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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3683F5 it is the complementary color #C97C0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3683F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3683F5 shade: #3B83F0, #4C95FF, #5DA7FF, #6EB9FF and #7FCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3683F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3683F5 shade: #3683F5, #2571E2, #145FCF, #034DBC and #003BA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3683F5 shade: #3784F5, #3750F5, #5137F5, #8437F5 and #B737F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3683F5 shade: #3784F5, #3750F5 and #3737F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3683F5 shade matches the following richer shades: #3784F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3683F5 shade: #3784F5, #4887E4, #598AD3, #6A8DC2 and #7A91B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3683F5 shade: #37ECF5, #37B9F5, #3786F5, #3753F5 and #4D37F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3683F5 shade: #0959D0, #0F6BF3, #3784F5, #5E9CF7 and #86B4F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3683F5 shade: #3683F5, #CC37F5 and #D2F537

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3683F5 shade: #3683F5, #F53786 and #86F537

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3683F5 shade: #3683F5, #CC37F5, #F5A637 and #60F537

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3683F5 shade: #3683F5, #F537E5, #F5A637 and #37F547

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 47 / 0 / 4

HEX #3683F5

RGB 54 131 245

HSL 215.81, 0.91%, 0.59%

LAB 55.69, 16.04, -63.78

 

Complementary color

CMYK 0 / 38 / 95 / 21

HEX #C97C0A

RGB 201 124 10

HSL 35.81, 0.91%, 0.41%

LAB 58.84, 22.88, 63.57

 

CMYK 75 / 45 / 0 / 6

HEX #3B83F0

RGB 59 131 240

HSL 216.13, 0.86%, 0.59%

LAB 55.54, 14.76, -61.26

 

CMYK 70 / 42 / 0 / 0

HEX #4C95FF

RGB 76 149 255

HSL 215.53, 1%, 0.65%

LAB 61.87, 11.38, -59.35

 

CMYK 64 / 35 / 0 / 0

HEX #5DA7FF

RGB 93 167 255

HSL 212.59, 1%, 0.68%

LAB 67.42, 3.49, -50.5

 

CMYK 57 / 27 / 0 / 0

HEX #6EB9FF

RGB 110 185 255

HSL 208.97, 1%, 0.72%

LAB 73.04, -3.49, -41.61

 

CMYK 50 / 20 / 0 / 0

HEX #7FCBFF

RGB 127 203 255

HSL 204.38, 1%, 0.75%

LAB 78.72, -9.67, -32.75

 

CMYK 78 / 47 / 0 / 4

HEX #3683F5

RGB 54 131 245

HSL 215.81, 0.91%, 0.59%

LAB 55.69, 16.04, -63.78

 

CMYK 84 / 50 / 0 / 11

HEX #2571E2

RGB 37 113 226

HSL 215.87, 0.77%, 0.52%

LAB 49.12, 18.64, -63.79

 

CMYK 90 / 54 / 0 / 19

HEX #145FCF

RGB 20 95 207

HSL 215.94, 0.82%, 0.45%

LAB 42.52, 21.78, -63.7

 

CMYK 98 / 59 / 0 / 26

HEX #034DBC

RGB 3 77 188

HSL 216, 0.97%, 0.37%

LAB 35.9, 25.49, -63.45

 

CMYK 100 / 65 / 0 / 34

HEX #003BA9

RGB 0 59 169

HSL 219.05, 1%, 0.33%

LAB 29.39, 29.89, -62.83

 

CMYK 78 / 46 / 0 / 4

HEX #3784F5

RGB 55 132 245

HSL 215.68, 0.9%, 0.59%

LAB 55.99, 15.53, -63.3

 

CMYK 78 / 67 / 0 / 4

HEX #3750F5

RGB 55 80 245

HSL 232.11, 0.9%, 0.59%

LAB 42.98, 47.7, -84.49

 

CMYK 67 / 78 / 0 / 4

HEX #5137F5

RGB 81 55 245

HSL 248.21, 0.9%, 0.59%

LAB 39.71, 63.31, -89.83

 

CMYK 46 / 78 / 0 / 4

HEX #8437F5

RGB 132 55 245

HSL 264.32, 0.9%, 0.59%

LAB 44.56, 69.11, -81.66

 

CMYK 25 / 78 / 0 / 4

HEX #B737F5

RGB 183 55 245

HSL 280.42, 0.9%, 0.59%

LAB 51.14, 76.91, -70.64

 

CMYK 78 / 46 / 0 / 4

HEX #3784F5

RGB 55 132 245

HSL 215.68, 0.9%, 0.59%

LAB 55.99, 15.53, -63.3

 

CMYK 78 / 67 / 0 / 4

HEX #3750F5

RGB 55 80 245

HSL 232.11, 0.9%, 0.59%

LAB 42.98, 47.7, -84.49

 

CMYK 78 / 78 / 0 / 4

HEX #3737F5

RGB 55 55 245

HSL 240, 0.9%, 0.59%

LAB 38.09, 61.37, -92.56

 

CMYK 78 / 46 / 0 / 4

HEX #3784F5

RGB 55 132 245

HSL 215.68, 0.9%, 0.59%

LAB 55.99, 15.53, -63.3

 

CMYK 78 / 46 / 0 / 4

HEX #3784F5

RGB 55 132 245

HSL 215.68, 0.9%, 0.59%

LAB 55.99, 15.53, -63.3

 

CMYK 68 / 41 / 0 / 11

HEX #4887E4

RGB 72 135 228

HSL 215.77, 0.74%, 0.59%

LAB 56.39, 9.76, -53.18

 

