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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374E89 it is the complementary color #C8B176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374E89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374E89 shade: #3C4E84, #4D6097, #5E72AA, #6F84BD and #8096D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374E89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374E89 shade: #374E89, #263C76, #152A63, #041850 and #00063D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374E89 shade: #374E8A, #37388A, #4C378A, #63378A and #79378A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374E89 shade: #374E8A, #37388A and #37378A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374E89 shade matches the following richer shades: #374E8A, #27479A, #1740A9 and #0839B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374E89 shade: #374E8A, #46557A, #565C6B, #66635B and #756A4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374E89 shade: #377B8A, #37658A, #374E8A, #37388A and #4C378A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374E89 shade: #1F2D4F, #2B3D6D, #374E8A, #425FA8 and #5774BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374E89 shade: #374E89, #83378A and #708A37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374E89 shade: #374E89, #8A374E and #4E8A37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374E89 shade: #374E89, #83378A, #8A7237 and #3E8A37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374E89 shade: #374E89, #8A3778, #8A7237 and #378A49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 43 / 0 / 46

HEX #374E89

RGB 55 78 137

HSL 223.17, 0.43%, 0.38%

LAB 34.12, 10.28, -35.66

 

Complementary color

CMYK 0 / 12 / 41 / 22

HEX #C8B176

RGB 200 177 118

HSL 43.17, 0.43%, 0.62%

LAB 72.91, 0.03, 33.2

 

CMYK 55 / 41 / 0 / 48

HEX #3C4E84

RGB 60 78 132

HSL 225, 0.38%, 0.38%

LAB 34.14, 9.67, -32.54

 

CMYK 49 / 36 / 0 / 41

HEX #4D6097

RGB 77 96 151

HSL 224.59, 0.32%, 0.45%

LAB 41.5, 8.65, -32.37

 

CMYK 45 / 33 / 0 / 33

HEX #5E72AA

RGB 94 114 170

HSL 224.21, 0.31%, 0.52%

LAB 48.66, 7.85, -32.27

 

CMYK 41 / 30 / 0 / 26

HEX #6F84BD

RGB 111 132 189

HSL 223.85, 0.37%, 0.59%

LAB 55.64, 7.2, -32.24

 

CMYK 38 / 28 / 0 / 18

HEX #8096D0

RGB 128 150 208

HSL 223.5, 0.46%, 0.66%

LAB 62.47, 6.65, -32.25

 

CMYK 60 / 43 / 0 / 46

HEX #374E89

RGB 55 78 137

HSL 223.17, 0.43%, 0.38%

LAB 34.12, 10.28, -35.66

 

CMYK 68 / 49 / 0 / 54

HEX #263C76

RGB 38 60 118

HSL 223.5, 0.51%, 0.31%

LAB 26.6, 11.93, -35.91

 

CMYK 79 / 58 / 0 / 61

HEX #152A63

RGB 21 42 99

HSL 223.85, 0.65%, 0.24%

LAB 18.87, 14.28, -36.17

 

CMYK 95 / 70 / 0 / 69

HEX #041850

RGB 4 24 80

HSL 224.21, 0.9%, 0.16%

LAB 10.98, 17.59, -36.32

 

CMYK 100 / 90 / 0 / 76

HEX #00063D

RGB 0 6 61

HSL 234.1, 1%, 0.12%

LAB 4.22, 18.92, -34.07

 

CMYK 60 / 43 / 0 / 46

HEX #374E8A

RGB 55 78 138

HSL 223.37, 0.43%, 0.38%

LAB 34.18, 10.64, -36.17

 

CMYK 60 / 59 / 0 / 46

HEX #37388A

RGB 55 56 138

HSL 239.28, 0.43%, 0.38%

LAB 28.05, 25.33, -46.03

 

CMYK 45 / 60 / 0 / 46

HEX #4C378A

RGB 76 55 138

HSL 255.18, 0.43%, 0.38%

LAB 29.67, 30.47, -43.32

 

CMYK 28 / 60 / 0 / 46

HEX #63378A

RGB 99 55 138

HSL 271.81, 0.43%, 0.38%

LAB 32.3, 36.19, -38.95

 

CMYK 12 / 60 / 0 / 46

HEX #79378A

RGB 121 55 138

HSL 287.71, 0.43%, 0.38%

LAB 35.27, 42.06, -34.05

 

CMYK 60 / 43 / 0 / 46

HEX #374E8A

RGB 55 78 138

HSL 223.37, 0.43%, 0.38%

LAB 34.18, 10.64, -36.17

 

CMYK 60 / 59 / 0 / 46

HEX #37388A

RGB 55 56 138

HSL 239.28, 0.43%, 0.38%

LAB 28.05, 25.33, -46.03

 

CMYK 60 / 60 / 0 / 46

HEX #37378A

RGB 55 55 138

HSL 240, 0.43%, 0.38%

LAB 27.79, 25.99, -46.45

 

CMYK 60 / 43 / 0 / 46

HEX #374E8A

RGB 55 78 138

HSL 223.37, 0.43%, 0.38%

LAB 34.18, 10.64, -36.17

 

CMYK 75 / 54 / 0 / 40

HEX #27479A

RGB 39 71 154

HSL 223.3, 0.6%, 0.38%

LAB 32.42, 18.55, -48.81

 

CMYK 86 / 62 / 0 / 34

HEX #1740A9

RGB 23 64 169

HSL 223.15, 0.76%, 0.38%

LAB 31.15, 27.58, -59.94

 

CMYK 96 / 69 / 0 / 27

HEX #0839B9

RGB 8 57 185

HSL 223.39, 0.92%, 0.38%

LAB 30.59, 37.7, -70.39

 

