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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #369296 it is the complementary color #C96D69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #369296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #369296 shade: #3B9291, #4CA4A4, #5DB6B7, #6EC8CA and #7FDADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #369296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #369296 shade: #369296, #258083, #146E70, #035C5D and #004A4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #369296 shade: #369195, #367895, #365E95, #364495 and #413695

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #369296 shade: #369195, #367895, #365E95, #364495 and #363695

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #369296 shade matches the following richer shades: #369195, #25A1A6, #15B0B6 and #04BFC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #369296 shade: #369195, #468285, #577374, #676464 and #785553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #369296 shade: #369566, #36957F, #369295, #367995 and #365F95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #369296 shade: #205659, #2B7477, #369195, #40AFB4 and #5ABFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #369296 shade: #369296, #4C3695 and #957236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #369296 shade: #369296, #953692 and #929536

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #369296 shade: #369296, #4C3695, #953936 and #7F9536

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #369296 shade: #369296, #693695, #953936 and #629536

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 3 / 0 / 41

HEX #369296

RGB 54 146 150

HSL 182.5, 0.47%, 0.4%

LAB 55.63, -25.35, -10.15

 

Complementary color

CMYK 0 / 46 / 48 / 21

HEX #C96D69

RGB 201 109 105

HSL 2.5, 0.47%, 0.6%

LAB 56.46, 35.89, 18.57

 

CMYK 60 / 0 / 1 / 43

HEX #3B9291

RGB 59 146 145

HSL 179.31, 0.42%, 0.4%

LAB 55.62, -25.91, -7.28

 

CMYK 54 / 0 / 0 / 36

HEX #4CA4A4

RGB 76 164 164

HSL 180, 0.37%, 0.47%

LAB 62.31, -26.17, -8.04

 

CMYK 49 / 1 / 0 / 28

HEX #5DB6B7

RGB 93 182 183

HSL 180.67, 0.38%, 0.54%

LAB 68.9, -26.3, -8.74

 

CMYK 46 / 1 / 0 / 21

HEX #6EC8CA

RGB 110 200 202

HSL 181.3, 0.46%, 0.61%

LAB 75.38, -26.37, -9.39

 

CMYK 43 / 1 / 0 / 13

HEX #7FDADD

RGB 127 218 221

HSL 181.91, 0.58%, 0.68%

LAB 81.77, -26.39, -10

 

CMYK 64 / 3 / 0 / 41

HEX #369296

RGB 54 146 150

HSL 182.5, 0.47%, 0.4%

LAB 55.63, -25.35, -10.15

 

CMYK 72 / 2 / 0 / 49

HEX #258083

RGB 37 128 131

HSL 181.91, 0.56%, 0.33%

LAB 48.85, -24.71, -9.31

 

CMYK 82 / 2 / 0 / 56

HEX #146E70

RGB 20 110 112

HSL 181.3, 0.7%, 0.26%

LAB 41.95, -23.7, -8.35

 

CMYK 97 / 1 / 0 / 64

HEX #035C5D

RGB 3 92 93

HSL 180.67, 0.94%, 0.19%

LAB 34.93, -22.22, -7.22

 

CMYK 100 / 0 / 0 / 71

HEX #004A4A

RGB 0 74 74

HSL 180, 1%, 0.15%

LAB 27.82, -19.67, -5.78

 

CMYK 64 / 3 / 0 / 42

HEX #369195

RGB 54 145 149

HSL 182.53, 0.47%, 0.4%

LAB 55.28, -25.15, -10.09

 

CMYK 64 / 19 / 0 / 42

HEX #367895

RGB 54 120 149

HSL 198.32, 0.47%, 0.4%

LAB 47.48, -11.69, -21.95

 

CMYK 64 / 37 / 0 / 42

HEX #365E95

RGB 54 94 149

HSL 214.74, 0.47%, 0.4%

LAB 39.51, 4.01, -34.39

 

