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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36CE59 it is the complementary color #C931A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36CE59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36CE59 shade: #3BCE54, #4CE067, #5DF27A, #6EFF8D and #7FFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36CE59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36CE59 shade: #36CE59, #25BC46, #14AA33, #039820 and #00860D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36CE59 shade: #35CE58, #3BCE35, #64CE35, #8ECE35 and #B7CE35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36CE59 shade: #35CE58, #35CE82, #35CEAB, #35C8CE and #359FCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36CE59 shade matches the following richer shades: #35CE58, #21E24E and #0DF643

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36CE59 shade: #35CE58, #4ABA63, #5EA56E, #729179 and #867D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36CE59 shade: #66CE35, #3DCE35, #35CE56, #35CE7F and #35CEA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36CE59 shade: #228E3B, #2AB049, #35CE58, #57D674 and #78DE8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36CE59 shade: #36CE59, #358ECE and #CE3551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36CE59 shade: #36CE59, #5635CE and #CE5635

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36CE59 shade: #36CE59, #358ECE, #CE35AD and #CE7535

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36CE59 shade: #36CE59, #3561CE, #CE35AD and #CEA335

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 57 / 19

HEX #36CE59

RGB 54 206 89

HSL 133.82, 0.61%, 0.51%

LAB 73.32, -62.94, 46.46

 

Complementary color

CMYK 0 / 76 / 17 / 21

HEX #C931A6

RGB 201 49 166

HSL 313.82, 0.61%, 0.49%

LAB 48.72, 69.12, -28.9

 

CMYK 71 / 0 / 59 / 19

HEX #3BCE54

RGB 59 206 84

HSL 130.2, 0.6%, 0.52%

LAB 73.36, -62.79, 48.82

 

CMYK 66 / 0 / 54 / 12

HEX #4CE067

RGB 76 224 103

HSL 130.95, 0.7%, 0.59%

LAB 79.52, -63.56, 47.47

 

CMYK 62 / 0 / 50 / 5

HEX #5DF27A

RGB 93 242 122

HSL 131.68, 0.85%, 0.66%

LAB 85.62, -64.03, 46.1

 

CMYK 57 / 0 / 45 / 0

HEX #6EFF8D

RGB 110 255 141

HSL 132.83, 1%, 0.72%

LAB 90.21, -62.42, 42.88

 

CMYK 50 / 0 / 37 / 0

HEX #7FFFA0

RGB 127 255 160

HSL 135.47, 1%, 0.75%

LAB 91.04, -55.46, 34.76

 

CMYK 74 / 0 / 57 / 19

HEX #36CE59

RGB 54 206 89

HSL 133.82, 0.61%, 0.51%

LAB 73.32, -62.94, 46.46

 

CMYK 80 / 0 / 63 / 26

HEX #25BC46

RGB 37 188 70

HSL 133.11, 0.67%, 0.44%

LAB 67.13, -61.65, 47.83

 

CMYK 88 / 0 / 70 / 33

HEX #14AA33

RGB 20 170 51

HSL 132.4, 0.79%, 0.37%

LAB 60.9, -59.72, 48.99

 

CMYK 98 / 0 / 79 / 40

HEX #039820

RGB 3 152 32

HSL 131.68, 0.96%, 0.3%

LAB 54.64, -56.98, 49.61

 

CMYK 100 / 0 / 90 / 47

HEX #00860D

RGB 0 134 13

HSL 125.82, 1%, 0.26%

LAB 48.36, -52.96, 49.09

 

CMYK 74 / 0 / 57 / 19

HEX #35CE58

RGB 53 206 88

HSL 133.73, 0.61%, 0.51%

LAB 73.29, -63.22, 46.88

 

CMYK 71 / 0 / 74 / 19

HEX #3BCE35

RGB 59 206 53

HSL 117.65, 0.61%, 0.51%

LAB 73.11, -65.8, 60.98

 

