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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374921 it is the complementary color #C8B6DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374921. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374921 shade: #3C491C, #4D5B2F, #5E6D42, #6F7F55 and #809168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374921. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374921 shade: #374921, #26370E, #152500, #041300 and #000100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374921 shade: #374921, #424921, #494621, #493B21 and #493021

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374921 shade: #374921, #2C4921, #214921, #21492B and #214936

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374921 shade matches the following richer shades: #374921, #385218, #395B0F and #3A6307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374921 shade: #374921, #364129, #353832, #342F3B and #342743

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374921 shade: #494621, #424921, #374921, #2C4921 and #214921

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374921 shade: #0C1007, #222D14, #374921, #4C662D and #62823A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374921 shade: #374921, #21493B and #492147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374921 shade: #374921, #213749 and #492137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374921 shade: #374921, #21493B, #332149 and #49212F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374921 shade: #374921, #214947, #332149 and #492123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

Complementary color

CMYK 10 / 18 / 0 / 13

HEX #C8B6DE

RGB 200 182 222

HSL 267, 0.38%, 0.79%

LAB 76.68, 13.93, -17.7

 

CMYK 18 / 0 / 62 / 71

HEX #3C491C

RGB 60 73 28

HSL 77.33, 0.45%, 0.2%

LAB 28.93, -13.37, 24.82

 

CMYK 15 / 0 / 48 / 64

HEX #4D5B2F

RGB 77 91 47

HSL 79.09, 0.32%, 0.27%

LAB 36.49, -13.57, 23.51

 

CMYK 14 / 0 / 39 / 57

HEX #5E6D42

RGB 94 109 66

HSL 80.93, 0.25%, 0.34%

LAB 43.81, -13.66, 22.19

 

CMYK 13 / 0 / 33 / 50

HEX #6F7F55

RGB 111 127 85

HSL 82.86, 0.2%, 0.42%

LAB 50.94, -13.69, 20.95

 

CMYK 12 / 0 / 28 / 43

HEX #809168

RGB 128 145 104

HSL 84.88, 0.16%, 0.49%

LAB 57.88, -13.69, 19.8

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 31 / 0 / 75 / 78

HEX #26370E

RGB 38 55 14

HSL 84.88, 0.59%, 0.14%

LAB 20.74, -14.89, 22.73

 

CMYK 43 / 0 / 100 / 85

HEX #152500

RGB 21 37 0

HSL 85.95, 1%, 0.07%

LAB 12.5, -14.35, 18.18

 

CMYK 79 / 0 / 100 / 93

HEX #041300

RGB 4 19 0

HSL 107.37, 1%, 0.04%

LAB 4.44, -7.55, 6.51

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 10 / 0 / 55 / 71

HEX #424921

RGB 66 73 33

HSL 70.5, 0.38%, 0.21%

LAB 29.5, -9.96, 22.8

 

CMYK 0 / 4 / 55 / 71

HEX #494621

RGB 73 70 33

HSL 55.5, 0.38%, 0.21%

LAB 29.18, -4.76, 22.57

 

CMYK 0 / 19 / 55 / 71

HEX #493B21

RGB 73 59 33

HSL 39, 0.38%, 0.21%

LAB 25.73, 2.18, 18.34

 

CMYK 0 / 34 / 55 / 71

HEX #493021

RGB 73 48 33

HSL 22.5, 0.38%, 0.21%

LAB 22.44, 9.35, 14.17

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 40 / 0 / 55 / 71

HEX #2C4921

RGB 44 73 33

HSL 103.5, 0.38%, 0.21%

LAB 27.87, -19.72, 20.45

 

CMYK 55 / 0 / 55 / 71

HEX #214921

RGB 33 73 33

HSL 120, 0.38%, 0.21%

LAB 27.29, -23.75, 19.6

 

CMYK 55 / 0 / 41 / 71

HEX #21492B

RGB 33 73 43

HSL 135, 0.38%, 0.21%

LAB 27.47, -21.89, 13.75

 

CMYK 55 / 0 / 26 / 71

HEX #214936

RGB 33 73 54

HSL 151.5, 0.38%, 0.21%

LAB 27.72, -19.38, 7.12

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 32 / 0 / 71 / 68

HEX #385218

RGB 56 82 24

HSL 86.9, 0.55%, 0.21%

LAB 31.67, -20.5, 29.87

 

CMYK 37 / 0 / 84 / 64

HEX #395B0F

RGB 57 91 15

HSL 86.84, 0.72%, 0.21%

LAB 34.78, -25.29, 36.78

 

