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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36FF85 it is the complementary color #C9007A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36FF85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36FF85 shade: #3BFF80, #4CFF93, #5DFFA6, #6EFFB9 and #7FFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36FF85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36FF85 shade: #36FF85, #25ED72, #14DB5F, #03C94C and #00B739

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36FF85 shade: #38FF86, #38FF50, #55FF38, #8AFF38 and #C0FF38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36FF85 shade: #38FF86, #38FFBB, #38FFF1, #38D6FF and #38A1FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36FF85 shade matches the following richer shades: #38FF86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36FF85 shade: #38FF86, #48EE89, #58DE8D, #68CE90 and #78BE94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36FF85 shade: #55FF38, #38FF4F, #38FF84, #38FFB9 and #38FFEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36FF85 shade: #00E459, #0EFF6D, #38FF86, #61FF9F and #8AFFB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36FF85 shade: #36FF85, #388AFF and #FF383B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36FF85 shade: #36FF85, #8438FF and #FF8438

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36FF85 shade: #36FF85, #388AFF, #FF38B2 and #FFAC38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36FF85 shade: #36FF85, #384FFF, #FF38B2 and #FFE738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 48 / 0

HEX #36FF85

RGB 54 255 133

HSL 143.58, 1%, 0.61%

LAB 88.92, -72.88, 44.83

 

Complementary color

CMYK 0 / 100 / 39 / 21

HEX #C9007A

RGB 201 0 122

HSL 323.58, 1%, 0.39%

LAB 43.98, 72.58, -9.57

 

CMYK 77 / 0 / 50 / 0

HEX #3BFF80

RGB 59 255 128

HSL 141.12, 1%, 0.62%

LAB 88.93, -73.07, 47.22

 

CMYK 70 / 0 / 42 / 0

HEX #4CFF93

RGB 76 255 147

HSL 143.8, 1%, 0.65%

LAB 89.47, -67.8, 38.85

 

CMYK 64 / 0 / 35 / 0

HEX #5DFFA6

RGB 93 255 166

HSL 147.04, 1%, 0.68%

LAB 90.14, -61.66, 30.38

 

CMYK 57 / 0 / 27 / 0

HEX #6EFFB9

RGB 110 255 185

HSL 151.03, 1%, 0.72%

LAB 90.93, -54.76, 21.93

 

CMYK 50 / 0 / 20 / 0

HEX #7FFFCC

RGB 127 255 204

HSL 156.09, 1%, 0.75%

LAB 91.86, -47.22, 13.58

 

CMYK 79 / 0 / 48 / 0

HEX #36FF85

RGB 54 255 133

HSL 143.58, 1%, 0.61%

LAB 88.92, -72.88, 44.83

 

CMYK 84 / 0 / 52 / 7

HEX #25ED72

RGB 37 237 114

HSL 143.1, 0.85%, 0.54%

LAB 83.01, -71.53, 46.42

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5F

RGB 20 219 95

HSL 142.61, 0.83%, 0.47%

LAB 77.06, -69.69, 48.04

 

CMYK 99 / 0 / 62 / 21

HEX #03C94C

RGB 3 201 76

HSL 142.12, 0.97%, 0.4%

LAB 71.09, -67.32, 49.61

 

CMYK 100 / 0 / 69 / 28

HEX #00B739

RGB 0 183 57

HSL 138.69, 1%, 0.36%

LAB 65.09, -64.15, 51

 

CMYK 78 / 0 / 47 / 0

HEX #38FF86

RGB 56 255 134

HSL 143.52, 1%, 0.61%

LAB 88.96, -72.51, 44.41

 

CMYK 78 / 0 / 69 / 0

HEX #38FF50

RGB 56 255 80

HSL 127.24, 1%, 0.61%

LAB 88.42, -79.05, 67.07

 

CMYK 67 / 0 / 78 / 0

HEX #55FF38

RGB 85 255 56

HSL 111.26, 1%, 0.61%

LAB 88.8, -76.33, 75.47

 

CMYK 46 / 0 / 78 / 0

HEX #8AFF38

RGB 138 255 56

HSL 95.28, 1%, 0.61%

LAB 90.42, -63.44, 77.57

 

CMYK 25 / 0 / 78 / 0

HEX #C0FF38

RGB 192 255 56

HSL 78.99, 1%, 0.61%

LAB 93.02, -45.3, 80.92

 

CMYK 78 / 0 / 47 / 0

HEX #38FF86

RGB 56 255 134

HSL 143.52, 1%, 0.61%

LAB 88.96, -72.51, 44.41

 

CMYK 78 / 0 / 27 / 0

HEX #38FFBB

RGB 56 255 187

HSL 159.5, 1%, 0.61%

LAB 89.84, -62.6, 19.21

 

CMYK 78 / 0 / 5 / 0

HEX #38FFF1

RGB 56 255 241

HSL 175.78, 1%, 0.61%

LAB 91.1, -49.42, -6.85

 

CMYK 78 / 16 / 0 / 0

HEX #38D6FF

RGB 56 214 255

HSL 192.36, 1%, 0.61%

LAB 79.7, -26.52, -31.42

 

CMYK 78 / 37 / 0 / 0

HEX #38A1FF

RGB 56 161 255

HSL 208.34, 1%, 0.61%

LAB 64.6, 1.94, -55.03

 

CMYK 78 / 0 / 47 / 0

HEX #38FF86

RGB 56 255 134

HSL 143.52, 1%, 0.61%

LAB 88.96, -72.51, 44.41

 

CMYK 78 / 0 / 47 / 0

HEX #38FF86

RGB 56 255 134

HSL 143.52, 1%, 0.61%

LAB 88.96, -72.51, 44.41

 

