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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #375A01 it is the complementary color #C8A5FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #375A01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #375A01 shade: #3C5A00, #4D6C0F, #5E7E22, #6F9035 and #80A248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #375A01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #375A01 shade: #375A01, #264800, #153600, #042400 and #001200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #375A01 shade: #375A00, #4F5A00, #5A4D00, #5A3500 and #5A1D00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #375A01 shade: #375A00, #1F5A00, #065A00, #005A13 and #005A2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #375A01 shade matches the following richer shades: #375A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #375A01 shade: #375A00, #355308, #344C0F, #324417 and #313D1E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #375A01 shade: #5A4D00, #505A00, #385A00, #205A00 and #085A00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #375A01 shade: #050900, #1E3200, #375A00, #508301 and #69AC01

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #375A01 shade: #375A01, #005A35 and #59005A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #375A01 shade: #375A01, #00385A and #5A0038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #375A01 shade: #375A01, #005A35, #23005A and #5A0026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #375A01 shade: #375A01, #005A50, #23005A and #5A000B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 99 / 65

HEX #375A01

RGB 55 90 1

HSL 83.6, 0.98%, 0.18%

LAB 34.25, -26.31, 40.67

 

Complementary color

CMYK 21 / 35 / 0 / 0

HEX #C8A5FE

RGB 200 165 254

HSL 263.6, 0.98%, 0.82%

LAB 73.77, 30.13, -39.5

 

CMYK 33 / 0 / 100 / 65

HEX #3C5A00

RGB 60 90 0

HSL 80, 1%, 0.18%

LAB 34.55, -24.24, 41.37

 

CMYK 29 / 0 / 86 / 58

HEX #4D6C0F

RGB 77 108 15

HSL 80, 0.76%, 0.24%

LAB 41.75, -25.23, 43.61

 

CMYK 25 / 0 / 73 / 51

HEX #5E7E22

RGB 94 126 34

HSL 80.87, 0.58%, 0.31%

LAB 48.78, -25.87, 43.99

 

CMYK 23 / 0 / 63 / 44

HEX #6F9035

RGB 111 144 53

HSL 81.76, 0.46%, 0.39%

LAB 55.67, -26.26, 43.39

 

CMYK 21 / 0 / 56 / 36

HEX #80A248

RGB 128 162 72

HSL 82.67, 0.38%, 0.46%

LAB 62.42, -26.48, 42.39

 

CMYK 39 / 0 / 99 / 65

HEX #375A01

RGB 55 90 1

HSL 83.6, 0.98%, 0.18%

LAB 34.25, -26.31, 40.67

 

CMYK 47 / 0 / 100 / 72

HEX #264800

RGB 38 72 0

HSL 88.33, 1%, 0.14%

LAB 26.87, -24.74, 34.74

 

CMYK 61 / 0 / 100 / 79

HEX #153600

RGB 21 54 0

HSL 96.67, 1%, 0.11%

LAB 19.22, -22.89, 26.63

 

CMYK 89 / 0 / 100 / 86

HEX #042400

RGB 4 36 0

HSL 113.33, 1%, 0.07%

LAB 11.19, -20.33, 16.25

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 39 / 0 / 100 / 65

HEX #375A00

RGB 55 90 0

HSL 83.33, 1%, 0.18%

LAB 34.24, -26.36, 41

 

CMYK 12 / 0 / 100 / 65

HEX #4F5A00

RGB 79 90 0

HSL 67.33, 1%, 0.18%

LAB 35.94, -15.47, 43.03

 

CMYK 0 / 14 / 100 / 65

HEX #5A4D00

RGB 90 77 0

HSL 51.33, 1%, 0.18%

LAB 32.88, -2.4, 41.28

 

CMYK 0 / 41 / 100 / 65

HEX #5A3500

RGB 90 53 0

HSL 35.33, 1%, 0.18%

LAB 25.92, 12.58, 35.8

 

CMYK 0 / 68 / 100 / 65

HEX #5A1D00

RGB 90 29 0

HSL 19.33, 1%, 0.18%

LAB 20.25, 26.69, 30

 

CMYK 39 / 0 / 100 / 65

HEX #375A00

RGB 55 90 0

HSL 83.33, 1%, 0.18%

LAB 34.24, -26.36, 41

 

CMYK 66 / 0 / 100 / 65

HEX #1F5A00

RGB 31 90 0

HSL 99.33, 1%, 0.18%

LAB 33.14, -34.76, 39.67

 

CMYK 93 / 0 / 100 / 65

HEX #065A00

RGB 6 90 0

HSL 116, 1%, 0.18%

LAB 32.59, -39.52, 39

 

CMYK 100 / 0 / 79 / 65

HEX #005A13

RGB 0 90 19

HSL 132.67, 1%, 0.18%

LAB 32.61, -38.96, 32.51

 

CMYK 100 / 0 / 52 / 65

HEX #005A2B

RGB 0 90 43

HSL 148.67, 1%, 0.18%

LAB 32.89, -35.49, 20.61

 

CMYK 39 / 0 / 100 / 65

HEX #375A00

RGB 55 90 0

HSL 83.33, 1%, 0.18%

LAB 34.24, -26.36, 41

 

CMYK 39 / 0 / 100 / 65

HEX #375A00

RGB 55 90 0

HSL 83.33, 1%, 0.18%

LAB 34.24, -26.36, 41

 

