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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #369CD3 it is the complementary color #C9632C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #369CD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #369CD3 shade: #3B9CCE, #4CAEE1, #5DC0F4, #6ED2FF and #7FE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #369CD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #369CD3 shade: #369CD3, #258AC0, #1478AD, #03669A and #005487

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #369CD3 shade: #369CD2, #3671D2, #3647D2, #4F36D2 and #7936D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #369CD3 shade: #369CD2, #3671D2, #3647D2 and #3636D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #369CD3 shade matches the following richer shades: #369CD2, #22A1E6 and #0EA7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #369CD3 shade: #369CD2, #4A96BF, #5D90AB, #718A97 and #858483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #369CD3 shade: #36D2B6, #36C5D2, #369CD2, #3672D2 and #3648D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #369CD3 shade: #206C95, #2885B7, #369CD2, #58ACDA and #79BDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #369CD3 shade: #369CD3, #8C36D2 and #D2CB36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #369CD3 shade: #369CD3, #D2369C and #9CD236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #369CD3 shade: #369CD3, #8C36D2, #D26D36 and #7CD236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #369CD3 shade: #369CD3, #BB36D2, #D26D36 and #4DD236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 26 / 0 / 17

HEX #369CD3

RGB 54 156 211

HSL 201.02, 0.64%, 0.52%

LAB 61.01, -10.88, -36.44

 

Complementary color

CMYK 0 / 51 / 78 / 21

HEX #C9632C

RGB 201 99 44

HSL 21.02, 0.64%, 0.48%

LAB 53.52, 36.98, 48.2

 

CMYK 71 / 24 / 0 / 19

HEX #3B9CCE

RGB 59 156 206

HSL 200.41, 0.6%, 0.52%

LAB 60.93, -11.93, -33.77

 

CMYK 66 / 23 / 0 / 12

HEX #4CAEE1

RGB 76 174 225

HSL 200.54, 0.71%, 0.59%

LAB 67.46, -12.97, -34.1

 

CMYK 62 / 21 / 0 / 4

HEX #5DC0F4

RGB 93 192 244

HSL 200.66, 0.87%, 0.66%

LAB 73.91, -13.79, -34.4

 

CMYK 57 / 18 / 0 / 0

HEX #6ED2FF

RGB 110 210 255

HSL 198.62, 1%, 0.72%

LAB 79.97, -16.8, -30.89

 

CMYK 50 / 11 / 0 / 0

HEX #7FE4FF

RGB 127 228 255

HSL 192.66, 1%, 0.75%

LAB 85.61, -22.49, -22.21

 

CMYK 74 / 26 / 0 / 17

HEX #369CD3

RGB 54 156 211

HSL 201.02, 0.64%, 0.52%

LAB 61.01, -10.88, -36.44

 

CMYK 81 / 28 / 0 / 25

HEX #258AC0

RGB 37 138 192

HSL 200.9, 0.68%, 0.45%

LAB 54.42, -9.33, -36.07

 

CMYK 88 / 31 / 0 / 32

HEX #1478AD

RGB 20 120 173

HSL 200.78, 0.79%, 0.38%

LAB 47.75, -7.33, -35.64

 

CMYK 98 / 34 / 0 / 40

HEX #03669A

RGB 3 102 154

HSL 200.66, 0.96%, 0.31%

LAB 40.99, -4.79, -35.14

 

CMYK 100 / 38 / 0 / 47

HEX #005487

RGB 0 84 135

HSL 202.67, 1%, 0.26%

LAB 34.17, -1.37, -34.46

 

CMYK 74 / 26 / 0 / 18

HEX #369CD2

RGB 54 156 210

HSL 200.77, 0.63%, 0.52%

LAB 60.97, -11.23, -35.95

 

CMYK 74 / 46 / 0 / 18

HEX #3671D2

RGB 54 113 210

HSL 217.31, 0.63%, 0.52%

LAB 48.57, 14.34, -55.59

 

