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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35D2DE it is the complementary color #CA2D21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35D2DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35D2DE shade: #3AD2D9, #4BE4EC, #5CF6FF, #6DFFFF and #7EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35D2DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35D2DE shade: #35D2DE, #24C0CB, #13AEB8, #029CA5 and #008A92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35D2DE shade: #35D2DE, #35A4DE, #3577DE, #3549DE and #4E35DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35D2DE shade: #35D2DE, #35A4DE, #3577DE, #3549DE and #3535DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35D2DE shade matches the following richer shades: #35D2DE and #22E2F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35D2DE shade: #35D2DE, #48C1CB, #5BB1B8, #6EA1A5 and #819192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35D2DE shade: #35DE8F, #35DEBC, #35D2DE, #35A5DE and #3578DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35D2DE shade: #1B9CA5, #20BDC9, #35D2DE, #58DAE3 and #7CE1E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35D2DE shade: #35D2DE, #6235DE and #DEA535

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35D2DE shade: #35D2DE, #DE35D2 and #D2DE35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35D2DE shade: #35D2DE, #6235DE, #DE4035 and #B1DE35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35D2DE shade: #35D2DE, #9435DE, #DE4035 and #7EDE35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

Complementary color

CMYK 0 / 78 / 84 / 21

HEX #CA2D21

RGB 202 45 33

HSL 4.26, 0.72%, 0.46%

LAB 45, 59.84, 45.46

 

CMYK 73 / 3 / 0 / 15

HEX #3AD2D9

RGB 58 210 217

HSL 182.64, 0.68%, 0.54%

LAB 77.28, -35.96, -14.78

 

CMYK 68 / 3 / 0 / 7

HEX #4BE4EC

RGB 75 228 236

HSL 182.98, 0.81%, 0.61%

LAB 83.46, -36.77, -15.59

 

CMYK 64 / 4 / 0 / 0

HEX #5CF6FF

RGB 92 246 255

HSL 183.31, 1%, 0.68%

LAB 89.58, -37.39, -16.33

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 82 / 5 / 0 / 20

HEX #24C0CB

RGB 36 192 203

HSL 183.95, 0.7%, 0.47%

LAB 71.14, -33.81, -16.49

 

CMYK 90 / 5 / 0 / 28

HEX #13AEB8

RGB 19 174 184

HSL 183.64, 0.81%, 0.4%

LAB 64.86, -32.26, -15.52

 

CMYK 99 / 5 / 0 / 35

HEX #029CA5

RGB 2 156 165

HSL 183.31, 0.98%, 0.33%

LAB 58.51, -30.35, -14.44

 

CMYK 100 / 5 / 0 / 43

HEX #008A92

RGB 0 138 146

HSL 183.29, 1%, 0.29%

LAB 52.12, -27.84, -13.2

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 76 / 26 / 0 / 13

HEX #35A4DE

RGB 53 164 222

HSL 200.59, 0.72%, 0.54%

LAB 63.82, -11.65, -38.16

 

CMYK 76 / 46 / 0 / 13

HEX #3577DE

RGB 53 119 222

HSL 216.57, 0.72%, 0.54%

LAB 50.95, 14.89, -58.57

 

CMYK 76 / 67 / 0 / 13

HEX #3549DE

RGB 53 73 222

HSL 232.9, 0.72%, 0.54%

LAB 39.23, 43.83, -77.62

 

CMYK 65 / 76 / 0 / 13

HEX #4E35DE

RGB 78 53 222

HSL 248.88, 0.72%, 0.54%

LAB 36.82, 57.33, -81.55

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 76 / 26 / 0 / 13

HEX #35A4DE

RGB 53 164 222

HSL 200.59, 0.72%, 0.54%

LAB 63.82, -11.65, -38.16

 

CMYK 76 / 46 / 0 / 13

HEX #3577DE

RGB 53 119 222

HSL 216.57, 0.72%, 0.54%

LAB 50.95, 14.89, -58.57

 

CMYK 76 / 67 / 0 / 13

HEX #3549DE

RGB 53 73 222

HSL 232.9, 0.72%, 0.54%

LAB 39.23, 43.83, -77.62

 

CMYK 76 / 76 / 0 / 13

HEX #3535DE

RGB 53 53 222

HSL 240, 0.72%, 0.54%

LAB 35.16, 55.15, -84.35

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 86 / 6 / 0 / 5

HEX #22E2F1

RGB 34 226 241

HSL 184.35, 0.88%, 0.54%

LAB 82.42, -38.23, -19.86

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 65 / 5 / 0 / 20

HEX #48C1CB

RGB 72 193 203

HSL 184.58, 0.56%, 0.54%

LAB 72.11, -30.09, -14.95

 

