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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #364CAF it is the complementary color #C9B350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #364CAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #364CAF shade: #3B4CAA, #4C5EBD, #5D70D0, #6E82E3 and #7F94F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #364CAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #364CAF shade: #364CAF, #253A9C, #142889, #031676 and #000463

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #364CAF shade: #354CAF, #4035AF, #6135AF, #8235AF and #A335AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #364CAF shade: #354CAF and #3535AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #364CAF shade matches the following richer shades: #354CAF, #2340C2 and #1034D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #364CAF shade: #354CAF, #48579D, #5B638A, #6D6F77 and #807B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #364CAF shade: #358DAF, #356CAF, #354CAF, #4035AF and #6035AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #364CAF shade: #223070, #2C3E90, #354CAF, #475FC6 and #677AD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #364CAF shade: #364CAF, #AF35AD and #7CAF35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #364CAF shade: #364CAF, #AF354C and #4CAF35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #364CAF shade: #364CAF, #AF35AD, #AF9935 and #35AF37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #364CAF shade: #364CAF, #AF3589, #AF9935 and #35AF5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 57 / 0 / 31

HEX #364CAF

RGB 54 76 175

HSL 229.09, 0.53%, 0.45%

LAB 36.08, 25.27, -55.43

 

Complementary color

CMYK 0 / 11 / 60 / 21

HEX #C9B350

RGB 201 179 80

HSL 49.09, 0.53%, 0.55%

LAB 73.05, -4.03, 52.28

 

CMYK 65 / 55 / 0 / 33

HEX #3B4CAA

RGB 59 76 170

HSL 230.81, 0.48%, 0.45%

LAB 35.99, 24.25, -52.59

 

CMYK 60 / 50 / 0 / 26

HEX #4C5EBD

RGB 76 94 189

HSL 230.44, 0.46%, 0.52%

LAB 43.09, 22.36, -52.26

 

CMYK 55 / 46 / 0 / 18

HEX #5D70D0

RGB 93 112 208

HSL 230.09, 0.55%, 0.59%

LAB 50.06, 20.82, -51.96

 

CMYK 52 / 43 / 0 / 11

HEX #6E82E3

RGB 110 130 227

HSL 229.74, 0.68%, 0.66%

LAB 56.91, 19.54, -51.69

 

CMYK 48 / 40 / 0 / 4

HEX #7F94F6

RGB 127 148 246

HSL 229.41, 0.87%, 0.73%

LAB 63.63, 18.46, -51.47

 

CMYK 69 / 57 / 0 / 31

HEX #364CAF

RGB 54 76 175

HSL 229.09, 0.53%, 0.45%

LAB 36.08, 25.27, -55.43

 

CMYK 76 / 63 / 0 / 39

HEX #253A9C

RGB 37 58 156

HSL 229.41, 0.62%, 0.38%

LAB 28.95, 27.86, -55.66

 

CMYK 85 / 71 / 0 / 46

HEX #142889

RGB 20 40 137

HSL 229.74, 0.75%, 0.31%

LAB 21.84, 31, -55.64

 

CMYK 97 / 81 / 0 / 54

HEX #031676

RGB 3 22 118

HSL 230.09, 0.95%, 0.24%

LAB 14.96, 34.38, -54.98

 

CMYK 100 / 96 / 0 / 61

HEX #000463

RGB 0 4 99

HSL 237.58, 1%, 0.19%

LAB 8.89, 37.25, -52.64

 

CMYK 70 / 57 / 0 / 31

HEX #354CAF

RGB 53 76 175

HSL 228.69, 0.54%, 0.45%

LAB 36.02, 25.12, -55.52

 

CMYK 63 / 70 / 0 / 31

HEX #4035AF

RGB 64 53 175

HSL 245.41, 0.54%, 0.45%

LAB 31.19, 41.19, -63.38

 

CMYK 45 / 70 / 0 / 31

HEX #6135AF

RGB 97 53 175

HSL 261.64, 0.54%, 0.45%

LAB 34.36, 46.61, -58.07

 

CMYK 26 / 70 / 0 / 31

HEX #8235AF

RGB 130 53 175

HSL 277.87, 0.54%, 0.45%

LAB 38.53, 53.24, -51.11

 

CMYK 7 / 70 / 0 / 31

HEX #A335AF

RGB 163 53 175

HSL 294.1, 0.54%, 0.45%

LAB 43.4, 60.5, -43.03

 

CMYK 70 / 57 / 0 / 31

HEX #354CAF

RGB 53 76 175

HSL 228.69, 0.54%, 0.45%

LAB 36.02, 25.12, -55.52

 

CMYK 70 / 70 / 0 / 31

HEX #3535AF

RGB 53 53 175

HSL 240, 0.54%, 0.45%

LAB 30.4, 39.77, -64.71

 

CMYK 70 / 57 / 0 / 31

HEX #354CAF

RGB 53 76 175

HSL 228.69, 0.54%, 0.45%

LAB 36.02, 25.12, -55.52

 

CMYK 82 / 67 / 0 / 24

HEX #2340C2

RGB 35 64 194

HSL 229.06, 0.69%, 0.45%

LAB 33.81, 37.94, -70.37

 

CMYK 92 / 75 / 0 / 17

HEX #1034D4

RGB 16 52 212

HSL 228.98, 0.86%, 0.45%

LAB 32.52, 50.59, -82.99

 

CMYK 70 / 57 / 0 / 31

HEX #354CAF

RGB 53 76 175

HSL 228.69, 0.54%, 0.45%

LAB 36.02, 25.12, -55.52

 

