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Color name
HEX #360E7F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #360E7F it is the complementary color #C9F180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #360E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #360E7F shade: #3B0E7A, #4C208D, #5D32A0, #6E44B3 and #7F56C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #360E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #360E7F shade: #360E7F, #25006C, #140059, #030046 and #000033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #360E7F shade: #360E80, #550E80, #740E80, #800E6D and #800E4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #360E7F shade: #360E80, #170E80 and #0E0E80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #360E7F shade matches the following richer shades: #360E80 and #33028C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #360E7F shade: #360E80, #3A1974, #3D2569, #40305D and #443C52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #360E7F shade: #0E2380, #170E80, #360E80, #540E80 and #730E80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #360E7F shade: #170636, #260A5B, #360E80, #4612A5 and #5616CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #360E7F shade: #360E7F, #800E41 and #13800E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #360E7F shade: #360E7F, #80360E and #0E8036

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #360E7F shade: #360E7F, #800E41, #58800E and #0E804D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #360E7F shade: #360E7F, #800E1F, #58800E and #0E806F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 89 / 0 / 50

HEX #360E7F

RGB 54 14 127

HSL 261.24, 0.8%, 0.28%

LAB 18.5, 44.8, -54.77

 

Complementary color

CMYK 17 / 0 / 47 / 5

HEX #C9F180

RGB 201 241 128

HSL 81.24, 0.8%, 0.72%

LAB 90.27, -30.48, 50.07

 

CMYK 52 / 89 / 0 / 52

HEX #3B0E7A

RGB 59 14 122

HSL 265, 0.79%, 0.27%

LAB 18.58, 44.03, -51.42

 

CMYK 46 / 77 / 0 / 45

HEX #4C208D

RGB 76 32 141

HSL 264.22, 0.63%, 0.34%

LAB 25.24, 44.12, -52.39

 

CMYK 42 / 69 / 0 / 37

HEX #5D32A0

RGB 93 50 160

HSL 263.45, 0.52%, 0.41%

LAB 32.14, 43.34, -52.7

 

CMYK 39 / 62 / 0 / 30

HEX #6E44B3

RGB 110 68 179

HSL 262.7, 0.45%, 0.48%

LAB 39.08, 42.28, -52.72

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C6

RGB 127 86 198

HSL 261.96, 0.5%, 0.56%

LAB 45.97, 41.16, -52.63

 

CMYK 57 / 89 / 0 / 50

HEX #360E7F

RGB 54 14 127

HSL 261.24, 0.8%, 0.28%

LAB 18.5, 44.8, -54.77

 

CMYK 66 / 100 / 0 / 58

HEX #25006C

RGB 37 0 108

HSL 260.56, 1%, 0.21%

LAB 12.45, 43.22, -52.58

 

CMYK 78 / 100 / 0 / 65

HEX #140059

RGB 20 0 89

HSL 253.48, 1%, 0.17%

LAB 7.86, 37.28, -47.6

 

CMYK 96 / 100 / 0 / 73

HEX #030046

RGB 3 0 70

HSL 242.57, 1%, 0.14%

LAB 4.17, 27.62, -40.58

 

CMYK 100 / 100 / 0 / 80

HEX #000033

RGB 0 0 51

HSL 240, 1%, 0.1%

LAB 2.16, 15.17, -30.07

 

CMYK 58 / 89 / 0 / 50

HEX #360E80

RGB 54 14 128

HSL 261.05, 0.8%, 0.28%

LAB 18.61, 45.07, -55.21

 

CMYK 34 / 89 / 0 / 50

HEX #550E80

RGB 85 14 128

HSL 277.37, 0.8%, 0.28%

LAB 23.01, 49.12, -47.82

 

CMYK 9 / 89 / 0 / 50

HEX #740E80

RGB 116 14 128

HSL 293.68, 0.8%, 0.28%

LAB 28.34, 54.41, -38.93

 

CMYK 0 / 89 / 15 / 50

HEX #800E6D

RGB 128 14 109

HSL 310, 0.8%, 0.28%

LAB 29.43, 53.74, -24.97

 

CMYK 0 / 89 / 38 / 50

HEX #800E4F

RGB 128 14 79

HSL 325.79, 0.8%, 0.28%

LAB 28.03, 49.91, -7.51

 

CMYK 58 / 89 / 0 / 50

HEX #360E80

RGB 54 14 128

HSL 261.05, 0.8%, 0.28%

LAB 18.61, 45.07, -55.21

 

CMYK 82 / 89 / 0 / 50

HEX #170E80

RGB 23 14 128

HSL 244.74, 0.8%, 0.28%

LAB 15.77, 42.67, -60.01

 

CMYK 89 / 89 / 0 / 50

HEX #0E0E80

RGB 14 14 128

HSL 240, 0.8%, 0.28%

LAB 15.31, 42.3, -60.8

 

CMYK 58 / 89 / 0 / 50

HEX #360E80

RGB 54 14 128

HSL 261.05, 0.8%, 0.28%

LAB 18.61, 45.07, -55.21

 

CMYK 64 / 99 / 0 / 45

HEX #33028C

RGB 51 2 140

HSL 261.3, 0.97%, 0.28%

LAB 18.54, 51.52, -62.91

 

CMYK 58 / 89 / 0 / 50

HEX #360E80

RGB 54 14 128

HSL 261.05, 0.8%, 0.28%

LAB 18.61, 45.07, -55.21

 

