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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35F777 it is the complementary color #CA0888. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35F777. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35F777 shade: #3AF772, #4BFF85, #5CFF98, #6DFFAB and #7EFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35F777. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35F777 shade: #35F777, #24E564, #13D351, #02C13E and #00AF2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35F777 shade: #36F677, #36F643, #5CF636, #90F636 and #C4F636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35F777 shade: #36F677, #36F6AB, #36F6DF, #36D9F6 and #36A6F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35F777 shade matches the following richer shades: #36F677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35F777 shade: #36F677, #47E57D, #58D482, #69C387 and #79B28D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35F777 shade: #5CF636, #36F643, #36F676, #36F6A9 and #36F6DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35F777 shade: #08D14D, #0EF45D, #36F677, #5DF892 and #85F9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35F777 shade: #35F777, #3690F6 and #F63643

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35F777 shade: #35F777, #7636F6 and #F67636

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35F777 shade: #35F777, #3690F6, #F636B6 and #F69C36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35F777 shade: #35F777, #3656F6, #F636B6 and #F6D636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 52 / 3

HEX #35F777

RGB 53 247 119

HSL 140.41, 0.92%, 0.59%

LAB 86.31, -72.46, 48.18

 

Complementary color

CMYK 0 / 96 / 33 / 21

HEX #CA0888

RGB 202 8 136

HSL 320.41, 0.92%, 0.41%

LAB 44.95, 73.45, -16.67

 

CMYK 77 / 0 / 54 / 3

HEX #3AF772

RGB 58 247 114

HSL 137.78, 0.92%, 0.6%

LAB 86.32, -72.57, 50.52

 

CMYK 71 / 0 / 48 / 0

HEX #4BFF85

RGB 75 255 133

HSL 139.33, 1%, 0.65%

LAB 89.26, -70.17, 45.33

 

CMYK 64 / 0 / 40 / 0

HEX #5CFF98

RGB 92 255 152

HSL 142.09, 1%, 0.68%

LAB 89.89, -64.3, 37.01

 

CMYK 57 / 0 / 33 / 0

HEX #6DFFAB

RGB 109 255 171

HSL 145.48, 1%, 0.71%

LAB 90.65, -57.64, 28.63

 

CMYK 51 / 0 / 25 / 0

HEX #7EFFBE

RGB 126 255 190

HSL 149.77, 1%, 0.75%

LAB 91.54, -50.29, 20.3

 

CMYK 79 / 0 / 52 / 3

HEX #35F777

RGB 53 247 119

HSL 140.41, 0.92%, 0.59%

LAB 86.31, -72.46, 48.18

 

CMYK 84 / 0 / 56 / 10

HEX #24E564

RGB 36 229 100

HSL 139.9, 0.79%, 0.52%

LAB 80.37, -71.03, 49.71

 

CMYK 91 / 0 / 62 / 17

HEX #13D351

RGB 19 211 81

HSL 139.38, 0.83%, 0.45%

LAB 74.39, -69.07, 51.2

 

CMYK 99 / 0 / 68 / 24

HEX #02C13E

RGB 2 193 62

HSL 138.85, 0.98%, 0.38%

LAB 68.39, -66.52, 52.53

 

CMYK 100 / 0 / 75 / 31

HEX #00AF2B

RGB 0 175 43

HSL 134.74, 1%, 0.34%

LAB 62.37, -63.07, 53.48

 

CMYK 78 / 0 / 52 / 4

HEX #36F677

RGB 54 246 119

HSL 140.31, 0.91%, 0.59%

LAB 86.02, -72.03, 47.83

 

CMYK 78 / 0 / 73 / 4

HEX #36F643

RGB 54 246 67

HSL 124.06, 0.91%, 0.59%

LAB 85.55, -77.69, 68.7

 

CMYK 63 / 0 / 78 / 4

HEX #5CF636

RGB 92 246 54

HSL 108.13, 0.91%, 0.59%

LAB 86.23, -72.2, 73.67

 

CMYK 41 / 0 / 78 / 4

HEX #90F636

RGB 144 246 54

HSL 91.88, 0.91%, 0.59%

LAB 88.02, -58.31, 75.98

 

CMYK 20 / 0 / 78 / 4

HEX #C4F636

RGB 196 246 54

HSL 75.63, 0.91%, 0.59%

LAB 90.74, -39.96, 79.48

 

CMYK 78 / 0 / 52 / 4

HEX #36F677

RGB 54 246 119

HSL 140.31, 0.91%, 0.59%

LAB 86.02, -72.03, 47.83

 

CMYK 78 / 0 / 30 / 4

HEX #36F6AB

RGB 54 246 171

HSL 156.56, 0.91%, 0.59%

LAB 86.82, -62.86, 23.21

 

CMYK 78 / 0 / 9 / 4

HEX #36F6DF

RGB 54 246 223

HSL 172.81, 0.91%, 0.59%

LAB 87.98, -50.58, -2.09

 

CMYK 78 / 12 / 0 / 4

HEX #36D9F6

RGB 54 217 246

HSL 189.06, 0.91%, 0.59%

LAB 80.22, -30.98, -25.85

 

CMYK 78 / 33 / 0 / 4

HEX #36A6F6

RGB 54 166 246

HSL 205, 0.91%, 0.59%

LAB 65.52, -4.31, -48.67

 

CMYK 78 / 0 / 52 / 4

HEX #36F677

RGB 54 246 119

HSL 140.31, 0.91%, 0.59%

LAB 86.02, -72.03, 47.83

 

CMYK 78 / 0 / 52 / 4

HEX #36F677

RGB 54 246 119

HSL 140.31, 0.91%, 0.59%

LAB 86.02, -72.03, 47.83

 

