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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #364845 it is the complementary color #C9B7BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #364845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #364845 shade: #3B4840, #4C5A53, #5D6C66, #6E7E79 and #7F908C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #364845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #364845 shade: #364845, #253632, #14241F, #03120C and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #364845 shade: #364845, #364840, #36483C, #364837 and #3B4836

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #364845 shade: #364845, #364648, #364248, #363D48 and #363848

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #364845 shade matches the following richer shades: #364845, #2C524C, #225D53, #17675A and #0D7161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #364845 shade: #364845, #413E3E, #4B3437, #552931 and #601F2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #364845 shade: #36483C, #364840, #364845, #364648 and #364248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #364845 shade: #131918, #25312F, #364845, #48605C and #5A7772

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #364845 shade: #364845, #373648 and #483E36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #364845 shade: #364845, #453648 and #484536

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #364845 shade: #364845, #373648, #483639 and #484836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #364845 shade: #364845, #3C3648, #483639 and #424836

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

Complementary color

CMYK 0 / 9 / 7 / 21

HEX #C9B7BA

RGB 201 183 186

HSL 350, 0.14%, 0.75%

LAB 75.96, 6.92, 0.8

 

CMYK 18 / 0 / 11 / 72

HEX #3B4840

RGB 59 72 64

HSL 143.08, 0.1%, 0.26%

LAB 29.25, -7.11, 3.06

 

CMYK 16 / 0 / 8 / 65

HEX #4C5A53

RGB 76 90 83

HSL 150, 0.08%, 0.33%

LAB 36.88, -7.02, 2.22

 

CMYK 14 / 0 / 6 / 58

HEX #5D6C66

RGB 93 108 102

HSL 156, 0.07%, 0.39%

LAB 44.25, -6.96, 1.45

 

CMYK 13 / 0 / 4 / 51

HEX #6E7E79

RGB 110 126 121

HSL 161.25, 0.07%, 0.46%

LAB 51.4, -6.93, 0.73

 

CMYK 12 / 0 / 3 / 44

HEX #7F908C

RGB 127 144 140

HSL 165.88, 0.07%, 0.53%

LAB 58.37, -6.92, 0.05

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 31 / 0 / 7 / 79

HEX #253632

RGB 37 54 50

HSL 165.88, 0.19%, 0.18%

LAB 21.06, -7.99, 0.27

 

CMYK 44 / 0 / 14 / 86

HEX #14241F

RGB 20 36 31

HSL 161.25, 0.29%, 0.11%

LAB 12.67, -8.23, 1.21

 

CMYK 83 / 0 / 33 / 93

HEX #03120C

RGB 3 18 12

HSL 156, 0.71%, 0.04%

LAB 4.32, -5.51, 1.4

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 25 / 0 / 11 / 72

HEX #364840

RGB 54 72 64

HSL 153.33, 0.14%, 0.25%

LAB 28.87, -9.07, 2.48

 

CMYK 25 / 0 / 17 / 72

HEX #36483C

RGB 54 72 60

HSL 140, 0.14%, 0.25%

LAB 28.76, -10.01, 4.9

 

CMYK 25 / 0 / 24 / 72

HEX #364837

RGB 54 72 55

HSL 123.33, 0.14%, 0.25%

LAB 28.63, -11.11, 7.93

 

CMYK 18 / 0 / 25 / 72

HEX #3B4836

RGB 59 72 54

HSL 103.33, 0.14%, 0.25%

LAB 28.98, -9.24, 9.11

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 25 / 3 / 0 / 72

HEX #364648

RGB 54 70 72

HSL 186.67, 0.14%, 0.25%

LAB 28.47, -5.81, -3.31

 

CMYK 25 / 8 / 0 / 72

HEX #364248

RGB 54 66 72

HSL 200, 0.14%, 0.25%

LAB 27.15, -3.28, -5.26

 

CMYK 25 / 15 / 0 / 72

HEX #363D48

RGB 54 61 72

HSL 216.67, 0.14%, 0.25%

LAB 25.53, -0.03, -7.69

 

CMYK 25 / 22 / 0 / 72

HEX #363848

RGB 54 56 72

HSL 233.33, 0.14%, 0.25%

LAB 23.94, 3.29, -10.11

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 46 / 0 / 7 / 68

HEX #2C524C

RGB 44 82 76

HSL 170.53, 0.3%, 0.25%

LAB 32.02, -15.22, -0.72

 

CMYK 63 / 0 / 11 / 64

HEX #225D53

RGB 34 93 83

HSL 169.83, 0.46%, 0.25%

LAB 35.58, -21.77, 0.05

 

