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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35E3AA it is the complementary color #CA1C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35E3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35E3AA shade: #3AE3A5, #4BF5B8, #5CFFCB, #6DFFDE and #7EFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35E3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35E3AA shade: #35E3AA, #24D197, #13BF84, #02AD71 and #009B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35E3AA shade: #35E3AA, #35E37B, #35E34C, #4CE335 and #7BE335

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35E3AA shade: #35E3AA, #35E3D9, #35BEE3, #358FE3 and #3560E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35E3AA shade matches the following richer shades: #35E3AA and #22F6B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35E3AA shade: #35E3AA, #47D0A3, #5ABE9D, #6CAB97 and #7F9990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35E3AA shade: #35E34C, #35E37A, #35E3A9, #35E3D7 and #35C0E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35E3AA shade: #17AE7C, #1CD296, #35E3AA, #59E8B9 and #7DEDC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35E3AA shade: #35E3AA, #354CE3 and #E36335

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35E3AA shade: #35E3AA, #A935E3 and #E3A935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35E3AA shade: #35E3AA, #354CE3, #E3356F and #E3CC35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35E3AA shade: #35E3AA, #5235E3, #E3356F and #C6E335

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

Complementary color

CMYK 0 / 86 / 58 / 21

HEX #CA1C55

RGB 202 28 85

HSL 340.34, 0.76%, 0.45%

LAB 44.29, 66.39, 13.98

 

CMYK 74 / 0 / 27 / 11

HEX #3AE3A5

RGB 58 227 165

HSL 157.99, 0.75%, 0.56%

LAB 81.05, -56.52, 18.34

 

CMYK 69 / 0 / 25 / 4

HEX #4BF5B8

RGB 75 245 184

HSL 158.47, 0.89%, 0.63%

LAB 87.12, -57.11, 17.01

 

CMYK 64 / 0 / 20 / 0

HEX #5CFFCB

RGB 92 255 203

HSL 160.86, 1%, 0.68%

LAB 90.83, -54.29, 12.49

 

CMYK 57 / 0 / 13 / 0

HEX #6DFFDE

RGB 109 255 222

HSL 166.44, 1%, 0.71%

LAB 91.71, -46.96, 4

 

CMYK 51 / 0 / 5 / 0

HEX #7EFFF1

RGB 126 255 241

HSL 173.49, 1%, 0.75%

LAB 92.71, -39.09, -4.3

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 83 / 0 / 28 / 18

HEX #24D197

RGB 36 209 151

HSL 159.88, 0.71%, 0.48%

LAB 74.96, -55.01, 17.2

 

CMYK 90 / 0 / 31 / 25

HEX #13BF84

RGB 19 191 132

HSL 159.42, 0.82%, 0.41%

LAB 68.8, -53.65, 18.79

 

CMYK 99 / 0 / 35 / 32

HEX #02AD71

RGB 2 173 113

HSL 158.95, 0.98%, 0.34%

LAB 62.59, -51.87, 20.53

 

CMYK 100 / 0 / 39 / 39

HEX #009B5E

RGB 0 155 94

HSL 156.39, 1%, 0.3%

LAB 56.34, -49.38, 22.48

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 77 / 0 / 46 / 11

HEX #35E37B

RGB 53 227 123

HSL 144.14, 0.76%, 0.55%

LAB 80.25, -65.19, 38.69

 

CMYK 77 / 0 / 67 / 11

HEX #35E34C

RGB 53 227 76

HSL 127.93, 0.76%, 0.55%

LAB 79.74, -71.32, 59.32

 

CMYK 67 / 0 / 77 / 11

HEX #4CE335

RGB 76 227 53

HSL 112.07, 0.76%, 0.55%

LAB 80.03, -69.4, 67.9

 

CMYK 46 / 0 / 77 / 11

HEX #7BE335

RGB 123 227 53

HSL 95.86, 0.76%, 0.55%

LAB 81.51, -57.62, 69.84

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 77 / 0 / 4 / 11

HEX #35E3D9

RGB 53 227 217

HSL 176.55, 0.76%, 0.55%

LAB 82.22, -44.16, -7.42

 

CMYK 77 / 16 / 0 / 11

HEX #35BEE3

RGB 53 190 227

HSL 192.76, 0.76%, 0.55%

LAB 71.64, -23.72, -28.77

 

CMYK 77 / 37 / 0 / 11

HEX #358FE3

RGB 53 143 227

HSL 208.97, 0.76%, 0.55%

LAB 57.99, 2.11, -50.12

 