CMYK 69 / 0 / 45 / 10

HEX #47E57D

RGB 71 229 125

HSL 140.51, 0.75%, 0.59%

LAB 81.21, -62.98, 39

 

CMYK 58 / 0 / 39 / 17

HEX #58D482

RGB 88 212 130

HSL 140.32, 0.59%, 0.59%

LAB 76.54, -52.52, 30.5

 

CMYK 46 / 0 / 31 / 24

HEX #69C387

RGB 105 195 135

HSL 140, 0.43%, 0.59%

LAB 72.08, -40.32, 22.01

 

CMYK 32 / 0 / 21 / 30

HEX #79B28D

RGB 121 178 141

HSL 141.05, 0.27%, 0.59%

LAB 67.89, -26.51, 13.08

 

CMYK 63 / 0 / 78 / 4

HEX #5CF636

RGB 92 246 54

HSL 108.13, 0.91%, 0.59%

LAB 86.23, -72.2, 73.67

 

CMYK 78 / 0 / 73 / 4

HEX #36F643

RGB 54 246 67

HSL 124.06, 0.91%, 0.59%

LAB 85.55, -77.69, 68.7

 

CMYK 78 / 0 / 52 / 4

HEX #36F676

RGB 54 246 118

HSL 140, 0.91%, 0.59%

LAB 86.01, -72.17, 48.28

 

CMYK 78 / 0 / 31 / 4

HEX #36F6A9

RGB 54 246 169

HSL 155.94, 0.91%, 0.59%

LAB 86.78, -63.28, 24.19

 

CMYK 78 / 0 / 11 / 4

HEX #36F6DC

RGB 54 246 220

HSL 171.88, 0.91%, 0.59%

LAB 87.9, -51.36, -0.64

 

CMYK 96 / 0 / 63 / 18

HEX #08D14D

RGB 8 209 77

HSL 140.6, 0.93%, 0.43%

LAB 73.67, -69.42, 52.09

 

CMYK 94 / 0 / 62 / 4

HEX #0EF45D

RGB 14 244 93

HSL 140.61, 0.91%, 0.51%

LAB 84.78, -77.72, 57.85

 

CMYK 78 / 0 / 52 / 4

HEX #36F677

RGB 54 246 119

HSL 140.31, 0.91%, 0.59%

LAB 86.02, -72.03, 47.83

 

CMYK 63 / 0 / 41 / 3

HEX #5DF892

RGB 93 248 146

HSL 140.52, 0.92%, 0.67%

LAB 87.75, -62.54, 37.17

 

CMYK 47 / 0 / 31 / 2

HEX #85F9AD

RGB 133 249 173

HSL 140.69, 0.91%, 0.75%

LAB 89.75, -49.26, 26.53

 

CMYK 79 / 0 / 52 / 3

HEX #35F777

RGB 53 247 119

HSL 140.41, 0.92%, 0.59%

LAB 86.31, -72.46, 48.18

 

CMYK 78 / 41 / 0 / 4

HEX #3690F6

RGB 54 144 246

HSL 211.88, 0.91%, 0.59%

LAB 59.33, 8.51, -58.51

 

CMYK 0 / 78 / 73 / 4

HEX #F63643

RGB 246 54 67

HSL 355.94, 0.91%, 0.59%

LAB 54.7, 71.02, 39.71

 

CMYK 79 / 0 / 52 / 3

HEX #35F777

RGB 53 247 119

HSL 140.41, 0.92%, 0.59%

LAB 86.31, -72.46, 48.18

 

CMYK 52 / 78 / 0 / 4

HEX #7636F6

RGB 118 54 246

HSL 260, 0.91%, 0.59%

LAB 42.98, 67.94, -84.88

 

CMYK 0 / 52 / 78 / 4

HEX #F67636

RGB 246 118 54

HSL 20, 0.91%, 0.59%

LAB 64.01, 45.25, 56.17

 

CMYK 79 / 0 / 52 / 3

HEX #35F777

RGB 53 247 119

HSL 140.41, 0.92%, 0.59%

LAB 86.31, -72.46, 48.18

 

CMYK 78 / 41 / 0 / 4

HEX #3690F6

RGB 54 144 246

HSL 211.88, 0.91%, 0.59%

LAB 59.33, 8.51, -58.51

 

CMYK 0 / 78 / 26 / 4

HEX #F636B6

RGB 246 54 182

HSL 320, 0.91%, 0.59%

LAB 57.66, 80.02, -23.8

 

CMYK 0 / 37 / 78 / 4

HEX #F69C36

RGB 246 156 54

HSL 31.88, 0.91%, 0.59%

LAB 71.98, 25.89, 63.78

 

CMYK 79 / 0 / 52 / 3

HEX #35F777

RGB 53 247 119

HSL 140.41, 0.92%, 0.59%

LAB 86.31, -72.46, 48.18

 

CMYK 78 / 65 / 0 / 4

HEX #3656F6

RGB 54 86 246

HSL 230, 0.91%, 0.59%

LAB 44.37, 44.37, -82.76

 

CMYK 0 / 78 / 26 / 4

HEX #F636B6

RGB 246 54 182

HSL 320, 0.91%, 0.59%

LAB 57.66, 80.02, -23.8

 

CMYK 0 / 13 / 78 / 4

HEX #F6D636

RGB 246 214 54

HSL 50, 0.91%, 0.59%

LAB 85.98, -4.28, 76.6

 

Description

Color code: HEX #35F777 | qconv.com Color code: HEX #35F777 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 247 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 247 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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