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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #373F64 it is the complementary color #C8C09B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #373F64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #373F64 shade: #3C3F5F, #4D5172, #5E6385, #6F7598 and #8087AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #373F64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #373F64 shade: #373F64, #262D51, #151B3E, #04092B and #000018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #373F64 shade: #363E62, #3A3662, #463662, #523662 and #5E3662

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #373F64 shade: #363E62 and #363662

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #373F64 shade matches the following richer shades: #363E62, #29366F, #1D2E7B, #112687 and #041E94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #373F64 shade: #363E62, #424656, #4F4E49, #5B563D and #675E31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #373F64 shade: #365662, #364A62, #363E62, #3A3662 and #453662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #373F64 shade: #191C2D, #272D48, #363E62, #444E7D and #535F97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #373F64 shade: #373F64, #623661 and #506236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #373F64 shade: #373F64, #62363E and #3E6236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #373F64 shade: #373F64, #623661, #625A36 and #366237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #373F64 shade: #373F64, #623654, #625A36 and #366244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 37 / 0 / 61

HEX #373F64

RGB 55 63 100

HSL 229.33, 0.29%, 0.3%

LAB 27.54, 7.51, -22.86

 

Complementary color

CMYK 0 / 4 / 23 / 22

HEX #C8C09B

RGB 200 192 155

HSL 49.33, 0.29%, 0.7%

LAB 77.49, -3.18, 19.69

 

CMYK 37 / 34 / 0 / 63

HEX #3C3F5F

RGB 60 63 95

HSL 234.86, 0.23%, 0.3%

LAB 27.69, 7.48, -19.37

 

CMYK 32 / 29 / 0 / 55

HEX #4D5172

RGB 77 81 114

HSL 233.51, 0.19%, 0.37%

LAB 35.36, 6.87, -19.4

 

CMYK 29 / 26 / 0 / 48

HEX #5E6385

RGB 94 99 133

HSL 232.31, 0.17%, 0.45%

LAB 42.76, 6.39, -19.5

 

CMYK 27 / 23 / 0 / 40

HEX #6F7598

RGB 111 117 152

HSL 231.22, 0.17%, 0.52%

LAB 49.94, 5.98, -19.66

 

CMYK 25 / 21 / 0 / 33

HEX #8087AB

RGB 128 135 171

HSL 230.23, 0.2%, 0.59%

LAB 56.94, 5.62, -19.85

 

CMYK 45 / 37 / 0 / 61

HEX #373F64

RGB 55 63 100

HSL 229.33, 0.29%, 0.3%

LAB 27.54, 7.51, -22.86

 

CMYK 53 / 44 / 0 / 68

HEX #262D51

RGB 38 45 81

HSL 230.23, 0.36%, 0.23%

LAB 19.57, 8.52, -23.03

 

CMYK 66 / 56 / 0 / 76

HEX #151B3E

RGB 21 27 62

HSL 231.22, 0.49%, 0.16%

LAB 11.21, 10.06, -23.36

 

CMYK 91 / 79 / 0 / 83

HEX #04092B

RGB 4 9 43

HSL 232.31, 0.83%, 0.09%

LAB 3.57, 8.51, -21.79

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 45 / 37 / 0 / 62

HEX #363E62

RGB 54 62 98

HSL 229.09, 0.29%, 0.3%

LAB 27.05, 7.23, -22.34

 

CMYK 41 / 45 / 0 / 62

HEX #3A3662

RGB 58 54 98

HSL 245.45, 0.29%, 0.3%

LAB 25.01, 13.86, -25.52

 

CMYK 29 / 45 / 0 / 62

HEX #463662

RGB 70 54 98

HSL 261.82, 0.29%, 0.3%

LAB 26.22, 17.64, -23.54

 

CMYK 16 / 45 / 0 / 62

HEX #523662

RGB 82 54 98

HSL 278.18, 0.29%, 0.3%

LAB 27.61, 21.64, -21.26

 

CMYK 4 / 45 / 0 / 62

HEX #5E3662

RGB 94 54 98

HSL 294.55, 0.29%, 0.3%

LAB 29.16, 25.74, -18.73

 

CMYK 45 / 37 / 0 / 62

HEX #363E62

RGB 54 62 98

HSL 229.09, 0.29%, 0.3%

LAB 27.05, 7.23, -22.34

 

CMYK 45 / 45 / 0 / 62

HEX #363662

RGB 54 54 98

HSL 240, 0.29%, 0.3%

LAB 24.65, 12.68, -26.12

 

CMYK 45 / 37 / 0 / 62

HEX #363E62

RGB 54 62 98

HSL 229.09, 0.29%, 0.3%

LAB 27.05, 7.23, -22.34

 

CMYK 63 / 51 / 0 / 56

HEX #29366F

RGB 41 54 111

HSL 228.86, 0.46%, 0.3%

LAB 24.5, 14.03, -34.8

 

CMYK 76 / 63 / 0 / 52

HEX #1D2E7B

RGB 29 46 123

HSL 229.15, 0.62%, 0.3%

LAB 22.46, 22.29, -45.79

 

CMYK 87 / 72 / 0 / 47

HEX #112687

RGB 17 38 135

HSL 229.32, 0.78%, 0.3%

LAB 21.04, 31.35, -55.72

 

CMYK 97 / 80 / 0 / 42

HEX #041E94

RGB 4 30 148

HSL 229.17, 0.95%, 0.3%

LAB 20.41, 40.58, -64.87

 

CMYK 45 / 37 / 0 / 62

HEX #363E62

RGB 54 62 98

HSL 229.09, 0.29%, 0.3%

LAB 27.05, 7.23, -22.34

 

