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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35C10B it is the complementary color #CA3EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35C10B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35C10B shade: #3AC106, #4BD319, #5CE52C, #6DF73F and #7EFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35C10B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35C10B shade: #35C10B, #24AF00, #139D00, #028B00 and #007900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35C10B shade: #35C00B, #66C00B, #97C00B, #C0B90B and #C0880B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35C10B shade: #35C00B, #0BC012, #0BC043, #0BC074 and #0BC0A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35C10B shade matches the following richer shades: #35C00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35C10B shade: #35C00B, #3EB01B, #469F2C, #4F8F3C and #587E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35C10B shade: #96C00B, #66C00B, #35C00B, #0BC011 and #0BC041

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35C10B shade: #1F7206, #2A9908, #35C00B, #3FE70D and #59F22B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35C10B shade: #35C10B, #0BC0BA and #C00B7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35C10B shade: #35C10B, #0B35C0 and #C00B35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35C10B shade: #35C10B, #0BC0BA, #960BC0 and #C00B11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35C10B shade: #35C10B, #0B90C0, #960BC0 and #C03B0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 94 / 24

HEX #35C10B

RGB 53 193 11

HSL 106.15, 0.89%, 0.4%

LAB 68.69, -64.73, 66.89

 

Complementary color

CMYK 17 / 75 / 0 / 4

HEX #CA3EF4

RGB 202 62 244

HSL 286.15, 0.89%, 0.6%

LAB 54.59, 77.81, -64.38

 

CMYK 70 / 0 / 97 / 24

HEX #3AC106

RGB 58 193 6

HSL 103.32, 0.94%, 0.39%

LAB 68.79, -63.93, 67.58

 

CMYK 64 / 0 / 88 / 17

HEX #4BD319

RGB 75 211 25

HSL 103.87, 0.79%, 0.46%

LAB 74.92, -65.79, 70.21

 

CMYK 60 / 0 / 81 / 10

HEX #5CE52C

RGB 92 229 44

HSL 104.43, 0.78%, 0.54%

LAB 81.01, -67.14, 71.53

 

CMYK 56 / 0 / 74 / 3

HEX #6DF73F

RGB 109 247 63

HSL 105, 0.92%, 0.61%

LAB 87.06, -68.09, 71.92

 

CMYK 51 / 0 / 68 / 0

HEX #7EFF52

RGB 126 255 82

HSL 104.74, 1%, 0.66%

LAB 90.12, -65.18, 68.63

 

CMYK 73 / 0 / 94 / 24

HEX #35C10B

RGB 53 193 11

HSL 106.15, 0.89%, 0.4%

LAB 68.69, -64.73, 66.89

 

CMYK 79 / 0 / 100 / 31

HEX #24AF00

RGB 36 175 0

HSL 107.66, 1%, 0.34%

LAB 62.54, -62.11, 63.11

 

CMYK 88 / 0 / 100 / 38

HEX #139D00

RGB 19 157 0

HSL 112.74, 1%, 0.31%

LAB 56.34, -58.73, 58.06

 

CMYK 99 / 0 / 100 / 45

HEX #028B00

RGB 2 139 0

HSL 119.14, 1%, 0.27%

LAB 50.07, -54.74, 52.99

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 72 / 0 / 94 / 25

HEX #35C00B

RGB 53 192 11

HSL 106.08, 0.89%, 0.4%

LAB 68.37, -64.42, 66.63

 

CMYK 47 / 0 / 94 / 25

HEX #66C00B

RGB 102 192 11

HSL 89.83, 0.89%, 0.4%

LAB 69.86, -52.35, 68.46

 

CMYK 21 / 0 / 94 / 25

HEX #97C00B

RGB 151 192 11

HSL 73.59, 0.89%, 0.4%

LAB 72.43, -34.52, 71.6

 

CMYK 0 / 4 / 94 / 25

HEX #C0B90B

RGB 192 185 11

HSL 57.68, 0.89%, 0.4%

LAB 73.5, -13.76, 73.74

 

CMYK 0 / 29 / 94 / 25

HEX #C0880B

RGB 192 136 11

HSL 41.44, 0.89%, 0.4%

LAB 60.64, 12.36, 64.19

 

CMYK 72 / 0 / 94 / 25

HEX #35C00B

RGB 53 192 11

HSL 106.08, 0.89%, 0.4%

LAB 68.37, -64.42, 66.63

 

CMYK 94 / 0 / 91 / 25

HEX #0BC012

RGB 11 192 18

HSL 122.32, 0.89%, 0.4%

LAB 67.88, -68.72, 65.03

 

CMYK 94 / 0 / 65 / 25

HEX #0BC043

RGB 11 192 67

HSL 138.56, 0.89%, 0.4%

LAB 68.15, -65.32, 50.21

 

CMYK 94 / 0 / 40 / 25

HEX #0BC074

RGB 11 192 116

HSL 154.81, 0.89%, 0.4%

LAB 68.77, -57.76, 27.24

 

CMYK 94 / 0 / 14 / 25

HEX #0BC0A5

RGB 11 192 165

HSL 171.05, 0.89%, 0.4%

LAB 69.82, -46.24, 2.31

 

CMYK 72 / 0 / 94 / 25

HEX #35C00B

RGB 53 192 11

HSL 106.08, 0.89%, 0.4%

LAB 68.37, -64.42, 66.63

 

CMYK 72 / 0 / 94 / 25

HEX #35C00B

RGB 53 192 11

HSL 106.08, 0.89%, 0.4%

LAB 68.37, -64.42, 66.63

 