CMYK 58 / 35 / 0 / 17

HEX #598AD3

RGB 89 138 211

HSL 215.9, 0.58%, 0.59%

LAB 57.08, 5.22, -42.52

 

CMYK 45 / 27 / 0 / 24

HEX #6A8DC2

RGB 106 141 194

HSL 216.14, 0.42%, 0.59%

LAB 58.05, 2.08, -31.36

 

CMYK 31 / 18 / 0 / 31

HEX #7A91B1

RGB 122 145 177

HSL 214.91, 0.26%, 0.59%

LAB 59.49, -0.46, -19.41

 

CMYK 78 / 4 / 0 / 4

HEX #37ECF5

RGB 55 236 245

HSL 182.84, 0.9%, 0.59%

LAB 85.7, -40.06, -17

 

CMYK 78 / 24 / 0 / 4

HEX #37B9F5

RGB 55 185 245

HSL 198.95, 0.9%, 0.59%

LAB 70.94, -14.99, -39.62

 

CMYK 78 / 45 / 0 / 4

HEX #3786F5

RGB 55 134 245

HSL 215.05, 0.9%, 0.59%

LAB 56.54, 14.3, -62.42

 

CMYK 78 / 66 / 0 / 4

HEX #3753F5

RGB 55 83 245

HSL 231.16, 0.9%, 0.59%

LAB 43.64, 45.92, -83.39

 

CMYK 69 / 78 / 0 / 4

HEX #4D37F5

RGB 77 55 245

HSL 246.95, 0.9%, 0.59%

LAB 39.42, 62.97, -90.32

 

CMYK 96 / 57 / 0 / 18

HEX #0959D0

RGB 9 89 208

HSL 215.88, 0.92%, 0.43%

LAB 40.83, 25.68, -67.03

 

CMYK 94 / 56 / 0 / 5

HEX #0F6BF3

RGB 15 107 243

HSL 215.79, 0.9%, 0.51%

LAB 48.37, 27.82, -74.57

 

CMYK 78 / 46 / 0 / 4

HEX #3784F5

RGB 55 132 245

HSL 215.68, 0.9%, 0.59%

LAB 55.99, 15.53, -63.3

 

CMYK 62 / 37 / 0 / 3

HEX #5E9CF7

RGB 94 156 247

HSL 215.69, 0.91%, 0.67%

LAB 64.06, 7.38, -51.45

 

CMYK 46 / 28 / 0 / 2

HEX #86B4F9

RGB 134 180 249

HSL 216, 0.91%, 0.75%

LAB 72.59, 2.71, -38.99

 

CMYK 78 / 47 / 0 / 4

HEX #3683F5

RGB 54 131 245

HSL 215.81, 0.91%, 0.59%

LAB 55.69, 16.04, -63.78

 

CMYK 17 / 78 / 0 / 4

HEX #CC37F5

RGB 204 55 245

HSL 287.05, 0.9%, 0.59%

LAB 54.2, 80.51, -65.55

 

CMYK 14 / 0 / 78 / 4

HEX #D2F537

RGB 210 245 55

HSL 71.05, 0.9%, 0.59%

LAB 91.36, -34.04, 80.1

 

CMYK 78 / 47 / 0 / 4

HEX #3683F5

RGB 54 131 245

HSL 215.81, 0.91%, 0.59%

LAB 55.69, 16.04, -63.78

 

CMYK 0 / 78 / 45 / 4

HEX #F53786

RGB 245 55 134

HSL 335.05, 0.9%, 0.59%

LAB 55.95, 74.66, 1.79

 

CMYK 45 / 0 / 78 / 4

HEX #86F537

RGB 134 245 55

HSL 95.05, 0.9%, 0.59%

LAB 87.31, -60.97, 74.89

 

CMYK 78 / 47 / 0 / 4

HEX #3683F5

RGB 54 131 245

HSL 215.81, 0.91%, 0.59%

LAB 55.69, 16.04, -63.78

 

CMYK 17 / 78 / 0 / 4

HEX #CC37F5

RGB 204 55 245

HSL 287.05, 0.9%, 0.59%

LAB 54.2, 80.51, -65.55

 

CMYK 0 / 32 / 78 / 4

HEX #F5A637

RGB 245 166 55

HSL 35.05, 0.9%, 0.59%

LAB 74.16, 20.25, 65.4

 

CMYK 61 / 0 / 78 / 4

HEX #60F537

RGB 96 245 55

HSL 107.05, 0.9%, 0.59%

LAB 86.04, -70.95, 73.24

 

CMYK 78 / 47 / 0 / 4

HEX #3683F5

RGB 54 131 245

HSL 215.81, 0.91%, 0.59%

LAB 55.69, 16.04, -63.78

 

CMYK 0 / 78 / 7 / 4

HEX #F537E5

RGB 245 55 229

HSL 305.05, 0.9%, 0.59%

LAB 59.71, 85.64, -47.42

 

CMYK 0 / 32 / 78 / 4

HEX #F5A637

RGB 245 166 55

HSL 35.05, 0.9%, 0.59%

LAB 74.16, 20.25, 65.4

 

CMYK 78 / 0 / 71 / 4

HEX #37F547

RGB 55 245 71

HSL 125.05, 0.9%, 0.59%

LAB 85.29, -76.96, 67.05

 

Description

Color code: HEX #3683F5 | qconv.com Color code: HEX #3683F5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 131 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 131 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 47 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 47% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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