CMYK 74 / 66 / 0 / 18

HEX #3647D2

RGB 54 71 210

HSL 233.46, 0.63%, 0.52%

LAB 37.74, 40.98, -73.18

 

CMYK 62 / 74 / 0 / 18

HEX #4F36D2

RGB 79 54 210

HSL 249.62, 0.63%, 0.52%

LAB 35.9, 53.4, -76.16

 

CMYK 42 / 74 / 0 / 18

HEX #7936D2

RGB 121 54 210

HSL 265.77, 0.63%, 0.52%

LAB 40.17, 59.36, -68.98

 

CMYK 74 / 26 / 0 / 18

HEX #369CD2

RGB 54 156 210

HSL 200.77, 0.63%, 0.52%

LAB 60.97, -11.23, -35.95

 

CMYK 74 / 46 / 0 / 18

HEX #3671D2

RGB 54 113 210

HSL 217.31, 0.63%, 0.52%

LAB 48.57, 14.34, -55.59

 

CMYK 74 / 66 / 0 / 18

HEX #3647D2

RGB 54 71 210

HSL 233.46, 0.63%, 0.52%

LAB 37.74, 40.98, -73.18

 

CMYK 74 / 74 / 0 / 18

HEX #3636D2

RGB 54 54 210

HSL 240, 0.63%, 0.52%

LAB 34.14, 50.88, -79.12

 

CMYK 74 / 26 / 0 / 18

HEX #369CD2

RGB 54 156 210

HSL 200.77, 0.63%, 0.52%

LAB 60.97, -11.23, -35.95

 

CMYK 85 / 30 / 0 / 10

HEX #22A1E6

RGB 34 161 230

HSL 201.12, 0.8%, 0.52%

LAB 62.96, -8.91, -43.94

 

CMYK 94 / 33 / 0 / 2

HEX #0EA7FA

RGB 14 167 250

HSL 201.1, 0.96%, 0.52%

LAB 65.46, -6.01, -50.98

 

CMYK 74 / 26 / 0 / 18

HEX #369CD2

RGB 54 156 210

HSL 200.77, 0.63%, 0.52%

LAB 60.97, -11.23, -35.95

 

CMYK 61 / 21 / 0 / 25

HEX #4A96BF

RGB 74 150 191

HSL 201.03, 0.48%, 0.52%

LAB 59, -11.1, -28.3

 

CMYK 46 / 16 / 0 / 33

HEX #5D90AB

RGB 93 144 171

HSL 200.77, 0.32%, 0.52%

LAB 57.28, -9.64, -19.52

 

CMYK 25 / 9 / 0 / 41

HEX #718A97

RGB 113 138 151

HSL 200.53, 0.15%, 0.52%

LAB 56.01, -5.81, -9.87

 

CMYK 0 / 1 / 2 / 48

HEX #858483

RGB 133 132 131

HSL 30, 0.01%, 0.52%

LAB 55.2, 0.18, 0.66

 

CMYK 74 / 0 / 13 / 18

HEX #36D2B6

RGB 54 210 182

HSL 169.23, 0.63%, 0.52%

LAB 76.23, -46.06, 2.46

 

CMYK 74 / 6 / 0 / 18

HEX #36C5D2

RGB 54 197 210

HSL 185, 0.63%, 0.52%

LAB 73.13, -32.35, -17.26

 

CMYK 74 / 26 / 0 / 18

HEX #369CD2

RGB 54 156 210

HSL 200.77, 0.63%, 0.52%

LAB 60.97, -11.23, -35.95

 

CMYK 74 / 46 / 0 / 18

HEX #3672D2

RGB 54 114 210

HSL 216.92, 0.63%, 0.52%

LAB 48.85, 13.71, -55.14

 

CMYK 74 / 66 / 0 / 18

HEX #3648D2

RGB 54 72 210

HSL 233.08, 0.63%, 0.52%

LAB 37.97, 40.37, -72.81

 

