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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #365D27 it is the complementary color #C9A2D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #365D27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #365D27 shade: #3B5D22, #4C6F35, #5D8148, #6E935B and #7FA56E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #365D27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #365D27 shade: #365D27, #254B14, #143901, #032700 and #001500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #365D27 shade: #365D27, #445D27, #535D27, #5D5827 and #5D4A27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #365D27 shade: #365D27, #275D27, #275D35, #275D43 and #275D52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #365D27 shade matches the following richer shades: #365D27, #31681C, #2C7211 and #277D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #365D27 shade: #365D27, #3A5231, #3F483C, #443D47 and #493252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #365D27 shade: #535D27, #455D27, #365D27, #285D27 and #275D34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #365D27 shade: #14230E, #25401A, #365D27, #477A33 and #57973F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #365D27 shade: #365D27, #275D58 and #5D274C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #365D27 shade: #365D27, #27365D and #5D2736

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #365D27 shade: #365D27, #275D58, #4E275D and #5D272B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #365D27 shade: #365D27, #27515D, #4E275D and #5D3227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

Complementary color

CMYK 7 / 25 / 0 / 15

HEX #C9A2D8

RGB 201 162 216

HSL 283.33, 0.41%, 0.74%

LAB 71.7, 23.99, -21.98

 

CMYK 37 / 0 / 63 / 64

HEX #3B5D22

RGB 59 93 34

HSL 94.58, 0.46%, 0.25%

LAB 35.74, -23.86, 29.41

 

CMYK 32 / 0 / 52 / 56

HEX #4C6F35

RGB 76 111 53

HSL 96.21, 0.35%, 0.32%

LAB 43.01, -23.88, 28.17

 

CMYK 28 / 0 / 44 / 49

HEX #5D8148

RGB 93 129 72

HSL 97.89, 0.28%, 0.39%

LAB 50.09, -23.78, 26.87

 

CMYK 25 / 0 / 38 / 42

HEX #6E935B

RGB 110 147 91

HSL 99.64, 0.24%, 0.47%

LAB 57.01, -23.64, 25.61

 

CMYK 23 / 0 / 33 / 35

HEX #7FA56E

RGB 127 165 110

HSL 101.45, 0.23%, 0.54%

LAB 63.79, -23.48, 24.43

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 51 / 0 / 73 / 71

HEX #254B14

RGB 37 75 20

HSL 101.45, 0.58%, 0.19%

LAB 28.05, -25.04, 27.59

 

CMYK 65 / 0 / 98 / 78

HEX #143901

RGB 20 57 1

HSL 99.64, 0.97%, 0.11%

LAB 20.35, -24.48, 27.51

 

CMYK 92 / 0 / 100 / 85

HEX #032700

RGB 3 39 0

HSL 115.38, 1%, 0.08%

LAB 12.42, -22.27, 17.93

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 27 / 0 / 58 / 64

HEX #445D27

RGB 68 93 39

HSL 87.78, 0.41%, 0.26%

LAB 36.37, -19.57, 27.66

 

CMYK 11 / 0 / 58 / 64

HEX #535D27

RGB 83 93 39

HSL 71.11, 0.41%, 0.26%

LAB 37.51, -12.91, 29.27

 

CMYK 0 / 5 / 58 / 64

HEX #5D5827

RGB 93 88 39

HSL 54.44, 0.41%, 0.26%

LAB 36.84, -5.32, 28.73

 

CMYK 0 / 20 / 58 / 64

HEX #5D4A27

RGB 93 74 39

HSL 38.89, 0.41%, 0.26%

LAB 32.64, 3.17, 23.75

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 58 / 0 / 58 / 64

HEX #275D27

RGB 39 93 39

HSL 120, 0.41%, 0.26%

LAB 34.82, -30.23, 25.43

 

CMYK 58 / 0 / 43 / 64

HEX #275D35

RGB 39 93 53

HSL 135.56, 0.41%, 0.26%

LAB 35.04, -27.85, 17.7

 

CMYK 58 / 0 / 28 / 64

HEX #275D43

RGB 39 93 67

HSL 151.11, 0.41%, 0.26%

LAB 35.33, -24.81, 9.63

 

CMYK 58 / 0 / 12 / 64

HEX #275D52

RGB 39 93 82

HSL 167.78, 0.41%, 0.26%

LAB 35.73, -20.91, 0.91

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 53 / 0 / 73 / 59

HEX #31681C

RGB 49 104 28

HSL 103.42, 0.58%, 0.26%

LAB 38.96, -33.21, 35.64

 

