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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3691A9 it is the complementary color #C96E56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3691A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3691A9 shade: #3B91A4, #4CA3B7, #5DB5CA, #6EC7DD and #7FD9F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3691A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3691A9 shade: #3691A9, #257F96, #146D83, #035B70 and #00495D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3691A9 shade: #3592AA, #3572AA, #3553AA, #3735AA and #5735AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3691A9 shade: #3592AA, #3572AA, #3553AA and #3535AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3691A9 shade matches the following richer shades: #3592AA, #239CBC and #11A7CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3691A9 shade: #3592AA, #488798, #5A7D86, #6C7274 and #7E6761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3691A9 shade: #35AA83, #35AAA2, #3593AA, #3574AA and #3554AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3691A9 shade: #225C6B, #2B778B, #3592AA, #45A9C4 and #64B8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3691A9 shade: #3691A9, #6435AA and #AA9335

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3691A9 shade: #3691A9, #AA3593 and #93AA35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3691A9 shade: #3691A9, #6435AA, #AA4D35 and #7BAA35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3691A9 shade: #3691A9, #8735AA, #AA4D35 and #58AA35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 14 / 0 / 34

HEX #3691A9

RGB 54 145 169

HSL 192.52, 0.52%, 0.44%

LAB 55.99, -18.92, -20.49

 

Complementary color

CMYK 0 / 45 / 57 / 21

HEX #C96E56

RGB 201 110 86

HSL 12.52, 0.52%, 0.56%

LAB 56.33, 33.68, 29.27

 

CMYK 64 / 12 / 0 / 36

HEX #3B91A4

RGB 59 145 164

HSL 190.86, 0.47%, 0.44%

LAB 55.95, -19.68, -17.68

 

CMYK 58 / 11 / 0 / 28

HEX #4CA3B7

RGB 76 163 183

HSL 191.21, 0.43%, 0.51%

LAB 62.63, -20.19, -18.22

 

CMYK 54 / 10 / 0 / 21

HEX #5DB5CA

RGB 93 181 202

HSL 191.56, 0.51%, 0.58%

LAB 69.21, -20.55, -18.73

 

CMYK 50 / 10 / 0 / 13

HEX #6EC7DD

RGB 110 199 221

HSL 191.89, 0.62%, 0.65%

LAB 75.69, -20.81, -19.2

 

CMYK 47 / 10 / 0 / 6

HEX #7FD9F0

RGB 127 217 240

HSL 192.21, 0.79%, 0.72%

LAB 82.07, -21, -19.65

 

CMYK 68 / 14 / 0 / 34

HEX #3691A9

RGB 54 145 169

HSL 192.52, 0.52%, 0.44%

LAB 55.99, -18.92, -20.49

 

CMYK 75 / 15 / 0 / 41

HEX #257F96

RGB 37 127 150

HSL 192.21, 0.6%, 0.37%

LAB 49.22, -17.97, -19.9

 

CMYK 85 / 17 / 0 / 49

HEX #146D83

RGB 20 109 131

HSL 191.89, 0.74%, 0.3%

LAB 42.35, -16.6, -19.22

 

CMYK 97 / 19 / 0 / 56

HEX #035B70

RGB 3 91 112

HSL 191.56, 0.95%, 0.23%

LAB 35.34, -14.73, -18.43

 

CMYK 100 / 22 / 0 / 64

HEX #00495D

RGB 0 73 93

HSL 192.9, 1%, 0.18%

LAB 28.26, -11.82, -17.39

 

CMYK 69 / 14 / 0 / 33

HEX #3592AA

RGB 53 146 170

HSL 192.31, 0.52%, 0.44%

LAB 56.3, -19.29, -20.58

 

CMYK 69 / 33 / 0 / 33

HEX #3572AA

RGB 53 114 170

HSL 208.72, 0.52%, 0.44%

LAB 46.57, -1.06, -35.7

 

