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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37401F it is the complementary color #C8BFE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37401F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37401F shade: #3C401A, #4D522D, #5E6440, #6F7653 and #808866

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37401F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37401F shade: #37401F, #262E0C, #151C00 and #040A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37401F shade: #38411F, #41411F, #41381F, #412F1F and #41261F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37401F shade: #38411F, #2F411F, #25411F, #1F4122 and #1F412B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37401F shade matches the following richer shades: #38411F, #3B4917, #3F510F, #425807 and #466000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37401F shade: #38411F, #343927, #31312F, #2D2937 and #29223E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37401F shade: #41381F, #41411F, #38411F, #2F411F and #26411F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37401F shade: #080904, #202512, #38411F, #505D2C and #67793A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37401F shade: #37401F, #1F412F and #3C1F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37401F shade: #37401F, #1F3841 and #411F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37401F shade: #37401F, #1F412F, #281F41 and #411F31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37401F shade: #37401F, #1F4139, #281F41 and #411F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 52 / 75

HEX #37401F

RGB 55 64 31

HSL 76.36, 0.35%, 0.19%

LAB 25.5, -10.08, 18.89

 

Complementary color

CMYK 11 / 15 / 0 / 12

HEX #C8BFE0

RGB 200 191 224

HSL 256.36, 0.35%, 0.81%

LAB 79, 9.46, -15.3

 

CMYK 6 / 0 / 59 / 75

HEX #3C401A

RGB 60 64 26

HSL 66.32, 0.42%, 0.18%

LAB 25.87, -8.26, 22.39

 

CMYK 6 / 0 / 45 / 68

HEX #4D522D

RGB 77 82 45

HSL 68.11, 0.29%, 0.25%

LAB 33.57, -8.64, 21.01

 

CMYK 6 / 0 / 36 / 61

HEX #5E6440

RGB 94 100 64

HSL 70, 0.22%, 0.32%

LAB 41, -8.87, 19.68

 

CMYK 6 / 0 / 30 / 54

HEX #6F7653

RGB 111 118 83

HSL 72, 0.17%, 0.39%

LAB 48.21, -9.02, 18.45

 

CMYK 6 / 0 / 25 / 47

HEX #808866

RGB 128 136 102

HSL 74.12, 0.14%, 0.47%

LAB 55.23, -9.13, 17.32

 

CMYK 14 / 0 / 52 / 75

HEX #37401F

RGB 55 64 31

HSL 76.36, 0.35%, 0.19%

LAB 25.5, -10.08, 18.89

 

CMYK 17 / 0 / 74 / 82

HEX #262E0C

RGB 38 46 12

HSL 74.12, 0.59%, 0.11%

LAB 17.43, -9.76, 19.85

 

CMYK 25 / 0 / 100 / 89

HEX #151C00

RGB 21 28 0

HSL 75, 1%, 0.05%

LAB 8.91, -8.71, 13.17

 

CMYK 60 / 0 / 100 / 96

HEX #040A00

RGB 4 10 0

HSL 96, 1%, 0.02%

LAB 2.19, -2.96, 3.23

 

CMYK 14 / 0 / 52 / 75

HEX #38411F

RGB 56 65 31

HSL 75.88, 0.35%, 0.19%

LAB 25.92, -10.2, 19.43

 

CMYK 0 / 0 / 52 / 75

HEX #41411F

RGB 65 65 31

HSL 60, 0.35%, 0.19%

LAB 26.74, -5.84, 20.63

 

CMYK 0 / 14 / 52 / 75

HEX #41381F

RGB 65 56 31

HSL 44.12, 0.35%, 0.19%

LAB 23.84, -0.13, 17.03

 

CMYK 0 / 28 / 52 / 75

HEX #412F1F

RGB 65 47 31

HSL 28.24, 0.35%, 0.19%

LAB 21.04, 5.79, 13.46

 

