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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #365E75 it is the complementary color #C9A18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #365E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #365E75 shade: #3B5E70, #4C7083, #5D8296, #6E94A9 and #7FA6BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #365E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #365E75 shade: #365E75, #254C62, #143A4F, #03283C and #001629

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #365E75 shade: #365F76, #364E76, #363C76, #413676 and #533676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #365E75 shade: #365F76, #364E76, #363C76 and #363676

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #365E75 shade matches the following richer shades: #365F76, #286384, #1A6692 and #0C6AA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #365E75 shade: #365F76, #445B68, #52575A, #60534C and #6E503E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #365E75 shade: #36766B, #367176, #366076, #364F76 and #363E76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #365E75 shade: #1C313E, #29485A, #365F76, #437693 and #508CAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #365E75 shade: #365E75, #593676 and #767336

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #365E75 shade: #365E75, #763660 and #607636

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #365E75 shade: #365E75, #593676, #764D36 and #537636

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #365E75 shade: #365E75, #6D3676, #764D36 and #407636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 20 / 0 / 54

HEX #365E75

RGB 54 94 117

HSL 201.9, 0.37%, 0.34%

LAB 37.97, -7.01, -17.34

 

Complementary color

CMYK 0 / 20 / 31 / 21

HEX #C9A18A

RGB 201 161 138

HSL 21.9, 0.37%, 0.66%

LAB 69.29, 11.47, 17.58

 

CMYK 47 / 16 / 0 / 56

HEX #3B5E70

RGB 59 94 112

HSL 200.38, 0.31%, 0.34%

LAB 38.03, -7.29, -14.16

 

CMYK 42 / 15 / 0 / 49

HEX #4C7083

RGB 76 112 131

HSL 200.73, 0.27%, 0.41%

LAB 45.31, -7.5, -14.51

 

CMYK 38 / 13 / 0 / 41

HEX #5D8296

RGB 93 130 150

HSL 201.05, 0.23%, 0.48%

LAB 52.39, -7.65, -14.86

 

CMYK 35 / 12 / 0 / 34

HEX #6E94A9

RGB 110 148 169

HSL 201.36, 0.26%, 0.55%

LAB 59.31, -7.77, -15.22

 

CMYK 32 / 12 / 0 / 26

HEX #7FA6BC

RGB 127 166 188

HSL 201.64, 0.31%, 0.62%

LAB 66.07, -7.86, -15.58

 

CMYK 54 / 20 / 0 / 54

HEX #365E75

RGB 54 94 117

HSL 201.9, 0.37%, 0.34%

LAB 37.97, -7.01, -17.34

 

CMYK 62 / 22 / 0 / 62

HEX #254C62

RGB 37 76 98

HSL 201.64, 0.45%, 0.26%

LAB 30.51, -6.46, -17.04

 

CMYK 75 / 27 / 0 / 69

HEX #143A4F

RGB 20 58 79

HSL 201.36, 0.6%, 0.19%

LAB 22.79, -5.53, -16.71

 

CMYK 95 / 33 / 0 / 76

HEX #03283C

RGB 3 40 60

HSL 201.05, 0.9%, 0.12%

LAB 14.75, -4.09, -16.38

 

CMYK 100 / 46 / 0 / 84

HEX #001629

RGB 0 22 41

HSL 207.8, 1%, 0.08%

LAB 6.63, -0.43, -15.48

 

CMYK 54 / 19 / 0 / 54

HEX #365F76

RGB 54 95 118

HSL 201.56, 0.37%, 0.34%

LAB 38.33, -7.29, -17.4

 

CMYK 54 / 34 / 0 / 54

HEX #364E76

RGB 54 78 118

HSL 217.5, 0.37%, 0.34%

LAB 33.01, 3.37, -25.67

 

CMYK 54 / 49 / 0 / 54

HEX #363C76

RGB 54 60 118

HSL 234.38, 0.37%, 0.34%

LAB 27.64, 15.39, -34.18

 

