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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366EA9 it is the complementary color #C99156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366EA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366EA9 shade: #3B6EA4, #4C80B7, #5D92CA, #6EA4DD and #7FB6F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366EA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366EA9 shade: #366EA9, #255C96, #144A83, #033870 and #00265D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366EA9 shade: #356EAA, #354FAA, #3B35AA, #5B35AA and #7A35AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366EA9 shade: #356EAA, #354FAA and #3535AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366EA9 shade matches the following richer shades: #356EAA, #236EBC and #116DCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366EA9 shade: #356EAA, #486F98, #5A6F86, #6C7074 and #7E7061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366EA9 shade: #35AAA6, #358FAA, #3570AA, #3551AA and #3935AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366EA9 shade: #22456B, #2B5A8B, #356EAA, #4583C4 and #6498CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366EA9 shade: #366EA9, #8735AA and #9EAA35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366EA9 shade: #366EA9, #AA3570 and #70AA35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366EA9 shade: #366EA9, #8735AA, #AA7035 and #58AA35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366EA9 shade: #366EA9, #AA35AA, #AA7035 and #35AA35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 35 / 0 / 34

HEX #366EA9

RGB 54 110 169

HSL 210.78, 0.52%, 0.44%

LAB 45.36, 1.19, -37.02

 

Complementary color

CMYK 0 / 28 / 57 / 21

HEX #C99156

RGB 201 145 86

HSL 30.78, 0.52%, 0.56%

LAB 64.44, 14.7, 39.33

 

CMYK 64 / 33 / 0 / 36

HEX #3B6EA4

RGB 59 110 164

HSL 210.86, 0.47%, 0.44%

LAB 45.31, 0.31, -34.15

 

CMYK 58 / 30 / 0 / 28

HEX #4C80B7

RGB 76 128 183

HSL 210.84, 0.43%, 0.51%

LAB 52.28, -0.69, -34.2

 

CMYK 54 / 28 / 0 / 21

HEX #5D92CA

RGB 93 146 202

HSL 210.83, 0.51%, 0.58%

LAB 59.11, -1.47, -34.26

 

CMYK 50 / 26 / 0 / 13

HEX #6EA4DD

RGB 110 164 221

HSL 210.81, 0.62%, 0.65%

LAB 65.82, -2.1, -34.34

 

CMYK 47 / 24 / 0 / 6

HEX #7FB6F0

RGB 127 182 240

HSL 210.8, 0.79%, 0.72%

LAB 72.4, -2.61, -34.45

 

CMYK 68 / 35 / 0 / 34

HEX #366EA9

RGB 54 110 169

HSL 210.78, 0.52%, 0.44%

LAB 45.36, 1.19, -37.02

 

CMYK 75 / 39 / 0 / 41

HEX #255C96

RGB 37 92 150

HSL 210.8, 0.6%, 0.37%

LAB 38.29, 2.79, -36.98

 

CMYK 85 / 44 / 0 / 49

HEX #144A83

RGB 20 74 131

HSL 210.81, 0.74%, 0.3%

LAB 31.08, 4.99, -36.9

 

CMYK 97 / 50 / 0 / 56

HEX #033870

RGB 3 56 112

HSL 210.83, 0.95%, 0.23%

LAB 23.73, 7.96, -36.76

 

CMYK 100 / 59 / 0 / 64

HEX #00265D

RGB 0 38 93

HSL 215.48, 1%, 0.18%

LAB 16.39, 12.37, -36.27

 

CMYK 69 / 35 / 0 / 33

HEX #356EAA

RGB 53 110 170

HSL 210.77, 0.52%, 0.44%

LAB 45.37, 1.39, -37.58

 

CMYK 69 / 54 / 0 / 33

HEX #354FAA

RGB 53 79 170

HSL 226.67, 0.52%, 0.44%

LAB 36.46, 21.31, -51.83

 

CMYK 65 / 69 / 0 / 33

HEX #3B35AA

RGB 59 53 170

HSL 243.08, 0.52%, 0.44%

LAB 30.35, 38.86, -61.78

 

CMYK 46 / 69 / 0 / 33

HEX #5B35AA

RGB 91 53 170

HSL 259.49, 0.52%, 0.44%

LAB 33.29, 44.11, -56.85

 

CMYK 28 / 69 / 0 / 33

HEX #7A35AA

RGB 122 53 170

HSL 275.38, 0.52%, 0.44%

LAB 37.09, 50.4, -50.51

 

CMYK 69 / 35 / 0 / 33

HEX #356EAA

RGB 53 110 170

HSL 210.77, 0.52%, 0.44%

LAB 45.37, 1.39, -37.58

 

CMYK 69 / 54 / 0 / 33

HEX #354FAA

RGB 53 79 170

HSL 226.67, 0.52%, 0.44%

LAB 36.46, 21.31, -51.83

 

CMYK 69 / 69 / 0 / 33

HEX #3535AA

RGB 53 53 170

HSL 240, 0.52%, 0.44%

LAB 29.92, 38.07, -62.49

 

CMYK 69 / 35 / 0 / 33

HEX #356EAA

RGB 53 110 170

HSL 210.77, 0.52%, 0.44%

LAB 45.37, 1.39, -37.58

 

CMYK 81 / 41 / 0 / 26

HEX #236EBC

RGB 35 110 188

HSL 210.59, 0.69%, 0.44%

LAB 45.83, 5.78, -47.39

 

CMYK 92 / 47 / 0 / 19

HEX #116DCE

RGB 17 109 206

HSL 210.79, 0.85%, 0.44%

LAB 46.33, 12.17, -56.96

 

CMYK 69 / 35 / 0 / 33

HEX #356EAA

RGB 53 110 170

HSL 210.77, 0.52%, 0.44%

LAB 45.37, 1.39, -37.58

 