CMYK 51 / 0 / 74 / 19

HEX #64CE35

RGB 100 206 53

HSL 101.57, 0.61%, 0.51%

LAB 74.26, -56.48, 62.51

 

CMYK 31 / 0 / 74 / 19

HEX #8ECE35

RGB 142 206 53

HSL 85.1, 0.61%, 0.51%

LAB 76.16, -42.77, 65.01

 

CMYK 11 / 0 / 74 / 19

HEX #B7CE35

RGB 183 206 53

HSL 69.02, 0.61%, 0.51%

LAB 78.73, -26.76, 68.37

 

CMYK 74 / 0 / 57 / 19

HEX #35CE58

RGB 53 206 88

HSL 133.73, 0.61%, 0.51%

LAB 73.29, -63.22, 46.88

 

CMYK 74 / 0 / 37 / 19

HEX #35CE82

RGB 53 206 130

HSL 150.2, 0.61%, 0.51%

LAB 73.88, -56.42, 26.81

 

CMYK 74 / 0 / 17 / 19

HEX #35CEAB

RGB 53 206 171

HSL 166.27, 0.61%, 0.51%

LAB 74.72, -47.28, 6.2

 

CMYK 74 / 3 / 0 / 19

HEX #35C8CE

RGB 53 200 206

HSL 182.35, 0.61%, 0.51%

LAB 73.88, -35.07, -13.96

 

CMYK 74 / 23 / 0 / 19

HEX #359FCE

RGB 53 159 206

HSL 198.43, 0.61%, 0.51%

LAB 61.66, -14.36, -32.64

 

CMYK 74 / 0 / 57 / 19

HEX #35CE58

RGB 53 206 88

HSL 133.73, 0.61%, 0.51%

LAB 73.29, -63.22, 46.88

 

CMYK 85 / 0 / 65 / 11

HEX #21E24E

RGB 33 226 78

HSL 133.99, 0.77%, 0.51%

LAB 79.19, -72.95, 57.85

 

CMYK 95 / 0 / 73 / 4

HEX #0DF643

RGB 13 246 67

HSL 133.91, 0.93%, 0.51%

LAB 85.2, -80.81, 68.23

 

CMYK 74 / 0 / 57 / 19

HEX #35CE58

RGB 53 206 88

HSL 133.73, 0.61%, 0.51%

LAB 73.29, -63.22, 46.88

 

CMYK 60 / 0 / 47 / 27

HEX #4ABA63

RGB 74 186 99

HSL 133.39, 0.45%, 0.51%

LAB 67.63, -50.56, 34.74

 

CMYK 43 / 0 / 33 / 35

HEX #5EA56E

RGB 94 165 110

HSL 133.52, 0.28%, 0.51%

LAB 62.01, -34.53, 21.73

 

CMYK 21 / 0 / 17 / 43

HEX #729179

RGB 114 145 121

HSL 133.55, 0.12%, 0.51%

LAB 57.28, -15.92, 9.21

 

CMYK 0 / 7 / 1 / 47

HEX #867D84

RGB 134 125 132

HSL 313.33, 0.04%, 0.51%

LAB 53.39, 4.77, -2.57

 

CMYK 50 / 0 / 74 / 19

HEX #66CE35

RGB 102 206 53

HSL 100.78, 0.61%, 0.51%

LAB 74.33, -55.91, 62.61

 

CMYK 70 / 0 / 74 / 19

HEX #3DCE35

RGB 61 206 53

HSL 116.86, 0.61%, 0.51%

LAB 73.15, -65.46, 61.04

 

CMYK 74 / 0 / 58 / 19

HEX #35CE56

RGB 53 206 86

HSL 132.94, 0.61%, 0.51%

LAB 73.27, -63.48, 47.78

 

CMYK 74 / 0 / 38 / 19

HEX #35CE7F

RGB 53 206 127

HSL 149.02, 0.61%, 0.51%

LAB 73.82, -57, 28.3

 