CMYK 64 / 54 / 0 / 42

HEX #364495

RGB 54 68 149

HSL 231.16, 0.47%, 0.4%

LAB 32.01, 21.08, -46.39

 

CMYK 56 / 64 / 0 / 42

HEX #413695

RGB 65 54 149

HSL 246.95, 0.47%, 0.4%

LAB 29.24, 32.25, -50.84

 

CMYK 64 / 3 / 0 / 42

HEX #369195

RGB 54 145 149

HSL 182.53, 0.47%, 0.4%

LAB 55.28, -25.15, -10.09

 

CMYK 64 / 19 / 0 / 42

HEX #367895

RGB 54 120 149

HSL 198.32, 0.47%, 0.4%

LAB 47.48, -11.69, -21.95

 

CMYK 64 / 37 / 0 / 42

HEX #365E95

RGB 54 94 149

HSL 214.74, 0.47%, 0.4%

LAB 39.51, 4.01, -34.39

 

CMYK 64 / 54 / 0 / 42

HEX #364495

RGB 54 68 149

HSL 231.16, 0.47%, 0.4%

LAB 32.01, 21.08, -46.39

 

CMYK 64 / 64 / 0 / 42

HEX #363695

RGB 54 54 149

HSL 240, 0.47%, 0.4%

LAB 28.36, 30.31, -52.31

 

CMYK 64 / 3 / 0 / 42

HEX #369195

RGB 54 145 149

HSL 182.53, 0.47%, 0.4%

LAB 55.28, -25.15, -10.09

 

CMYK 78 / 3 / 0 / 35

HEX #25A1A6

RGB 37 161 166

HSL 182.33, 0.64%, 0.4%

LAB 60.46, -30.25, -12.04

 

CMYK 88 / 3 / 0 / 29

HEX #15B0B6

RGB 21 176 182

HSL 182.24, 0.79%, 0.4%

LAB 65.43, -33.73, -13.55

 

CMYK 98 / 4 / 0 / 22

HEX #04BFC7

RGB 4 191 199

HSL 182.46, 0.96%, 0.4%

LAB 70.46, -36.12, -15.35

 

CMYK 64 / 3 / 0 / 42

HEX #369195

RGB 54 145 149

HSL 182.53, 0.47%, 0.4%

LAB 55.28, -25.15, -10.09

 

CMYK 47 / 2 / 0 / 48

HEX #468285

RGB 70 130 133

HSL 182.86, 0.31%, 0.4%

LAB 50.64, -18.6, -7.69

 

CMYK 25 / 1 / 0 / 55

HEX #577374

RGB 87 115 116

HSL 182.07, 0.14%, 0.4%

LAB 46.38, -9.85, -3.88

 

CMYK 0 / 3 / 3 / 60

HEX #676464

RGB 103 100 100

HSL 0, 0.01%, 0.4%

LAB 42.64, 1.18, 0.41

 

CMYK 0 / 29 / 31 / 53

HEX #785553

RGB 120 85 83

HSL 3.24, 0.18%, 0.4%

LAB 39.77, 14.25, 6.94

 

CMYK 64 / 0 / 32 / 42

HEX #369566

RGB 54 149 102

HSL 150.32, 0.47%, 0.4%

LAB 55.32, -39.21, 16.8

 

CMYK 64 / 0 / 15 / 42

HEX #36957F

RGB 54 149 127

HSL 166.11, 0.47%, 0.4%

LAB 55.9, -33.26, 3.44

 

CMYK 64 / 2 / 0 / 42

HEX #369295

RGB 54 146 149

HSL 181.89, 0.47%, 0.4%

LAB 55.6, -25.65, -9.62

 

CMYK 64 / 19 / 0 / 42

HEX #367995

RGB 54 121 149

HSL 197.68, 0.47%, 0.4%

LAB 47.79, -12.26, -21.47

 

