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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #368B78 it is the complementary color #C97487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #368B78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #368B78 shade: #3B8B73, #4C9D86, #5DAF99, #6EC1AC and #7FD3BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #368B78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #368B78 shade: #368B78, #257965, #146752, #03553F and #00432C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #368B78 shade: #368B78, #368B61, #368B4A, #398B36 and #508B36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #368B78 shade: #368B78, #36878B, #36708B, #36598B and #36428B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #368B78 shade matches the following richer shades: #368B78, #269B81, #16AA89 and #07BA92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #368B78 shade: #368B78, #457B6F, #556C67, #655C5E and #744C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #368B78 shade: #368B4A, #368B60, #368B77, #36888B and #36718B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #368B78 shade: #1F5045, #2A6D5E, #368B78, #41A992 and #56BDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #368B78 shade: #368B78, #36398B and #8B5536

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #368B78 shade: #368B78, #77368B and #8B7736

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #368B78 shade: #368B78, #36398B, #8B364A and #8B8836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #368B78 shade: #368B78, #4D368B, #8B364A and #748B36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

Complementary color

CMYK 0 / 42 / 33 / 21

HEX #C97487

RGB 201 116 135

HSL 346.59, 0.44%, 0.62%

LAB 58.66, 35.58, 4.26

 

CMYK 58 / 0 / 17 / 45

HEX #3B8B73

RGB 59 139 115

HSL 162, 0.4%, 0.39%

LAB 52.55, -30.58, 5.53

 

CMYK 52 / 0 / 15 / 38

HEX #4C9D86

RGB 76 157 134

HSL 162.96, 0.35%, 0.46%

LAB 59.32, -30.55, 4.49

 

CMYK 47 / 0 / 13 / 31

HEX #5DAF99

RGB 93 175 153

HSL 163.9, 0.34%, 0.53%

LAB 65.97, -30.45, 3.55

 

CMYK 43 / 0 / 11 / 24

HEX #6EC1AC

RGB 110 193 172

HSL 164.82, 0.4%, 0.59%

LAB 72.52, -30.31, 2.69

 

CMYK 40 / 0 / 9 / 17

HEX #7FD3BF

RGB 127 211 191

HSL 165.71, 0.49%, 0.66%

LAB 78.96, -30.15, 1.89

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 69 / 0 / 17 / 53

HEX #257965

RGB 37 121 101

HSL 165.71, 0.53%, 0.31%

LAB 45.64, -30.07, 3.72

 

CMYK 81 / 0 / 20 / 60

HEX #146752

RGB 20 103 82

HSL 164.82, 0.67%, 0.24%

LAB 38.65, -29.42, 5.06

 

CMYK 96 / 0 / 26 / 67

HEX #03553F

RGB 3 85 63

HSL 163.9, 0.93%, 0.17%

LAB 31.52, -28.3, 6.64

 

CMYK 100 / 0 / 34 / 74

HEX #00432C

RGB 0 67 44

HSL 159.4, 1%, 0.13%

LAB 24.31, -25.81, 8.67

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 61 / 0 / 30 / 45

HEX #368B61

RGB 54 139 97

HSL 150.35, 0.44%, 0.38%

LAB 51.96, -35.92, 15.02

 

CMYK 61 / 0 / 47 / 45

HEX #368B4A

RGB 54 139 74

HSL 134.12, 0.44%, 0.38%

LAB 51.55, -40.39, 27.27

 

CMYK 59 / 0 / 61 / 45

HEX #398B36

RGB 57 139 54

HSL 117.88, 0.44%, 0.38%

LAB 51.38, -42.53, 37.37

 

CMYK 42 / 0 / 61 / 45

HEX #508B36

RGB 80 139 54

HSL 101.65, 0.44%, 0.38%

LAB 52.33, -35.54, 38.7

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 61 / 3 / 0 / 45

HEX #36878B

RGB 54 135 139

HSL 182.82, 0.44%, 0.38%

LAB 51.81, -23.02, -9.51

 

CMYK 61 / 19 / 0 / 45

HEX #36708B

RGB 54 112 139

HSL 199.06, 0.44%, 0.38%

LAB 44.57, -10.42, -20.51

 

CMYK 61 / 36 / 0 / 45

HEX #36598B

RGB 54 89 139

HSL 215.29, 0.44%, 0.38%

LAB 37.47, 3.62, -31.58

 

CMYK 61 / 53 / 0 / 45

HEX #36428B

RGB 54 66 139

HSL 231.53, 0.44%, 0.38%

LAB 30.75, 18.8, -42.29

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 75 / 0 / 17 / 39

HEX #269B81

RGB 38 155 129

HSL 166.67, 0.61%, 0.38%

LAB 57.5, -37.99, 4.57

 

CMYK 87 / 0 / 19 / 33

HEX #16AA89

RGB 22 170 137

HSL 166.62, 0.77%, 0.38%

LAB 62.28, -43.91, 6.9

 