CMYK 60 / 43 / 0 / 46

HEX #374E8A

RGB 55 78 138

HSL 223.37, 0.43%, 0.38%

LAB 34.18, 10.64, -36.17

 

CMYK 43 / 30 / 0 / 52

HEX #46557A

RGB 70 85 122

HSL 222.69, 0.27%, 0.38%

LAB 36.37, 4.54, -22.82

 

CMYK 20 / 14 / 0 / 58

HEX #565C6B

RGB 86 92 107

HSL 222.86, 0.11%, 0.38%

LAB 39.06, 1.19, -9.34

 

CMYK 0 / 3 / 11 / 60

HEX #66635B

RGB 102 99 91

HSL 43.64, 0.06%, 0.38%

LAB 42.01, -0.39, 4.96

 

CMYK 0 / 9 / 36 / 54

HEX #756A4B

RGB 117 106 75

HSL 44.29, 0.22%, 0.38%

LAB 45.08, -0.73, 19

 

CMYK 60 / 11 / 0 / 46

HEX #377B8A

RGB 55 123 138

HSL 190.84, 0.43%, 0.38%

LAB 48.02, -16.73, -14.63

 

CMYK 60 / 27 / 0 / 46

HEX #37658A

RGB 55 101 138

HSL 206.75, 0.43%, 0.38%

LAB 41.14, -4.01, -25.21

 

CMYK 60 / 43 / 0 / 46

HEX #374E8A

RGB 55 78 138

HSL 223.37, 0.43%, 0.38%

LAB 34.18, 10.64, -36.17

 

CMYK 60 / 59 / 0 / 46

HEX #37388A

RGB 55 56 138

HSL 239.28, 0.43%, 0.38%

LAB 28.05, 25.33, -46.03

 

CMYK 45 / 60 / 0 / 46

HEX #4C378A

RGB 76 55 138

HSL 255.18, 0.43%, 0.38%

LAB 29.67, 30.47, -43.32

 

CMYK 61 / 43 / 0 / 69

HEX #1F2D4F

RGB 31 45 79

HSL 222.5, 0.44%, 0.22%

LAB 18.94, 5.9, -22.72

 

CMYK 61 / 44 / 0 / 57

HEX #2B3D6D

RGB 43 61 109

HSL 223.64, 0.43%, 0.3%

LAB 26.61, 8.87, -30.15

 

CMYK 60 / 43 / 0 / 46

HEX #374E8A

RGB 55 78 138

HSL 223.37, 0.43%, 0.38%

LAB 34.18, 10.64, -36.17

 

CMYK 61 / 43 / 0 / 34

HEX #425FA8

RGB 66 95 168

HSL 222.94, 0.44%, 0.46%

LAB 41.48, 12.5, -42.54

 

CMYK 54 / 38 / 0 / 26

HEX #5774BC

RGB 87 116 188

HSL 222.77, 0.43%, 0.54%

LAB 49.67, 10.56, -41.13

 

CMYK 60 / 43 / 0 / 46

HEX #374E89

RGB 55 78 137

HSL 223.17, 0.43%, 0.38%

LAB 34.12, 10.28, -35.66

 

CMYK 5 / 60 / 0 / 46

HEX #83378A

RGB 131 55 138

HSL 294.94, 0.43%, 0.38%

LAB 36.73, 44.79, -31.64

 

CMYK 19 / 0 / 60 / 46

HEX #708A37

RGB 112 138 55

HSL 78.8, 0.43%, 0.38%

LAB 53.92, -22.67, 40.53

 

CMYK 60 / 43 / 0 / 46

HEX #374E89

RGB 55 78 137

HSL 223.17, 0.43%, 0.38%

LAB 34.12, 10.28, -35.66

 

CMYK 0 / 60 / 43 / 46

HEX #8A374E

RGB 138 55 78

HSL 343.37, 0.43%, 0.38%

LAB 35.37, 37.65, 4.16

 

CMYK 43 / 0 / 60 / 46

HEX #4E8A37

RGB 78 138 55

HSL 103.37, 0.43%, 0.38%

LAB 51.92, -35.67, 37.72

 

CMYK 60 / 43 / 0 / 46

HEX #374E89

RGB 55 78 137

HSL 223.17, 0.43%, 0.38%

LAB 34.12, 10.28, -35.66

 

CMYK 5 / 60 / 0 / 46

HEX #83378A

RGB 131 55 138

HSL 294.94, 0.43%, 0.38%

LAB 36.73, 44.79, -31.64

 

CMYK 0 / 17 / 60 / 46

HEX #8A7237

RGB 138 114 55

HSL 42.65, 0.43%, 0.38%

LAB 49.15, 1.94, 35.68

 

CMYK 55 / 0 / 60 / 46

HEX #3E8A37

RGB 62 138 55

HSL 114.94, 0.43%, 0.38%

LAB 51.24, -40.65, 36.76

 

CMYK 60 / 43 / 0 / 46

HEX #374E89

RGB 55 78 137

HSL 223.17, 0.43%, 0.38%

LAB 34.12, 10.28, -35.66

 

CMYK 0 / 60 / 13 / 46

HEX #8A3778

RGB 138 55 120

HSL 313.01, 0.43%, 0.38%

LAB 36.91, 43.54, -20.13

 

CMYK 0 / 17 / 60 / 46

HEX #8A7237

RGB 138 114 55

HSL 42.65, 0.43%, 0.38%

LAB 49.15, 1.94, 35.68

 

CMYK 60 / 0 / 47 / 46

HEX #378A49

RGB 55 138 73

HSL 133.01, 0.43%, 0.38%

LAB 51.23, -39.9, 27.41

 

Description

Color code: HEX #374E89 | qconv.com Color code: HEX #374E89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 78 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 78 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 43 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 43% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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