CMYK 50 / 78 / 0 / 55

HEX #3A1974

RGB 58 25 116

HSL 261.76, 0.65%, 0.28%

LAB 19.46, 37.53, -46.13

 

CMYK 42 / 65 / 0 / 59

HEX #3D2569

RGB 61 37 105

HSL 261.18, 0.48%, 0.28%

LAB 21.34, 28.08, -35.93

 

CMYK 31 / 48 / 0 / 64

HEX #40305D

RGB 64 48 93

HSL 261.33, 0.32%, 0.28%

LAB 23.65, 18.25, -24.37

 

CMYK 17 / 27 / 0 / 68

HEX #443C52

RGB 68 60 82

HSL 261.82, 0.15%, 0.28%

LAB 26.93, 8.61, -12.02

 

CMYK 89 / 73 / 0 / 50

HEX #0E2380

RGB 14 35 128

HSL 228.95, 0.8%, 0.28%

LAB 19.45, 30.44, -53.93

 

CMYK 82 / 89 / 0 / 50

HEX #170E80

RGB 23 14 128

HSL 244.74, 0.8%, 0.28%

LAB 15.77, 42.67, -60.01

 

CMYK 58 / 89 / 0 / 50

HEX #360E80

RGB 54 14 128

HSL 261.05, 0.8%, 0.28%

LAB 18.61, 45.07, -55.21

 

CMYK 34 / 89 / 0 / 50

HEX #540E80

RGB 84 14 128

HSL 276.84, 0.8%, 0.28%

LAB 22.85, 48.97, -48.09

 

CMYK 10 / 89 / 0 / 50

HEX #730E80

RGB 115 14 128

HSL 293.16, 0.8%, 0.28%

LAB 28.16, 54.22, -39.23

 

CMYK 57 / 89 / 0 / 79

HEX #170636

RGB 23 6 54

HSL 261.25, 0.8%, 0.12%

LAB 5.23, 21.06, -27.26

 

CMYK 58 / 89 / 0 / 64

HEX #260A5B

RGB 38 10 91

HSL 260.74, 0.8%, 0.2%

LAB 11.85, 34.29, -42.26

 

CMYK 58 / 89 / 0 / 50

HEX #360E80

RGB 54 14 128

HSL 261.05, 0.8%, 0.28%

LAB 18.61, 45.07, -55.21

 

CMYK 58 / 89 / 0 / 35

HEX #4612A5

RGB 70 18 165

HSL 261.22, 0.8%, 0.36%

LAB 25.11, 55.11, -67.36

 

CMYK 57 / 89 / 0 / 21

HEX #5616CA

RGB 86 22 202

HSL 261.33, 0.8%, 0.44%

LAB 31.39, 64.66, -78.93

 

CMYK 57 / 89 / 0 / 50

HEX #360E7F

RGB 54 14 127

HSL 261.24, 0.8%, 0.28%

LAB 18.5, 44.8, -54.77

 

CMYK 0 / 89 / 49 / 50

HEX #800E41

RGB 128 14 65

HSL 333.16, 0.8%, 0.28%

LAB 27.53, 48.51, 1.15

 

CMYK 85 / 0 / 89 / 50

HEX #13800E

RGB 19 128 14

HSL 117.37, 0.8%, 0.28%

LAB 46.46, -49.48, 47.26

 

CMYK 57 / 89 / 0 / 50

HEX #360E7F

RGB 54 14 127

HSL 261.24, 0.8%, 0.28%

LAB 18.5, 44.8, -54.77

 

CMYK 0 / 58 / 89 / 50

HEX #80360E

RGB 128 54 14

HSL 21.05, 0.8%, 0.28%

LAB 32.39, 29.81, 38.03

 

CMYK 89 / 0 / 58 / 50

HEX #0E8036

RGB 14 128 54

HSL 141.05, 0.8%, 0.28%

LAB 46.71, -46.12, 31.64

 

CMYK 57 / 89 / 0 / 50

HEX #360E7F

RGB 54 14 127

HSL 261.24, 0.8%, 0.28%

LAB 18.5, 44.8, -54.77

 

CMYK 0 / 89 / 49 / 50

HEX #800E41

RGB 128 14 65

HSL 333.16, 0.8%, 0.28%

LAB 27.53, 48.51, 1.15

 

CMYK 31 / 0 / 89 / 50

HEX #58800E

RGB 88 128 14

HSL 81.05, 0.8%, 0.28%

LAB 48.94, -30.32, 50.38

 

CMYK 89 / 0 / 40 / 50

HEX #0E804D

RGB 14 128 77

HSL 153.16, 0.8%, 0.28%

LAB 47.06, -41.92, 19.6

 

CMYK 57 / 89 / 0 / 50

HEX #360E7F

RGB 54 14 127

HSL 261.24, 0.8%, 0.28%

LAB 18.5, 44.8, -54.77

 

CMYK 0 / 89 / 76 / 50

HEX #800E1F

RGB 128 14 31

HSL 351.05, 0.8%, 0.28%

LAB 26.74, 46.23, 23.01

 

CMYK 31 / 0 / 89 / 50

HEX #58800E

RGB 88 128 14

HSL 81.05, 0.8%, 0.28%

LAB 48.94, -30.32, 50.38

 

CMYK 89 / 0 / 13 / 50

HEX #0E806F

RGB 14 128 111

HSL 171.05, 0.8%, 0.28%

LAB 47.85, -33.28, 0.96

 

Description

Color code: HEX #360E7F | qconv.com Color code: HEX #360E7F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 14 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 14 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 89 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 89% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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