CMYK 70 / 0 / 42 / 7

HEX #48EE89

RGB 72 238 137

HSL 143.49, 0.83%, 0.61%

LAB 84.14, -64.06, 36.84

 

CMYK 60 / 0 / 36 / 13

HEX #58DE8D

RGB 88 222 141

HSL 143.73, 0.67%, 0.61%

LAB 79.75, -54.49, 29.12

 

CMYK 50 / 0 / 30 / 19

HEX #68CE90

RGB 104 206 144

HSL 143.53, 0.51%, 0.61%

LAB 75.51, -43.69, 21.92

 

CMYK 37 / 0 / 22 / 25

HEX #78BE94

RGB 120 190 148

HSL 144, 0.35%, 0.61%

LAB 71.53, -31.24, 14.36

 

CMYK 67 / 0 / 78 / 0

HEX #55FF38

RGB 85 255 56

HSL 111.26, 1%, 0.61%

LAB 88.8, -76.33, 75.47

 

CMYK 78 / 0 / 69 / 0

HEX #38FF4F

RGB 56 255 79

HSL 126.93, 1%, 0.61%

LAB 88.41, -79.14, 67.43

 

CMYK 78 / 0 / 48 / 0

HEX #38FF84

RGB 56 255 132

HSL 142.91, 1%, 0.61%

LAB 88.94, -72.82, 45.33

 

CMYK 78 / 0 / 27 / 0

HEX #38FFB9

RGB 56 255 185

HSL 158.89, 1%, 0.61%

LAB 89.8, -63.03, 20.18

 

CMYK 78 / 0 / 7 / 0

HEX #38FFEE

RGB 56 255 238

HSL 174.87, 1%, 0.61%

LAB 91.02, -50.22, -5.42

 

CMYK 100 / 0 / 61 / 11

HEX #00E459

RGB 0 228 89

HSL 143.42, 1%, 0.45%

LAB 79.73, -73.93, 53.8

 

CMYK 95 / 0 / 57 / 0

HEX #0EFF6D

RGB 14 255 109

HSL 143.65, 1%, 0.53%

LAB 88.31, -79.03, 55.04

 

CMYK 78 / 0 / 47 / 0

HEX #38FF86

RGB 56 255 134

HSL 143.52, 1%, 0.61%

LAB 88.96, -72.51, 44.41

 

CMYK 62 / 0 / 38 / 0

HEX #61FF9F

RGB 97 255 159

HSL 143.54, 1%, 0.69%

LAB 90.12, -62.18, 33.88

 

CMYK 46 / 0 / 28 / 0

HEX #8AFFB8

RGB 138 255 184

HSL 143.59, 1%, 0.77%

LAB 91.86, -48.51, 23.86

 

CMYK 79 / 0 / 48 / 0

HEX #36FF85

RGB 54 255 133

HSL 143.58, 1%, 0.61%

LAB 88.92, -72.88, 44.83

 

CMYK 78 / 46 / 0 / 0

HEX #388AFF

RGB 56 138 255

HSL 215.28, 1%, 0.61%

LAB 58.26, 15.62, -65.17

 

CMYK 0 / 78 / 77 / 0

HEX #FF383B

RGB 255 56 59

HSL 359.1, 1%, 0.61%

LAB 56.49, 72.69, 46.58

 

CMYK 79 / 0 / 48 / 0

HEX #36FF85

RGB 54 255 133

HSL 143.58, 1%, 0.61%

LAB 88.92, -72.88, 44.83

 

CMYK 48 / 78 / 0 / 0

HEX #8438FF

RGB 132 56 255

HSL 262.91, 1%, 0.61%

LAB 45.57, 71.14, -85.6

 

CMYK 0 / 48 / 78 / 0

HEX #FF8438

RGB 255 132 56

HSL 22.91, 1%, 0.61%

LAB 68.06, 41.87, 59.65

 

CMYK 79 / 0 / 48 / 0

HEX #36FF85

RGB 54 255 133

HSL 143.58, 1%, 0.61%

LAB 88.92, -72.88, 44.83

 

CMYK 78 / 46 / 0 / 0

HEX #388AFF

RGB 56 138 255

HSL 215.28, 1%, 0.61%

LAB 58.26, 15.62, -65.17

 

CMYK 0 / 78 / 30 / 0

HEX #FF38B2

RGB 255 56 178

HSL 323.22, 1%, 0.61%

LAB 59.25, 81.11, -18.92

 

CMYK 0 / 33 / 78 / 0

HEX #FFAC38

RGB 255 172 56

HSL 34.97, 1%, 0.61%

LAB 76.71, 21.31, 67.82

 

CMYK 79 / 0 / 48 / 0

HEX #36FF85

RGB 54 255 133

HSL 143.58, 1%, 0.61%

LAB 88.92, -72.88, 44.83

 

CMYK 78 / 69 / 0 / 0

HEX #384FFF

RGB 56 79 255

HSL 233.07, 1%, 0.61%

LAB 43.73, 51.74, -88.83

 

CMYK 0 / 78 / 30 / 0

HEX #FF38B2

RGB 255 56 178

HSL 323.22, 1%, 0.61%

LAB 59.25, 81.11, -18.92

 

CMYK 0 / 9 / 78 / 0

HEX #FFE738

RGB 255 231 56

HSL 52.76, 1%, 0.61%

LAB 91.1, -8.96, 80.87

 

Description

Color code: HEX #36FF85 | qconv.com Color code: HEX #36FF85 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 255 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 255 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 48 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 48% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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