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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37205D it is the complementary color #C8DFA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37205D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37205D shade: #3C2058, #4D326B, #5E447E, #6F5691 and #8068A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37205D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37205D shade: #37205D, #260E4A, #150037, #040024 and #000011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37205D shade: #38205E, #48205E, #59205E, #5E2053 and #5E2042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37205D shade: #38205E, #27205E and #20205E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37205D shade matches the following richer shades: #38205E, #351669, #320B73 and #30017D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37205D shade: #38205E, #3A2A54, #3D354A, #3F3F40 and #424935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37205D shade: #202A5E, #26205E, #37205E, #48205E and #58205E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37205D shade: #130B21, #251540, #38205E, #4A2B7D and #5C359C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37205D shade: #37205D, #5E203B and #225E20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37205D shade: #37205D, #5E3720 and #205E37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37205D shade: #37205D, #5E203B, #485E20 and #205E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37205D shade: #37205D, #5E2028, #485E20 and #205E56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 66 / 0 / 64

HEX #37205D

RGB 55 32 93

HSL 262.62, 0.49%, 0.25%

LAB 18.52, 26.1, -32.63

 

Complementary color

CMYK 10 / 0 / 27 / 13

HEX #C8DFA2

RGB 200 223 162

HSL 82.62, 0.49%, 0.75%

LAB 85.84, -17.98, 27.44

 

CMYK 32 / 64 / 0 / 65

HEX #3C2058

RGB 60 32 88

HSL 270, 0.47%, 0.24%

LAB 18.79, 25.98, -28.83

 

CMYK 28 / 53 / 0 / 58

HEX #4D326B

RGB 77 50 107

HSL 268.42, 0.36%, 0.31%

LAB 26.51, 24.91, -28.84

 

CMYK 25 / 46 / 0 / 51

HEX #5E447E

RGB 94 68 126

HSL 266.9, 0.3%, 0.38%

LAB 34.03, 23.9, -28.82

 

CMYK 23 / 41 / 0 / 43

HEX #6F5691

RGB 111 86 145

HSL 265.42, 0.26%, 0.45%

LAB 41.34, 23, -28.81

 

CMYK 22 / 37 / 0 / 36

HEX #8068A4

RGB 128 104 164

HSL 264, 0.25%, 0.53%

LAB 48.47, 22.21, -28.85

 

CMYK 41 / 66 / 0 / 64

HEX #37205D

RGB 55 32 93

HSL 262.62, 0.49%, 0.25%

LAB 18.52, 26.1, -32.63

 

CMYK 49 / 81 / 0 / 71

HEX #260E4A

RGB 38 14 74

HSL 264, 0.68%, 0.17%

LAB 10.71, 27.21, -32.51

 

CMYK 62 / 100 / 0 / 78

HEX #150037

RGB 21 0 55

HSL 262.91, 1%, 0.11%

LAB 3.93, 23.61, -30.1

 

CMYK 89 / 100 / 0 / 86

HEX #040024

RGB 4 0 36

HSL 246.67, 1%, 0.07%

LAB 1.38, 9.13, -19.81

 

CMYK 100 / 100 / 0 / 93

HEX #000011

RGB 0 0 17

HSL 240, 1%, 0.03%

LAB 0.37, 2.57, -6.99

 

CMYK 40 / 66 / 0 / 63

HEX #38205E

RGB 56 32 94

HSL 263.23, 0.49%, 0.25%

LAB 18.72, 26.65, -32.96

 

CMYK 23 / 66 / 0 / 63

HEX #48205E

RGB 72 32 94

HSL 278.71, 0.49%, 0.25%

LAB 20.9, 30.87, -29.35

 

CMYK 5 / 66 / 0 / 63

HEX #59205E

RGB 89 32 94

HSL 295.16, 0.49%, 0.25%

LAB 23.56, 35.6, -24.96

 

CMYK 0 / 66 / 12 / 63

HEX #5E2053

RGB 94 32 83

HSL 310.65, 0.49%, 0.25%

LAB 23.79, 34.96, -17.23

 

CMYK 0 / 66 / 30 / 63

HEX #5E2042

RGB 94 32 66

HSL 327.1, 0.49%, 0.25%

LAB 23.02, 32.17, -6.95

 

CMYK 40 / 66 / 0 / 63

HEX #38205E

RGB 56 32 94

HSL 263.23, 0.49%, 0.25%

LAB 18.72, 26.65, -32.96

 

CMYK 59 / 66 / 0 / 63

HEX #27205E

RGB 39 32 94

HSL 246.77, 0.49%, 0.25%

LAB 16.86, 22.69, -36.07

 

CMYK 66 / 66 / 0 / 63

HEX #20205E

RGB 32 32 94

HSL 240, 0.49%, 0.25%

LAB 16.25, 21.31, -37.09

 

CMYK 40 / 66 / 0 / 63

HEX #38205E

RGB 56 32 94

HSL 263.23, 0.49%, 0.25%

LAB 18.72, 26.65, -32.96

 

CMYK 50 / 79 / 0 / 59

HEX #351669

RGB 53 22 105

HSL 262.41, 0.65%, 0.25%

LAB 17.23, 35, -42.66

 

CMYK 57 / 90 / 0 / 55

HEX #320B73

RGB 50 11 115

HSL 262.5, 0.83%, 0.25%

LAB 16.28, 42.13, -50.75

 

CMYK 62 / 99 / 0 / 51

HEX #30017D

RGB 48 1 125

HSL 262.74, 0.98%, 0.25%

LAB 16.16, 47.87, -57.39

 

