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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35C989 it is the complementary color #CA3676. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35C989. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35C989 shade: #3AC984, #4BDB97, #5CEDAA, #6DFFBD and #7EFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35C989. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35C989 shade: #35C989, #24B776, #13A563, #029350 and #00813D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35C989 shade: #35C989, #35C961, #35C939, #59C935 and #81C935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35C989 shade: #35C989, #35C9B1, #35B9C9, #3591C9 and #3569C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35C989 shade matches the following richer shades: #35C989, #20DE8C and #0CF28F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35C989 shade: #35C989, #4AB486, #5EA083, #738B81 and #88767E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35C989 shade: #35C93A, #35C961, #35C989, #35C9B0 and #35BAC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35C989 shade: #24885C, #2CA873, #35C989, #56D29C and #76DAAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35C989 shade: #35C989, #3558C9 and #C94E35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35C989 shade: #35C989, #8935C9 and #C98935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35C989 shade: #35C989, #3558C9, #C93575 and #C9A635

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35C989 shade: #35C989, #3F35C9, #C93575 and #BFC935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

Complementary color

CMYK 0 / 73 / 42 / 21

HEX #CA3676

RGB 202 54 118

HSL 334.05, 0.58%, 0.5%

LAB 47.63, 62.14, -1.66

 

CMYK 71 / 0 / 34 / 21

HEX #3AC984

RGB 58 201 132

HSL 151.05, 0.57%, 0.51%

LAB 72.45, -53.41, 23.86

 

CMYK 66 / 0 / 31 / 14

HEX #4BDB97

RGB 75 219 151

HSL 151.67, 0.67%, 0.58%

LAB 78.69, -53.84, 22.45

 

CMYK 61 / 0 / 28 / 7

HEX #5CEDAA

RGB 92 237 170

HSL 152.28, 0.8%, 0.65%

LAB 84.87, -54.07, 21.16

 

CMYK 57 / 0 / 26 / 0

HEX #6DFFBD

RGB 109 255 189

HSL 152.88, 1%, 0.71%

LAB 90.98, -54.16, 19.95

 

CMYK 51 / 0 / 18 / 0

HEX #7EFFD0

RGB 126 255 208

HSL 158.14, 1%, 0.75%

LAB 91.91, -46.6, 11.59

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 80 / 0 / 36 / 28

HEX #24B776

RGB 36 183 118

HSL 153.47, 0.67%, 0.43%

LAB 66.17, -52.26, 22.75

 

CMYK 88 / 0 / 40 / 35

HEX #13A563

RGB 19 165 99

HSL 152.88, 0.79%, 0.36%

LAB 59.84, -50.97, 24.44

 

CMYK 99 / 0 / 46 / 42

HEX #029350

RGB 2 147 80

HSL 152.28, 0.97%, 0.29%

LAB 53.45, -49.17, 26.3

 

CMYK 100 / 0 / 53 / 49

HEX #00813D

RGB 0 129 61

HSL 148.37, 1%, 0.25%

LAB 47.02, -46.38, 28.34

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 74 / 0 / 52 / 21

HEX #35C961

RGB 53 201 97

HSL 137.84, 0.58%, 0.5%

LAB 71.82, -60.28, 40.86

 

CMYK 74 / 0 / 72 / 21

HEX #35C939

RGB 53 201 57

HSL 121.62, 0.58%, 0.5%

LAB 71.44, -64.88, 57.83

 

CMYK 56 / 0 / 74 / 21

HEX #59C935

RGB 89 201 53

HSL 105.41, 0.58%, 0.5%

LAB 72.33, -57.63, 60.47

 

CMYK 36 / 0 / 74 / 21

HEX #81C935

RGB 129 201 53

HSL 89.19, 0.58%, 0.5%

LAB 74, -45.29, 62.67

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 74 / 0 / 12 / 21

HEX #35C9B1

RGB 53 201 177

HSL 170.27, 0.58%, 0.5%

LAB 73.35, -43.62, 0.98

 

CMYK 74 / 8 / 0 / 21

HEX #35B9C9

RGB 53 185 201

HSL 186.49, 0.58%, 0.5%

LAB 69.24, -29.4, -18.25

 

CMYK 74 / 28 / 0 / 21

HEX #3591C9

RGB 53 145 201

HSL 202.7, 0.58%, 0.5%

LAB 57.29, -8.29, -36.65

 

CMYK 74 / 48 / 0 / 21

HEX #3569C9

RGB 53 105 201

HSL 218.92, 0.58%, 0.5%

LAB 45.74, 15.94, -54.99

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 86 / 0 / 37 / 13

HEX #20DE8C

RGB 32 222 140

HSL 154.11, 0.75%, 0.5%

LAB 78.72, -62.44, 28.07

 

