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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36A082 it is the complementary color #C95F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36A082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36A082 shade: #3BA07D, #4CB290, #5DC4A3, #6ED6B6 and #7FE8C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36A082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36A082 shade: #36A082, #258E6F, #147C5C, #036A49 and #005836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36A082 shade: #35A082, #35A065, #35A048, #3FA035 and #5CA035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36A082 shade: #35A082, #35A09F, #3585A0, #3568A0 and #354BA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36A082 shade matches the following richer shades: #35A082, #24B189, #12C391 and #01D498

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36A082 shade: #35A082, #468F7A, #587D73, #696C6B and #7A5B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36A082 shade: #35A049, #35A065, #35A082, #35A09E and #3585A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36A082 shade: #206250, #2B8169, #35A082, #40BF9B and #5FC9AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36A082 shade: #36A082, #353EA0 and #A05735

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36A082 shade: #36A082, #8235A0 and #A08235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36A082 shade: #36A082, #353EA0, #A03553 and #A09735

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36A082 shade: #36A082, #4C35A0, #A03553 and #89A035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 19 / 37

HEX #36A082

RGB 54 160 130

HSL 163.02, 0.5%, 0.42%

LAB 59.47, -37.52, 6.87

 

Complementary color

CMYK 0 / 53 / 38 / 21

HEX #C95F7D

RGB 201 95 125

HSL 343.02, 0.5%, 0.58%

LAB 54.11, 45.19, 3.56

 

CMYK 63 / 0 / 22 / 37

HEX #3BA07D

RGB 59 160 125

HSL 159.21, 0.46%, 0.43%

LAB 59.48, -37.82, 9.72

 

CMYK 57 / 0 / 19 / 30

HEX #4CB290

RGB 76 178 144

HSL 160, 0.4%, 0.5%

LAB 66.05, -37.93, 8.56

 

CMYK 53 / 0 / 17 / 23

HEX #5DC4A3

RGB 93 196 163

HSL 160.78, 0.47%, 0.57%

LAB 72.53, -37.92, 7.51

 

CMYK 49 / 0 / 15 / 16

HEX #6ED6B6

RGB 110 214 182

HSL 161.54, 0.56%, 0.64%

LAB 78.92, -37.83, 6.54

 

CMYK 45 / 0 / 13 / 9

HEX #7FE8C9

RGB 127 232 201

HSL 162.29, 0.7%, 0.7%

LAB 85.22, -37.71, 5.65

 

CMYK 66 / 0 / 19 / 37

HEX #36A082

RGB 54 160 130

HSL 163.02, 0.5%, 0.42%

LAB 59.47, -37.52, 6.87

 

CMYK 74 / 0 / 22 / 44

HEX #258E6F

RGB 37 142 111

HSL 162.29, 0.59%, 0.35%

LAB 52.83, -37.05, 8.15

 

CMYK 84 / 0 / 26 / 51

HEX #147C5C

RGB 20 124 92

HSL 161.54, 0.72%, 0.28%

LAB 46.09, -36.19, 9.62

 

CMYK 97 / 0 / 31 / 58

HEX #036A49

RGB 3 106 73

HSL 160.78, 0.94%, 0.21%

LAB 39.26, -34.82, 11.32

 

CMYK 100 / 0 / 39 / 65

HEX #005836

RGB 0 88 54

HSL 156.82, 1%, 0.17%

LAB 32.36, -32.3, 13.37

 

CMYK 67 / 0 / 19 / 37

HEX #35A082

RGB 53 160 130

HSL 163.18, 0.5%, 0.42%

LAB 59.44, -37.69, 6.83

 

CMYK 67 / 0 / 37 / 37

HEX #35A065

RGB 53 160 101

HSL 146.92, 0.5%, 0.42%

LAB 58.82, -44.23, 22.1

 

CMYK 67 / 0 / 55 / 37

HEX #35A048

RGB 53 160 72

HSL 130.65, 0.5%, 0.42%

LAB 58.38, -49.17, 36.77

 

