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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #364832 it is the complementary color #C9B7CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #364832. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #364832 shade: #3B482D, #4C5A40, #5D6C53, #6E7E66 and #7F9079

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #364832. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #364832 shade: #364832, #25361F, #14240C, #031200 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #364832 shade: #364832, #3C4832, #424832, #484832 and #484232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #364832 shade: #364832, #324834, #32483A, #324840 and #324845

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #364832 shade matches the following richer shades: #364832, #2F5228, #295C1E, #236514 and #1C6F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #364832 shade: #364832, #3C3E3C, #423445, #492A4F and #4F2059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #364832 shade: #414832, #3C4832, #364832, #324834 and #324839

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #364832 shade: #111710, #232F21, #364832, #486043 and #5A7854

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #364832 shade: #364832, #324748 and #48323F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #364832 shade: #364832, #323648 and #483236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #364832 shade: #364832, #324748, #443248 and #483232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #364832 shade: #364832, #324148, #443248 and #483932

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

Complementary color

CMYK 2 / 11 / 0 / 20

HEX #C9B7CD

RGB 201 183 205

HSL 289.09, 0.18%, 0.76%

LAB 76.49, 10.37, -8.76

 

CMYK 18 / 0 / 38 / 72

HEX #3B482D

RGB 59 72 45

HSL 88.89, 0.23%, 0.23%

LAB 28.78, -10.89, 14.54

 

CMYK 16 / 0 / 29 / 65

HEX #4C5A40

RGB 76 90 64

HSL 92.31, 0.17%, 0.3%

LAB 36.4, -10.82, 13.28

 

CMYK 14 / 0 / 23 / 58

HEX #5D6C53

RGB 93 108 83

HSL 96, 0.13%, 0.37%

LAB 43.77, -10.76, 12.15

 

CMYK 13 / 0 / 19 / 51

HEX #6E7E66

RGB 110 126 102

HSL 100, 0.11%, 0.45%

LAB 50.92, -10.7, 11.13

 

CMYK 12 / 0 / 16 / 44

HEX #7F9079

RGB 127 144 121

HSL 104.35, 0.09%, 0.52%

LAB 57.88, -10.65, 10.19

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 31 / 0 / 43 / 79

HEX #25361F

RGB 37 54 31

HSL 104.35, 0.27%, 0.17%

LAB 20.56, -12.35, 12.29

 

CMYK 44 / 0 / 67 / 86

HEX #14240C

RGB 20 36 12

HSL 100, 0.5%, 0.09%

LAB 12.2, -12.52, 12.84

 

CMYK 83 / 0 / 100 / 93

HEX #031200

RGB 3 18 0

HSL 110, 1%, 0.04%

LAB 4.08, -7.2, 5.98

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 17 / 0 / 31 / 72

HEX #3C4832

RGB 60 72 50

HSL 92.73, 0.18%, 0.24%

LAB 28.97, -9.57, 11.65

 

CMYK 8 / 0 / 31 / 72

HEX #424832

RGB 66 72 50

HSL 76.36, 0.18%, 0.24%

LAB 29.47, -6.92, 12.42

 

CMYK 0 / 0 / 31 / 72

HEX #484832

RGB 72 72 50

HSL 60, 0.18%, 0.24%

LAB 30.02, -4.19, 13.25

 

CMYK 0 / 8 / 31 / 72

HEX #484232

RGB 72 66 50

HSL 43.64, 0.18%, 0.24%

LAB 28.13, -0.43, 10.69

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 31 / 0 / 28 / 72

HEX #324834

RGB 50 72 52

HSL 125.45, 0.18%, 0.24%

LAB 28.28, -13.34, 9.31

 

CMYK 31 / 0 / 19 / 72

HEX #32483A

RGB 50 72 58

HSL 141.82, 0.18%, 0.24%

LAB 28.43, -12.02, 5.68

 

CMYK 31 / 0 / 11 / 72

HEX #324840

RGB 50 72 64

HSL 158.18, 0.18%, 0.24%

LAB 28.6, -10.58, 2.04

 

CMYK 31 / 0 / 4 / 72

HEX #324845

RGB 50 72 69

HSL 171.82, 0.18%, 0.24%

LAB 28.75, -9.29, -0.97

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 43 / 0 / 51 / 68

HEX #2F5228

RGB 47 82 40

HSL 110, 0.34%, 0.24%

LAB 31.33, -22.15, 20.68

 

CMYK 55 / 0 / 67 / 64

HEX #295C1E

RGB 41 92 30

HSL 109.35, 0.51%, 0.24%

LAB 34.44, -30.35, 29.72

 

CMYK 65 / 0 / 80 / 60

HEX #236514

RGB 35 101 20

HSL 108.89, 0.67%, 0.24%

LAB 37.33, -36.78, 37.07

 