CMYK 78 / 0 / 13 / 60

HEX #17675A

RGB 23 103 90

HSL 170.25, 0.63%, 0.25%

LAB 38.93, -26.71, 0.58

 

CMYK 88 / 0 / 14 / 56

HEX #0D7161

RGB 13 113 97

HSL 170.4, 0.79%, 0.25%

LAB 42.4, -30.52, 1.36

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 0 / 5 / 5 / 75

HEX #413E3E

RGB 65 62 62

HSL 0, 0.02%, 0.25%

LAB 26.5, 1.28, 0.45

 

CMYK 0 / 31 / 27 / 71

HEX #4B3437

RGB 75 52 55

HSL 352.17, 0.18%, 0.25%

LAB 24.41, 10.88, 2.22

 

CMYK 0 / 52 / 42 / 67

HEX #552931

RGB 85 41 49

HSL 349.09, 0.35%, 0.25%

LAB 22.79, 21.32, 4.15

 

CMYK 0 / 68 / 56 / 62

HEX #601F2A

RGB 96 31 42

HSL 349.85, 0.51%, 0.25%

LAB 22.42, 30.46, 8.73

 

CMYK 25 / 0 / 17 / 72

HEX #36483C

RGB 54 72 60

HSL 140, 0.14%, 0.25%

LAB 28.76, -10.01, 4.9

 

CMYK 25 / 0 / 11 / 72

HEX #364840

RGB 54 72 64

HSL 153.33, 0.14%, 0.25%

LAB 28.87, -9.07, 2.48

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 25 / 3 / 0 / 72

HEX #364648

RGB 54 70 72

HSL 186.67, 0.14%, 0.25%

LAB 28.47, -5.81, -3.31

 

CMYK 25 / 8 / 0 / 72

HEX #364248

RGB 54 66 72

HSL 200, 0.14%, 0.25%

LAB 27.15, -3.28, -5.26

 

CMYK 24 / 0 / 4 / 90

HEX #131918

RGB 19 25 24

HSL 170, 0.14%, 0.09%

LAB 8.13, -3.03, -0.24

 

CMYK 24 / 0 / 4 / 81

HEX #25312F

RGB 37 49 47

HSL 170, 0.14%, 0.17%

LAB 19.2, -5.58, -0.4

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 25 / 0 / 4 / 62

HEX #48605C

RGB 72 96 92

HSL 170, 0.14%, 0.33%

LAB 38.75, -9.92, -0.66

 

CMYK 24 / 0 / 4 / 53

HEX #5A7772

RGB 90 119 114

HSL 169.66, 0.14%, 0.41%

LAB 47.73, -11.58, -0.68

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 24 / 25 / 0 / 72

HEX #373648

RGB 55 54 72

HSL 243.33, 0.14%, 0.25%

LAB 23.4, 5.02, -10.92

 

CMYK 0 / 14 / 25 / 72

HEX #483E36

RGB 72 62 54

HSL 26.67, 0.14%, 0.25%

LAB 26.99, 2.81, 6.51

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 4 / 25 / 0 / 72

HEX #453648

RGB 69 54 72

HSL 290, 0.14%, 0.25%

LAB 24.86, 10.5, -8.56

 

CMYK 0 / 4 / 25 / 72

HEX #484536

RGB 72 69 54

HSL 50, 0.14%, 0.25%

LAB 29.16, -1.65, 9.54

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 24 / 25 / 0 / 72

HEX #373648

RGB 55 54 72

HSL 243.33, 0.14%, 0.25%

LAB 23.4, 5.02, -10.92

 

CMYK 0 / 25 / 21 / 72

HEX #483639

RGB 72 54 57

HSL 350, 0.14%, 0.25%

LAB 24.68, 8.59, 1.22

 

CMYK 0 / 0 / 25 / 72

HEX #484836

RGB 72 72 54

HSL 60, 0.14%, 0.25%

LAB 30.11, -3.53, 10.84

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 17 / 25 / 0 / 72

HEX #3C3648

RGB 60 54 72

HSL 260, 0.14%, 0.25%

LAB 23.89, 6.94, -10.13

 

CMYK 0 / 25 / 21 / 72

HEX #483639

RGB 72 54 57

HSL 350, 0.14%, 0.25%

LAB 24.68, 8.59, 1.22

 

CMYK 8 / 0 / 25 / 72

HEX #424836

RGB 66 72 54

HSL 80, 0.14%, 0.25%

LAB 29.56, -6.21, 10.01

 

Description

Color code: HEX #364845 | qconv.com Color code: HEX #364845 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 72 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 72 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 4 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 4% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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