CMYK 53 / 27 / 0 / 40

HEX #486F98

RGB 72 111 152

HSL 210.75, 0.36%, 0.44%

LAB 45.65, -1.53, -26.49

 

CMYK 33 / 17 / 0 / 47

HEX #5A6F86

RGB 90 111 134

HSL 211.36, 0.2%, 0.44%

LAB 45.99, -1.88, -15.18

 

CMYK 7 / 3 / 0 / 55

HEX #6C7074

RGB 108 112 116

HSL 210, 0.04%, 0.44%

LAB 47.02, -0.67, -2.75

 

CMYK 0 / 11 / 23 / 51

HEX #7E7061

RGB 126 112 97

HSL 31.03, 0.13%, 0.44%

LAB 48.12, 2.87, 10.34

 

CMYK 69 / 0 / 2 / 33

HEX #35AAA6

RGB 53 170 166

HSL 177.95, 0.52%, 0.44%

LAB 63.56, -32.58, -7.38

 

CMYK 69 / 16 / 0 / 33

HEX #358FAA

RGB 53 143 170

HSL 193.85, 0.52%, 0.44%

LAB 55.38, -17.68, -21.99

 

CMYK 69 / 34 / 0 / 33

HEX #3570AA

RGB 53 112 170

HSL 209.74, 0.52%, 0.44%

LAB 45.97, 0.16, -36.64

 

CMYK 69 / 52 / 0 / 33

HEX #3551AA

RGB 53 81 170

HSL 225.64, 0.52%, 0.44%

LAB 37.01, 19.99, -50.95

 

CMYK 66 / 69 / 0 / 33

HEX #3935AA

RGB 57 53 170

HSL 242.05, 0.52%, 0.44%

LAB 30.2, 38.59, -62.03

 

CMYK 68 / 36 / 0 / 58

HEX #22456B

RGB 34 69 107

HSL 211.23, 0.52%, 0.28%

LAB 28.53, 0.76, -25.86

 

CMYK 69 / 35 / 0 / 45

HEX #2B5A8B

RGB 43 90 139

HSL 210.63, 0.53%, 0.36%

LAB 37.28, 0.85, -31.91

 

CMYK 69 / 35 / 0 / 33

HEX #356EAA

RGB 53 110 170

HSL 210.77, 0.52%, 0.44%

LAB 45.37, 1.39, -37.58

 

CMYK 65 / 33 / 0 / 23

HEX #4583C4

RGB 69 131 196

HSL 210.71, 0.52%, 0.52%

LAB 53.47, 0.56, -39.78

 

CMYK 51 / 26 / 0 / 19

HEX #6498CE

RGB 100 152 206

HSL 210.57, 0.52%, 0.6%

LAB 61.33, -2.11, -33.03

 

CMYK 68 / 35 / 0 / 34

HEX #366EA9

RGB 54 110 169

HSL 210.78, 0.52%, 0.44%

LAB 45.36, 1.19, -37.02

 

CMYK 21 / 69 / 0 / 33

HEX #8735AA

RGB 135 53 170

HSL 282.05, 0.52%, 0.44%

LAB 38.9, 53.25, -47.51

 

CMYK 7 / 0 / 69 / 33

HEX #9EAA35

RGB 158 170 53

HSL 66.15, 0.52%, 0.44%

LAB 66.73, -19.53, 56.05

 

CMYK 68 / 35 / 0 / 34

HEX #366EA9

RGB 54 110 169

HSL 210.78, 0.52%, 0.44%

LAB 45.36, 1.19, -37.02

 

CMYK 0 / 69 / 34 / 33

HEX #AA3570

RGB 170 53 112

HSL 329.74, 0.52%, 0.44%

LAB 41.63, 52.79, -7.48

 

CMYK 34 / 0 / 69 / 33

HEX #70AA35

RGB 112 170 53

HSL 89.74, 0.52%, 0.44%

LAB 63.71, -38, 52

 

CMYK 68 / 35 / 0 / 34

HEX #366EA9

RGB 54 110 169

HSL 210.78, 0.52%, 0.44%

LAB 45.36, 1.19, -37.02

 

CMYK 21 / 69 / 0 / 33

HEX #8735AA

RGB 135 53 170

HSL 282.05, 0.52%, 0.44%

LAB 38.9, 53.25, -47.51

 

CMYK 0 / 34 / 69 / 33

HEX #AA7035

RGB 170 112 53

HSL 30.26, 0.52%, 0.44%

LAB 52.28, 17.35, 41.23

 

CMYK 48 / 0 / 69 / 33

HEX #58AA35

RGB 88 170 53

HSL 102.05, 0.52%, 0.44%

LAB 62.58, -46.12, 50.46

 

CMYK 68 / 35 / 0 / 34

HEX #366EA9

RGB 54 110 169

HSL 210.78, 0.52%, 0.44%

LAB 45.36, 1.19, -37.02

 

CMYK 0 / 69 / 0 / 33

HEX #AA35AA

RGB 170 53 170

HSL 300, 0.52%, 0.44%

LAB 44.23, 61.22, -38.69

 

CMYK 0 / 34 / 69 / 33

HEX #AA7035

RGB 170 112 53

HSL 30.26, 0.52%, 0.44%

LAB 52.28, 17.35, 41.23

 

CMYK 69 / 0 / 69 / 33

HEX #35AA35

RGB 53 170 53

HSL 120, 0.52%, 0.44%

LAB 61.45, -54.99, 48.92

 

Description

Color code: HEX #366EA9 | qconv.com Color code: HEX #366EA9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 110 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 110 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 35 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 35% 0% 34% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - ExxonMobil
Link: http://corporate.exxonmobil.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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