CMYK 54 / 45 / 0 / 38

HEX #48579D

RGB 72 87 157

HSL 229.41, 0.37%, 0.45%

LAB 38.95, 15.14, -40.02

 

CMYK 34 / 28 / 0 / 46

HEX #5B638A

RGB 91 99 138

HSL 229.79, 0.21%, 0.45%

LAB 42.74, 6.82, -22.56

 

CMYK 8 / 7 / 0 / 53

HEX #6D6F77

RGB 109 111 119

HSL 228, 0.04%, 0.45%

LAB 46.91, 0.94, -4.7

 

CMYK 0 / 4 / 21 / 50

HEX #807B65

RGB 128 123 101

HSL 48.89, 0.12%, 0.45%

LAB 51.49, -2.01, 12.73

 

CMYK 70 / 19 / 0 / 31

HEX #358DAF

RGB 53 141 175

HSL 196.72, 0.54%, 0.45%

LAB 54.97, -14.94, -25.49

 

CMYK 70 / 38 / 0 / 31

HEX #356CAF

RGB 53 108 175

HSL 212.95, 0.54%, 0.45%

LAB 45.05, 4.44, -41.02

 

CMYK 70 / 57 / 0 / 31

HEX #354CAF

RGB 53 76 175

HSL 228.69, 0.54%, 0.45%

LAB 36.02, 25.12, -55.52

 

CMYK 63 / 70 / 0 / 31

HEX #4035AF

RGB 64 53 175

HSL 245.41, 0.54%, 0.45%

LAB 31.19, 41.19, -63.38

 

CMYK 45 / 70 / 0 / 31

HEX #6035AF

RGB 96 53 175

HSL 261.15, 0.54%, 0.45%

LAB 34.25, 46.43, -58.25

 

CMYK 70 / 57 / 0 / 56

HEX #223070

RGB 34 48 112

HSL 229.23, 0.53%, 0.29%

LAB 22.39, 17.3, -38.88

 

CMYK 69 / 57 / 0 / 44

HEX #2C3E90

RGB 44 62 144

HSL 229.2, 0.53%, 0.37%

LAB 29.4, 21.56, -47.58

 

CMYK 70 / 57 / 0 / 31

HEX #354CAF

RGB 53 76 175

HSL 228.69, 0.54%, 0.45%

LAB 36.02, 25.12, -55.52

 

CMYK 64 / 52 / 0 / 22

HEX #475FC6

RGB 71 95 198

HSL 228.66, 0.53%, 0.53%

LAB 43.66, 23.93, -56.58

 

CMYK 50 / 41 / 0 / 18

HEX #677AD0

RGB 103 122 208

HSL 229.14, 0.53%, 0.61%

LAB 53.34, 16.89, -46.7

 

CMYK 69 / 57 / 0 / 31

HEX #364CAF

RGB 54 76 175

HSL 229.09, 0.53%, 0.45%

LAB 36.08, 25.27, -55.43

 

CMYK 0 / 70 / 1 / 31

HEX #AF35AD

RGB 175 53 173

HSL 300.98, 0.54%, 0.45%

LAB 45.19, 62.88, -38.89

 

CMYK 29 / 0 / 70 / 31

HEX #7CAF35

RGB 124 175 53

HSL 85.08, 0.54%, 0.45%

LAB 65.91, -35.77, 54.47

 

CMYK 69 / 57 / 0 / 31

HEX #364CAF

RGB 54 76 175

HSL 229.09, 0.53%, 0.45%

LAB 36.08, 25.27, -55.43

 

CMYK 0 / 70 / 57 / 31

HEX #AF354C

RGB 175 53 76

HSL 348.69, 0.54%, 0.45%

LAB 41.5, 50.8, 14.96

 

CMYK 57 / 0 / 70 / 31

HEX #4CAF35

RGB 76 175 53

HSL 108.69, 0.54%, 0.45%

LAB 63.72, -51.49, 51.52

 

CMYK 69 / 57 / 0 / 31

HEX #364CAF

RGB 54 76 175

HSL 229.09, 0.53%, 0.45%

LAB 36.08, 25.27, -55.43

 

CMYK 0 / 70 / 1 / 31

HEX #AF35AD

RGB 175 53 173

HSL 300.98, 0.54%, 0.45%

LAB 45.19, 62.88, -38.89

 

CMYK 0 / 13 / 70 / 31

HEX #AF9935

RGB 175 153 53

HSL 49.18, 0.54%, 0.45%

LAB 63.47, -3.2, 53.22

 

CMYK 70 / 0 / 69 / 31

HEX #35AF37

RGB 53 175 55

HSL 120.98, 0.54%, 0.45%

LAB 63.09, -56.51, 49.85

 

CMYK 69 / 57 / 0 / 31

HEX #364CAF

RGB 54 76 175

HSL 229.09, 0.53%, 0.45%

LAB 36.08, 25.27, -55.43

 

CMYK 0 / 70 / 22 / 31

HEX #AF3589

RGB 175 53 137

HSL 318.69, 0.54%, 0.45%

LAB 43.46, 57.39, -20

 

CMYK 0 / 13 / 70 / 31

HEX #AF9935

RGB 175 153 53

HSL 49.18, 0.54%, 0.45%

LAB 63.47, -3.2, 53.22

 

CMYK 70 / 0 / 47 / 31

HEX #35AF5C

RGB 53 175 92

HSL 139.18, 0.54%, 0.45%

LAB 63.5, -51.71, 32.97

 

Description

Color code: HEX #364CAF | qconv.com Color code: HEX #364CAF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 76 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 76 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 57 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 57% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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