CMYK 79 / 28 / 0 / 42

HEX #206C95

RGB 32 108 149

HSL 201.03, 0.65%, 0.35%

LAB 43.07, -8.14, -28.85

 

CMYK 78 / 27 / 0 / 28

HEX #2885B7

RGB 40 133 183

HSL 200.98, 0.64%, 0.44%

LAB 52.56, -9.4, -33.85

 

CMYK 74 / 26 / 0 / 18

HEX #369CD2

RGB 54 156 210

HSL 200.77, 0.63%, 0.52%

LAB 60.97, -11.23, -35.95

 

CMYK 60 / 21 / 0 / 15

HEX #58ACDA

RGB 88 172 218

HSL 201.23, 0.64%, 0.6%

LAB 67.01, -12.03, -30.92

 

CMYK 46 / 16 / 0 / 12

HEX #79BDE1

RGB 121 189 225

HSL 200.77, 0.63%, 0.68%

LAB 73.48, -12.01, -24.68

 

CMYK 74 / 26 / 0 / 17

HEX #369CD3

RGB 54 156 211

HSL 201.02, 0.64%, 0.52%

LAB 61.01, -10.88, -36.44

 

CMYK 33 / 74 / 0 / 18

HEX #8C36D2

RGB 140 54 210

HSL 273.08, 0.63%, 0.52%

LAB 42.56, 62.58, -64.98

 

CMYK 0 / 3 / 74 / 18

HEX #D2CB36

RGB 210 203 54

HSL 57.31, 0.63%, 0.52%

LAB 80, -13.96, 69.98

 

CMYK 74 / 26 / 0 / 17

HEX #369CD3

RGB 54 156 211

HSL 201.02, 0.64%, 0.52%

LAB 61.01, -10.88, -36.44

 

CMYK 0 / 74 / 26 / 18

HEX #D2369C

RGB 210 54 156

HSL 320.77, 0.63%, 0.52%

LAB 50.38, 68.45, -20.27

 

CMYK 26 / 0 / 74 / 18

HEX #9CD236

RGB 156 210 54

HSL 80.77, 0.63%, 0.52%

LAB 78.13, -39.25, 66.85

 

CMYK 74 / 26 / 0 / 17

HEX #369CD3

RGB 54 156 211

HSL 201.02, 0.64%, 0.52%

LAB 61.01, -10.88, -36.44

 

CMYK 33 / 74 / 0 / 18

HEX #8C36D2

RGB 140 54 210

HSL 273.08, 0.63%, 0.52%

LAB 42.56, 62.58, -64.98

 

CMYK 0 / 48 / 74 / 18

HEX #D26D36

RGB 210 109 54

HSL 21.15, 0.63%, 0.52%

LAB 56.98, 35.82, 47.38

 

CMYK 41 / 0 / 74 / 18

HEX #7CD236

RGB 124 210 54

HSL 93.08, 0.63%, 0.52%

LAB 76.46, -50.62, 64.67

 

CMYK 74 / 26 / 0 / 17

HEX #369CD3

RGB 54 156 211

HSL 201.02, 0.64%, 0.52%

LAB 61.01, -10.88, -36.44

 

CMYK 11 / 74 / 0 / 18

HEX #BB36D2

RGB 187 54 210

HSL 291.15, 0.63%, 0.52%

LAB 49.32, 71.44, -53.73

 

CMYK 0 / 48 / 74 / 18

HEX #D26D36

RGB 210 109 54

HSL 21.15, 0.63%, 0.52%

LAB 56.98, 35.82, 47.38

 

CMYK 63 / 0 / 74 / 18

HEX #4DD236

RGB 77 210 54

HSL 111.15, 0.63%, 0.52%

LAB 74.79, -63.56, 62.45

 

Description

Color code: HEX #369CD3 | qconv.com Color code: HEX #369CD3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 156 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 156 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 26 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 26% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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