CMYK 61 / 0 / 67 / 37

HEX #3FA035

RGB 63 160 53

HSL 114.39, 0.5%, 0.42%

LAB 58.47, -49.2, 45.79

 

CMYK 43 / 0 / 67 / 37

HEX #5CA035

RGB 92 160 53

HSL 98.13, 0.5%, 0.42%

LAB 59.59, -40.7, 47.34

 

CMYK 67 / 0 / 19 / 37

HEX #35A082

RGB 53 160 130

HSL 163.18, 0.5%, 0.42%

LAB 59.44, -37.69, 6.83

 

CMYK 67 / 0 / 1 / 37

HEX #35A09F

RGB 53 160 159

HSL 179.44, 0.5%, 0.42%

LAB 60.25, -29.8, -8.37

 

CMYK 67 / 17 / 0 / 37

HEX #3585A0

RGB 53 133 160

HSL 195.14, 0.5%, 0.42%

LAB 51.92, -15.51, -21.55

 

CMYK 67 / 35 / 0 / 37

HEX #3568A0

RGB 53 104 160

HSL 211.4, 0.5%, 0.42%

LAB 43.06, 1.49, -35.35

 

CMYK 67 / 53 / 0 / 37

HEX #354BA0

RGB 53 75 160

HSL 227.66, 0.5%, 0.42%

LAB 34.66, 20.27, -48.78

 

CMYK 67 / 0 / 19 / 37

HEX #35A082

RGB 53 160 130

HSL 163.18, 0.5%, 0.42%

LAB 59.44, -37.69, 6.83

 

CMYK 80 / 0 / 23 / 31

HEX #24B189

RGB 36 177 137

HSL 162.98, 0.66%, 0.42%

LAB 64.66, -45.59, 10.32

 

CMYK 91 / 0 / 26 / 24

HEX #12C391

RGB 18 195 145

HSL 163.05, 0.83%, 0.42%

LAB 70.32, -52.23, 13.9

 

CMYK 100 / 0 / 28 / 17

HEX #01D498

RGB 1 212 152

HSL 162.94, 0.99%, 0.42%

LAB 75.68, -57.68, 17.63

 

CMYK 67 / 0 / 19 / 37

HEX #35A082

RGB 53 160 130

HSL 163.18, 0.5%, 0.42%

LAB 59.44, -37.69, 6.83

 

CMYK 51 / 0 / 15 / 44

HEX #468F7A

RGB 70 143 122

HSL 162.74, 0.34%, 0.42%

LAB 54.4, -28.17, 4.21

 

CMYK 30 / 0 / 8 / 51

HEX #587D73

RGB 88 125 115

HSL 163.78, 0.17%, 0.42%

LAB 49.47, -15.33, 1.26

 

CMYK 3 / 0 / 1 / 58

HEX #696C6B

RGB 105 108 107

HSL 160, 0.01%, 0.42%

LAB 45.35, -1.36, 0.15

 

CMYK 0 / 25 / 18 / 52

HEX #7A5B64

RGB 122 91 100

HSL 342.58, 0.15%, 0.42%

LAB 42.06, 14.22, -0.2

 

CMYK 67 / 0 / 54 / 37

HEX #35A049

RGB 53 160 73

HSL 131.21, 0.5%, 0.42%

LAB 58.4, -49.03, 36.29

 

CMYK 67 / 0 / 37 / 37

HEX #35A065

RGB 53 160 101

HSL 146.92, 0.5%, 0.42%

LAB 58.82, -44.23, 22.1

 

CMYK 67 / 0 / 19 / 37

HEX #35A082

RGB 53 160 130

HSL 163.18, 0.5%, 0.42%

LAB 59.44, -37.69, 6.83

 

CMYK 67 / 0 / 1 / 37

HEX #35A09E

RGB 53 160 158

HSL 178.88, 0.5%, 0.42%

LAB 60.22, -30.09, -7.85

 

