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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36E17E it is the complementary color #C91E81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36E17E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36E17E shade: #3BE179, #4CF38C, #5DFF9F, #6EFFB2 and #7FFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36E17E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36E17E shade: #36E17E, #25CF6B, #14BD58, #03AB45 and #009932

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36E17E shade: #37E17E, #37E151, #4BE137, #79E137 and #A7E137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36E17E shade: #37E17E, #37E1AC, #37E1DA, #37BAE1 and #378CE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36E17E shade matches the following richer shades: #37E17E and #24F37B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36E17E shade: #37E17E, #49CE81, #5CBC84, #6FA987 and #81968A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36E17E shade: #4BE137, #37E150, #37E17E, #37E1AB and #37E1D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36E17E shade: #19AC57, #1FD069, #37E17E, #5BE695 and #7FEBAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36E17E shade: #36E17E, #3778E1 and #E13A37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36E17E shade: #36E17E, #7E37E1 and #E17E37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36E17E shade: #36E17E, #3778E1, #E1379A and #E1A037

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36E17E shade: #36E17E, #3745E1, #E1379A and #E1D337

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 44 / 12

HEX #36E17E

RGB 54 225 126

HSL 145.26, 0.74%, 0.55%

LAB 79.69, -63.87, 36.49

 

Complementary color

CMYK 0 / 85 / 36 / 21

HEX #C91E81

RGB 201 30 129

HSL 325.26, 0.74%, 0.45%

LAB 45.54, 69.46, -11.52

 

CMYK 74 / 0 / 46 / 12

HEX #3BE179

RGB 59 225 121

HSL 142.41, 0.73%, 0.56%

LAB 79.71, -64.04, 39

 

CMYK 69 / 0 / 42 / 5

HEX #4CF38C

RGB 76 243 140

HSL 142.99, 0.87%, 0.63%

LAB 85.77, -64.71, 37.49

 

CMYK 64 / 0 / 38 / 0

HEX #5DFF9F

RGB 93 255 159

HSL 144.44, 1%, 0.68%

LAB 90.02, -62.92, 33.73

 

CMYK 57 / 0 / 30 / 0

HEX #6EFFB2

RGB 110 255 178

HSL 148.14, 1%, 0.72%

LAB 90.8, -56.12, 25.31

 

CMYK 50 / 0 / 23 / 0

HEX #7FFFC5

RGB 127 255 197

HSL 152.81, 1%, 0.75%

LAB 91.71, -48.66, 16.97

 

CMYK 76 / 0 / 44 / 12

HEX #36E17E

RGB 54 225 126

HSL 145.26, 0.74%, 0.55%

LAB 79.69, -63.87, 36.49

 

CMYK 82 / 0 / 48 / 19

HEX #25CF6B

RGB 37 207 107

HSL 144.71, 0.7%, 0.48%

LAB 73.6, -62.75, 38.11

 

CMYK 89 / 0 / 53 / 26

HEX #14BD58

RGB 20 189 88

HSL 144.14, 0.81%, 0.41%

LAB 67.46, -61.14, 39.8

 

CMYK 98 / 0 / 60 / 33

HEX #03AB45

RGB 3 171 69

HSL 143.57, 0.97%, 0.34%

LAB 61.29, -58.93, 41.5

 

CMYK 100 / 0 / 67 / 40

HEX #009932

RGB 0 153 50

HSL 139.61, 1%, 0.3%

LAB 55.09, -55.8, 43.1

 

CMYK 76 / 0 / 44 / 12

HEX #37E17E

RGB 55 225 126

HSL 145.06, 0.74%, 0.55%

LAB 79.71, -63.74, 36.52

 

CMYK 76 / 0 / 64 / 12

HEX #37E151

RGB 55 225 81

HSL 129.18, 0.74%, 0.55%

LAB 79.19, -69.92, 56.7

 