CMYK 41 / 0 / 93 / 61

HEX #3A6307

RGB 58 99 7

HSL 86.74, 0.87%, 0.21%

LAB 37.55, -29.06, 41.66

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 17 / 0 / 37 / 75

HEX #364129

RGB 54 65 41

HSL 87.5, 0.23%, 0.21%

LAB 25.94, -9.61, 13.21

 

CMYK 5 / 0 / 11 / 78

HEX #353832

RGB 53 56 50

HSL 90, 0.06%, 0.21%

LAB 23.05, -2.65, 3.31

 

CMYK 12 / 20 / 0 / 77

HEX #342F3B

RGB 52 47 59

HSL 265, 0.11%, 0.21%

LAB 20.36, 5.11, -6.78

 

CMYK 22 / 42 / 0 / 74

HEX #342743

RGB 52 39 67

HSL 267.86, 0.26%, 0.21%

LAB 18.3, 12.82, -15.42

 

CMYK 0 / 4 / 55 / 71

HEX #494621

RGB 73 70 33

HSL 55.5, 0.38%, 0.21%

LAB 29.18, -4.76, 22.57

 

CMYK 10 / 0 / 55 / 71

HEX #424921

RGB 66 73 33

HSL 70.5, 0.38%, 0.21%

LAB 29.5, -9.96, 22.8

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 40 / 0 / 55 / 71

HEX #2C4921

RGB 44 73 33

HSL 103.5, 0.38%, 0.21%

LAB 27.87, -19.72, 20.45

 

CMYK 55 / 0 / 55 / 71

HEX #214921

RGB 33 73 33

HSL 120, 0.38%, 0.21%

LAB 27.29, -23.75, 19.6

 

CMYK 25 / 0 / 56 / 94

HEX #0C1007

RGB 12 16 7

HSL 86.67, 0.39%, 0.05%

LAB 4.19, -2.7, 3.35

 

CMYK 24 / 0 / 56 / 82

HEX #222D14

RGB 34 45 20

HSL 86.4, 0.38%, 0.13%

LAB 16.83, -10.14, 14.6

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 25 / 0 / 56 / 60

HEX #4C662D

RGB 76 102 45

HSL 87.37, 0.39%, 0.29%

LAB 39.96, -20.24, 28.82

 

CMYK 25 / 0 / 55 / 49

HEX #62823A

RGB 98 130 58

HSL 86.67, 0.38%, 0.37%

LAB 50.53, -24.09, 34.9

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 55 / 0 / 19 / 71

HEX #21493B

RGB 33 73 59

HSL 159, 0.38%, 0.21%

LAB 27.86, -18.08, 4.09

 

CMYK 0 / 55 / 3 / 71

HEX #492147

RGB 73 33 71

HSL 303, 0.38%, 0.21%

LAB 19.88, 25.27, -15.49

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 55 / 25 / 0 / 71

HEX #213749

RGB 33 55 73

HSL 207, 0.38%, 0.21%

LAB 22.08, -2.74, -13.77

 

CMYK 0 / 55 / 25 / 71

HEX #492137

RGB 73 33 55

HSL 327, 0.38%, 0.21%

LAB 19.14, 22.18, -5.57

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 55 / 0 / 19 / 71

HEX #21493B

RGB 33 73 59

HSL 159, 0.38%, 0.21%

LAB 27.86, -18.08, 4.09

 

CMYK 30 / 55 / 0 / 71

HEX #332149

RGB 51 33 73

HSL 267, 0.38%, 0.21%

LAB 16.86, 18.33, -21.83

 

CMYK 0 / 55 / 36 / 71

HEX #49212F

RGB 73 33 47

HSL 339, 0.38%, 0.21%

LAB 18.84, 20.86, -0.42

 

CMYK 25 / 0 / 55 / 71

HEX #374921

RGB 55 73 33

HSL 87, 0.38%, 0.21%

LAB 28.61, -15.05, 21.52

 

CMYK 55 / 0 / 3 / 71

HEX #214947

RGB 33 73 71

HSL 177, 0.38%, 0.21%

LAB 28.23, -14.62, -3.14

 

CMYK 30 / 55 / 0 / 71

HEX #332149

RGB 51 33 73

HSL 267, 0.38%, 0.21%

LAB 16.86, 18.33, -21.83

 

CMYK 0 / 55 / 52 / 71

HEX #492123

RGB 73 33 35

HSL 357, 0.38%, 0.21%

LAB 18.48, 19.23, 7.5

 

Description

Color code: HEX #374921 | qconv.com Color code: HEX #374921 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 73 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 73 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 55 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 55% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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