CMYK 45 / 54 / 0 / 54

HEX #413676

RGB 65 54 118

HSL 250.31, 0.37%, 0.34%

LAB 26.93, 22.19, -35.26

 

CMYK 30 / 54 / 0 / 54

HEX #533676

RGB 83 54 118

HSL 267.19, 0.37%, 0.34%

LAB 28.86, 27.16, -32.06

 

CMYK 54 / 19 / 0 / 54

HEX #365F76

RGB 54 95 118

HSL 201.56, 0.37%, 0.34%

LAB 38.33, -7.29, -17.4

 

CMYK 54 / 34 / 0 / 54

HEX #364E76

RGB 54 78 118

HSL 217.5, 0.37%, 0.34%

LAB 33.01, 3.37, -25.67

 

CMYK 54 / 49 / 0 / 54

HEX #363C76

RGB 54 60 118

HSL 234.38, 0.37%, 0.34%

LAB 27.64, 15.39, -34.18

 

CMYK 54 / 54 / 0 / 54

HEX #363676

RGB 54 54 118

HSL 240, 0.37%, 0.34%

LAB 25.95, 19.47, -36.88

 

CMYK 54 / 19 / 0 / 54

HEX #365F76

RGB 54 95 118

HSL 201.56, 0.37%, 0.34%

LAB 38.33, -7.29, -17.4

 

CMYK 70 / 25 / 0 / 48

HEX #286384

RGB 40 99 132

HSL 201.52, 0.53%, 0.34%

LAB 39.65, -7.81, -23.95

 

CMYK 82 / 30 / 0 / 43

HEX #1A6692

RGB 26 102 146

HSL 202, 0.7%, 0.34%

LAB 40.89, -6.34, -30.48

 

CMYK 93 / 34 / 0 / 37

HEX #0C6AA0

RGB 12 106 160

HSL 201.89, 0.86%, 0.34%

LAB 42.65, -4.42, -36.07

 

CMYK 54 / 19 / 0 / 54

HEX #365F76

RGB 54 95 118

HSL 201.56, 0.37%, 0.34%

LAB 38.33, -7.29, -17.4

 

CMYK 35 / 13 / 0 / 59

HEX #445B68

RGB 68 91 104

HSL 201.67, 0.21%, 0.34%

LAB 37.32, -5.14, -10.24

 

CMYK 9 / 3 / 0 / 65

HEX #52575A

RGB 82 87 90

HSL 202.5, 0.05%, 0.34%

LAB 36.65, -1.3, -2.43

 

CMYK 0 / 14 / 21 / 62

HEX #60534C

RGB 96 83 76

HSL 21, 0.12%, 0.34%

LAB 36.36, 4.07, 6.07

 

CMYK 0 / 27 / 44 / 57

HEX #6E503E

RGB 110 80 62

HSL 22.5, 0.28%, 0.34%

LAB 36.74, 10.02, 15.53

 

CMYK 54 / 0 / 9 / 54

HEX #36766B

RGB 54 118 107

HSL 169.69, 0.37%, 0.34%

LAB 45.36, -23.42, -0.19

 

CMYK 54 / 4 / 0 / 54

HEX #367176

RGB 54 113 118

HSL 184.69, 0.37%, 0.34%

LAB 44.09, -17.62, -8.66

 

CMYK 54 / 19 / 0 / 54

HEX #366076

RGB 54 96 118

HSL 200.63, 0.37%, 0.34%

LAB 38.65, -7.89, -16.91

 

CMYK 54 / 33 / 0 / 54

HEX #364F76

RGB 54 79 118

HSL 216.56, 0.37%, 0.34%

LAB 33.32, 2.72, -25.19

 

CMYK 54 / 47 / 0 / 54

HEX #363E76

RGB 54 62 118

HSL 232.5, 0.37%, 0.34%

LAB 28.21, 14.04, -33.26

 