CMYK 64 / 36 / 0 / 42

HEX #365F95

RGB 54 95 149

HSL 214.11, 0.47%, 0.4%

LAB 39.81, 3.37, -33.92

 

CMYK 64 / 3 / 0 / 65

HEX #205659

RGB 32 86 89

HSL 183.16, 0.47%, 0.24%

LAB 33.32, -16.55, -7.07

 

CMYK 64 / 3 / 0 / 53

HEX #2B7477

RGB 43 116 119

HSL 182.37, 0.47%, 0.32%

LAB 44.71, -21.23, -8.37

 

CMYK 64 / 3 / 0 / 42

HEX #369195

RGB 54 145 149

HSL 182.53, 0.47%, 0.4%

LAB 55.28, -25.15, -10.09

 

CMYK 64 / 3 / 0 / 29

HEX #40AFB4

RGB 64 175 180

HSL 182.59, 0.48%, 0.48%

LAB 65.78, -29.27, -11.83

 

CMYK 54 / 2 / 0 / 24

HEX #5ABFC3

RGB 90 191 195

HSL 182.29, 0.47%, 0.56%

LAB 71.81, -28.14, -10.99

 

CMYK 64 / 3 / 0 / 41

HEX #369296

RGB 54 146 150

HSL 182.5, 0.47%, 0.4%

LAB 55.63, -25.35, -10.15

 

CMYK 49 / 64 / 0 / 42

HEX #4C3695

RGB 76 54 149

HSL 253.89, 0.47%, 0.4%

LAB 30.27, 34.43, -49.13

 

CMYK 0 / 23 / 64 / 42

HEX #957236

RGB 149 114 54

HSL 37.89, 0.47%, 0.4%

LAB 50.32, 6.88, 37.86

 

CMYK 64 / 3 / 0 / 41

HEX #369296

RGB 54 146 150

HSL 182.5, 0.47%, 0.4%

LAB 55.63, -25.35, -10.15

 

CMYK 0 / 64 / 2 / 42

HEX #953692

RGB 149 54 146

HSL 301.89, 0.47%, 0.4%

LAB 39.75, 51.53, -31.57

 

CMYK 2 / 0 / 64 / 42

HEX #929536

RGB 146 149 54

HSL 61.89, 0.47%, 0.4%

LAB 59.77, -13.83, 48.14

 

CMYK 64 / 3 / 0 / 41

HEX #369296

RGB 54 146 150

HSL 182.5, 0.47%, 0.4%

LAB 55.63, -25.35, -10.15

 

CMYK 49 / 64 / 0 / 42

HEX #4C3695

RGB 76 54 149

HSL 253.89, 0.47%, 0.4%

LAB 30.27, 34.43, -49.13

 

CMYK 0 / 62 / 64 / 42

HEX #953936

RGB 149 57 54

HSL 1.89, 0.47%, 0.4%

LAB 37.08, 38.51, 21.99

 

CMYK 15 / 0 / 64 / 42

HEX #7F9536

RGB 127 149 54

HSL 73.89, 0.47%, 0.4%

LAB 58.3, -22.03, 46.12

 

CMYK 64 / 3 / 0 / 41

HEX #369296

RGB 54 146 150

HSL 182.5, 0.47%, 0.4%

LAB 55.63, -25.35, -10.15

 

CMYK 30 / 64 / 0 / 42

HEX #693695

RGB 105 54 149

HSL 272.21, 0.47%, 0.4%

LAB 33.59, 41, -43.6

 

CMYK 0 / 62 / 64 / 42

HEX #953936

RGB 149 57 54

HSL 1.89, 0.47%, 0.4%

LAB 37.08, 38.51, 21.99

 

CMYK 34 / 0 / 64 / 42

HEX #629536

RGB 98 149 54

HSL 92.21, 0.47%, 0.4%

LAB 56.44, -33.62, 43.56

 

Description

Color code: HEX #369296 | qconv.com Color code: HEX #369296 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 146 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 146 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 3 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 3% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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