CMYK 75 / 0 / 91 / 56

HEX #1C6F0A

RGB 28 111 10

HSL 109.31, 0.83%, 0.24%

LAB 40.63, -42.64, 43.12

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 3 / 0 / 3 / 76

HEX #3C3E3C

RGB 60 62 60

HSL 120, 0.02%, 0.24%

LAB 25.96, -1.3, 0.93

 

CMYK 4 / 25 / 0 / 73

HEX #423445

RGB 66 52 69

HSL 289.41, 0.14%, 0.24%

LAB 23.82, 9.91, -8.18

 

CMYK 8 / 47 / 0 / 69

HEX #492A4F

RGB 73 42 79

HSL 290.27, 0.31%, 0.24%

LAB 22.43, 21.52, -16.93

 

CMYK 11 / 64 / 0 / 65

HEX #4F2059

RGB 79 32 89

HSL 289.47, 0.47%, 0.24%

LAB 21.64, 31.67, -24.79

 

CMYK 10 / 0 / 31 / 72

HEX #414832

RGB 65 72 50

HSL 79.09, 0.18%, 0.24%

LAB 29.38, -7.37, 12.29

 

CMYK 17 / 0 / 31 / 72

HEX #3C4832

RGB 60 72 50

HSL 92.73, 0.18%, 0.24%

LAB 28.97, -9.57, 11.65

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 31 / 0 / 28 / 72

HEX #324834

RGB 50 72 52

HSL 125.45, 0.18%, 0.24%

LAB 28.28, -13.34, 9.31

 

CMYK 31 / 0 / 21 / 72

HEX #324839

RGB 50 72 57

HSL 139.09, 0.18%, 0.24%

LAB 28.4, -12.25, 6.28

 

CMYK 26 / 0 / 30 / 91

HEX #111710

RGB 17 23 16

HSL 111.43, 0.18%, 0.08%

LAB 6.95, -4.1, 3.32

 

CMYK 26 / 0 / 30 / 82

HEX #232F21

RGB 35 47 33

HSL 111.43, 0.18%, 0.16%

LAB 17.92, -8.53, 7.37

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 25 / 0 / 30 / 62

HEX #486043

RGB 72 96 67

HSL 109.66, 0.18%, 0.32%

LAB 38.11, -15.31, 13.73

 

CMYK 25 / 0 / 30 / 53

HEX #5A7854

RGB 90 120 84

HSL 110, 0.18%, 0.4%

LAB 47.3, -18.34, 16.37

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 31 / 1 / 0 / 72

HEX #324748

RGB 50 71 72

HSL 182.73, 0.18%, 0.24%

LAB 28.52, -7.87, -3.26

 

CMYK 0 / 31 / 13 / 72

HEX #48323F

RGB 72 50 63

HSL 324.55, 0.18%, 0.24%

LAB 23.73, 12.41, -4.2

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 31 / 25 / 0 / 72

HEX #323648

RGB 50 54 72

HSL 229.09, 0.18%, 0.24%

LAB 22.95, 3.17, -11.66

 

CMYK 0 / 31 / 25 / 72

HEX #483236

RGB 72 50 54

HSL 349.09, 0.18%, 0.24%

LAB 23.42, 10.67, 1.42

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 31 / 1 / 0 / 72

HEX #324748

RGB 50 71 72

HSL 182.73, 0.18%, 0.24%

LAB 28.52, -7.87, -3.26

 

CMYK 6 / 31 / 0 / 72

HEX #443248

RGB 68 50 72

HSL 289.09, 0.18%, 0.24%

LAB 23.6, 12.76, -10.49

 

CMYK 0 / 31 / 31 / 72

HEX #483232

RGB 72 50 50

HSL 0, 0.18%, 0.24%

LAB 23.3, 9.98, 3.95

 

CMYK 25 / 0 / 31 / 72

HEX #364832

RGB 54 72 50

HSL 109.09, 0.18%, 0.24%

LAB 28.51, -12.13, 10.95

 

CMYK 31 / 10 / 0 / 72

HEX #324148

RGB 50 65 72

HSL 199.09, 0.18%, 0.24%

LAB 26.52, -4.1, -6.23

 

CMYK 6 / 31 / 0 / 72

HEX #443248

RGB 68 50 72

HSL 289.09, 0.18%, 0.24%

LAB 23.6, 12.76, -10.49

 

CMYK 0 / 21 / 31 / 72

HEX #483932

RGB 72 57 50

HSL 19.09, 0.18%, 0.24%

LAB 25.36, 5.38, 6.86

 

Description

Color code: HEX #364832 | qconv.com Color code: HEX #364832 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 72 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 72 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 31 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 31% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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