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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #365362 it is the complementary color #C9AC9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #365362. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #365362 shade: #3B535D, #4C6570, #5D7783, #6E8996 and #7F9BA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #365362. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #365362 shade: #365362, #25414F, #142F3C, #031D29 and #000B16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #365362 shade: #365362, #364762, #363B62, #3C3662 and #483662

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #365362 shade: #365362, #364762, #363B62 and #363662

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #365362 shade matches the following richer shades: #365362, #29576F, #1D5B7B, #115F87 and #046394

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #365362 shade: #365362, #424F56, #4F4B49, #5B473D and #674331

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #365362 shade: #366259, #365F62, #365362, #364862 and #363C62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #365362 shade: #19262D, #273D48, #365362, #446A7D and #538097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #365362 shade: #365362, #4D3662 and #625F36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #365362 shade: #365362, #623653 and #536236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #365362 shade: #365362, #4D3662, #624536 and #4B6236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #365362 shade: #365362, #5B3662, #624536 and #3D6236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

Complementary color

CMYK 0 / 14 / 22 / 21

HEX #C9AC9D

RGB 201 172 157

HSL 20.45, 0.29%, 0.7%

LAB 72.47, 8.16, 11.6

 

CMYK 37 / 11 / 0 / 64

HEX #3B535D

RGB 59 83 93

HSL 197.65, 0.22%, 0.3%

LAB 33.79, -6.3, -8.75

 

CMYK 32 / 10 / 0 / 56

HEX #4C6570

RGB 76 101 112

HSL 198.33, 0.19%, 0.37%

LAB 41.24, -6.36, -9.2

 

CMYK 29 / 9 / 0 / 49

HEX #5D7783

RGB 93 119 131

HSL 198.95, 0.17%, 0.44%

LAB 48.46, -6.4, -9.65

 

CMYK 27 / 9 / 0 / 41

HEX #6E8996

RGB 110 137 150

HSL 199.5, 0.16%, 0.51%

LAB 55.49, -6.45, -10.09

 

CMYK 25 / 8 / 0 / 34

HEX #7F9BA9

RGB 127 155 169

HSL 200, 0.2%, 0.58%

LAB 62.35, -6.49, -10.53

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 53 / 18 / 0 / 69

HEX #25414F

RGB 37 65 79

HSL 200, 0.36%, 0.23%

LAB 25.98, -6.08, -11.73

 

CMYK 67 / 22 / 0 / 76

HEX #142F3C

RGB 20 47 60

HSL 199.5, 0.5%, 0.16%

LAB 17.95, -5.6, -11.35

 

CMYK 93 / 29 / 0 / 84

HEX #031D29

RGB 3 29 41

HSL 198.95, 0.86%, 0.09%

LAB 9.47, -4.89, -11.02

 

CMYK 100 / 50 / 0 / 91

HEX #000B16

RGB 0 11 22

HSL 210, 1%, 0.04%

LAB 2.69, -0.74, -6.85

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 45 / 28 / 0 / 62

HEX #364762

RGB 54 71 98

HSL 216.82, 0.29%, 0.3%

LAB 29.84, 1.25, -17.98

 

CMYK 45 / 40 / 0 / 62

HEX #363B62

RGB 54 59 98

HSL 233.18, 0.29%, 0.3%

LAB 26.14, 9.26, -23.77

 

CMYK 39 / 45 / 0 / 62

HEX #3C3662

RGB 60 54 98

HSL 248.18, 0.29%, 0.3%

LAB 25.2, 14.47, -25.21

 

CMYK 27 / 45 / 0 / 62

HEX #483662

RGB 72 54 98

HSL 264.55, 0.29%, 0.3%

LAB 26.44, 18.29, -23.18

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 45 / 28 / 0 / 62

HEX #364762

RGB 54 71 98

HSL 216.82, 0.29%, 0.3%

LAB 29.84, 1.25, -17.98

 

CMYK 45 / 40 / 0 / 62

HEX #363B62

RGB 54 59 98

HSL 233.18, 0.29%, 0.3%

LAB 26.14, 9.26, -23.77

 

CMYK 45 / 45 / 0 / 62

HEX #363662

RGB 54 54 98

HSL 240, 0.29%, 0.3%

LAB 24.65, 12.68, -26.12

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 63 / 22 / 0 / 56

HEX #29576F

RGB 41 87 111

HSL 200.57, 0.46%, 0.3%

LAB 34.87, -7.8, -18.46

 

CMYK 76 / 26 / 0 / 52

HEX #1D5B7B

RGB 29 91 123

HSL 200.43, 0.62%, 0.3%

LAB 36.32, -8.01, -23.67

 

CMYK 87 / 30 / 0 / 47

HEX #115F87

RGB 17 95 135

HSL 200.34, 0.78%, 0.3%

LAB 37.94, -7.18, -28.49

 

