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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #363A8B it is the complementary color #C9C574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #363A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #363A8B shade: #3B3A86, #4C4C99, #5D5EAC, #6E70BF and #7F82D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #363A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #363A8B shade: #363A8B, #252878, #141665, #030452 and #00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #363A8B shade: #363A8B, #49368B, #60368B, #77368B and #8B3688

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #363A8B shade: #363A8B and #36368B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #363A8B shade matches the following richer shades: #363A8B, #262C9B, #161DAA and #070FBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #363A8B shade: #363A8B, #45487B, #55566C, #65645C and #74734C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #363A8B shade: #36688B, #36518B, #363A8B, #48368B and #5F368B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #363A8B shade: #1F2150, #2A2D6D, #363A8B, #4146A9 and #565BBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #363A8B shade: #363A8B, #8B367E and #5C8B36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #363A8B shade: #363A8B, #8B363A and #3A8B36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #363A8B shade: #363A8B, #8B367E, #8B8736 and #368B43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #363A8B shade: #363A8B, #8B3665, #8B8736 and #368B5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

Complementary color

CMYK 0 / 2 / 42 / 21

HEX #C9C574

RGB 201 197 116

HSL 57.18, 0.44%, 0.62%

LAB 78.23, -10.22, 41.02

 

CMYK 56 / 57 / 0 / 47

HEX #3B3A86

RGB 59 58 134

HSL 240.79, 0.4%, 0.38%

LAB 28.58, 23.43, -42.67

 

CMYK 50 / 50 / 0 / 40

HEX #4C4C99

RGB 76 76 153

HSL 240, 0.34%, 0.45%

LAB 35.99, 21.85, -42.32

 

CMYK 46 / 45 / 0 / 33

HEX #5D5EAC

RGB 93 94 172

HSL 239.24, 0.32%, 0.52%

LAB 43.23, 20.57, -42.02

 

CMYK 42 / 41 / 0 / 25

HEX #6E70BF

RGB 110 112 191

HSL 238.52, 0.39%, 0.59%

LAB 50.29, 19.51, -41.78

 

CMYK 40 / 38 / 0 / 18

HEX #7F82D2

RGB 127 130 210

HSL 237.83, 0.48%, 0.66%

LAB 57.2, 18.62, -41.61

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 69 / 67 / 0 / 53

HEX #252878

RGB 37 40 120

HSL 237.83, 0.53%, 0.31%

LAB 21.08, 26.4, -46.12

 

CMYK 80 / 78 / 0 / 60

HEX #141665

RGB 20 22 101

HSL 238.52, 0.67%, 0.24%

LAB 13.6, 29.07, -46.11

 

CMYK 96 / 95 / 0 / 68

HEX #030452

RGB 3 4 82

HSL 239.24, 0.93%, 0.17%

LAB 6.46, 31.43, -45.17

 

CMYK 100 / 100 / 0 / 75

HEX #00003F

RGB 0 0 63

HSL 240, 1%, 0.12%

LAB 3.24, 22.73, -37.1

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 47 / 61 / 0 / 45

HEX #49368B

RGB 73 54 139

HSL 253.41, 0.44%, 0.38%

LAB 29.21, 30.71, -44.7

 

CMYK 31 / 61 / 0 / 45

HEX #60368B

RGB 96 54 139

HSL 269.65, 0.44%, 0.38%

LAB 31.78, 36.24, -40.42

 

CMYK 14 / 61 / 0 / 45

HEX #77368B

RGB 119 54 139

HSL 285.88, 0.44%, 0.38%

LAB 34.85, 42.25, -35.34

 

CMYK 0 / 61 / 2 / 45

HEX #8B3688

RGB 139 54 136

HSL 302.12, 0.44%, 0.38%

LAB 37.67, 47.08, -28.84

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 61 / 61 / 0 / 45

HEX #36368B

RGB 54 54 139

HSL 240, 0.44%, 0.38%

LAB 27.54, 26.81, -47.49

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 75 / 72 / 0 / 39

HEX #262C9B

RGB 38 44 155

HSL 236.92, 0.61%, 0.38%

LAB 25.5, 36.67, -60.71

 

CMYK 87 / 83 / 0 / 33

HEX #161DAA

RGB 22 29 170

HSL 237.16, 0.77%, 0.38%

LAB 23.51, 49.05, -73.14

 

CMYK 96 / 92 / 0 / 27

HEX #070FBA

RGB 7 15 186

HSL 237.32, 0.93%, 0.38%

LAB 23.45, 58.89, -82.85

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 44 / 41 / 0 / 52

HEX #45487B

RGB 69 72 123

HSL 236.67, 0.28%, 0.38%

LAB 32.55, 12.99, -29.44

 

