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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #364753 it is the complementary color #C9B8AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #364753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #364753 shade: #3B474E, #4C5961, #5D6B74, #6E7D87 and #7F8F9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #364753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #364753 shade: #364753, #253540, #14232D, #03111A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #364753 shade: #364753, #363F53, #363753, #3C3653 and #443653

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #364753 shade: #364753, #363F53, #363753 and #363653

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #364753 shade matches the following richer shades: #364753, #2B495E, #204B69, #144D74 and #094F7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #364753 shade: #364753, #414548, #4C433D, #574131 and #623F26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #364753 shade: #36534F, #364F53, #364753, #364053 and #363853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #364753 shade: #151C21, #26313A, #364753, #465C6C and #567285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #364753 shade: #364753, #473653 and #535336

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #364753 shade: #364753, #533647 and #475336

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #364753 shade: #364753, #473653, #534136 and #415336

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #364753 shade: #364753, #503653, #534136 and #395336

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

Complementary color

CMYK 0 / 8 / 14 / 21

HEX #C9B8AC

RGB 201 184 172

HSL 24.83, 0.21%, 0.73%

LAB 75.87, 4.03, 8.27

 

CMYK 24 / 9 / 0 / 69

HEX #3B474E

RGB 59 71 78

HSL 202.11, 0.14%, 0.27%

LAB 29.38, -3, -5.8

 

CMYK 22 / 8 / 0 / 62

HEX #4C5961

RGB 76 89 97

HSL 202.86, 0.12%, 0.34%

LAB 37.01, -3.07, -6.3

 

CMYK 20 / 8 / 0 / 55

HEX #5D6B74

RGB 93 107 116

HSL 203.48, 0.11%, 0.41%

LAB 44.38, -3.15, -6.8

 

CMYK 19 / 7 / 0 / 47

HEX #6E7D87

RGB 110 125 135

HSL 204, 0.1%, 0.48%

LAB 51.53, -3.23, -7.28

 

CMYK 18 / 7 / 0 / 40

HEX #7F8F9A

RGB 127 143 154

HSL 204.44, 0.12%, 0.55%

LAB 58.5, -3.31, -7.77

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 42 / 17 / 0 / 75

HEX #253540

RGB 37 53 64

HSL 204.44, 0.27%, 0.2%

LAB 21.24, -3.2, -8.96

 

CMYK 56 / 22 / 0 / 82

HEX #14232D

RGB 20 35 45

HSL 204, 0.38%, 0.13%

LAB 12.86, -2.92, -8.62

 

CMYK 88 / 35 / 0 / 90

HEX #03111A

RGB 3 17 26

HSL 203.48, 0.79%, 0.06%

LAB 4.47, -1.88, -7.28

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 35 / 24 / 0 / 67

HEX #363F53

RGB 54 63 83

HSL 221.38, 0.21%, 0.27%

LAB 26.63, 1.83, -13.25

 

CMYK 35 / 34 / 0 / 67

HEX #363753

RGB 54 55 83

HSL 237.93, 0.21%, 0.27%

LAB 24.13, 7.21, -17.11

 

CMYK 28 / 35 / 0 / 67

HEX #3C3653

RGB 60 54 83

HSL 252.41, 0.21%, 0.27%

LAB 24.4, 9.97, -16.65

 

CMYK 18 / 35 / 0 / 67

HEX #443653

RGB 68 54 83

HSL 268.97, 0.21%, 0.27%

LAB 25.23, 12.86, -15.29

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 35 / 24 / 0 / 67

HEX #363F53

RGB 54 63 83

HSL 221.38, 0.21%, 0.27%

LAB 26.63, 1.83, -13.25

 

CMYK 35 / 34 / 0 / 67

HEX #363753

RGB 54 55 83

HSL 237.93, 0.21%, 0.27%

LAB 24.13, 7.21, -17.11

 

CMYK 35 / 35 / 0 / 67

HEX #363653

RGB 54 54 83

HSL 240, 0.21%, 0.27%

LAB 23.83, 7.89, -17.58

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 54 / 22 / 0 / 63

HEX #2B495E

RGB 43 73 94

HSL 204.71, 0.37%, 0.27%

LAB 29.63, -4.48, -15.81

 

CMYK 70 / 29 / 0 / 59

HEX #204B69

RGB 32 75 105

HSL 204.66, 0.53%, 0.27%

LAB 30.3, -4.3, -21.82

 

CMYK 83 / 34 / 0 / 55

HEX #144D74

RGB 20 77 116

HSL 204.38, 0.71%, 0.27%

LAB 31.15, -3.12, -27.44

 

