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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37291F it is the complementary color #C8D6E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37291F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37291F shade: #3C291A, #4D3B2D, #5E4D40, #6F5F53 and #807166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37291F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37291F shade: #37291F, #26170C, #150500 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37291F shade: #37291F, #37221F and #371F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37291F shade: #37291F, #372F1F, #37361F, #32371F and #2B371F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37291F shade matches the following richer shades: #37291F, #3E2818, #452611, #4C250A and #532403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37291F shade: #37291F, #302A26, #292B2D, #222C34 and #1B2E3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37291F shade: #371F22, #37221F, #37291F, #372F1F and #37361F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37291F shade: #020101, #1D1510, #37291F, #513C2E and #6C503C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37291F shade: #37291F, #28371F and #1F1F37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37291F shade: #37291F, #1F3729 and #291F37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37291F shade: #37291F, #28371F, #1F2D37 and #2E1F37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37291F shade: #37291F, #21371F, #1F2D37 and #351F37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

Complementary color

CMYK 11 / 4 / 0 / 12

HEX #C8D6E0

RGB 200 214 224

HSL 205, 0.28%, 0.83%

LAB 84.87, -2.75, -6.54

 

CMYK 0 / 32 / 57 / 76

HEX #3C291A

RGB 60 41 26

HSL 26.47, 0.4%, 0.17%

LAB 18.46, 6.68, 13.31

 

CMYK 0 / 23 / 42 / 70

HEX #4D3B2D

RGB 77 59 45

HSL 26.25, 0.26%, 0.24%

LAB 26.43, 5.66, 11.71

 

CMYK 0 / 18 / 32 / 63

HEX #5E4D40

RGB 94 77 64

HSL 26, 0.19%, 0.31%

LAB 34.1, 4.93, 10.39

 

CMYK 0 / 14 / 25 / 56

HEX #6F5F53

RGB 111 95 83

HSL 25.71, 0.14%, 0.38%

LAB 41.51, 4.38, 9.25

 

CMYK 0 / 12 / 20 / 50

HEX #807166

RGB 128 113 102

HSL 25.38, 0.11%, 0.45%

LAB 48.71, 3.93, 8.24

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 0 / 39 / 68 / 85

HEX #26170C

RGB 38 23 12

HSL 25.38, 0.52%, 0.1%

LAB 9.41, 5.98, 9.23

 

CMYK 0 / 76 / 100 / 92

HEX #150500

RGB 21 5 0

HSL 14.29, 1%, 0.04%

LAB 2.42, 4.46, 3.71

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 0 / 38 / 44 / 78

HEX #37221F

RGB 55 34 31

HSL 7.5, 0.28%, 0.17%

LAB 15.77, 9.63, 6.14

 

CMYK 0 / 44 / 44 / 78

HEX #371F1F

RGB 55 31 31

HSL 0, 0.28%, 0.17%

LAB 14.91, 11.68, 4.92

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 0 / 15 / 44 / 78

HEX #372F1F

RGB 55 47 31

HSL 40, 0.28%, 0.17%

LAB 19.82, 0.75, 11.62

 

CMYK 0 / 2 / 44 / 78

HEX #37361F

RGB 55 54 31

HSL 57.5, 0.28%, 0.17%

LAB 22.12, -3.85, 14.63

 

CMYK 9 / 0 / 44 / 78

HEX #32371F

RGB 50 55 31

HSL 72.5, 0.28%, 0.17%

LAB 21.98, -6.94, 14.35

 

CMYK 22 / 0 / 44 / 78

HEX #2B371F

RGB 43 55 31

HSL 90, 0.28%, 0.17%

LAB 21.38, -10.26, 13.45

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 0 / 35 / 61 / 76

HEX #3E2818

RGB 62 40 24

HSL 25.26, 0.44%, 0.17%

LAB 18.4, 8.15, 14.63

 

CMYK 0 / 45 / 75 / 73

HEX #452611

RGB 69 38 17

HSL 24.23, 0.6%, 0.17%

LAB 18.77, 12.41, 19.79

 

CMYK 0 / 51 / 87 / 70

HEX #4C250A

RGB 76 37 10

HSL 24.55, 0.77%, 0.17%

LAB 19.56, 16.12, 24.45

 

CMYK 0 / 57 / 96 / 67

HEX #532403

RGB 83 36 3

HSL 24.75, 0.93%, 0.17%

LAB 20.47, 19.78, 28.66

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 0 / 13 / 21 / 81

HEX #302A26

RGB 48 42 38

HSL 24, 0.12%, 0.17%

LAB 17.57, 1.91, 3.61

 