CMYK 21 / 20 / 0 / 58

HEX #55566C

RGB 85 86 108

HSL 237.39, 0.12%, 0.38%

LAB 37.24, 4.81, -12.72

 

CMYK 0 / 1 / 9 / 60

HEX #65645C

RGB 101 100 92

HSL 53.33, 0.05%, 0.38%

LAB 42.24, -1.2, 4.67

 

CMYK 0 / 1 / 34 / 55

HEX #74734C

RGB 116 115 76

HSL 58.5, 0.21%, 0.38%

LAB 47.62, -6.21, 21.77

 

CMYK 61 / 25 / 0 / 45

HEX #36688B

RGB 54 104 139

HSL 204.71, 0.44%, 0.38%

LAB 42.08, -5.69, -24.36

 

CMYK 61 / 42 / 0 / 45

HEX #36518B

RGB 54 81 139

HSL 220.94, 0.44%, 0.38%

LAB 35.07, 8.81, -35.38

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 48 / 61 / 0 / 45

HEX #48368B

RGB 72 54 139

HSL 252.71, 0.44%, 0.38%

LAB 29.11, 30.49, -44.87

 

CMYK 32 / 61 / 0 / 45

HEX #5F368B

RGB 95 54 139

HSL 268.94, 0.44%, 0.38%

LAB 31.66, 35.99, -40.62

 

CMYK 61 / 59 / 0 / 69

HEX #1F2150

RGB 31 33 80

HSL 237.55, 0.44%, 0.22%

LAB 15.27, 15.05, -29.27

 

CMYK 61 / 59 / 0 / 57

HEX #2A2D6D

RGB 42 45 109

HSL 237.31, 0.44%, 0.3%

LAB 21.85, 19.78, -37.79

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 62 / 59 / 0 / 34

HEX #4146A9

RGB 65 70 169

HSL 237.12, 0.44%, 0.46%

LAB 34.74, 28.82, -54

 

CMYK 54 / 52 / 0 / 26

HEX #565BBD

RGB 86 91 189

HSL 237.09, 0.44%, 0.54%

LAB 42.97, 26.24, -52.43

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 0 / 61 / 9 / 45

HEX #8B367E

RGB 139 54 126

HSL 309.18, 0.44%, 0.38%

LAB 37.18, 45.32, -23.44

 

CMYK 34 / 0 / 61 / 45

HEX #5C8B36

RGB 92 139 54

HSL 93.18, 0.44%, 0.38%

LAB 52.96, -31.22, 39.58

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 0 / 61 / 58 / 45

HEX #8B363A

RGB 139 54 58

HSL 357.18, 0.44%, 0.38%

LAB 34.87, 36.56, 16.28

 

CMYK 58 / 0 / 61 / 45

HEX #3A8B36

RGB 58 139 54

HSL 117.18, 0.44%, 0.38%

LAB 51.42, -42.27, 37.41

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 0 / 61 / 9 / 45

HEX #8B367E

RGB 139 54 126

HSL 309.18, 0.44%, 0.38%

LAB 37.18, 45.32, -23.44

 

CMYK 0 / 3 / 61 / 45

HEX #8B8736

RGB 139 135 54

HSL 57.18, 0.44%, 0.38%

LAB 55.16, -9.43, 42.98

 

CMYK 61 / 0 / 52 / 45

HEX #368B43

RGB 54 139 67

HSL 129.18, 0.44%, 0.38%

LAB 51.44, -41.51, 30.86

 

CMYK 61 / 58 / 0 / 45

HEX #363A8B

RGB 54 58 139

HSL 237.18, 0.44%, 0.38%

LAB 28.58, 24.16, -45.8

 

CMYK 0 / 61 / 27 / 45

HEX #8B3665

RGB 139 54 101

HSL 326.82, 0.44%, 0.38%

LAB 36.11, 41.4, -9.4

 

CMYK 0 / 3 / 61 / 45

HEX #8B8736

RGB 139 135 54

HSL 57.18, 0.44%, 0.38%

LAB 55.16, -9.43, 42.98

 

CMYK 61 / 0 / 34 / 45

HEX #368B5C

RGB 54 139 92

HSL 146.82, 0.44%, 0.38%

LAB 51.86, -36.99, 17.72

 

Description

Color code: HEX #363A8B | qconv.com Color code: HEX #363A8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 58 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 58 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 58 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 58% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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