CMYK 67 / 0 / 76 / 12

HEX #4BE137

RGB 75 225 55

HSL 112.94, 0.74%, 0.55%

LAB 79.4, -68.82, 66.65

 

CMYK 46 / 0 / 76 / 12

HEX #79E137

RGB 121 225 55

HSL 96.71, 0.74%, 0.55%

LAB 80.84, -57.35, 68.55

 

CMYK 26 / 0 / 76 / 12

HEX #A7E137

RGB 167 225 55

HSL 80.47, 0.74%, 0.55%

LAB 83.09, -41.66, 71.49

 

CMYK 76 / 0 / 44 / 12

HEX #37E17E

RGB 55 225 126

HSL 145.06, 0.74%, 0.55%

LAB 79.71, -63.74, 36.52

 

CMYK 76 / 0 / 24 / 12

HEX #37E1AC

RGB 55 225 172

HSL 161.29, 0.74%, 0.55%

LAB 80.54, -54.53, 13.96

 

CMYK 76 / 0 / 3 / 12

HEX #37E1DA

RGB 55 225 218

HSL 177.53, 0.74%, 0.55%

LAB 81.69, -42.8, -8.74

 

CMYK 76 / 17 / 0 / 12

HEX #37BAE1

RGB 55 186 225

HSL 193.76, 0.74%, 0.55%

LAB 70.43, -22.11, -29.55

 

CMYK 76 / 38 / 0 / 12

HEX #378CE1

RGB 55 140 225

HSL 210, 0.74%, 0.55%

LAB 57.08, 3.4, -50.45

 

CMYK 76 / 0 / 44 / 12

HEX #37E17E

RGB 55 225 126

HSL 145.06, 0.74%, 0.55%

LAB 79.71, -63.74, 36.52

 

CMYK 85 / 0 / 49 / 5

HEX #24F37B

RGB 36 243 123

HSL 145.22, 0.9%, 0.55%

LAB 84.95, -72.18, 44.57

 

CMYK 76 / 0 / 44 / 12

HEX #37E17E

RGB 55 225 126

HSL 145.06, 0.74%, 0.55%

LAB 79.71, -63.74, 36.52

 

CMYK 65 / 0 / 37 / 19

HEX #49CE81

RGB 73 206 129

HSL 145.26, 0.58%, 0.55%

LAB 74.28, -53.39, 27.95

 

CMYK 51 / 0 / 30 / 26

HEX #5CBC84

RGB 92 188 132

HSL 145, 0.42%, 0.55%

LAB 69.4, -41.22, 19.86

 

CMYK 34 / 0 / 20 / 34

HEX #6FA987

RGB 111 169 135

HSL 144.83, 0.25%, 0.55%

LAB 64.57, -26.42, 11.63

 

CMYK 14 / 0 / 8 / 41

HEX #81968A

RGB 129 150 138

HSL 145.71, 0.09%, 0.55%

LAB 60.17, -9.92, 3.82

 

CMYK 67 / 0 / 76 / 12

HEX #4BE137

RGB 75 225 55

HSL 112.94, 0.74%, 0.55%

LAB 79.4, -68.82, 66.65

 

CMYK 76 / 0 / 64 / 12

HEX #37E150

RGB 55 225 80

HSL 128.82, 0.74%, 0.55%

LAB 79.18, -70.02, 57.1

 

CMYK 76 / 0 / 44 / 12

HEX #37E17E

RGB 55 225 126

HSL 145.06, 0.74%, 0.55%

LAB 79.71, -63.74, 36.52

 

CMYK 76 / 0 / 24 / 12

HEX #37E1AB

RGB 55 225 171

HSL 160.94, 0.74%, 0.55%

LAB 80.52, -54.76, 14.45

 

CMYK 76 / 0 / 4 / 12

HEX #37E1D8

RGB 55 225 216

HSL 176.82, 0.74%, 0.55%

LAB 81.63, -43.36, -7.76

 

