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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36474E it is the complementary color #C9B8B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36474E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36474E shade: #3B4749, #4C595C, #5D6B6F, #6E7D82 and #7F8F95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36474E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36474E shade: #36474E, #25353B, #142328, #031115 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36474E shade: #36474E, #36404E, #363A4E, #38364E and #3F364E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36474E shade: #36474E, #36404E, #363A4E and #36364E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36474E shade matches the following richer shades: #36474E, #2B4B58, #205063, #16546E and #0B5979

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36474E shade: #36474E, #414243, #4B3E38, #56392E and #613523

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36474E shade: #364E48, #364D4E, #36474E, #36414E and #363A4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36474E shade: #141A1D, #253135, #36474E, #475D66 and #58737E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36474E shade: #36474E, #41364E and #4E4B36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36474E shade: #36474E, #4E3647 and #474E36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36474E shade: #36474E, #41364E, #4E3D36 and #424E36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36474E shade: #36474E, #49364E, #4E3D36 and #3B4E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

Complementary color

CMYK 0 / 8 / 12 / 21

HEX #C9B8B1

RGB 201 184 177

HSL 17.5, 0.18%, 0.74%

LAB 75.99, 4.85, 5.73

 

CMYK 19 / 3 / 0 / 71

HEX #3B4749

RGB 59 71 73

HSL 188.57, 0.11%, 0.26%

LAB 29.2, -4.31, -2.82

 

CMYK 17 / 3 / 0 / 64

HEX #4C595C

RGB 76 89 92

HSL 191.25, 0.1%, 0.33%

LAB 36.84, -4.32, -3.44

 

CMYK 16 / 4 / 0 / 56

HEX #5D6B6F

RGB 93 107 111

HSL 193.33, 0.09%, 0.4%

LAB 44.22, -4.34, -4.02

 

CMYK 15 / 4 / 0 / 49

HEX #6E7D82

RGB 110 125 130

HSL 195, 0.08%, 0.47%

LAB 51.37, -4.38, -4.59

 

CMYK 15 / 4 / 0 / 42

HEX #7F8F95

RGB 127 143 149

HSL 196.36, 0.09%, 0.54%

LAB 58.35, -4.43, -5.14

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 37 / 10 / 0 / 77

HEX #25353B

RGB 37 53 59

HSL 196.36, 0.23%, 0.19%

LAB 21.04, -4.76, -5.88

 

CMYK 50 / 13 / 0 / 84

HEX #142328

RGB 20 35 40

HSL 195, 0.33%, 0.12%

LAB 12.63, -4.69, -5.36

 

CMYK 86 / 19 / 0 / 92

HEX #031115

RGB 3 17 21

HSL 193.33, 0.75%, 0.05%

LAB 4.29, -3.18, -3.79

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 31 / 18 / 0 / 69

HEX #36404E

RGB 54 64 78

HSL 215, 0.18%, 0.26%

LAB 26.74, -0.3, -9.81

 

CMYK 31 / 26 / 0 / 69

HEX #363A4E

RGB 54 58 78

HSL 230, 0.18%, 0.26%

LAB 24.83, 3.67, -12.73

 

CMYK 28 / 31 / 0 / 69

HEX #38364E

RGB 56 54 78

HSL 245, 0.18%, 0.26%

LAB 23.77, 7.1, -14.35

 

CMYK 19 / 31 / 0 / 69

HEX #3F364E

RGB 63 54 78

HSL 262.5, 0.18%, 0.26%

LAB 24.47, 9.67, -13.21

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 31 / 18 / 0 / 69

HEX #36404E

RGB 54 64 78

HSL 215, 0.18%, 0.26%

LAB 26.74, -0.3, -9.81

 

CMYK 31 / 26 / 0 / 69

HEX #363A4E

RGB 54 58 78

HSL 230, 0.18%, 0.26%

LAB 24.83, 3.67, -12.73

 

CMYK 31 / 31 / 0 / 69

HEX #36364E

RGB 54 54 78

HSL 240, 0.18%, 0.26%

LAB 23.58, 6.38, -14.65

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 51 / 15 / 0 / 65

HEX #2B4B58

RGB 43 75 88

HSL 197.33, 0.34%, 0.26%

LAB 30.04, -7.72, -11.35

 

CMYK 68 / 19 / 0 / 61

HEX #205063

RGB 32 80 99

HSL 197.01, 0.51%, 0.26%

LAB 31.68, -9.63, -15.88

 

CMYK 80 / 24 / 0 / 57

HEX #16546E

RGB 22 84 110

HSL 197.73, 0.67%, 0.26%

LAB 33.22, -9.62, -20.45

 