CMYK 69 / 51 / 0 / 33

HEX #3553AA

RGB 53 83 170

HSL 224.62, 0.52%, 0.44%

LAB 37.56, 18.67, -50.06

 

CMYK 68 / 69 / 0 / 33

HEX #3735AA

RGB 55 53 170

HSL 241.03, 0.52%, 0.44%

LAB 30.06, 38.32, -62.26

 

CMYK 49 / 69 / 0 / 33

HEX #5735AA

RGB 87 53 170

HSL 257.44, 0.52%, 0.44%

LAB 32.86, 43.37, -57.56

 

CMYK 69 / 14 / 0 / 33

HEX #3592AA

RGB 53 146 170

HSL 192.31, 0.52%, 0.44%

LAB 56.3, -19.29, -20.58

 

CMYK 69 / 33 / 0 / 33

HEX #3572AA

RGB 53 114 170

HSL 208.72, 0.52%, 0.44%

LAB 46.57, -1.06, -35.7

 

CMYK 69 / 51 / 0 / 33

HEX #3553AA

RGB 53 83 170

HSL 224.62, 0.52%, 0.44%

LAB 37.56, 18.67, -50.06

 

CMYK 69 / 69 / 0 / 33

HEX #3535AA

RGB 53 53 170

HSL 240, 0.52%, 0.44%

LAB 29.92, 38.07, -62.49

 

CMYK 69 / 14 / 0 / 33

HEX #3592AA

RGB 53 146 170

HSL 192.31, 0.52%, 0.44%

LAB 56.3, -19.29, -20.58

 

CMYK 81 / 17 / 0 / 26

HEX #239CBC

RGB 35 156 188

HSL 192.55, 0.69%, 0.44%

LAB 59.68, -20.79, -25.65

 

CMYK 92 / 19 / 0 / 19

HEX #11A7CE

RGB 17 167 206

HSL 192.38, 0.85%, 0.44%

LAB 63.52, -21.58, -29.81

 

CMYK 69 / 14 / 0 / 33

HEX #3592AA

RGB 53 146 170

HSL 192.31, 0.52%, 0.44%

LAB 56.3, -19.29, -20.58

 

CMYK 53 / 11 / 0 / 40

HEX #488798

RGB 72 135 152

HSL 192.75, 0.36%, 0.44%

LAB 52.92, -15.33, -15.32

 

CMYK 33 / 7 / 0 / 47

HEX #5A7D86

RGB 90 125 134

HSL 192.27, 0.2%, 0.44%

LAB 50.17, -9.99, -8.87

 

CMYK 7 / 2 / 0 / 55

HEX #6C7274

RGB 108 114 116

HSL 195, 0.04%, 0.44%

LAB 47.6, -1.84, -1.9

 

CMYK 0 / 18 / 23 / 51

HEX #7E6761

RGB 126 103 97

HSL 12.41, 0.13%, 0.44%

LAB 45.63, 8.17, 6.83

 

CMYK 69 / 0 / 23 / 33

HEX #35AA83

RGB 53 170 131

HSL 160, 0.52%, 0.44%

LAB 62.63, -41.83, 10.8

 

CMYK 69 / 0 / 5 / 33

HEX #35AAA2

RGB 53 170 162

HSL 175.9, 0.52%, 0.44%

LAB 63.44, -33.72, -5.32

 

CMYK 69 / 14 / 0 / 33

HEX #3593AA

RGB 53 147 170

HSL 191.79, 0.52%, 0.44%

LAB 56.61, -19.82, -20.11

 

CMYK 69 / 32 / 0 / 33

HEX #3574AA

RGB 53 116 170

HSL 207.69, 0.52%, 0.44%

LAB 47.17, -2.27, -34.75

 

CMYK 69 / 51 / 0 / 33

HEX #3554AA

RGB 53 84 170

HSL 224.1, 0.52%, 0.44%

LAB 37.84, 18.02, -49.61

 