CMYK 65 / 0 / 85 / 31

HEX #3EB01B

RGB 62 176 27

HSL 105.91, 0.73%, 0.4%

LAB 63.47, -56.96, 59.62

 

CMYK 56 / 0 / 72 / 38

HEX #469F2C

RGB 70 159 44

HSL 106.43, 0.57%, 0.4%

LAB 58.3, -47.81, 49.36

 

CMYK 45 / 0 / 58 / 44

HEX #4F8F3C

RGB 79 143 60

HSL 106.27, 0.41%, 0.4%

LAB 53.64, -36.96, 37.28

 

CMYK 30 / 0 / 39 / 51

HEX #587E4D

RGB 88 126 77

HSL 106.53, 0.24%, 0.4%

LAB 48.92, -23.39, 22.52

 

CMYK 22 / 0 / 94 / 25

HEX #96C00B

RGB 150 192 11

HSL 73.92, 0.89%, 0.4%

LAB 72.37, -34.92, 71.52

 

CMYK 47 / 0 / 94 / 25

HEX #66C00B

RGB 102 192 11

HSL 89.83, 0.89%, 0.4%

LAB 69.86, -52.35, 68.46

 

CMYK 72 / 0 / 94 / 25

HEX #35C00B

RGB 53 192 11

HSL 106.08, 0.89%, 0.4%

LAB 68.37, -64.42, 66.63

 

CMYK 94 / 0 / 91 / 25

HEX #0BC011

RGB 11 192 17

HSL 121.99, 0.89%, 0.4%

LAB 67.88, -68.75, 65.19

 

CMYK 94 / 0 / 66 / 25

HEX #0BC041

RGB 11 192 65

HSL 137.9, 0.89%, 0.4%

LAB 68.13, -65.53, 51.03

 

CMYK 73 / 0 / 95 / 55

HEX #1F7206

RGB 31 114 6

HSL 106.11, 0.9%, 0.24%

LAB 41.75, -43.25, 45.05

 

CMYK 73 / 0 / 95 / 40

HEX #2A9908

RGB 42 153 8

HSL 105.93, 0.9%, 0.32%

LAB 55.37, -54.12, 56.17

 

CMYK 72 / 0 / 94 / 25

HEX #35C00B

RGB 53 192 11

HSL 106.08, 0.89%, 0.4%

LAB 68.37, -64.42, 66.63

 

CMYK 73 / 0 / 94 / 9

HEX #3FE70D

RGB 63 231 13

HSL 106.24, 0.89%, 0.48%

LAB 80.87, -74.49, 76.77

 

CMYK 63 / 0 / 82 / 5

HEX #59F22B

RGB 89 242 43

HSL 106.13, 0.88%, 0.56%

LAB 84.9, -72.1, 75.29

 

CMYK 73 / 0 / 94 / 24

HEX #35C10B

RGB 53 193 11

HSL 106.15, 0.89%, 0.4%

LAB 68.69, -64.73, 66.89

 

CMYK 94 / 0 / 3 / 25

HEX #0BC0BA

RGB 11 192 186

HSL 178.01, 0.89%, 0.4%

LAB 70.4, -40.3, -8.33

 

CMYK 0 / 94 / 34 / 25

HEX #C00B7E

RGB 192 11 126

HSL 321.88, 0.89%, 0.4%

LAB 42.69, 70.02, -14.16

 

CMYK 73 / 0 / 94 / 24

HEX #35C10B

RGB 53 193 11

HSL 106.15, 0.89%, 0.4%

LAB 68.69, -64.73, 66.89

 

CMYK 94 / 72 / 0 / 25

HEX #0B35C0

RGB 11 53 192

HSL 226.08, 0.89%, 0.4%

LAB 30.46, 42.87, -74.75

 

CMYK 0 / 94 / 72 / 25

HEX #C00B35

RGB 192 11 53

HSL 346.08, 0.89%, 0.4%

LAB 40.74, 64.74, 28.98

 

CMYK 73 / 0 / 94 / 24

HEX #35C10B

RGB 53 193 11

HSL 106.15, 0.89%, 0.4%

LAB 68.69, -64.73, 66.89

 

CMYK 94 / 0 / 3 / 25

HEX #0BC0BA

RGB 11 192 186

HSL 178.01, 0.89%, 0.4%

LAB 70.4, -40.3, -8.33

 

CMYK 22 / 94 / 0 / 25

HEX #960BC0

RGB 150 11 192

HSL 286.08, 0.89%, 0.4%

LAB 38.78, 71.87, -60.61

 

CMYK 0 / 94 / 91 / 25

HEX #C00B11

RGB 192 11 17

HSL 358.01, 0.89%, 0.4%

LAB 40.39, 63.75, 48.34

 

CMYK 73 / 0 / 94 / 24

HEX #35C10B

RGB 53 193 11

HSL 106.15, 0.89%, 0.4%

LAB 68.69, -64.73, 66.89

 

CMYK 94 / 25 / 0 / 25

HEX #0B90C0

RGB 11 144 192

HSL 195.91, 0.89%, 0.4%

LAB 55.91, -14.43, -33.77

 

CMYK 22 / 94 / 0 / 25

HEX #960BC0

RGB 150 11 192

HSL 286.08, 0.89%, 0.4%

LAB 38.78, 71.87, -60.61

 

CMYK 0 / 69 / 94 / 25

HEX #C03B0B

RGB 192 59 11

HSL 15.91, 0.89%, 0.4%

LAB 44.74, 51.38, 53.25

 

Description

Color code: HEX #35C10B | qconv.com Color code: HEX #35C10B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 193 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 193 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 94 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 94% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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