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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #377F53 it is the complementary color #C880AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #377F53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #377F53 shade: #3C7F4E, #4D9161, #5EA374, #6FB587 and #80C79A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #377F53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #377F53 shade: #377F53, #266D40, #155B2D, #04491A and #003707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #377F53 shade: #378053, #37803F, #428037, #558037 and #698037

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #377F53 shade: #378053, #378067, #37807B, #377180 and #375E80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #377F53 shade matches the following richer shades: #378053, #288F50, #199E4D and #0AAD49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #377F53 shade: #378053, #457156, #54625A, #63535D and #724560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #377F53 shade: #428037, #37803F, #378053, #378066 and #37807A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #377F53 shade: #1E462E, #2A6340, #378053, #439D66 and #54B57A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #377F53 shade: #377F53, #375580 and #803738

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #377F53 shade: #377F53, #533780 and #805337

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #377F53 shade: #377F53, #375580, #803764 and #806137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #377F53 shade: #377F53, #373F80, #803764 and #807737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 35 / 50

HEX #377F53

RGB 55 127 83

HSL 143.33, 0.4%, 0.36%

LAB 47.77, -33.25, 17.3

 

Complementary color

CMYK 0 / 36 / 14 / 22

HEX #C880AC

RGB 200 128 172

HSL 323.33, 0.4%, 0.64%

LAB 62.25, 34.21, -11.71

 

CMYK 53 / 0 / 39 / 50

HEX #3C7F4E

RGB 60 127 78

HSL 136.12, 0.36%, 0.37%

LAB 47.87, -32.9, 20.31

 

CMYK 47 / 0 / 33 / 43

HEX #4D9161

RGB 77 145 97

HSL 137.65, 0.31%, 0.44%

LAB 54.75, -32.72, 18.97

 

CMYK 42 / 0 / 29 / 36

HEX #5EA374

RGB 94 163 116

HSL 139.13, 0.27%, 0.5%

LAB 61.51, -32.48, 17.75

 

CMYK 39 / 0 / 25 / 29

HEX #6FB587

RGB 111 181 135

HSL 140.57, 0.32%, 0.57%

LAB 68.15, -32.21, 16.64

 

CMYK 36 / 0 / 23 / 22

HEX #80C79A

RGB 128 199 154

HSL 141.97, 0.39%, 0.64%

LAB 74.68, -31.94, 15.61

 

CMYK 57 / 0 / 35 / 50

HEX #377F53

RGB 55 127 83

HSL 143.33, 0.4%, 0.36%

LAB 47.77, -33.25, 17.3

 

CMYK 65 / 0 / 41 / 57

HEX #266D40

RGB 38 109 64

HSL 141.97, 0.48%, 0.29%

LAB 40.77, -33.19, 18.78

 

CMYK 77 / 0 / 51 / 64

HEX #155B2D

RGB 21 91 45

HSL 140.57, 0.63%, 0.22%

LAB 33.63, -32.71, 20.46

 

CMYK 95 / 0 / 64 / 71

HEX #04491A

RGB 4 73 26

HSL 139.13, 0.9%, 0.15%

LAB 26.35, -31.51, 22.27

 

CMYK 100 / 0 / 87 / 78

HEX #003707

RGB 0 55 7

HSL 127.64, 1%, 0.11%

LAB 19, -28.18, 23.36

 

CMYK 57 / 0 / 35 / 50

HEX #378053

RGB 55 128 83

HSL 143.01, 0.4%, 0.36%

LAB 48.1, -33.71, 17.75

 

CMYK 57 / 0 / 51 / 50

HEX #37803F

RGB 55 128 63

HSL 126.58, 0.4%, 0.36%

LAB 47.76, -37.3, 28.43

 

CMYK 48 / 0 / 57 / 50

HEX #428037

RGB 66 128 55

HSL 110.96, 0.4%, 0.36%

LAB 48.1, -35.2, 33.12

 

CMYK 34 / 0 / 57 / 50

HEX #558037

RGB 85 128 55

HSL 95.34, 0.4%, 0.36%

LAB 49.06, -28.54, 34.5

 