CMYK 51 / 4 / 0 / 28

HEX #5BB1B8

RGB 91 177 184

HSL 184.52, 0.4%, 0.54%

LAB 67.37, -23.97, -11.58

 

CMYK 33 / 2 / 0 / 35

HEX #6EA1A5

RGB 110 161 165

HSL 184.36, 0.23%, 0.54%

LAB 62.95, -15.84, -7.5

 

CMYK 12 / 1 / 0 / 43

HEX #819192

RGB 129 145 146

HSL 183.53, 0.07%, 0.54%

LAB 58.97, -5.51, -2.49

 

CMYK 76 / 0 / 36 / 13

HEX #35DE8F

RGB 53 222 143

HSL 151.95, 0.72%, 0.54%

LAB 79.03, -59.81, 26.99

 

CMYK 76 / 0 / 15 / 13

HEX #35DEBC

RGB 53 222 188

HSL 167.93, 0.72%, 0.54%

LAB 79.97, -49.69, 4.68

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 76 / 26 / 0 / 13

HEX #35A5DE

RGB 53 165 222

HSL 200.24, 0.72%, 0.54%

LAB 64.11, -12.19, -37.7

 

CMYK 76 / 46 / 0 / 13

HEX #3578DE

RGB 53 120 222

HSL 216.21, 0.72%, 0.54%

LAB 51.23, 14.27, -58.12

 

CMYK 84 / 5 / 0 / 35

HEX #1B9CA5

RGB 27 156 165

HSL 183.91, 0.72%, 0.38%

LAB 58.72, -29.04, -14.11

 

CMYK 84 / 6 / 0 / 21

HEX #20BDC9

RGB 32 189 201

HSL 184.26, 0.73%, 0.46%

LAB 70.12, -33.3, -16.94

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 61 / 4 / 0 / 11

HEX #58DAE3

RGB 88 218 227

HSL 183.88, 0.71%, 0.62%

LAB 80.61, -32.69, -15.07

 

CMYK 47 / 3 / 0 / 9

HEX #7CE1E9

RGB 124 225 233

HSL 184.4, 0.71%, 0.7%

LAB 83.98, -27.45, -13.08

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 56 / 76 / 0 / 13

HEX #6235DE

RGB 98 53 222

HSL 255.98, 0.72%, 0.54%

LAB 38.58, 59.61, -78.58

 

CMYK 0 / 26 / 76 / 13

HEX #DEA535

RGB 222 165 53

HSL 39.76, 0.72%, 0.54%

LAB 71.35, 10.94, 62.59

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 0 / 76 / 5 / 13

HEX #DE35D2

RGB 222 53 210

HSL 304.26, 0.72%, 0.54%

LAB 54.79, 78.79, -44.68

 

CMYK 5 / 0 / 76 / 13

HEX #D2DE35

RGB 210 222 53

HSL 64.26, 0.72%, 0.54%

LAB 85.1, -23.34, 74.99

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 56 / 76 / 0 / 13

HEX #6235DE

RGB 98 53 222

HSL 255.98, 0.72%, 0.54%

LAB 38.58, 59.61, -78.58

 

CMYK 0 / 71 / 76 / 13

HEX #DE4035

RGB 222 64 53

HSL 3.91, 0.72%, 0.54%

LAB 51.21, 60.28, 42.38

 

CMYK 20 / 0 / 76 / 13

HEX #B1DE35

RGB 177 222 53

HSL 75.98, 0.72%, 0.54%

LAB 82.83, -36.6, 72.07

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 33 / 76 / 0 / 13

HEX #9435DE

RGB 148 53 222

HSL 273.73, 0.72%, 0.54%

LAB 44.4, 67, -68.83

 

CMYK 0 / 71 / 76 / 13

HEX #DE4035

RGB 222 64 53

HSL 3.91, 0.72%, 0.54%

LAB 51.21, 60.28, 42.38

 

CMYK 43 / 0 / 76 / 13

HEX #7EDE35

RGB 126 222 53

HSL 94.08, 0.72%, 0.54%

LAB 80.14, -54.78, 68.58

 

Description

Color code: HEX #35D2DE | qconv.com Color code: HEX #35D2DE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 210 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 210 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 5 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 5% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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