CMYK 0 / 42 / 52 / 75

HEX #41261F

RGB 65 38 31

HSL 12.35, 0.35%, 0.19%

LAB 18.4, 11.81, 9.97

 

CMYK 14 / 0 / 52 / 75

HEX #38411F

RGB 56 65 31

HSL 75.88, 0.35%, 0.19%

LAB 25.92, -10.2, 19.43

 

CMYK 28 / 0 / 52 / 75

HEX #2F411F

RGB 47 65 31

HSL 91.76, 0.35%, 0.19%

LAB 25.21, -14.35, 18.39

 

CMYK 43 / 0 / 52 / 75

HEX #25411F

RGB 37 65 31

HSL 109.41, 0.35%, 0.19%

LAB 24.55, -18.55, 17.43

 

CMYK 52 / 0 / 48 / 75

HEX #1F4122

RGB 31 65 34

HSL 125.29, 0.35%, 0.19%

LAB 24.28, -20.24, 15.17

 

CMYK 52 / 0 / 34 / 75

HEX #1F412B

RGB 31 65 43

HSL 141.18, 0.35%, 0.19%

LAB 24.47, -18.35, 9.69

 

CMYK 14 / 0 / 52 / 75

HEX #38411F

RGB 56 65 31

HSL 75.88, 0.35%, 0.19%

LAB 25.92, -10.2, 19.43

 

CMYK 19 / 0 / 68 / 71

HEX #3B4917

RGB 59 73 23

HSL 76.8, 0.52%, 0.19%

LAB 28.79, -14.34, 27.31

 

CMYK 22 / 0 / 81 / 68

HEX #3F510F

RGB 63 81 15

HSL 76.36, 0.69%, 0.19%

LAB 31.75, -17.51, 34.06

 

CMYK 25 / 0 / 92 / 65

HEX #425807

RGB 66 88 7

HSL 76.3, 0.85%, 0.19%

LAB 34.3, -20.24, 39.1

 

CMYK 27 / 0 / 100 / 62

HEX #466000

RGB 70 96 0

HSL 76.25, 1%, 0.19%

LAB 37.24, -22.85, 43.71

 

CMYK 14 / 0 / 52 / 75

HEX #38411F

RGB 56 65 31

HSL 75.88, 0.35%, 0.19%

LAB 25.92, -10.2, 19.43

 

CMYK 9 / 0 / 32 / 78

HEX #343927

RGB 52 57 39

HSL 76.67, 0.19%, 0.19%

LAB 23.01, -5.93, 10.54

 

CMYK 0 / 0 / 4 / 81

HEX #31312F

RGB 49 49 47

HSL 60, 0.02%, 0.19%

LAB 20.26, -0.46, 1.27

 

CMYK 18 / 25 / 0 / 78

HEX #2D2937

RGB 45 41 55

HSL 257.14, 0.15%, 0.19%

LAB 17.55, 5.35, -8.34

 

CMYK 34 / 45 / 0 / 76

HEX #29223E

RGB 41 34 62

HSL 255, 0.29%, 0.19%

LAB 15.29, 10.9, -16.76

 

CMYK 0 / 14 / 52 / 75

HEX #41381F

RGB 65 56 31

HSL 44.12, 0.35%, 0.19%

LAB 23.84, -0.13, 17.03

 

CMYK 0 / 0 / 52 / 75

HEX #41411F

RGB 65 65 31

HSL 60, 0.35%, 0.19%

LAB 26.74, -5.84, 20.63

 

CMYK 14 / 0 / 52 / 75

HEX #38411F

RGB 56 65 31

HSL 75.88, 0.35%, 0.19%

LAB 25.92, -10.2, 19.43

 

CMYK 28 / 0 / 52 / 75

HEX #2F411F

RGB 47 65 31

HSL 91.76, 0.35%, 0.19%

LAB 25.21, -14.35, 18.39

 

CMYK 42 / 0 / 52 / 75

HEX #26411F

RGB 38 65 31

HSL 107.65, 0.35%, 0.19%

LAB 24.61, -18.16, 17.52

 