CMYK 85 / 0 / 49 / 33

HEX #19AC57

RGB 25 172 87

HSL 145.31, 0.75%, 0.39%

LAB 62, -55.18, 33.54

 

CMYK 85 / 0 / 50 / 18

HEX #1FD069

RGB 31 208 105

HSL 145.08, 0.74%, 0.47%

LAB 73.82, -63.95, 39.36

 

CMYK 76 / 0 / 44 / 12

HEX #37E17E

RGB 55 225 126

HSL 145.06, 0.74%, 0.55%

LAB 79.71, -63.74, 36.52

 

CMYK 60 / 0 / 35 / 10

HEX #5BE695

RGB 91 230 149

HSL 145.04, 0.74%, 0.63%

LAB 82.37, -55.56, 28.55

 

CMYK 46 / 0 / 27 / 8

HEX #7FEBAC

RGB 127 235 172

HSL 145, 0.73%, 0.71%

LAB 85.46, -45.02, 21.12

 

CMYK 76 / 0 / 44 / 12

HEX #36E17E

RGB 54 225 126

HSL 145.26, 0.74%, 0.55%

LAB 79.69, -63.87, 36.49

 

CMYK 76 / 47 / 0 / 12

HEX #3778E1

RGB 55 120 225

HSL 217.06, 0.74%, 0.55%

LAB 51.48, 15.61, -59.41

 

CMYK 0 / 74 / 76 / 12

HEX #E13A37

RGB 225 58 55

HSL 1.06, 0.74%, 0.55%

LAB 51.05, 63.32, 41.27

 

CMYK 76 / 0 / 44 / 12

HEX #36E17E

RGB 54 225 126

HSL 145.26, 0.74%, 0.55%

LAB 79.69, -63.87, 36.49

 

CMYK 44 / 76 / 0 / 12

HEX #7E37E1

RGB 126 55 225

HSL 265.06, 0.74%, 0.55%

LAB 42.16, 63.4, -74.31

 

CMYK 0 / 44 / 76 / 12

HEX #E17E37

RGB 225 126 55

HSL 25.06, 0.74%, 0.55%

LAB 62.68, 33.05, 53.41

 

CMYK 76 / 0 / 44 / 12

HEX #36E17E

RGB 54 225 126

HSL 145.26, 0.74%, 0.55%

LAB 79.69, -63.87, 36.49

 

CMYK 76 / 47 / 0 / 12

HEX #3778E1

RGB 55 120 225

HSL 217.06, 0.74%, 0.55%

LAB 51.48, 15.61, -59.41

 

CMYK 0 / 76 / 32 / 12

HEX #E1379A

RGB 225 55 154

HSL 325.06, 0.74%, 0.55%

LAB 53.03, 71.61, -14.81

 

CMYK 0 / 29 / 76 / 12

HEX #E1A037

RGB 225 160 55

HSL 37.06, 0.74%, 0.55%

LAB 70.47, 14.97, 61.09

 

CMYK 76 / 0 / 44 / 12

HEX #36E17E

RGB 54 225 126

HSL 145.26, 0.74%, 0.55%

LAB 79.69, -63.87, 36.49

 

CMYK 76 / 69 / 0 / 12

HEX #3745E1

RGB 55 69 225

HSL 235.06, 0.74%, 0.55%

LAB 38.73, 47.41, -80.16

 

CMYK 0 / 76 / 32 / 12

HEX #E1379A

RGB 225 55 154

HSL 325.06, 0.74%, 0.55%

LAB 53.03, 71.61, -14.81

 

CMYK 0 / 6 / 76 / 12

HEX #E1D337

RGB 225 211 55

HSL 55.06, 0.74%, 0.55%

LAB 83.37, -11.59, 73.24

 

Description

Color code: HEX #36E17E | qconv.com Color code: HEX #36E17E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 225 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 225 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 44 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 44% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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