CMYK 9 / 4 / 0 / 82

HEX #292B2D

RGB 41 43 45

HSL 210, 0.05%, 0.17%

LAB 17.41, -0.39, -1.61

 

CMYK 35 / 15 / 0 / 80

HEX #222C34

RGB 34 44 52

HSL 206.67, 0.21%, 0.17%

LAB 17.41, -1.95, -6.56

 

CMYK 54 / 22 / 0 / 77

HEX #1B2E3B

RGB 27 46 59

HSL 204.38, 0.37%, 0.17%

LAB 17.93, -3.36, -10.67

 

CMYK 0 / 44 / 38 / 78

HEX #371F22

RGB 55 31 34

HSL 352.5, 0.28%, 0.17%

LAB 15, 12.15, 2.9

 

CMYK 0 / 38 / 44 / 78

HEX #37221F

RGB 55 34 31

HSL 7.5, 0.28%, 0.17%

LAB 15.77, 9.63, 6.14

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 0 / 15 / 44 / 78

HEX #372F1F

RGB 55 47 31

HSL 40, 0.28%, 0.17%

LAB 19.82, 0.75, 11.62

 

CMYK 0 / 2 / 44 / 78

HEX #37361F

RGB 55 54 31

HSL 57.5, 0.28%, 0.17%

LAB 22.12, -3.85, 14.63

 

CMYK 0 / 50 / 50 / 99

HEX #020101

RGB 2 1 1

HSL 0, 0.33%, 0.01%

LAB 0.33, 0.26, 0.09

 

CMYK 0 / 28 / 45 / 89

HEX #1D1510

RGB 29 21 16

HSL 23.08, 0.29%, 0.09%

LAB 7.54, 3.05, 4.34

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 0 / 26 / 43 / 68

HEX #513C2E

RGB 81 60 46

HSL 24, 0.28%, 0.25%

LAB 27.24, 7.06, 12.23

 

CMYK 0 / 26 / 44 / 58

HEX #6C503C

RGB 108 80 60

HSL 25, 0.29%, 0.33%

LAB 36.46, 8.86, 16.34

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 27 / 0 / 44 / 78

HEX #28371F

RGB 40 55 31

HSL 97.5, 0.28%, 0.17%

LAB 21.14, -11.62, 13.1

 

CMYK 44 / 44 / 0 / 78

HEX #1F1F37

RGB 31 31 55

HSL 240, 0.28%, 0.17%

LAB 12.9, 7.31, -15.64

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 44 / 0 / 25 / 78

HEX #1F3729

RGB 31 55 41

HSL 145, 0.28%, 0.17%

LAB 20.77, -13.19, 5.87

 

CMYK 25 / 44 / 0 / 78

HEX #291F37

RGB 41 31 55

HSL 265, 0.28%, 0.17%

LAB 13.99, 10.92, -13.87

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 27 / 0 / 44 / 78

HEX #28371F

RGB 40 55 31

HSL 97.5, 0.28%, 0.17%

LAB 21.14, -11.62, 13.1

 

CMYK 44 / 18 / 0 / 78

HEX #1F2D37

RGB 31 45 55

HSL 205, 0.28%, 0.17%

LAB 17.66, -2.76, -8.28

 

CMYK 16 / 44 / 0 / 78

HEX #2E1F37

RGB 46 31 55

HSL 277.5, 0.28%, 0.17%

LAB 14.61, 12.83, -12.86

 

CMYK 0 / 25 / 44 / 78

HEX #37291F

RGB 55 41 31

HSL 25, 0.28%, 0.17%

LAB 17.91, 4.82, 9.06

 

CMYK 40 / 0 / 44 / 78

HEX #21371F

RGB 33 55 31

HSL 115, 0.28%, 0.17%

LAB 20.65, -14.62, 12.37

 

CMYK 44 / 18 / 0 / 78

HEX #1F2D37

RGB 31 45 55

HSL 205, 0.28%, 0.17%

LAB 17.66, -2.76, -8.28

 

CMYK 4 / 44 / 0 / 78

HEX #351F37

RGB 53 31 55

HSL 295, 0.28%, 0.17%

LAB 15.55, 15.56, -11.32

 

Description

Color code: HEX #37291F | qconv.com Color code: HEX #37291F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 41 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 41 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 44 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 44% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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