CMYK 61 / 0 / 85 / 55

HEX #2C7211

RGB 44 114 17

HSL 103.3, 0.74%, 0.26%

LAB 42.17, -39.59, 42.8

 

CMYK 69 / 0 / 95 / 51

HEX #277D06

RGB 39 125 6

HSL 103.36, 0.91%, 0.26%

LAB 45.79, -45.36, 48.52

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 29 / 0 / 40 / 68

HEX #3A5231

RGB 58 82 49

HSL 103.64, 0.25%, 0.26%

LAB 32.16, -16.36, 16.51

 

CMYK 13 / 0 / 17 / 72

HEX #3F483C

RGB 63 72 60

HSL 105, 0.09%, 0.26%

LAB 29.46, -6.33, 5.98

 

CMYK 4 / 14 / 0 / 72

HEX #443D47

RGB 68 61 71

HSL 282, 0.08%, 0.26%

LAB 26.8, 5.23, -5

 

CMYK 11 / 39 / 0 / 68

HEX #493252

RGB 73 50 82

HSL 283.13, 0.24%, 0.26%

LAB 24.66, 17.09, -15.47

 

CMYK 11 / 0 / 58 / 64

HEX #535D27

RGB 83 93 39

HSL 71.11, 0.41%, 0.26%

LAB 37.51, -12.91, 29.27

 

CMYK 26 / 0 / 58 / 64

HEX #455D27

RGB 69 93 39

HSL 86.67, 0.41%, 0.26%

LAB 36.44, -19.15, 27.76

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 57 / 0 / 58 / 64

HEX #285D27

RGB 40 93 39

HSL 118.89, 0.41%, 0.26%

LAB 34.86, -29.93, 25.49

 

CMYK 58 / 0 / 44 / 64

HEX #275D34

RGB 39 93 52

HSL 134.44, 0.41%, 0.26%

LAB 35.02, -28.04, 18.27

 

CMYK 43 / 0 / 60 / 86

HEX #14230E

RGB 20 35 14

HSL 102.86, 0.43%, 0.1%

LAB 11.84, -11.59, 11.39

 

CMYK 42 / 0 / 59 / 75

HEX #25401A

RGB 37 64 26

HSL 102.63, 0.42%, 0.18%

LAB 24.11, -18.79, 19.88

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 42 / 0 / 58 / 52

HEX #477A33

RGB 71 122 51

HSL 103.1, 0.41%, 0.34%

LAB 46.31, -31.31, 33.1

 

CMYK 42 / 0 / 58 / 41

HEX #57973F

RGB 87 151 63

HSL 103.64, 0.41%, 0.42%

LAB 56.6, -37.48, 39.38

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 58 / 0 / 5 / 64

HEX #275D58

RGB 39 93 88

HSL 174.44, 0.41%, 0.26%

LAB 35.92, -19.18, -2.55

 

CMYK 0 / 58 / 18 / 64

HEX #5D274C

RGB 93 39 76

HSL 318.89, 0.41%, 0.26%

LAB 24.64, 29.76, -11.26

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 58 / 42 / 0 / 64

HEX #27365D

RGB 39 54 93

HSL 223.33, 0.41%, 0.26%

LAB 23.2, 6.83, -25.23

 

CMYK 0 / 58 / 42 / 64

HEX #5D2736

RGB 93 39 54

HSL 343.33, 0.41%, 0.26%

LAB 23.82, 26.41, 2.39

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 58 / 0 / 5 / 64

HEX #275D58

RGB 39 93 88

HSL 174.44, 0.41%, 0.26%

LAB 35.92, -19.18, -2.55

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 0 / 58 / 54 / 64

HEX #5D272B

RGB 93 39 43

HSL 355.56, 0.41%, 0.26%

LAB 23.51, 25.11, 9.45

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 58 / 13 / 0 / 64

HEX #27515D

RGB 39 81 93

HSL 193.33, 0.41%, 0.26%

LAB 32.05, -10.77, -11.49

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 0 / 46 / 58 / 64

HEX #5D3227

RGB 93 50 39

HSL 12.22, 0.41%, 0.26%

LAB 26.02, 18.18, 15.46

 

Description

Color code: HEX #365D27 | qconv.com Color code: HEX #365D27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 93 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 93 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 58 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 58% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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