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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #360597 it is the complementary color #C9FA68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #360597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #360597 shade: #3B0592, #4C17A5, #5D29B8, #6E3BCB and #7F4DDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #360597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #360597 shade: #360597, #250084, #140071, #03005E and #00004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #360597 shade: #360499, #5E0499, #860499, #990483 and #99045B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #360597 shade: #360499, #0E0499 and #040499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #360597 shade matches the following richer shades: #360499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #360597 shade: #360499, #3A118C, #3F1E7F, #432B72 and #473766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #360597 shade: #042299, #0E0499, #360499, #5D0499 and #850499

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #360597 shade: #1A0249, #280371, #360499, #4405C1 and #5307E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #360597 shade: #360597, #99044A and #0E9904

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #360597 shade: #360597, #993604 and #049936

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #360597 shade: #360597, #99044A, #679904 and #049954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #360597 shade: #360597, #99041D, #679904 and #049980

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 97 / 0 / 41

HEX #360597

RGB 54 5 151

HSL 260.14, 0.94%, 0.31%

LAB 20.55, 53.66, -66.41

 

Complementary color

CMYK 20 / 0 / 58 / 2

HEX #C9FA68

RGB 201 250 104

HSL 80.14, 0.94%, 0.69%

LAB 92.48, -36.84, 63.47

 

CMYK 60 / 97 / 0 / 43

HEX #3B0592

RGB 59 5 146

HSL 262.98, 0.93%, 0.3%

LAB 20.49, 52.74, -63.38

 

CMYK 54 / 86 / 0 / 35

HEX #4C17A5

RGB 76 23 165

HSL 262.39, 0.76%, 0.37%

LAB 26.35, 54.12, -65.29

 

CMYK 49 / 78 / 0 / 28

HEX #5D29B8

RGB 93 41 184

HSL 261.82, 0.64%, 0.44%

LAB 32.64, 54.13, -66.24

 

CMYK 46 / 71 / 0 / 20

HEX #6E3BCB

RGB 110 59 203

HSL 261.25, 0.58%, 0.51%

LAB 39.16, 53.41, -66.63

 

CMYK 43 / 65 / 0 / 13

HEX #7F4DDE

RGB 127 77 222

HSL 260.69, 0.69%, 0.59%

LAB 45.76, 52.39, -66.72

 

CMYK 64 / 97 / 0 / 41

HEX #360597

RGB 54 5 151

HSL 260.14, 0.94%, 0.31%

LAB 20.55, 53.66, -66.41

 

CMYK 72 / 100 / 0 / 48

HEX #250084

RGB 37 0 132

HSL 256.82, 1%, 0.26%

LAB 15.8, 49.39, -62.48

 

CMYK 82 / 100 / 0 / 56

HEX #140071

RGB 20 0 113

HSL 250.62, 1%, 0.22%

LAB 11.56, 43.82, -57.38

 

CMYK 97 / 100 / 0 / 63

HEX #03005E

RGB 3 0 94

HSL 241.91, 1%, 0.18%

LAB 7.47, 38.17, -51.65

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 65 / 97 / 0 / 40

HEX #360499

RGB 54 4 153

HSL 260.13, 0.95%, 0.31%

LAB 20.72, 54.42, -67.36

 

CMYK 39 / 97 / 0 / 40

HEX #5E0499

RGB 94 4 153

HSL 276.24, 0.95%, 0.31%

LAB 26.06, 57.93, -58.36

 

CMYK 12 / 97 / 0 / 40

HEX #860499

RGB 134 4 153

HSL 292.35, 0.95%, 0.31%

LAB 32.82, 63.47, -47.05

 

CMYK 0 / 97 / 14 / 40

HEX #990483

RGB 153 4 131

HSL 308.86, 0.95%, 0.31%

LAB 35, 63.41, -29.79

 

CMYK 0 / 97 / 41 / 40

HEX #99045B

RGB 153 4 91

HSL 324.97, 0.95%, 0.31%

LAB 33.17, 58.69, -7.16

 

CMYK 65 / 97 / 0 / 40

HEX #360499

RGB 54 4 153

HSL 260.13, 0.95%, 0.31%

LAB 20.72, 54.42, -67.36

 

CMYK 91 / 97 / 0 / 40

HEX #0E0499

RGB 14 4 153

HSL 244.03, 0.95%, 0.31%

LAB 17.83, 52.99, -72.25

 

CMYK 97 / 97 / 0 / 40

HEX #040499

RGB 4 4 153

HSL 240, 0.95%, 0.31%

LAB 17.52, 52.86, -72.78

 

CMYK 65 / 97 / 0 / 40

HEX #360499

RGB 54 4 153

HSL 260.13, 0.95%, 0.31%

LAB 20.72, 54.42, -67.36

 

CMYK 65 / 97 / 0 / 40

HEX #360499

RGB 54 4 153

HSL 260.13, 0.95%, 0.31%

LAB 20.72, 54.42, -67.36

 

CMYK 59 / 88 / 0 / 45

HEX #3A118C

RGB 58 17 140

HSL 260, 0.78%, 0.31%

LAB 20.8, 47.69, -59.14

 