CMYK 36 / 0 / 90 / 67

HEX #355308

RGB 53 83 8

HSL 84, 0.82%, 0.18%

LAB 31.72, -23.4, 36.2

 

CMYK 32 / 0 / 80 / 70

HEX #344C0F

RGB 52 76 15

HSL 83.61, 0.67%, 0.18%

LAB 29.24, -19.85, 31.36

 

CMYK 26 / 0 / 66 / 73

HEX #324417

RGB 50 68 23

HSL 84, 0.49%, 0.18%

LAB 26.37, -15.71, 24.43

 

CMYK 20 / 0 / 51 / 76

HEX #313D1E

RGB 49 61 30

HSL 83.23, 0.34%, 0.18%

LAB 23.95, -11.25, 17.46

 

CMYK 0 / 14 / 100 / 65

HEX #5A4D00

RGB 90 77 0

HSL 51.33, 1%, 0.18%

LAB 32.88, -2.4, 41.28

 

CMYK 11 / 0 / 100 / 65

HEX #505A00

RGB 80 90 0

HSL 66.67, 1%, 0.18%

LAB 36.02, -14.99, 43.13

 

CMYK 38 / 0 / 100 / 65

HEX #385A00

RGB 56 90 0

HSL 82.67, 1%, 0.18%

LAB 34.3, -25.94, 41.07

 

CMYK 64 / 0 / 100 / 65

HEX #205A00

RGB 32 90 0

HSL 98.67, 1%, 0.18%

LAB 33.18, -34.48, 39.71

 

CMYK 91 / 0 / 100 / 65

HEX #085A00

RGB 8 90 0

HSL 114.67, 1%, 0.18%

LAB 32.62, -39.26, 39.03

 

CMYK 44 / 0 / 100 / 96

HEX #050900

RGB 5 9 0

HSL 86.67, 1%, 0.02%

LAB 2.06, -2.3, 3.04

 

CMYK 40 / 0 / 100 / 80

HEX #1E3200

RGB 30 50 0

HSL 84, 1%, 0.1%

LAB 18.18, -17.17, 25.54

 

CMYK 39 / 0 / 100 / 65

HEX #375A00

RGB 55 90 0

HSL 83.33, 1%, 0.18%

LAB 34.24, -26.36, 41

 

CMYK 39 / 0 / 99 / 49

HEX #508301

RGB 80 131 1

HSL 83.54, 0.98%, 0.26%

LAB 49.42, -35.2, 53.15

 

CMYK 39 / 0 / 99 / 33

HEX #69AC01

RGB 105 172 1

HSL 83.51, 0.99%, 0.34%

LAB 63.76, -43.54, 64.87

 

CMYK 39 / 0 / 99 / 65

HEX #375A01

RGB 55 90 1

HSL 83.6, 0.98%, 0.18%

LAB 34.25, -26.31, 40.67

 

CMYK 100 / 0 / 41 / 65

HEX #005A35

RGB 0 90 53

HSL 155.33, 1%, 0.18%

LAB 33.07, -33.36, 14.93

 

CMYK 1 / 100 / 0 / 65

HEX #59005A

RGB 89 0 90

HSL 299.33, 1%, 0.18%

LAB 19.48, 45.76, -28.79

 

CMYK 39 / 0 / 99 / 65

HEX #375A01

RGB 55 90 1

HSL 83.6, 0.98%, 0.18%

LAB 34.25, -26.31, 40.67

 

CMYK 100 / 38 / 0 / 65

HEX #00385A

RGB 0 56 90

HSL 202.67, 1%, 0.18%

LAB 22.18, -2.14, -24.97

 

CMYK 0 / 100 / 38 / 65

HEX #5A0038

RGB 90 0 56

HSL 322.67, 1%, 0.18%

LAB 17.73, 41.07, -8.08

 

CMYK 39 / 0 / 99 / 65

HEX #375A01

RGB 55 90 1

HSL 83.6, 0.98%, 0.18%

LAB 34.25, -26.31, 40.67

 

CMYK 100 / 0 / 41 / 65

HEX #005A35

RGB 0 90 53

HSL 155.33, 1%, 0.18%

LAB 33.07, -33.36, 14.93

 

CMYK 61 / 100 / 0 / 65

HEX #23005A

RGB 35 0 90

HSL 263.33, 1%, 0.18%

LAB 9.76, 38.41, -45.06

 

CMYK 0 / 100 / 58 / 65

HEX #5A0026

RGB 90 0 38

HSL 334.67, 1%, 0.18%

LAB 17.05, 39.29, 3.87

 

CMYK 39 / 0 / 99 / 65

HEX #375A01

RGB 55 90 1

HSL 83.6, 0.98%, 0.18%

LAB 34.25, -26.31, 40.67

 

CMYK 100 / 0 / 11 / 65

HEX #005A50

RGB 0 90 80

HSL 173.33, 1%, 0.18%

LAB 33.76, -25.83, -0.83

 

CMYK 61 / 100 / 0 / 65

HEX #23005A

RGB 35 0 90

HSL 263.33, 1%, 0.18%

LAB 9.76, 38.41, -45.06

 

CMYK 0 / 100 / 88 / 65

HEX #5A000B

RGB 90 0 11

HSL 352.67, 1%, 0.18%

LAB 16.49, 37.79, 21.06

 

Description

Color code: HEX #375A01 | qconv.com Color code: HEX #375A01 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 90 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 90 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 99 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 99% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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