CMYK 95 / 0 / 41 / 5

HEX #0CF28F

RGB 12 242 143

HSL 154.17, 0.91%, 0.5%

LAB 84.77, -69.75, 34.56

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 59 / 0 / 26 / 29

HEX #4AB486

RGB 74 180 134

HSL 153.96, 0.42%, 0.5%

LAB 66.38, -41.5, 14.5

 

CMYK 41 / 0 / 18 / 37

HEX #5EA083

RGB 94 160 131

HSL 153.64, 0.26%, 0.5%

LAB 60.92, -27.94, 8.58

 

CMYK 17 / 0 / 7 / 45

HEX #738B81

RGB 115 139 129

HSL 155, 0.09%, 0.5%

LAB 55.78, -10.7, 2.49

 

CMYK 0 / 13 / 7 / 47

HEX #88767E

RGB 136 118 126

HSL 333.33, 0.07%, 0.5%

LAB 51.49, 8.43, -1.81

 

CMYK 74 / 0 / 71 / 21

HEX #35C93A

RGB 53 201 58

HSL 122.03, 0.58%, 0.5%

LAB 71.44, -64.8, 57.47

 

CMYK 74 / 0 / 52 / 21

HEX #35C961

RGB 53 201 97

HSL 137.84, 0.58%, 0.5%

LAB 71.82, -60.28, 40.86

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 74 / 0 / 12 / 21

HEX #35C9B0

RGB 53 201 176

HSL 169.86, 0.58%, 0.5%

LAB 73.33, -43.88, 1.48

 

CMYK 74 / 7 / 0 / 21

HEX #35BAC9

RGB 53 186 201

HSL 186.08, 0.58%, 0.5%

LAB 69.53, -29.89, -17.79

 

CMYK 74 / 0 / 32 / 47

HEX #24885C

RGB 36 136 92

HSL 153.6, 0.58%, 0.34%

LAB 50.4, -39.17, 15.65

 

CMYK 74 / 0 / 32 / 34

HEX #2CA873

RGB 44 168 115

HSL 154.35, 0.58%, 0.42%

LAB 61.46, -46.04, 17.98

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 59 / 0 / 26 / 18

HEX #56D29C

RGB 86 210 156

HSL 153.87, 0.58%, 0.58%

LAB 76.36, -47.08, 16.64

 

CMYK 46 / 0 / 20 / 15

HEX #76DAAF

RGB 118 218 175

HSL 154.2, 0.57%, 0.66%

LAB 80.23, -39.22, 12.18

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 74 / 56 / 0 / 21

HEX #3558C9

RGB 53 88 201

HSL 225.81, 0.58%, 0.5%

LAB 41.14, 26.87, -62.43

 

CMYK 0 / 61 / 74 / 21

HEX #C94E35

RGB 201 78 53

HSL 10.14, 0.58%, 0.5%

LAB 49.65, 47.56, 39.61

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 32 / 74 / 0 / 21

HEX #8935C9

RGB 137 53 201

HSL 274.05, 0.58%, 0.5%

LAB 41.35, 60.43, -61.77

 

CMYK 0 / 32 / 74 / 21

HEX #C98935

RGB 201 137 53

HSL 34.05, 0.58%, 0.5%

LAB 62.14, 17, 52.76

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 74 / 56 / 0 / 21

HEX #3558C9

RGB 53 88 201

HSL 225.81, 0.58%, 0.5%

LAB 41.14, 26.87, -62.43

 

CMYK 0 / 74 / 42 / 21

HEX #C93575

RGB 201 53 117

HSL 334.05, 0.58%, 0.5%

LAB 47.3, 62.1, -1.56

 

CMYK 0 / 17 / 74 / 21

HEX #C9A635

RGB 201 166 53

HSL 45.81, 0.58%, 0.5%

LAB 69.43, 1.28, 59.99

 

CMYK 74 / 0 / 32 / 21

HEX #35C989

RGB 53 201 137

HSL 154.05, 0.58%, 0.5%

LAB 72.45, -53.11, 21.2

 

CMYK 69 / 74 / 0 / 21

HEX #3F35C9

RGB 63 53 201

HSL 244.05, 0.58%, 0.5%

LAB 33.61, 49.4, -74.75

 

CMYK 0 / 74 / 42 / 21

HEX #C93575

RGB 201 53 117

HSL 334.05, 0.58%, 0.5%

LAB 47.3, 62.1, -1.56

 

CMYK 5 / 0 / 74 / 21

HEX #BFC935

RGB 191 201 53

HSL 64.05, 0.58%, 0.5%

LAB 77.94, -21.02, 67.83

 

Description

Color code: HEX #35C989 | qconv.com Color code: HEX #35C989 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 201 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 201 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 32 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 32% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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