CMYK 50 / 76 / 0 / 50

HEX #3F1E7F

RGB 63 30 127

HSL 260.41, 0.62%, 0.31%

LAB 22.01, 39, -48.95

 

CMYK 41 / 62 / 0 / 55

HEX #432B72

RGB 67 43 114

HSL 260.28, 0.45%, 0.31%

LAB 24.12, 28.53, -37.23

 

CMYK 30 / 46 / 0 / 60

HEX #473766

RGB 71 55 102

HSL 260.43, 0.3%, 0.31%

LAB 26.82, 18.44, -25.17

 

CMYK 97 / 78 / 0 / 40

HEX #042299

RGB 4 34 153

HSL 227.92, 0.95%, 0.31%

LAB 21.83, 40.04, -65.59

 

CMYK 91 / 97 / 0 / 40

HEX #0E0499

RGB 14 4 153

HSL 244.03, 0.95%, 0.31%

LAB 17.83, 52.99, -72.25

 

CMYK 65 / 97 / 0 / 40

HEX #360499

RGB 54 4 153

HSL 260.13, 0.95%, 0.31%

LAB 20.72, 54.42, -67.36

 

CMYK 39 / 97 / 0 / 40

HEX #5D0499

RGB 93 4 153

HSL 275.84, 0.95%, 0.31%

LAB 25.9, 57.82, -58.62

 

CMYK 13 / 97 / 0 / 40

HEX #850499

RGB 133 4 153

HSL 291.95, 0.95%, 0.31%

LAB 32.64, 63.31, -47.34

 

CMYK 64 / 97 / 0 / 71

HEX #1A0249

RGB 26 2 73

HSL 260.28, 0.95%, 0.15%

LAB 6.72, 31.54, -38.43

 

CMYK 65 / 97 / 0 / 56

HEX #280371

RGB 40 3 113

HSL 260.18, 0.95%, 0.23%

LAB 13.88, 43.51, -53.47

 

CMYK 65 / 97 / 0 / 40

HEX #360499

RGB 54 4 153

HSL 260.13, 0.95%, 0.31%

LAB 20.72, 54.42, -67.36

 

CMYK 65 / 97 / 0 / 24

HEX #4405C1

RGB 68 5 193

HSL 260.11, 0.95%, 0.39%

LAB 27.26, 64.8, -80.55

 

CMYK 64 / 97 / 0 / 9

HEX #5307E9

RGB 83 7 233

HSL 260.18, 0.94%, 0.47%

LAB 33.72, 74.68, -92.96

 

CMYK 64 / 97 / 0 / 41

HEX #360597

RGB 54 5 151

HSL 260.14, 0.94%, 0.31%

LAB 20.55, 53.66, -66.41

 

CMYK 0 / 97 / 52 / 40

HEX #99044A

RGB 153 4 74

HSL 331.81, 0.95%, 0.31%

LAB 32.6, 57.17, 3.15

 

CMYK 91 / 0 / 97 / 40

HEX #0E9904

RGB 14 153 4

HSL 115.97, 0.95%, 0.31%

LAB 54.95, -57.86, 56.29

 

CMYK 64 / 97 / 0 / 41

HEX #360597

RGB 54 5 151

HSL 260.14, 0.94%, 0.31%

LAB 20.55, 53.66, -66.41

 

CMYK 0 / 65 / 97 / 40

HEX #993604

RGB 153 54 4

HSL 20.13, 0.95%, 0.31%

LAB 36.78, 39.53, 46.87

 

CMYK 97 / 0 / 65 / 40

HEX #049936

RGB 4 153 54

HSL 140.13, 0.95%, 0.31%

LAB 55.15, -55.1, 41.4

 

CMYK 64 / 97 / 0 / 41

HEX #360597

RGB 54 5 151

HSL 260.14, 0.94%, 0.31%

LAB 20.55, 53.66, -66.41

 

CMYK 0 / 97 / 52 / 40

HEX #99044A

RGB 153 4 74

HSL 331.81, 0.95%, 0.31%

LAB 32.6, 57.17, 3.15

 

CMYK 33 / 0 / 97 / 40

HEX #679904

RGB 103 153 4

HSL 80.13, 0.95%, 0.31%

LAB 57.73, -36.04, 59.68

 

CMYK 97 / 0 / 45 / 40

HEX #049954

RGB 4 153 84

HSL 152.21, 0.95%, 0.31%

LAB 55.53, -50.43, 26.84

 

CMYK 64 / 97 / 0 / 41

HEX #360597

RGB 54 5 151

HSL 260.14, 0.94%, 0.31%

LAB 20.55, 53.66, -66.41

 

CMYK 0 / 97 / 81 / 40

HEX #99041D

RGB 153 4 29

HSL 349.93, 0.95%, 0.31%

LAB 31.69, 54.69, 31.3

 

CMYK 33 / 0 / 97 / 40

HEX #679904

RGB 103 153 4

HSL 80.13, 0.95%, 0.31%

LAB 57.73, -36.04, 59.68

 

CMYK 97 / 0 / 16 / 40

HEX #049980

RGB 4 153 128

HSL 169.93, 0.95%, 0.31%

LAB 56.45, -40.08, 3.58

 

Description

Color code: HEX #360597 | qconv.com Color code: HEX #360597 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 5 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 5 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 97 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 97% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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