CMYK 97 / 33 / 0 / 42

HEX #046394

RGB 4 99 148

HSL 200.42, 0.95%, 0.3%

LAB 39.73, -5.29, -33.53

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 23 / 8 / 0 / 66

HEX #424F56

RGB 66 79 86

HSL 201, 0.13%, 0.3%

LAB 32.75, -3.35, -5.83

 

CMYK 0 / 5 / 8 / 69

HEX #4F4B49

RGB 79 75 73

HSL 20, 0.04%, 0.3%

LAB 32.2, 1.24, 1.78

 

CMYK 0 / 22 / 33 / 64

HEX #5B473D

RGB 91 71 61

HSL 20, 0.2%, 0.3%

LAB 31.96, 6.87, 9.26

 

CMYK 0 / 35 / 52 / 60

HEX #674331

RGB 103 67 49

HSL 20, 0.36%, 0.3%

LAB 32.08, 13.3, 17.25

 

CMYK 45 / 0 / 9 / 62

HEX #366259

RGB 54 98 89

HSL 167.73, 0.29%, 0.3%

LAB 38.27, -17.65, 0.36

 

CMYK 45 / 3 / 0 / 62

HEX #365F62

RGB 54 95 98

HSL 184.09, 0.29%, 0.3%

LAB 37.57, -13.47, -6.23

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 45 / 27 / 0 / 62

HEX #364862

RGB 54 72 98

HSL 215.45, 0.29%, 0.3%

LAB 30.16, 0.6, -17.5

 

CMYK 45 / 39 / 0 / 62

HEX #363C62

RGB 54 60 98

HSL 231.82, 0.29%, 0.3%

LAB 26.44, 8.58, -23.29

 

CMYK 44 / 16 / 0 / 82

HEX #19262D

RGB 25 38 45

HSL 201, 0.29%, 0.14%

LAB 14.3, -3.33, -6.39

 

CMYK 46 / 15 / 0 / 72

HEX #273D48

RGB 39 61 72

HSL 200, 0.3%, 0.22%

LAB 24.44, -5.23, -9.45

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 46 / 15 / 0 / 51

HEX #446A7D

RGB 68 106 125

HSL 200, 0.3%, 0.38%

LAB 42.79, -7.99, -14.78

 

CMYK 45 / 15 / 0 / 41

HEX #538097

RGB 83 128 151

HSL 200.29, 0.29%, 0.46%

LAB 51.28, -9, -17.19

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 21 / 45 / 0 / 62

HEX #4D3662

RGB 77 54 98

HSL 271.36, 0.29%, 0.3%

LAB 27.01, 19.95, -22.24

 

CMYK 0 / 3 / 45 / 62

HEX #625F36

RGB 98 95 54

HSL 55.91, 0.29%, 0.3%

LAB 39.66, -5.5, 23.84

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 0 / 45 / 15 / 62

HEX #623653

RGB 98 54 83

HSL 320.45, 0.29%, 0.3%

LAB 29.06, 24.16, -9.11

 

CMYK 15 / 0 / 45 / 62

HEX #536236

RGB 83 98 54

HSL 80.45, 0.29%, 0.3%

LAB 39.31, -13.93, 23.13

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 21 / 45 / 0 / 62

HEX #4D3662

RGB 77 54 98

HSL 271.36, 0.29%, 0.3%

LAB 27.01, 19.95, -22.24

 

CMYK 0 / 30 / 45 / 62

HEX #624536

RGB 98 69 54

HSL 20.45, 0.29%, 0.3%

LAB 32.08, 10.34, 13.99

 

CMYK 23 / 0 / 45 / 62

HEX #4B6236

RGB 75 98 54

HSL 91.36, 0.29%, 0.3%

LAB 38.72, -17.34, 22.26

 

CMYK 45 / 15 / 0 / 62

HEX #365362

RGB 54 83 98

HSL 200.45, 0.29%, 0.3%

LAB 33.67, -6.35, -12.1

 

CMYK 7 / 45 / 0 / 62

HEX #5B3662

RGB 91 54 98

HSL 290.45, 0.29%, 0.3%

LAB 28.76, 24.71, -19.38

 

CMYK 0 / 30 / 45 / 62

HEX #624536

RGB 98 69 54

HSL 20.45, 0.29%, 0.3%

LAB 32.08, 10.34, 13.99

 

CMYK 38 / 0 / 45 / 62

HEX #3D6236

RGB 61 98 54

HSL 110.45, 0.29%, 0.3%

LAB 37.83, -22.87, 20.94

 

Description

Color code: HEX #365362 | qconv.com Color code: HEX #365362 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 83 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 83 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 15 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 15% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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