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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374830 it is the complementary color #C8B7CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374830. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374830 shade: #3C482B, #4D5A3E, #5E6C51, #6F7E64 and #809077

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374830. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374830 shade: #374830, #26361D, #15240A, #041200 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374830 shade: #384930, #3E4930, #454930, #494630 and #494030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374830 shade: #384930, #314930, #304937, #30493D and #304944

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374830 shade matches the following richer shades: #384930, #335327, #2F5D1D, #2B6713 and #277109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374830 shade: #384930, #3C3F3A, #403544, #442B4E and #482158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374830 shade: #454930, #3E4930, #384930, #314930 and #304936

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374830 shade: #12170F, #253020, #384930, #4B6241 and #5D7A51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374830 shade: #374830, #304946 and #493042

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374830 shade: #374830, #303849 and #493038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374830 shade: #374830, #304946, #423049 and #493033

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374830 shade: #374830, #304449, #423049 and #493530

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 33 / 72

HEX #374830

RGB 55 72 48

HSL 102.5, 0.2%, 0.24%

LAB 28.54, -12.09, 12.27

 

Complementary color

CMYK 3 / 12 / 0 / 19

HEX #C8B7CF

RGB 200 183 207

HSL 282.5, 0.2%, 0.76%

LAB 76.47, 10.41, -9.89

 

CMYK 17 / 0 / 40 / 72

HEX #3C482B

RGB 60 72 43

HSL 84.83, 0.25%, 0.23%

LAB 28.82, -10.77, 15.85

 

CMYK 14 / 0 / 31 / 65

HEX #4D5A3E

RGB 77 90 62

HSL 87.86, 0.18%, 0.3%

LAB 36.44, -10.75, 14.56

 

CMYK 13 / 0 / 25 / 58

HEX #5E6C51

RGB 94 108 81

HSL 91.11, 0.14%, 0.37%

LAB 43.8, -10.71, 13.4

 

CMYK 12 / 0 / 21 / 51

HEX #6F7E64

RGB 111 126 100

HSL 94.62, 0.12%, 0.44%

LAB 50.95, -10.67, 12.34

 

CMYK 11 / 0 / 17 / 44

HEX #809077

RGB 128 144 119

HSL 98.4, 0.1%, 0.52%

LAB 57.91, -10.64, 11.38

 

CMYK 24 / 0 / 33 / 72

HEX #374830

RGB 55 72 48

HSL 102.5, 0.2%, 0.24%

LAB 28.54, -12.09, 12.27

 

CMYK 30 / 0 / 46 / 79

HEX #26361D

RGB 38 54 29

HSL 98.4, 0.3%, 0.16%

LAB 20.59, -12.27, 13.65

 

CMYK 42 / 0 / 72 / 86

HEX #15240A

RGB 21 36 10

HSL 94.62, 0.57%, 0.09%

LAB 12.24, -12.36, 13.76

 

CMYK 78 / 0 / 100 / 93

HEX #041200

RGB 4 18 0

HSL 106.67, 1%, 0.04%

LAB 4.14, -6.94, 6.07

 

CMYK 23 / 0 / 34 / 71

HEX #384930

RGB 56 73 48

HSL 100.8, 0.21%, 0.24%

LAB 28.95, -12.25, 12.84

 

CMYK 15 / 0 / 34 / 71

HEX #3E4930

RGB 62 73 48

HSL 86.4, 0.21%, 0.24%

LAB 29.42, -9.65, 13.55

 

CMYK 5 / 0 / 34 / 71

HEX #454930

RGB 69 73 48

HSL 69.6, 0.21%, 0.24%

LAB 30.02, -6.5, 14.46

 

CMYK 0 / 4 / 34 / 71

HEX #494630

RGB 73 70 48

HSL 52.8, 0.21%, 0.24%

LAB 29.44, -2.8, 13.75

 