CMYK 23 / 19 / 0 / 66

HEX #424656

RGB 66 70 86

HSL 228, 0.13%, 0.3%

LAB 29.94, 2.36, -10.06

 

CMYK 0 / 1 / 8 / 69

HEX #4F4E49

RGB 79 78 73

HSL 50, 0.04%, 0.3%

LAB 33.12, -0.63, 3.1

 

CMYK 0 / 5 / 33 / 64

HEX #5B563D

RGB 91 86 61

HSL 50, 0.2%, 0.3%

LAB 36.4, -2.39, 15.32

 

CMYK 0 / 9 / 52 / 60

HEX #675E31

RGB 103 94 49

HSL 50, 0.36%, 0.3%

LAB 39.77, -3.15, 26.92

 

CMYK 45 / 12 / 0 / 62

HEX #365662

RGB 54 86 98

HSL 196.36, 0.29%, 0.3%

LAB 34.64, -8.18, -10.63

 

CMYK 45 / 24 / 0 / 62

HEX #364A62

RGB 54 74 98

HSL 212.73, 0.29%, 0.3%

LAB 30.79, -0.69, -16.52

 

CMYK 45 / 37 / 0 / 62

HEX #363E62

RGB 54 62 98

HSL 229.09, 0.29%, 0.3%

LAB 27.05, 7.23, -22.34

 

CMYK 41 / 45 / 0 / 62

HEX #3A3662

RGB 58 54 98

HSL 245.45, 0.29%, 0.3%

LAB 25.01, 13.86, -25.52

 

CMYK 30 / 45 / 0 / 62

HEX #453662

RGB 69 54 98

HSL 260.45, 0.29%, 0.3%

LAB 26.11, 17.32, -23.71

 

CMYK 44 / 38 / 0 / 82

HEX #191C2D

RGB 25 28 45

HSL 231, 0.29%, 0.14%

LAB 10.75, 3.95, -11.84

 

CMYK 46 / 38 / 0 / 72

HEX #272D48

RGB 39 45 72

HSL 229.09, 0.3%, 0.22%

LAB 19.12, 5.65, -17.65

 

CMYK 45 / 37 / 0 / 62

HEX #363E62

RGB 54 62 98

HSL 229.09, 0.29%, 0.3%

LAB 27.05, 7.23, -22.34

 

CMYK 46 / 38 / 0 / 51

HEX #444E7D

RGB 68 78 125

HSL 229.47, 0.3%, 0.38%

LAB 34.31, 9.43, -27.91

 

CMYK 45 / 37 / 0 / 41

HEX #535F97

RGB 83 95 151

HSL 229.41, 0.29%, 0.46%

LAB 41.62, 10.85, -32.15

 

CMYK 45 / 37 / 0 / 61

HEX #373F64

RGB 55 63 100

HSL 229.33, 0.29%, 0.3%

LAB 27.54, 7.51, -22.86

 

CMYK 0 / 45 / 1 / 62

HEX #623661

RGB 98 54 97

HSL 301.36, 0.29%, 0.3%

LAB 29.66, 26.91, -17.27

 

CMYK 18 / 0 / 45 / 62

HEX #506236

RGB 80 98 54

HSL 84.55, 0.29%, 0.3%

LAB 39.08, -15.23, 22.8

 

CMYK 45 / 37 / 0 / 61

HEX #373F64

RGB 55 63 100

HSL 229.33, 0.29%, 0.3%

LAB 27.54, 7.51, -22.86

 

CMYK 0 / 45 / 37 / 62

HEX #62363E

RGB 98 54 62

HSL 349.09, 0.29%, 0.3%

LAB 28.33, 20.71, 3.63

 

CMYK 37 / 0 / 45 / 62

HEX #3E6236

RGB 62 98 54

HSL 109.09, 0.29%, 0.3%

LAB 37.89, -22.5, 21.03

 

CMYK 45 / 37 / 0 / 61

HEX #373F64

RGB 55 63 100

HSL 229.33, 0.29%, 0.3%

LAB 27.54, 7.51, -22.86

 

CMYK 0 / 45 / 1 / 62

HEX #623661

RGB 98 54 97

HSL 301.36, 0.29%, 0.3%

LAB 29.66, 26.91, -17.27

 

CMYK 0 / 8 / 45 / 62

HEX #625A36

RGB 98 90 54

HSL 49.09, 0.29%, 0.3%

LAB 38.16, -2.54, 21.94

 

CMYK 45 / 0 / 44 / 62

HEX #366237

RGB 54 98 55

HSL 121.36, 0.29%, 0.3%

LAB 37.47, -25.2, 19.83

 

CMYK 45 / 37 / 0 / 61

HEX #373F64

RGB 55 63 100

HSL 229.33, 0.29%, 0.3%

LAB 27.54, 7.51, -22.86

 

CMYK 0 / 45 / 14 / 62

HEX #623654

RGB 98 54 84

HSL 319.09, 0.29%, 0.3%

LAB 29.1, 24.35, -9.7

 

CMYK 0 / 8 / 45 / 62

HEX #625A36

RGB 98 90 54

HSL 49.09, 0.29%, 0.3%

LAB 38.16, -2.54, 21.94

 

CMYK 45 / 0 / 31 / 62

HEX #366244

RGB 54 98 68

HSL 139.09, 0.29%, 0.3%

LAB 37.73, -22.68, 12.43

 

Description

Color code: HEX #373F64 | qconv.com Color code: HEX #373F64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 63 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 63 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 37 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 37% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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