CMYK 74 / 0 / 18 / 19

HEX #35CEA8

RGB 53 206 168

HSL 165.1, 0.61%, 0.51%

LAB 74.65, -48.03, 7.71

 

CMYK 76 / 0 / 58 / 44

HEX #228E3B

RGB 34 142 59

HSL 133.89, 0.61%, 0.35%

LAB 51.84, -47.85, 35.3

 

CMYK 76 / 0 / 59 / 31

HEX #2AB049

RGB 42 176 73

HSL 133.88, 0.61%, 0.43%

LAB 63.36, -56.65, 42.15

 

CMYK 74 / 0 / 57 / 19

HEX #35CE58

RGB 53 206 88

HSL 133.73, 0.61%, 0.51%

LAB 73.29, -63.22, 46.88

 

CMYK 59 / 0 / 46 / 16

HEX #57D674

RGB 87 214 116

HSL 133.7, 0.61%, 0.59%

LAB 76.91, -55.82, 38.05

 

CMYK 46 / 0 / 36 / 13

HEX #78DE8F

RGB 120 222 143

HSL 133.53, 0.61%, 0.67%

LAB 80.86, -46.51, 29.77

 

CMYK 74 / 0 / 57 / 19

HEX #36CE59

RGB 54 206 89

HSL 133.82, 0.61%, 0.51%

LAB 73.32, -62.94, 46.46

 

CMYK 74 / 31 / 0 / 19

HEX #358ECE

RGB 53 142 206

HSL 205.1, 0.61%, 0.51%

LAB 56.64, -4.82, -40.49

 

CMYK 0 / 74 / 61 / 19

HEX #CE3551

RGB 206 53 81

HSL 349.02, 0.61%, 0.51%

LAB 47.32, 60.61, 20.66

 

CMYK 74 / 0 / 57 / 19

HEX #36CE59

RGB 54 206 89

HSL 133.82, 0.61%, 0.51%

LAB 73.32, -62.94, 46.46

 

CMYK 58 / 74 / 0 / 19

HEX #5635CE

RGB 86 53 206

HSL 252.94, 0.61%, 0.51%

LAB 35.95, 53.6, -73.74

 

CMYK 0 / 58 / 74 / 19

HEX #CE5635

RGB 206 86 53

HSL 12.94, 0.61%, 0.51%

LAB 51.88, 45.67, 42.28

 

CMYK 74 / 0 / 57 / 19

HEX #36CE59

RGB 54 206 89

HSL 133.82, 0.61%, 0.51%

LAB 73.32, -62.94, 46.46

 

CMYK 74 / 31 / 0 / 19

HEX #358ECE

RGB 53 142 206

HSL 205.1, 0.61%, 0.51%

LAB 56.64, -4.82, -40.49

 

CMYK 0 / 74 / 16 / 19

HEX #CE35AD

RGB 206 53 173

HSL 312.94, 0.61%, 0.51%

LAB 50.32, 70.02, -30.48

 

CMYK 0 / 43 / 74 / 19

HEX #CE7535

RGB 206 117 53

HSL 25.1, 0.61%, 0.51%

LAB 58.13, 29.95, 48.87

 

CMYK 74 / 0 / 57 / 19

HEX #36CE59

RGB 54 206 89

HSL 133.82, 0.61%, 0.51%

LAB 73.32, -62.94, 46.46

 

CMYK 74 / 53 / 0 / 19

HEX #3561CE

RGB 53 97 206

HSL 222.75, 0.61%, 0.51%

LAB 43.89, 22.92, -60.85

 

CMYK 0 / 74 / 16 / 19

HEX #CE35AD

RGB 206 53 173

HSL 312.94, 0.61%, 0.51%

LAB 50.32, 70.02, -30.48

 

CMYK 0 / 21 / 74 / 19

HEX #CEA335

RGB 206 163 53

HSL 43.14, 0.61%, 0.51%

LAB 69.16, 5.07, 59.91

 

Description

Color code: HEX #36CE59 | qconv.com Color code: HEX #36CE59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 206 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 206 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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