CMYK 0 / 12 / 34 / 71

HEX #494030

RGB 73 64 48

HSL 38.4, 0.21%, 0.24%

LAB 27.56, 0.99, 11.22

 

CMYK 23 / 0 / 34 / 71

HEX #384930

RGB 56 73 48

HSL 100.8, 0.21%, 0.24%

LAB 28.95, -12.25, 12.84

 

CMYK 33 / 0 / 34 / 71

HEX #314930

RGB 49 73 48

HSL 117.6, 0.21%, 0.24%

LAB 28.46, -15.12, 12.1

 

CMYK 34 / 0 / 25 / 71

HEX #304937

RGB 48 73 55

HSL 136.8, 0.21%, 0.24%

LAB 28.56, -14.04, 7.77

 

CMYK 34 / 0 / 16 / 71

HEX #30493D

RGB 48 73 61

HSL 151.2, 0.21%, 0.24%

LAB 28.72, -12.64, 4.14

 

CMYK 34 / 0 / 7 / 71

HEX #304944

RGB 48 73 68

HSL 168, 0.21%, 0.24%

LAB 28.93, -10.86, -0.08

 

CMYK 23 / 0 / 34 / 71

HEX #384930

RGB 56 73 48

HSL 100.8, 0.21%, 0.24%

LAB 28.95, -12.25, 12.84

 

CMYK 39 / 0 / 53 / 67

HEX #335327

RGB 51 83 39

HSL 103.64, 0.36%, 0.24%

LAB 31.89, -21.29, 22.01

 

CMYK 49 / 0 / 69 / 64

HEX #2F5D1D

RGB 47 93 29

HSL 103.13, 0.52%, 0.24%

LAB 35.05, -28.91, 30.96

 

CMYK 58 / 0 / 82 / 60

HEX #2B6713

RGB 43 103 19

HSL 102.86, 0.69%, 0.24%

LAB 38.31, -35.39, 38.49

 

CMYK 65 / 0 / 92 / 56

HEX #277109

RGB 39 113 9

HSL 102.69, 0.85%, 0.24%

LAB 41.63, -40.92, 44.34

 

CMYK 23 / 0 / 34 / 71

HEX #384930

RGB 56 73 48

HSL 100.8, 0.21%, 0.24%

LAB 28.95, -12.25, 12.84

 

CMYK 5 / 0 / 8 / 75

HEX #3C3F3A

RGB 60 63 58

HSL 96, 0.04%, 0.24%

LAB 26.22, -2.38, 2.63

 

CMYK 6 / 22 / 0 / 73

HEX #403544

RGB 64 53 68

HSL 284, 0.12%, 0.24%

LAB 23.85, 8.19, -7.48

 

CMYK 13 / 45 / 0 / 69

HEX #442B4E

RGB 68 43 78

HSL 282.86, 0.29%, 0.24%

LAB 21.97, 18.86, -17.03

 

CMYK 18 / 63 / 0 / 65

HEX #482158

RGB 72 33 88

HSL 282.55, 0.45%, 0.24%

LAB 20.71, 28.83, -25.66

 

CMYK 5 / 0 / 34 / 71

HEX #454930

RGB 69 73 48

HSL 69.6, 0.21%, 0.24%

LAB 30.02, -6.5, 14.46

 

CMYK 15 / 0 / 34 / 71

HEX #3E4930

RGB 62 73 48

HSL 86.4, 0.21%, 0.24%

LAB 29.42, -9.65, 13.55

 

CMYK 23 / 0 / 34 / 71

HEX #384930

RGB 56 73 48

HSL 100.8, 0.21%, 0.24%

LAB 28.95, -12.25, 12.84

 

CMYK 33 / 0 / 34 / 71

HEX #314930

RGB 49 73 48

HSL 117.6, 0.21%, 0.24%

LAB 28.46, -15.12, 12.1

 

