

RGB 86 53 185

HSL 255, 0.55%, 0.47%

LAB 34.04, 47.54, -64.57

 

CMYK 0 / 71 / 54 / 27

HEX #B93556

RGB 185 53 86

HSL 345, 0.55%, 0.47%

LAB 43.55, 54.7, 11.83

 

CMYK 18 / 0 / 71 / 27

HEX #98B935

RGB 152 185 53

HSL 75, 0.55%, 0.47%

LAB 70.62, -29.39, 59.79

 

Description

Color code: HEX #35B998 | qconv.com Color code: HEX #35B998 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 185 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 185 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 18 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 18% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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