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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37327A it is the complementary color #C8CD85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37327A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37327A shade: #3C3275, #4D4488, #5E569B, #6F68AE and #807AC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37327A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37327A shade: #37327A, #262067, #150E54, #040041 and #00002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37327A shade: #37327B, #4A327B, #5E327B, #72327B and #7B3270

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37327A shade: #37327B and #32327B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37327A shade matches the following richer shades: #37327B, #2B2489, #1F1697 and #1308A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37327A shade: #37327B, #43406D, #4F4E5F, #5B5C51 and #676A43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37327A shade: #32547B, #32407B, #37327B, #4A327B and #5D327B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37327A shade: #1D1A40, #2A265D, #37327B, #443E98 and #524AB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37327A shade: #37327A, #7B3267 and #4A7B32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37327A shade: #37327A, #7B3732 and #327B37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37327A shade: #37327A, #7B3267, #767B32 and #327B45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37327A shade: #37327A, #7B3251, #767B32 and #327B5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 59 / 0 / 52

HEX #37327A

RGB 55 50 122

HSL 244.17, 0.42%, 0.34%

LAB 25.26, 23.76, -40.54

 

Complementary color

CMYK 2 / 0 / 35 / 20

HEX #C8CD85

RGB 200 205 133

HSL 64.17, 0.42%, 0.66%

LAB 80.54, -12.79, 35.31

 

CMYK 49 / 57 / 0 / 54

HEX #3C3275

RGB 60 50 117

HSL 248.96, 0.4%, 0.33%

LAB 25.34, 23.25, -37.21

 

CMYK 43 / 50 / 0 / 47

HEX #4D4488

RGB 77 68 136

HSL 247.94, 0.33%, 0.4%

LAB 32.9, 21.86, -36.9

 

CMYK 39 / 45 / 0 / 39

HEX #5E569B

RGB 94 86 155

HSL 246.96, 0.29%, 0.47%

LAB 40.25, 20.72, -36.65

 

CMYK 36 / 40 / 0 / 32

HEX #6F68AE

RGB 111 104 174

HSL 246, 0.3%, 0.55%

LAB 47.41, 19.77, -36.47

 

CMYK 34 / 37 / 0 / 24

HEX #807AC1

RGB 128 122 193

HSL 245.07, 0.36%, 0.62%

LAB 54.41, 18.96, -36.36

 

CMYK 55 / 59 / 0 / 52

HEX #37327A

RGB 55 50 122

HSL 244.17, 0.42%, 0.34%

LAB 25.26, 23.76, -40.54

 

CMYK 63 / 69 / 0 / 60

HEX #262067

RGB 38 32 103

HSL 245.07, 0.53%, 0.26%

LAB 17.57, 25.72, -40.85

 

CMYK 75 / 83 / 0 / 67

HEX #150E54

RGB 21 14 84

HSL 246, 0.71%, 0.19%

LAB 9.9, 27.9, -40.79

 

CMYK 94 / 100 / 0 / 75

HEX #040041

RGB 4 0 65

HSL 243.69, 1%, 0.13%

LAB 3.68, 24.88, -37.82

 

CMYK 100 / 100 / 0 / 82

HEX #00002E

RGB 0 0 46

HSL 240, 1%, 0.09%

LAB 1.78, 12.52, -26.91

 

CMYK 55 / 59 / 0 / 52

HEX #37327B

RGB 55 50 123

HSL 244.11, 0.42%, 0.34%

LAB 25.33, 24.1, -41.05

 

CMYK 40 / 59 / 0 / 52

HEX #4A327B

RGB 74 50 123

HSL 259.73, 0.42%, 0.34%

LAB 27.21, 28.61, -37.93

 

CMYK 24 / 59 / 0 / 52

HEX #5E327B

RGB 94 50 123

HSL 276.16, 0.42%, 0.34%

LAB 29.64, 33.94, -33.89

 

CMYK 7 / 59 / 0 / 52

HEX #72327B

RGB 114 50 123

HSL 292.6, 0.42%, 0.34%

LAB 32.46, 39.55, -29.25

 

CMYK 0 / 59 / 9 / 52

HEX #7B3270

RGB 123 50 112

HSL 309.04, 0.42%, 0.34%

LAB 33.27, 40.08, -20.95

 

CMYK 55 / 59 / 0 / 52

HEX #37327B

RGB 55 50 123

HSL 244.11, 0.42%, 0.34%

LAB 25.33, 24.1, -41.05

 

CMYK 59 / 59 / 0 / 52

HEX #32327B

RGB 50 50 123

HSL 240, 0.42%, 0.34%

LAB 24.92, 23.05, -41.74

 

CMYK 55 / 59 / 0 / 52

HEX #37327B

RGB 55 50 123

HSL 244.11, 0.42%, 0.34%

LAB 25.33, 24.1, -41.05

 

CMYK 69 / 74 / 0 / 46

HEX #2B2489

RGB 43 36 137

HSL 244.16, 0.58%, 0.34%

LAB 22.24, 35.84, -54.95

 

CMYK 79 / 85 / 0 / 41

HEX #1F1697

RGB 31 22 151

HSL 244.19, 0.75%, 0.34%

LAB 20.44, 46.76, -66.64

 

CMYK 88 / 95 / 0 / 35

HEX #1308A5

RGB 19 8 165

HSL 244.2, 0.91%, 0.34%

LAB 20.16, 55.18, -75.7

 

CMYK 55 / 59 / 0 / 52

HEX #37327B

RGB 55 50 123

HSL 244.11, 0.42%, 0.34%

LAB 25.33, 24.1, -41.05

 

