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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36D415 it is the complementary color #C92BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36D415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36D415 shade: #3BD410, #4CE623, #5DF836, #6EFF49 and #7FFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36D415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36D415 shade: #36D415, #25C202, #14B000, #039E00 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36D415 shade: #36D515, #6AD515, #9ED515, #D1D515 and #D5A515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36D415 shade: #36D515, #15D527, #15D55B, #15D58F and #15D5C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36D415 shade matches the following richer shades: #36D515 and #29E802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36D415 shade: #36D515, #42C228, #4FAF3B, #5B9C4E and #688961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36D415 shade: #9ED515, #6BD515, #38D515, #15D525 and #15D558

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36D415 shade: #238A0D, #2CAF11, #36D515, #4BE929 and #6AED4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36D415 shade: #36D415, #15D2D5 and #D51585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36D415 shade: #36D415, #1538D5 and #D51538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36D415 shade: #36D415, #15D2D5, #B215D5 and #D51815

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36D415 shade: #36D415, #1598D5, #B215D5 and #D55215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 90 / 17

HEX #36D415

RGB 54 212 21

HSL 109.63, 0.82%, 0.46%

LAB 74.78, -70.07, 70.6

 

Complementary color

CMYK 14 / 82 / 0 / 8

HEX #C92BEA

RGB 201 43 234

HSL 289.63, 0.82%, 0.54%

LAB 51.93, 81.26, -63.06

 

CMYK 72 / 0 / 92 / 17

HEX #3BD410

RGB 59 212 16

HSL 106.84, 0.86%, 0.45%

LAB 74.86, -69.4, 71.43

 

CMYK 67 / 0 / 85 / 10

HEX #4CE623

RGB 76 230 35

HSL 107.38, 0.8%, 0.52%

LAB 80.88, -71.27, 73.41

 

CMYK 63 / 0 / 78 / 3

HEX #5DF836

RGB 93 248 54

HSL 107.94, 0.93%, 0.59%

LAB 86.86, -72.64, 74.27

 

CMYK 57 / 0 / 71 / 0

HEX #6EFF49

RGB 110 255 73

HSL 107.8, 1%, 0.64%

LAB 89.54, -69.91, 71.09

 

CMYK 50 / 0 / 64 / 0

HEX #7FFF5C

RGB 127 255 92

HSL 107.12, 1%, 0.68%

LAB 90.23, -64.07, 64.91

 

CMYK 75 / 0 / 90 / 17

HEX #36D415

RGB 54 212 21

HSL 109.63, 0.82%, 0.46%

LAB 74.78, -70.07, 70.6

 

CMYK 81 / 0 / 99 / 24

HEX #25C202

RGB 37 194 2

HSL 109.06, 0.98%, 0.38%

LAB 68.74, -67.53, 67.84

 

CMYK 89 / 0 / 100 / 31

HEX #14B000

RGB 20 176 0

HSL 113.18, 1%, 0.35%

LAB 62.68, -64.12, 63.14

 

CMYK 98 / 0 / 100 / 38

HEX #039E00

RGB 3 158 0

HSL 118.86, 1%, 0.31%

LAB 56.56, -60.09, 58.19

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 75 / 0 / 90 / 16

HEX #36D515

RGB 54 213 21

HSL 109.69, 0.82%, 0.46%

LAB 75.09, -70.37, 70.86

 

CMYK 50 / 0 / 90 / 16

HEX #6AD515

RGB 106 213 21

HSL 93.44, 0.82%, 0.46%

LAB 76.5, -58.76, 72.61

 

CMYK 26 / 0 / 90 / 16

HEX #9ED515

RGB 158 213 21

HSL 77.19, 0.82%, 0.46%

LAB 78.99, -41, 75.68

 

CMYK 2 / 0 / 90 / 16

HEX #D1D515

RGB 209 213 21

HSL 61.25, 0.82%, 0.46%

LAB 82.49, -20.28, 79.94

 

CMYK 0 / 23 / 90 / 16

HEX #D5A515

RGB 213 165 21

HSL 45, 0.82%, 0.46%

LAB 70.25, 6.11, 70.62

 

CMYK 75 / 0 / 90 / 16

HEX #36D515

RGB 54 213 21

HSL 109.69, 0.82%, 0.46%

LAB 75.09, -70.37, 70.86

 

CMYK 90 / 0 / 82 / 16

HEX #15D527

RGB 21 213 39

HSL 125.63, 0.82%, 0.46%

LAB 74.76, -73.12, 66.62

 

CMYK 90 / 0 / 57 / 16

HEX #15D55B

RGB 21 213 91

HSL 141.88, 0.82%, 0.46%

LAB 75.14, -68.31, 47.6

 

CMYK 90 / 0 / 33 / 16

HEX #15D58F

RGB 21 213 143

HSL 158.13, 0.82%, 0.46%

LAB 75.9, -59.29, 22.7

 

CMYK 90 / 0 / 8 / 16

HEX #15D5C3

RGB 21 213 195

HSL 174.38, 0.82%, 0.46%

LAB 77.09, -46.49, -3.29

 

CMYK 75 / 0 / 90 / 16

HEX #36D515

RGB 54 213 21

HSL 109.69, 0.82%, 0.46%

LAB 75.09, -70.37, 70.86

 

CMYK 82 / 0 / 99 / 9

HEX #29E802

RGB 41 232 2

HSL 109.83, 0.98%, 0.46%

LAB 80.84, -77.82, 77.59

 

CMYK 75 / 0 / 90 / 16

HEX #36D515

RGB 54 213 21

HSL 109.69, 0.82%, 0.46%

LAB 75.09, -70.37, 70.86

 