CMYK 40 / 66 / 0 / 63

HEX #38205E

RGB 56 32 94

HSL 263.23, 0.49%, 0.25%

LAB 18.72, 26.65, -32.96

 

CMYK 31 / 50 / 0 / 67

HEX #3A2A54

RGB 58 42 84

HSL 262.86, 0.33%, 0.25%

LAB 20.81, 17.72, -22.95

 

CMYK 18 / 28 / 0 / 71

HEX #3D354A

RGB 61 53 74

HSL 262.86, 0.17%, 0.25%

LAB 23.78, 8.53, -11.62

 

CMYK 2 / 2 / 0 / 75

HEX #3F3F40

RGB 63 63 64

HSL 240, 0.01%, 0.25%

LAB 26.68, 0.23, -0.61

 

CMYK 10 / 0 / 27 / 71

HEX #424935

RGB 66 73 53

HSL 81, 0.16%, 0.25%

LAB 29.86, -7, 11.05

 

CMYK 66 / 55 / 0 / 63

HEX #202A5E

RGB 32 42 94

HSL 230.32, 0.49%, 0.25%

LAB 19.1, 14.15, -32.46

 

CMYK 60 / 66 / 0 / 63

HEX #26205E

RGB 38 32 94

HSL 245.81, 0.49%, 0.25%

LAB 16.76, 22.49, -36.23

 

CMYK 41 / 66 / 0 / 63

HEX #37205E

RGB 55 32 94

HSL 262.26, 0.49%, 0.25%

LAB 18.6, 26.4, -33.17

 

CMYK 23 / 66 / 0 / 63

HEX #48205E

RGB 72 32 94

HSL 278.71, 0.49%, 0.25%

LAB 20.9, 30.87, -29.35

 

CMYK 6 / 66 / 0 / 63

HEX #58205E

RGB 88 32 94

HSL 294.19, 0.49%, 0.25%

LAB 23.39, 35.32, -25.23

 

CMYK 42 / 67 / 0 / 87

HEX #130B21

RGB 19 11 33

HSL 261.82, 0.5%, 0.09%

LAB 4.4, 8.16, -12.74

 

CMYK 42 / 67 / 0 / 75

HEX #251540

RGB 37 21 64

HSL 262.33, 0.51%, 0.17%

LAB 11.27, 19.47, -24.59

 

CMYK 40 / 66 / 0 / 63

HEX #38205E

RGB 56 32 94

HSL 263.23, 0.49%, 0.25%

LAB 18.72, 26.65, -32.96

 

CMYK 41 / 66 / 0 / 51

HEX #4A2B7D

RGB 74 43 125

HSL 262.68, 0.49%, 0.33%

LAB 25.76, 33.42, -41.53

 

CMYK 41 / 66 / 0 / 39

HEX #5C359C

RGB 92 53 156

HSL 262.72, 0.49%, 0.41%

LAB 32.31, 40.42, -50

 

CMYK 41 / 66 / 0 / 64

HEX #37205D

RGB 55 32 93

HSL 262.62, 0.49%, 0.25%

LAB 18.52, 26.1, -32.63

 

CMYK 0 / 66 / 37 / 63

HEX #5E203B

RGB 94 32 59

HSL 333.87, 0.49%, 0.25%

LAB 22.75, 31.18, -2.56

 

CMYK 64 / 0 / 66 / 63

HEX #225E20

RGB 34 94 32

HSL 118.06, 0.49%, 0.25%

LAB 34.9, -33.03, 29.17

 

CMYK 41 / 66 / 0 / 64

HEX #37205D

RGB 55 32 93

HSL 262.62, 0.49%, 0.25%

LAB 18.52, 26.1, -32.63

 

CMYK 0 / 41 / 66 / 63

HEX #5E3720

RGB 94 55 32

HSL 22.26, 0.49%, 0.25%

LAB 27.34, 14.92, 21.57

 

CMYK 66 / 0 / 41 / 63

HEX #205E37

RGB 32 94 55

HSL 142.26, 0.49%, 0.25%

LAB 35.18, -29.72, 16.65

 

CMYK 41 / 66 / 0 / 64

HEX #37205D

RGB 55 32 93

HSL 262.62, 0.49%, 0.25%

LAB 18.52, 26.1, -32.63

 

CMYK 0 / 66 / 37 / 63

HEX #5E203B

RGB 94 32 59

HSL 333.87, 0.49%, 0.25%

LAB 22.75, 31.18, -2.56

 

CMYK 23 / 0 / 66 / 63

HEX #485E20

RGB 72 94 32

HSL 81.29, 0.49%, 0.25%

LAB 36.91, -19.1, 31.96

 

CMYK 66 / 0 / 29 / 63

HEX #205E43

RGB 32 94 67

HSL 153.87, 0.49%, 0.25%

LAB 35.44, -27.01, 9.73

 

CMYK 41 / 66 / 0 / 64

HEX #37205D

RGB 55 32 93

HSL 262.62, 0.49%, 0.25%

LAB 18.52, 26.1, -32.63

 

CMYK 0 / 66 / 57 / 63

HEX #5E2028

RGB 94 32 40

HSL 352.26, 0.49%, 0.25%

LAB 22.18, 29, 9.71

 

CMYK 23 / 0 / 66 / 63

HEX #485E20

RGB 72 94 32

HSL 81.29, 0.49%, 0.25%

LAB 36.91, -19.1, 31.96

 

CMYK 66 / 0 / 9 / 63

HEX #205E56

RGB 32 94 86

HSL 172.26, 0.49%, 0.25%

LAB 35.95, -21.82, -1.28

 

Description

Color code: HEX #37205D | qconv.com Color code: HEX #37205D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 32 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 32 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 66 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 66% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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