CMYK 55 / 21 / 0 / 76

HEX #1C313E

RGB 28 49 62

HSL 202.94, 0.38%, 0.18%

LAB 19.19, -4.04, -10.79

 

CMYK 54 / 20 / 0 / 65

HEX #29485A

RGB 41 72 90

HSL 202.04, 0.37%, 0.26%

LAB 29.02, -5.73, -14.2

 

CMYK 54 / 19 / 0 / 54

HEX #365F76

RGB 54 95 118

HSL 201.56, 0.37%, 0.34%

LAB 38.33, -7.29, -17.4

 

CMYK 54 / 20 / 0 / 42

HEX #437693

RGB 67 118 147

HSL 201.75, 0.37%, 0.42%

LAB 47.31, -8.45, -20.99

 

CMYK 54 / 20 / 0 / 32

HEX #508CAE

RGB 80 140 174

HSL 201.7, 0.37%, 0.5%

LAB 55.6, -9.62, -23.86

 

CMYK 54 / 20 / 0 / 54

HEX #365E75

RGB 54 94 117

HSL 201.9, 0.37%, 0.34%

LAB 37.97, -7.01, -17.34

 

CMYK 25 / 54 / 0 / 54

HEX #593676

RGB 89 54 118

HSL 272.81, 0.37%, 0.34%

LAB 29.59, 28.91, -30.86

 

CMYK 0 / 3 / 54 / 54

HEX #767336

RGB 118 115 54

HSL 57.19, 0.37%, 0.34%

LAB 47.47, -7.84, 33.75

 

CMYK 54 / 20 / 0 / 54

HEX #365E75

RGB 54 94 117

HSL 201.9, 0.37%, 0.34%

LAB 37.97, -7.01, -17.34

 

CMYK 0 / 54 / 19 / 54

HEX #763660

RGB 118 54 96

HSL 320.63, 0.37%, 0.34%

LAB 32.56, 33.64, -11.92

 

CMYK 19 / 0 / 54 / 54

HEX #607636

RGB 96 118 54

HSL 80.63, 0.37%, 0.34%

LAB 46.59, -19.18, 32.27

 

CMYK 54 / 20 / 0 / 54

HEX #365E75

RGB 54 94 117

HSL 201.9, 0.37%, 0.34%

LAB 37.97, -7.01, -17.34

 

CMYK 25 / 54 / 0 / 54

HEX #593676

RGB 89 54 118

HSL 272.81, 0.37%, 0.34%

LAB 29.59, 28.91, -30.86

 

CMYK 0 / 35 / 54 / 54

HEX #764D36

RGB 118 77 54

HSL 21.56, 0.37%, 0.34%

LAB 36.79, 14.56, 20.66

 

CMYK 30 / 0 / 54 / 54

HEX #537636

RGB 83 118 54

HSL 92.81, 0.37%, 0.34%

LAB 45.72, -24.52, 31.02

 

CMYK 54 / 20 / 0 / 54

HEX #365E75

RGB 54 94 117

HSL 201.9, 0.37%, 0.34%

LAB 37.97, -7.01, -17.34

 

CMYK 8 / 54 / 0 / 54

HEX #6D3676

RGB 109 54 118

HSL 291.56, 0.37%, 0.34%

LAB 32.25, 34.91, -26.48

 

CMYK 0 / 35 / 54 / 54

HEX #764D36

RGB 118 77 54

HSL 21.56, 0.37%, 0.34%

LAB 36.79, 14.56, 20.66

 

CMYK 46 / 0 / 54 / 54

HEX #407636

RGB 64 118 54

HSL 110.63, 0.37%, 0.34%

LAB 44.68, -31.49, 29.52

 

Description

Color code: HEX #365E75 | qconv.com Color code: HEX #365E75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 94 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 94 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 20 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 20% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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