CMYK 93 / 38 / 0 / 50

HEX #094F7F

RGB 9 79 127

HSL 204.41, 0.87%, 0.27%

LAB 32.22, -0.89, -32.62

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 10 / 4 / 0 / 72

HEX #414548

RGB 65 69 72

HSL 205.71, 0.05%, 0.27%

LAB 29.03, -0.94, -2.38

 

CMYK 0 / 12 / 20 / 70

HEX #4C433D

RGB 76 67 61

HSL 24, 0.11%, 0.27%

LAB 29.13, 2.67, 5.04

 

CMYK 0 / 25 / 44 / 66

HEX #574131

RGB 87 65 49

HSL 25.26, 0.28%, 0.27%

LAB 29.48, 7.1, 13.45

 

CMYK 0 / 36 / 61 / 62

HEX #623F26

RGB 98 63 38

HSL 25, 0.44%, 0.27%

LAB 30.14, 12.35, 21.44

 

CMYK 35 / 0 / 5 / 67

HEX #36534F

RGB 54 83 79

HSL 171.72, 0.21%, 0.27%

LAB 33, -11.82, -1.12

 

CMYK 35 / 5 / 0 / 67

HEX #364F53

RGB 54 79 83

HSL 188.28, 0.21%, 0.27%

LAB 31.81, -8.34, -5.41

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 35 / 23 / 0 / 67

HEX #364053

RGB 54 64 83

HSL 219.31, 0.21%, 0.27%

LAB 26.95, 1.17, -12.76

 

CMYK 35 / 33 / 0 / 67

HEX #363853

RGB 54 56 83

HSL 235.86, 0.21%, 0.27%

LAB 24.44, 6.53, -16.63

 

CMYK 36 / 15 / 0 / 87

HEX #151C21

RGB 21 28 33

HSL 205, 0.22%, 0.11%

LAB 9.8, -1.66, -4.5

 

CMYK 34 / 16 / 0 / 77

HEX #26313A

RGB 38 49 58

HSL 207, 0.21%, 0.19%

LAB 19.7, -2.04, -7.22

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 35 / 15 / 0 / 58

HEX #465C6C

RGB 70 92 108

HSL 205.26, 0.21%, 0.35%

LAB 37.91, -3.98, -11.81

 

CMYK 35 / 14 / 0 / 48

HEX #567285

RGB 86 114 133

HSL 204.26, 0.21%, 0.43%

LAB 46.59, -5.16, -13.7

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 14 / 35 / 0 / 67

HEX #473653

RGB 71 54 83

HSL 275.17, 0.21%, 0.27%

LAB 25.57, 13.96, -14.74

 

CMYK 0 / 0 / 35 / 67

HEX #535336

RGB 83 83 54

HSL 60, 0.21%, 0.27%

LAB 34.58, -5.24, 17.03

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 0 / 35 / 14 / 67

HEX #533647

RGB 83 54 71

HSL 324.83, 0.21%, 0.27%

LAB 26.54, 15.98, -5.2

 

CMYK 14 / 0 / 35 / 67

HEX #475336

RGB 71 83 54

HSL 84.83, 0.21%, 0.27%

LAB 33.55, -10.6, 15.47

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 14 / 35 / 0 / 67

HEX #473653

RGB 71 54 83

HSL 275.17, 0.21%, 0.27%

LAB 25.57, 13.96, -14.74

 

CMYK 0 / 22 / 35 / 67

HEX #534136

RGB 83 65 54

HSL 22.76, 0.21%, 0.27%

LAB 29.12, 5.95, 9.67

 

CMYK 22 / 0 / 35 / 67

HEX #415336

RGB 65 83 54

HSL 97.24, 0.21%, 0.27%

LAB 33.09, -13.16, 14.77

 

CMYK 35 / 14 / 0 / 67

HEX #364753

RGB 54 71 83

HSL 204.83, 0.21%, 0.27%

LAB 29.2, -3.37, -9.34

 

CMYK 4 / 35 / 0 / 67

HEX #503653

RGB 80 54 83

HSL 293.79, 0.21%, 0.27%

LAB 26.64, 17.34, -13

 

CMYK 0 / 22 / 35 / 67

HEX #534136

RGB 83 65 54

HSL 22.76, 0.21%, 0.27%

LAB 29.12, 5.95, 9.67

 

CMYK 31 / 0 / 35 / 67

HEX #395336

RGB 57 83 54

HSL 113.79, 0.21%, 0.27%

LAB 32.53, -16.42, 13.93

 

Description

Color code: HEX #364753 | qconv.com Color code: HEX #364753 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 71 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 71 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 14 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 14% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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