CMYK 34 / 0 / 26 / 71

HEX #304936

RGB 48 73 54

HSL 134.4, 0.21%, 0.24%

LAB 28.54, -14.26, 8.38

 

CMYK 22 / 0 / 35 / 91

HEX #12170F

RGB 18 23 15

HSL 97.5, 0.21%, 0.07%

LAB 7.01, -3.91, 3.96

 

CMYK 23 / 0 / 33 / 81

HEX #253020

RGB 37 48 32

HSL 101.25, 0.2%, 0.16%

LAB 18.42, -8.47, 8.76

 

CMYK 23 / 0 / 34 / 71

HEX #384930

RGB 56 73 48

HSL 100.8, 0.21%, 0.24%

LAB 28.95, -12.25, 12.84

 

CMYK 23 / 0 / 34 / 62

HEX #4B6241

RGB 75 98 65

HSL 101.82, 0.2%, 0.32%

LAB 38.92, -15.58, 16.06

 

CMYK 24 / 0 / 34 / 52

HEX #5D7A51

RGB 93 122 81

HSL 102.44, 0.2%, 0.4%

LAB 48.06, -18.77, 19.16

 

CMYK 24 / 0 / 33 / 72

HEX #374830

RGB 55 72 48

HSL 102.5, 0.2%, 0.24%

LAB 28.54, -12.09, 12.27

 

CMYK 34 / 0 / 4 / 71

HEX #304946

RGB 48 73 70

HSL 172.8, 0.21%, 0.24%

LAB 28.99, -10.33, -1.28

 

CMYK 0 / 34 / 10 / 71

HEX #493042

RGB 73 48 66

HSL 316.8, 0.21%, 0.24%

LAB 23.42, 14.76, -6.68

 

CMYK 24 / 0 / 33 / 72

HEX #374830

RGB 55 72 48

HSL 102.5, 0.2%, 0.24%

LAB 28.54, -12.09, 12.27

 

CMYK 34 / 23 / 0 / 71

HEX #303849

RGB 48 56 73

HSL 220.8, 0.21%, 0.24%

LAB 23.46, 1.4, -11.54

 

CMYK 0 / 34 / 23 / 71

HEX #493038

RGB 73 48 56

HSL 340.8, 0.21%, 0.24%

LAB 23.05, 12.8, -0.46

 

CMYK 24 / 0 / 33 / 72

HEX #374830

RGB 55 72 48

HSL 102.5, 0.2%, 0.24%

LAB 28.54, -12.09, 12.27

 

CMYK 34 / 0 / 4 / 71

HEX #304946

RGB 48 73 70

HSL 172.8, 0.21%, 0.24%

LAB 28.99, -10.33, -1.28

 

CMYK 10 / 34 / 0 / 71

HEX #423049

RGB 66 48 73

HSL 283.2, 0.21%, 0.24%

LAB 22.84, 13.56, -12.35

 

CMYK 0 / 34 / 30 / 71

HEX #493033

RGB 73 48 51

HSL 352.8, 0.21%, 0.24%

LAB 22.89, 11.91, 2.7

 

CMYK 24 / 0 / 33 / 72

HEX #374830

RGB 55 72 48

HSL 102.5, 0.2%, 0.24%

LAB 28.54, -12.09, 12.27

 

CMYK 34 / 7 / 0 / 71

HEX #304449

RGB 48 68 73

HSL 192, 0.21%, 0.24%

LAB 27.42, -6.42, -5.56

 

CMYK 10 / 34 / 0 / 71

HEX #423049

RGB 66 48 73

HSL 283.2, 0.21%, 0.24%

LAB 22.84, 13.56, -12.35

 

CMYK 0 / 27 / 34 / 71

HEX #493530

RGB 73 53 48

HSL 12, 0.21%, 0.24%

LAB 24.25, 8.14, 6.64

 

Description

Color code: HEX #374830 | qconv.com Color code: HEX #374830 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 72 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 72 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 33 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 33% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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