CMYK 67 / 17 / 0 / 37

HEX #3585A0

RGB 53 133 160

HSL 195.14, 0.5%, 0.42%

LAB 51.92, -15.51, -21.55

 

CMYK 67 / 0 / 18 / 62

HEX #206250

RGB 32 98 80

HSL 163.64, 0.51%, 0.25%

LAB 37.15, -25.58, 4.18

 

CMYK 67 / 0 / 19 / 49

HEX #2B8169

RGB 43 129 105

HSL 163.26, 0.5%, 0.34%

LAB 48.55, -31.69, 5.56

 

CMYK 67 / 0 / 19 / 37

HEX #35A082

RGB 53 160 130

HSL 163.18, 0.5%, 0.42%

LAB 59.44, -37.69, 6.83

 

CMYK 66 / 0 / 19 / 25

HEX #40BF9B

RGB 64 191 155

HSL 162.99, 0.5%, 0.5%

LAB 69.98, -43.29, 8.09

 

CMYK 53 / 0 / 15 / 21

HEX #5FC9AB

RGB 95 201 171

HSL 163.02, 0.5%, 0.58%

LAB 74.28, -37.88, 5.71

 

CMYK 66 / 0 / 19 / 37

HEX #36A082

RGB 54 160 130

HSL 163.02, 0.5%, 0.42%

LAB 59.47, -37.52, 6.87

 

CMYK 67 / 61 / 0 / 37

HEX #353EA0

RGB 53 62 160

HSL 234.95, 0.5%, 0.42%

LAB 31.21, 28.85, -54.37

 

CMYK 0 / 46 / 67 / 37

HEX #A05735

RGB 160 87 53

HSL 19.07, 0.5%, 0.42%

LAB 45.01, 27.05, 32.63

 

CMYK 66 / 0 / 19 / 37

HEX #36A082

RGB 54 160 130

HSL 163.02, 0.5%, 0.42%

LAB 59.47, -37.52, 6.87

 

CMYK 19 / 67 / 0 / 37

HEX #8235A0

RGB 130 53 160

HSL 283.18, 0.5%, 0.42%

LAB 37.54, 49.98, -43.74

 

CMYK 0 / 19 / 67 / 37

HEX #A08235

RGB 160 130 53

HSL 43.18, 0.5%, 0.42%

LAB 55.78, 2.72, 44.71

 

CMYK 66 / 0 / 19 / 37

HEX #36A082

RGB 54 160 130

HSL 163.02, 0.5%, 0.42%

LAB 59.47, -37.52, 6.87

 

CMYK 67 / 61 / 0 / 37

HEX #353EA0

RGB 53 62 160

HSL 234.95, 0.5%, 0.42%

LAB 31.21, 28.85, -54.37

 

CMYK 0 / 67 / 48 / 37

HEX #A03553

RGB 160 53 83

HSL 343.18, 0.5%, 0.42%

LAB 38.97, 46.57, 6.63

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 66 / 0 / 19 / 37

HEX #36A082

RGB 54 160 130

HSL 163.02, 0.5%, 0.42%

LAB 59.47, -37.52, 6.87

 

CMYK 53 / 67 / 0 / 37

HEX #4C35A0

RGB 76 53 160

HSL 252.9, 0.5%, 0.42%

LAB 30.93, 38.39, -54.75

 

CMYK 0 / 67 / 48 / 37

HEX #A03553

RGB 160 53 83

HSL 343.18, 0.5%, 0.42%

LAB 38.97, 46.57, 6.63

 

CMYK 14 / 0 / 67 / 37

HEX #89A035

RGB 137 160 53

HSL 72.9, 0.5%, 0.42%

LAB 62.27, -23.41, 50.98

 

Description

Color code: HEX #36A082 | qconv.com Color code: HEX #36A082 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 160 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 160 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 19 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 19% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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