CMYK 96 / 0 / 22 / 27

HEX #07BA92

RGB 7 186 146

HSL 166.59, 0.93%, 0.38%

LAB 67.46, -48.89, 9.3

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 44 / 0 / 10 / 52

HEX #457B6F

RGB 69 123 111

HSL 166.67, 0.28%, 0.38%

LAB 47.72, -21.04, 0.95

 

CMYK 21 / 0 / 5 / 58

HEX #556C67

RGB 85 108 103

HSL 166.96, 0.12%, 0.38%

LAB 43.71, -9.65, -0.02

 

CMYK 0 / 9 / 7 / 60

HEX #655C5E

RGB 101 92 94

HSL 346.67, 0.05%, 0.38%

LAB 39.96, 4.01, 0.16

 

CMYK 0 / 34 / 27 / 55

HEX #744C55

RGB 116 76 85

HSL 346.5, 0.21%, 0.38%

LAB 37, 18.33, 1.65

 

CMYK 61 / 0 / 47 / 45

HEX #368B4A

RGB 54 139 74

HSL 134.12, 0.44%, 0.38%

LAB 51.55, -40.39, 27.27

 

CMYK 61 / 0 / 31 / 45

HEX #368B60

RGB 54 139 96

HSL 149.65, 0.44%, 0.38%

LAB 51.94, -36.14, 15.56

 

CMYK 61 / 0 / 14 / 45

HEX #368B77

RGB 54 139 119

HSL 165.88, 0.44%, 0.38%

LAB 52.49, -30.62, 3.11

 

CMYK 61 / 2 / 0 / 45

HEX #36888B

RGB 54 136 139

HSL 182.12, 0.44%, 0.38%

LAB 52.13, -23.53, -9.03

 

CMYK 61 / 19 / 0 / 45

HEX #36718B

RGB 54 113 139

HSL 198.35, 0.44%, 0.38%

LAB 44.88, -10.99, -20.02

 

CMYK 61 / 0 / 14 / 69

HEX #1F5045

RGB 31 80 69

HSL 166.53, 0.44%, 0.22%

LAB 30.54, -19.62, 1.52

 

CMYK 61 / 0 / 14 / 57

HEX #2A6D5E

RGB 42 109 94

HSL 166.57, 0.44%, 0.3%

LAB 41.59, -25.14, 2.07

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 62 / 0 / 14 / 34

HEX #41A992

RGB 65 169 146

HSL 166.73, 0.44%, 0.46%

LAB 62.99, -35.56, 3.01

 

CMYK 54 / 0 / 12 / 26

HEX #56BDA6

RGB 86 189 166

HSL 166.6, 0.44%, 0.54%

LAB 70.26, -35.54, 2.58

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 61 / 59 / 0 / 45

HEX #36398B

RGB 54 57 139

HSL 237.88, 0.44%, 0.38%

LAB 28.31, 24.83, -46.23

 

CMYK 0 / 39 / 61 / 45

HEX #8B5536

RGB 139 85 54

HSL 21.88, 0.44%, 0.38%

LAB 41.61, 19.21, 27.3

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 14 / 61 / 0 / 45

HEX #77368B

RGB 119 54 139

HSL 285.88, 0.44%, 0.38%

LAB 34.85, 42.25, -35.34

 

CMYK 0 / 14 / 61 / 45

HEX #8B7736

RGB 139 119 54

HSL 45.88, 0.44%, 0.38%

LAB 50.63, -0.53, 37.92

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 61 / 59 / 0 / 45

HEX #36398B

RGB 54 57 139

HSL 237.88, 0.44%, 0.38%

LAB 28.31, 24.83, -46.23

 

CMYK 0 / 61 / 47 / 45

HEX #8B364A

RGB 139 54 74

HSL 345.88, 0.44%, 0.38%

LAB 35.25, 38.06, 6.56

 

CMYK 0 / 2 / 61 / 45

HEX #8B8836

RGB 139 136 54

HSL 57.88, 0.44%, 0.38%

LAB 55.44, -9.98, 43.29

 

CMYK 61 / 0 / 14 / 45

HEX #368B78

RGB 54 139 120

HSL 166.59, 0.44%, 0.38%

LAB 52.52, -30.36, 2.57

 

CMYK 45 / 61 / 0 / 45

HEX #4D368B

RGB 77 54 139

HSL 256.24, 0.44%, 0.38%

LAB 29.61, 31.62, -44.02

 

CMYK 0 / 61 / 47 / 45

HEX #8B364A

RGB 139 54 74

HSL 345.88, 0.44%, 0.38%

LAB 35.25, 38.06, 6.56

 

CMYK 17 / 0 / 61 / 45

HEX #748B36

RGB 116 139 54

HSL 76.24, 0.44%, 0.38%

LAB 54.5, -21.59, 41.73

 

Description

Color code: HEX #368B78 | qconv.com Color code: HEX #368B78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 139 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 139 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 14 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 14% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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