CMYK 91 / 26 / 0 / 53

HEX #0B5979

RGB 11 89 121

HSL 197.45, 0.83%, 0.26%

LAB 35.2, -9.49, -24.22

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 3 / 1 / 0 / 74

HEX #414243

RGB 65 66 67

HSL 210, 0.02%, 0.26%

LAB 27.91, -0.19, -0.76

 

CMYK 0 / 17 / 25 / 71

HEX #4B3E38

RGB 75 62 56

HSL 18.95, 0.15%, 0.26%

LAB 27.37, 4.53, 5.79

 

CMYK 0 / 34 / 47 / 66

HEX #56392E

RGB 86 57 46

HSL 16.5, 0.3%, 0.26%

LAB 27.02, 11.34, 12.05

 

CMYK 0 / 45 / 64 / 62

HEX #613523

RGB 97 53 35

HSL 17.42, 0.47%, 0.26%

LAB 27.32, 17.8, 19.79

 

CMYK 31 / 0 / 8 / 69

HEX #364E48

RGB 54 78 72

HSL 165, 0.18%, 0.26%

LAB 31.12, -10.69, 0.59

 

CMYK 31 / 1 / 0 / 69

HEX #364D4E

RGB 54 77 78

HSL 182.5, 0.18%, 0.26%

LAB 30.98, -8.51, -3.45

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 31 / 17 / 0 / 69

HEX #36414E

RGB 54 65 78

HSL 212.5, 0.18%, 0.26%

LAB 27.06, -0.96, -9.33

 

CMYK 31 / 26 / 0 / 69

HEX #363A4E

RGB 54 58 78

HSL 230, 0.18%, 0.26%

LAB 24.83, 3.67, -12.73

 

CMYK 31 / 10 / 0 / 89

HEX #141A1D

RGB 20 26 29

HSL 200, 0.18%, 0.1%

LAB 8.79, -1.88, -3.02

 

CMYK 30 / 8 / 0 / 79

HEX #253135

RGB 37 49 53

HSL 195, 0.18%, 0.18%

LAB 19.42, -3.9, -4.21

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 30 / 9 / 0 / 60

HEX #475D66

RGB 71 93 102

HSL 197.42, 0.18%, 0.34%

LAB 38.07, -5.92, -7.85

 

CMYK 30 / 9 / 0 / 51

HEX #58737E

RGB 88 115 126

HSL 197.37, 0.18%, 0.42%

LAB 46.77, -6.99, -9.25

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 17 / 31 / 0 / 69

HEX #41364E

RGB 65 54 78

HSL 267.5, 0.18%, 0.26%

LAB 24.68, 10.43, -12.87

 

CMYK 0 / 4 / 31 / 69

HEX #4E4B36

RGB 78 75 54

HSL 52.5, 0.18%, 0.26%

LAB 31.62, -2.65, 13

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 0 / 31 / 9 / 69

HEX #4E3647

RGB 78 54 71

HSL 317.5, 0.18%, 0.26%

LAB 25.9, 13.93, -6.23

 

CMYK 9 / 0 / 31 / 69

HEX #474E36

RGB 71 78 54

HSL 77.5, 0.18%, 0.26%

LAB 31.93, -7.64, 13.31

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 17 / 31 / 0 / 69

HEX #41364E

RGB 65 54 78

HSL 267.5, 0.18%, 0.26%

LAB 24.68, 10.43, -12.87

 

CMYK 0 / 22 / 31 / 69

HEX #4E3D36

RGB 78 61 54

HSL 17.5, 0.18%, 0.26%

LAB 27.36, 6.21, 7.13

 

CMYK 15 / 0 / 31 / 69

HEX #424E36

RGB 66 78 54

HSL 90, 0.18%, 0.26%

LAB 31.52, -9.83, 12.68

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 6 / 31 / 0 / 69

HEX #49364E

RGB 73 54 78

HSL 287.5, 0.18%, 0.26%

LAB 25.58, 13.5, -11.41

 

CMYK 0 / 22 / 31 / 69

HEX #4E3D36

RGB 78 61 54

HSL 17.5, 0.18%, 0.26%

LAB 27.36, 6.21, 7.13

 

CMYK 24 / 0 / 31 / 69

HEX #3B4E36

RGB 59 78 54

HSL 107.5, 0.18%, 0.26%

LAB 30.98, -12.78, 11.87

 

Description

Color code: HEX #36474E | qconv.com Color code: HEX #36474E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 71 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 71 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 9 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 9% 0% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - provo Marketing /...
Link: http://www.provo.at

18% - Mash | Digital Consu...
Link: http://www.mash-marketing.com

74% - Dentex - Gabinet sto...
Link: http://www.doktorewa.eu

41% - Lighthouse Field Ser...
Link: http://fieldservice.lh360.com

39% - 7 Labs - Proudly pre...
Link: http://7labs.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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