CMYK 39 / 41 / 0 / 57

HEX #43406D

RGB 67 64 109

HSL 244, 0.26%, 0.34%

LAB 29.32, 13.31, -25.73

 

CMYK 17 / 18 / 0 / 63

HEX #4F4E5F

RGB 79 78 95

HSL 243.53, 0.1%, 0.34%

LAB 33.85, 4.38, -9.77

 

CMYK 1 / 0 / 12 / 64

HEX #5B5C51

RGB 91 92 81

HSL 65.45, 0.06%, 0.34%

LAB 38.68, -2.61, 6.2

 

CMYK 3 / 0 / 37 / 58

HEX #676A43

RGB 103 106 67

HSL 64.62, 0.23%, 0.34%

LAB 43.65, -7.95, 21.54

 

CMYK 59 / 32 / 0 / 52

HEX #32547B

RGB 50 84 123

HSL 212.05, 0.42%, 0.34%

LAB 34.9, 0.28, -25.83

 

CMYK 59 / 48 / 0 / 52

HEX #32407B

RGB 50 64 123

HSL 228.49, 0.42%, 0.34%

LAB 28.84, 13.53, -35.43

 

CMYK 55 / 59 / 0 / 52

HEX #37327B

RGB 55 50 123

HSL 244.11, 0.42%, 0.34%

LAB 25.33, 24.1, -41.05

 

CMYK 40 / 59 / 0 / 52

HEX #4A327B

RGB 74 50 123

HSL 259.73, 0.42%, 0.34%

LAB 27.21, 28.61, -37.93

 

CMYK 24 / 59 / 0 / 52

HEX #5D327B

RGB 93 50 123

HSL 275.34, 0.42%, 0.34%

LAB 29.51, 33.66, -34.11

 

CMYK 55 / 59 / 0 / 75

HEX #1D1A40

RGB 29 26 64

HSL 244.74, 0.42%, 0.18%

LAB 11.76, 13.67, -23.86

 

CMYK 55 / 59 / 0 / 64

HEX #2A265D

RGB 42 38 93

HSL 244.36, 0.42%, 0.26%

LAB 18.67, 18.86, -32.47

 

CMYK 55 / 59 / 0 / 52

HEX #37327B

RGB 55 50 123

HSL 244.11, 0.42%, 0.34%

LAB 25.33, 24.1, -41.05

 

CMYK 55 / 59 / 0 / 40

HEX #443E98

RGB 68 62 152

HSL 244, 0.42%, 0.42%

LAB 31.67, 28.77, -48.71

 

CMYK 55 / 59 / 0 / 29

HEX #524AB5

RGB 82 74 181

HSL 244.49, 0.42%, 0.5%

LAB 37.89, 33.45, -55.95

 

CMYK 55 / 59 / 0 / 52

HEX #37327A

RGB 55 50 122

HSL 244.17, 0.42%, 0.34%

LAB 25.26, 23.76, -40.54

 

CMYK 0 / 59 / 16 / 52

HEX #7B3267

RGB 123 50 103

HSL 316.44, 0.42%, 0.34%

LAB 32.86, 38.54, -15.87

 

CMYK 40 / 0 / 59 / 52

HEX #4A7B32

RGB 74 123 50

HSL 100.27, 0.42%, 0.34%

LAB 46.78, -30.82, 34.2

 

CMYK 55 / 59 / 0 / 52

HEX #37327A

RGB 55 50 122

HSL 244.17, 0.42%, 0.34%

LAB 25.26, 23.76, -40.54

 

CMYK 0 / 55 / 59 / 52

HEX #7B3732

RGB 123 55 50

HSL 4.11, 0.42%, 0.34%

LAB 32.2, 29.15, 17.35

 

CMYK 59 / 0 / 55 / 52

HEX #327B37

RGB 50 123 55

HSL 124.11, 0.42%, 0.34%

LAB 45.8, -37.73, 30.21

 

CMYK 55 / 59 / 0 / 52

HEX #37327A

RGB 55 50 122

HSL 244.17, 0.42%, 0.34%

LAB 25.26, 23.76, -40.54

 

CMYK 0 / 59 / 16 / 52

HEX #7B3267

RGB 123 50 103

HSL 316.44, 0.42%, 0.34%

LAB 32.86, 38.54, -15.87

 

CMYK 4 / 0 / 59 / 52

HEX #767B32

RGB 118 123 50

HSL 64.11, 0.42%, 0.34%

LAB 49.8, -12.62, 38.44

 

CMYK 59 / 0 / 44 / 52

HEX #327B45

RGB 50 123 69

HSL 135.62, 0.42%, 0.34%

LAB 46.01, -35.45, 22.87

 

CMYK 55 / 59 / 0 / 52

HEX #37327A

RGB 55 50 122

HSL 244.17, 0.42%, 0.34%

LAB 25.26, 23.76, -40.54

 

CMYK 0 / 59 / 34 / 52

HEX #7B3251

RGB 123 50 81

HSL 334.52, 0.42%, 0.34%

LAB 32, 35.23, -2.99

 

CMYK 4 / 0 / 59 / 52

HEX #767B32

RGB 118 123 50

HSL 64.11, 0.42%, 0.34%

LAB 49.8, -12.62, 38.44

 

CMYK 59 / 0 / 26 / 52

HEX #327B5B

RGB 50 123 91

HSL 153.7, 0.42%, 0.34%

LAB 46.44, -30.88, 10.81

 

Description

Color code: HEX #37327A | qconv.com Color code: HEX #37327A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 50 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 50 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 59 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 59% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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