CMYK 68 / 14 / 0 / 58

HEX #225C6B

RGB 34 92 107

HSL 192.33, 0.52%, 0.28%

LAB 36.09, -13.56, -14.12

 

CMYK 69 / 14 / 0 / 45

HEX #2B778B

RGB 43 119 139

HSL 192.5, 0.53%, 0.36%

LAB 46.41, -16.41, -17.72

 

CMYK 69 / 14 / 0 / 33

HEX #3592AA

RGB 53 146 170

HSL 192.31, 0.52%, 0.44%

LAB 56.3, -19.29, -20.58

 

CMYK 65 / 14 / 0 / 23

HEX #45A9C4

RGB 69 169 196

HSL 192.76, 0.52%, 0.52%

LAB 64.67, -20.62, -22.41

 

CMYK 51 / 11 / 0 / 19

HEX #64B8CE

RGB 100 184 206

HSL 192.45, 0.52%, 0.6%

LAB 70.49, -19.48, -18.96

 

CMYK 68 / 14 / 0 / 34

HEX #3691A9

RGB 54 145 169

HSL 192.52, 0.52%, 0.44%

LAB 55.99, -18.92, -20.49

 

CMYK 41 / 69 / 0 / 33

HEX #6435AA

RGB 100 53 170

HSL 264.1, 0.52%, 0.44%

LAB 34.31, 45.84, -55.15

 

CMYK 0 / 14 / 69 / 33

HEX #AA9335

RGB 170 147 53

HSL 48.21, 0.52%, 0.44%

LAB 61.37, -2.17, 50.91

 

CMYK 68 / 14 / 0 / 34

HEX #3691A9

RGB 54 145 169

HSL 192.52, 0.52%, 0.44%

LAB 55.99, -18.92, -20.49

 

CMYK 0 / 69 / 14 / 33

HEX #AA3593

RGB 170 53 147

HSL 311.79, 0.52%, 0.44%

LAB 43.06, 57.53, -26.75

 

CMYK 14 / 0 / 69 / 33

HEX #93AA35

RGB 147 170 53

HSL 71.79, 0.52%, 0.44%

LAB 65.91, -24.18, 54.96

 

CMYK 68 / 14 / 0 / 34

HEX #3691A9

RGB 54 145 169

HSL 192.52, 0.52%, 0.44%

LAB 55.99, -18.92, -20.49

 

CMYK 41 / 69 / 0 / 33

HEX #6435AA

RGB 100 53 170

HSL 264.1, 0.52%, 0.44%

LAB 34.31, 45.84, -55.15

 

CMYK 0 / 55 / 69 / 33

HEX #AA4D35

RGB 170 77 53

HSL 12.31, 0.52%, 0.44%

LAB 44.39, 36.46, 32.29

 

CMYK 28 / 0 / 69 / 33

HEX #7BAA35

RGB 123 170 53

HSL 84.1, 0.52%, 0.44%

LAB 64.34, -33.86, 52.84

 

CMYK 68 / 14 / 0 / 34

HEX #3691A9

RGB 54 145 169

HSL 192.52, 0.52%, 0.44%

LAB 55.99, -18.92, -20.49

 

CMYK 21 / 69 / 0 / 33

HEX #8735AA

RGB 135 53 170

HSL 282.05, 0.52%, 0.44%

LAB 38.9, 53.25, -47.51

 

CMYK 0 / 55 / 69 / 33

HEX #AA4D35

RGB 170 77 53

HSL 12.31, 0.52%, 0.44%

LAB 44.39, 36.46, 32.29

 

CMYK 48 / 0 / 69 / 33

HEX #58AA35

RGB 88 170 53

HSL 102.05, 0.52%, 0.44%

LAB 62.58, -46.12, 50.46

 

Description

Color code: HEX #3691A9 | qconv.com Color code: HEX #3691A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 145 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 145 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 14 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 14% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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