CMYK 77 / 58 / 0 / 11

HEX #3560E3

RGB 53 96 227

HSL 225.17, 0.76%, 0.55%

LAB 45.18, 31.28, -70.74

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 86 / 0 / 28 / 4

HEX #22F6B0

RGB 34 246 176

HSL 160.19, 0.92%, 0.55%

LAB 86.69, -63.48, 20.45

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 66 / 0 / 22 / 18

HEX #47D0A3

RGB 71 208 163

HSL 160.29, 0.59%, 0.55%

LAB 75.51, -47.46, 11.67

 

CMYK 53 / 0 / 17 / 25

HEX #5ABE9D

RGB 90 190 157

HSL 160.2, 0.43%, 0.55%

LAB 70.48, -37.25, 7.82

 

CMYK 37 / 0 / 12 / 33

HEX #6CAB97

RGB 108 171 151

HSL 160.95, 0.27%, 0.55%

LAB 65.4, -24.89, 3.91

 

CMYK 17 / 0 / 6 / 40

HEX #7F9990

RGB 127 153 144

HSL 159.23, 0.11%, 0.55%

LAB 61.05, -11.01, 1.68

 

CMYK 77 / 0 / 67 / 11

HEX #35E34C

RGB 53 227 76

HSL 127.93, 0.76%, 0.55%

LAB 79.74, -71.32, 59.32

 

CMYK 77 / 0 / 46 / 11

HEX #35E37A

RGB 53 227 122

HSL 143.79, 0.76%, 0.55%

LAB 80.24, -65.35, 39.16

 

CMYK 77 / 0 / 26 / 11

HEX #35E3A9

RGB 53 227 169

HSL 160, 0.76%, 0.55%

LAB 81.05, -56.22, 16.24

 

CMYK 77 / 0 / 5 / 11

HEX #35E3D7

RGB 53 227 215

HSL 175.86, 0.76%, 0.55%

LAB 82.16, -44.71, -6.45

 

CMYK 77 / 15 / 0 / 11

HEX #35C0E3

RGB 53 192 227

HSL 192.07, 0.76%, 0.55%

LAB 72.23, -24.73, -27.87

 

CMYK 87 / 0 / 29 / 32

HEX #17AE7C

RGB 23 174 124

HSL 160.13, 0.77%, 0.39%

LAB 63.27, -48.67, 15.49

 

CMYK 87 / 0 / 29 / 18

HEX #1CD296

RGB 28 210 150

HSL 160.22, 0.76%, 0.47%

LAB 75.17, -56.23, 18

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 62 / 0 / 20 / 9

HEX #59E8B9

RGB 89 232 185

HSL 160.28, 0.76%, 0.63%

LAB 83.62, -49.37, 11.59

 

CMYK 47 / 0 / 16 / 7

HEX #7DEDC8

RGB 125 237 200

HSL 160.18, 0.76%, 0.71%

LAB 86.55, -40.66, 8.08

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 77 / 67 / 0 / 11

HEX #354CE3

RGB 53 76 227

HSL 232.07, 0.76%, 0.55%

LAB 40.36, 43.75, -78.62

 

CMYK 0 / 56 / 77 / 11

HEX #E36335

RGB 227 99 53

HSL 15.86, 0.76%, 0.55%

LAB 57.57, 47.25, 49.27

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 26 / 77 / 0 / 11

HEX #A935E3

RGB 169 53 227

HSL 280, 0.76%, 0.55%

LAB 47.66, 71.62, -66.25

 

CMYK 0 / 26 / 77 / 11

HEX #E3A935

RGB 227 169 53

HSL 40, 0.76%, 0.55%

LAB 72.87, 10.95, 64.22

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 77 / 67 / 0 / 11

HEX #354CE3

RGB 53 76 227

HSL 232.07, 0.76%, 0.55%

LAB 40.36, 43.75, -78.62

 

CMYK 0 / 77 / 51 / 11

HEX #E3356F

RGB 227 53 111

HSL 340, 0.76%, 0.55%

LAB 51.87, 68.64, 9.28

 

CMYK 0 / 10 / 77 / 11

HEX #E3CC35

RGB 227 204 53

HSL 52.07, 0.76%, 0.55%

LAB 81.72, -7.29, 72.41

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AA

RGB 53 227 170

HSL 160.34, 0.76%, 0.55%

LAB 81.07, -56, 15.75

 

CMYK 64 / 77 / 0 / 11

HEX #5235E3

RGB 82 53 227

HSL 250, 0.76%, 0.55%

LAB 37.64, 59.19, -83.05

 

CMYK 0 / 77 / 51 / 11

HEX #E3356F

RGB 227 53 111

HSL 340, 0.76%, 0.55%

LAB 51.87, 68.64, 9.28

 

CMYK 13 / 0 / 77 / 11

HEX #C6E335

RGB 198 227 53

HSL 70, 0.76%, 0.55%

LAB 85.61, -30.59, 75.13

 

Description

Color code: HEX #35E3AA | qconv.com Color code: HEX #35E3AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 227 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 227 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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