CMYK 66 / 0 / 79 / 24

HEX #42C228

RGB 66 194 40

HSL 109.87, 0.66%, 0.46%

LAB 69.39, -61.45, 61.58

 

CMYK 55 / 0 / 66 / 31

HEX #4FAF3B

RGB 79 175 59

HSL 109.66, 0.5%, 0.46%

LAB 63.87, -50.15, 49.25

 

CMYK 42 / 0 / 50 / 39

HEX #5B9C4E

RGB 91 156 78

HSL 110, 0.33%, 0.46%

LAB 58.56, -36.49, 34.26

 

CMYK 24 / 0 / 29 / 46

HEX #688961

RGB 104 137 97

HSL 109.5, 0.17%, 0.46%

LAB 53.7, -19.78, 17.79

 

CMYK 26 / 0 / 90 / 16

HEX #9ED515

RGB 158 213 21

HSL 77.19, 0.82%, 0.46%

LAB 78.99, -41, 75.68

 

CMYK 50 / 0 / 90 / 16

HEX #6BD515

RGB 107 213 21

HSL 93.13, 0.82%, 0.46%

LAB 76.54, -58.47, 72.66

 

CMYK 74 / 0 / 90 / 16

HEX #38D515

RGB 56 213 21

HSL 109.06, 0.82%, 0.46%

LAB 75.13, -70.06, 70.91

 

CMYK 90 / 0 / 83 / 16

HEX #15D525

RGB 21 213 37

HSL 125, 0.82%, 0.46%

LAB 74.75, -73.23, 67.13

 

CMYK 90 / 0 / 59 / 16

HEX #15D558

RGB 21 213 88

HSL 140.94, 0.82%, 0.46%

LAB 75.11, -68.7, 48.93

 

CMYK 75 / 0 / 91 / 46

HEX #238A0D

RGB 35 138 13

HSL 109.44, 0.83%, 0.3%

LAB 50.17, -50.34, 50.84

 

CMYK 75 / 0 / 90 / 31

HEX #2CAF11

RGB 44 175 17

HSL 109.75, 0.82%, 0.38%

LAB 62.71, -60.5, 60.92

 

CMYK 75 / 0 / 90 / 16

HEX #36D515

RGB 54 213 21

HSL 109.69, 0.82%, 0.46%

LAB 75.09, -70.37, 70.86

 

CMYK 68 / 0 / 82 / 9

HEX #4BE929

RGB 75 233 41

HSL 109.38, 0.81%, 0.54%

LAB 81.8, -72.14, 72.85

 

CMYK 55 / 0 / 67 / 7

HEX #6AED4F

RGB 106 237 79

HSL 109.75, 0.81%, 0.62%

LAB 84.07, -64.16, 63.16

 

CMYK 75 / 0 / 90 / 17

HEX #36D415

RGB 54 212 21

HSL 109.63, 0.82%, 0.46%

LAB 74.78, -70.07, 70.6

 

CMYK 90 / 1 / 0 / 16

HEX #15D2D5

RGB 21 210 213

HSL 180.94, 0.82%, 0.46%

LAB 76.71, -40, -13.53

 

CMYK 0 / 90 / 38 / 16

HEX #D51585

RGB 213 21 133

HSL 325, 0.82%, 0.46%

LAB 47.46, 74.08, -10.83

 

CMYK 75 / 0 / 90 / 17

HEX #36D415

RGB 54 212 21

HSL 109.63, 0.82%, 0.46%

LAB 74.78, -70.07, 70.6

 

CMYK 90 / 74 / 0 / 16

HEX #1538D5

RGB 21 56 213

HSL 229.06, 0.82%, 0.46%

LAB 33.55, 48.81, -81.88

 

CMYK 0 / 90 / 74 / 16

HEX #D51538

RGB 213 21 56

HSL 349.06, 0.82%, 0.46%

LAB 45.59, 68.88, 33.94

 

CMYK 75 / 0 / 90 / 17

HEX #36D415

RGB 54 212 21

HSL 109.63, 0.82%, 0.46%

LAB 74.78, -70.07, 70.6

 

CMYK 90 / 1 / 0 / 16

HEX #15D2D5

RGB 21 210 213

HSL 180.94, 0.82%, 0.46%

LAB 76.71, -40, -13.53

 

CMYK 16 / 90 / 0 / 16

HEX #B215D5

RGB 178 21 213

HSL 289.06, 0.82%, 0.46%

LAB 45.37, 78.32, -61.9

 

CMYK 0 / 89 / 90 / 16

HEX #D51815

RGB 213 24 21

HSL 0.94, 0.82%, 0.46%

LAB 45.43, 67.51, 52.23

 

CMYK 75 / 0 / 90 / 17

HEX #36D415

RGB 54 212 21

HSL 109.63, 0.82%, 0.46%

LAB 74.78, -70.07, 70.6

 

CMYK 90 / 29 / 0 / 16

HEX #1598D5

RGB 21 152 213

HSL 199.06, 0.82%, 0.46%

LAB 59.36, -10.8, -40.18

 

CMYK 16 / 90 / 0 / 16

HEX #B215D5

RGB 178 21 213

HSL 289.06, 0.82%, 0.46%

LAB 45.37, 78.32, -61.9

 

CMYK 0 / 62 / 90 / 16

HEX #D55215

RGB 213 82 21

HSL 19.06, 0.82%, 0.46%

LAB 52.1, 49.12, 56.99

 

Description

Color code: HEX #36D415 | qconv.com Color code: HEX #36D415 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 212 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 212 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 90 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 90% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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