CMYK 11 / 0 / 56 / 96

HEX #080904

RGB 8 9 4

HSL 72, 0.38%, 0.03%

LAB 2.31, -0.96, 1.8

 

CMYK 14 / 0 / 51 / 85

HEX #202512

RGB 32 37 18

HSL 75.79, 0.35%, 0.11%

LAB 13.67, -6.33, 11.8

 

CMYK 14 / 0 / 52 / 75

HEX #38411F

RGB 56 65 31

HSL 75.88, 0.35%, 0.19%

LAB 25.92, -10.2, 19.43

 

CMYK 14 / 0 / 53 / 64

HEX #505D2C

RGB 80 93 44

HSL 75.92, 0.36%, 0.27%

LAB 37.33, -13.73, 26.28

 

CMYK 15 / 0 / 52 / 53

HEX #67793A

RGB 103 121 58

HSL 77.14, 0.35%, 0.35%

LAB 48.09, -17.35, 32.08

 

CMYK 14 / 0 / 52 / 75

HEX #37401F

RGB 55 64 31

HSL 76.36, 0.35%, 0.19%

LAB 25.5, -10.08, 18.89

 

CMYK 52 / 0 / 28 / 75

HEX #1F412F

RGB 31 65 47

HSL 148.24, 0.35%, 0.19%

LAB 24.57, -17.4, 7.22

 

CMYK 8 / 52 / 0 / 75

HEX #3C1F41

RGB 60 31 65

HSL 291.18, 0.35%, 0.19%

LAB 17.1, 20.59, -15.85

 

CMYK 14 / 0 / 52 / 75

HEX #37401F

RGB 55 64 31

HSL 76.36, 0.35%, 0.19%

LAB 25.5, -10.08, 18.89

 

CMYK 52 / 14 / 0 / 75

HEX #1F3841

RGB 31 56 65

HSL 195.88, 0.35%, 0.19%

LAB 21.95, -6.74, -8.6

 

CMYK 0 / 52 / 14 / 75

HEX #411F38

RGB 65 31 56

HSL 315.88, 0.35%, 0.19%

LAB 17.41, 20.47, -9.02

 

CMYK 14 / 0 / 52 / 75

HEX #37401F

RGB 55 64 31

HSL 76.36, 0.35%, 0.19%

LAB 25.5, -10.08, 18.89

 

CMYK 52 / 0 / 28 / 75

HEX #1F412F

RGB 31 65 47

HSL 148.24, 0.35%, 0.19%

LAB 24.57, -17.4, 7.22

 

CMYK 38 / 52 / 0 / 75

HEX #281F41

RGB 40 31 65

HSL 255.88, 0.35%, 0.19%

LAB 14.47, 13.68, -20.16

 

CMYK 0 / 52 / 25 / 75

HEX #411F31

RGB 65 31 49

HSL 328.24, 0.35%, 0.19%

LAB 17.11, 19.14, -4.53

 

CMYK 14 / 0 / 52 / 75

HEX #37401F

RGB 55 64 31

HSL 76.36, 0.35%, 0.19%

LAB 25.5, -10.08, 18.89

 

CMYK 52 / 0 / 12 / 75

HEX #1F4139

RGB 31 65 57

HSL 165.88, 0.35%, 0.19%

LAB 24.85, -14.73, 1.05

 

CMYK 38 / 52 / 0 / 75

HEX #281F41

RGB 40 31 65

HSL 255.88, 0.35%, 0.19%

LAB 14.47, 13.68, -20.16

 

CMYK 0 / 52 / 40 / 75

HEX #411F27

RGB 65 31 39

HSL 345.88, 0.35%, 0.19%

LAB 16.75, 17.49, 2.04

 

Description

Color code: HEX #37401F | qconv.com Color code: HEX #37401F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 64 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 64 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 52 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 52% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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