CMYK 18 / 0 / 57 / 50

HEX #698037

RGB 105 128 55

HSL 78.9, 0.4%, 0.36%

LAB 50.35, -20.49, 36.33

 

CMYK 57 / 0 / 35 / 50

HEX #378053

RGB 55 128 83

HSL 143.01, 0.4%, 0.36%

LAB 48.1, -33.71, 17.75

 

CMYK 57 / 0 / 20 / 50

HEX #378067

RGB 55 128 103

HSL 159.45, 0.4%, 0.36%

LAB 48.55, -29.2, 6.77

 

CMYK 57 / 0 / 4 / 50

HEX #37807B

RGB 55 128 123

HSL 175.89, 0.4%, 0.36%

LAB 49.11, -23.88, -4.16

 

CMYK 57 / 12 / 0 / 50

HEX #377180

RGB 55 113 128

HSL 192.33, 0.4%, 0.36%

LAB 44.49, -14.32, -14.05

 

CMYK 57 / 27 / 0 / 50

HEX #375E80

RGB 55 94 128

HSL 207.95, 0.4%, 0.36%

LAB 38.51, -3.12, -23.25

 

CMYK 57 / 0 / 35 / 50

HEX #378053

RGB 55 128 83

HSL 143.01, 0.4%, 0.36%

LAB 48.1, -33.71, 17.75

 

CMYK 72 / 0 / 44 / 44

HEX #288F50

RGB 40 143 80

HSL 143.3, 0.56%, 0.36%

LAB 52.59, -43.81, 25.28

 

CMYK 84 / 0 / 51 / 38

HEX #199E4D

RGB 25 158 77

HSL 143.46, 0.73%, 0.36%

LAB 57.27, -51.95, 32.76

 

CMYK 94 / 0 / 58 / 32

HEX #0AAD49

RGB 10 173 73

HSL 143.19, 0.89%, 0.36%

LAB 62.03, -58.69, 40.48

 

CMYK 57 / 0 / 35 / 50

HEX #378053

RGB 55 128 83

HSL 143.01, 0.4%, 0.36%

LAB 48.1, -33.71, 17.75

 

CMYK 39 / 0 / 24 / 56

HEX #457156

RGB 69 113 86

HSL 143.18, 0.24%, 0.36%

LAB 43.87, -21.7, 10.28

 

CMYK 14 / 0 / 8 / 62

HEX #54625A

RGB 84 98 90

HSL 145.71, 0.08%, 0.36%

LAB 40.18, -7.14, 2.75

 

CMYK 0 / 16 / 6 / 61

HEX #63535D

RGB 99 83 93

HSL 322.5, 0.09%, 0.36%

LAB 37.17, 8.54, -3.35

 

CMYK 0 / 39 / 16 / 55

HEX #724560

RGB 114 69 96

HSL 324, 0.25%, 0.36%

LAB 35.36, 23.61, -7.75

 

CMYK 48 / 0 / 57 / 50

HEX #428037

RGB 66 128 55

HSL 110.96, 0.4%, 0.36%

LAB 48.1, -35.2, 33.12

 

CMYK 57 / 0 / 51 / 50

HEX #37803F

RGB 55 128 63

HSL 126.58, 0.4%, 0.36%

LAB 47.76, -37.3, 28.43

 

CMYK 57 / 0 / 35 / 50

HEX #378053

RGB 55 128 83

HSL 143.01, 0.4%, 0.36%

LAB 48.1, -33.71, 17.75

 

CMYK 57 / 0 / 20 / 50

HEX #378066

RGB 55 128 102

HSL 158.63, 0.4%, 0.36%

LAB 48.52, -29.44, 7.32

 

CMYK 57 / 0 / 5 / 50

HEX #37807A

RGB 55 128 122

HSL 175.07, 0.4%, 0.36%

LAB 49.08, -24.16, -3.62

 

CMYK 57 / 0 / 34 / 73

HEX #1E462E

RGB 30 70 46

HSL 144, 0.4%, 0.2%

LAB 26.31, -20.62, 10.27

 

CMYK 58 / 0 / 35 / 61

HEX #2A6340

RGB 42 99 64

HSL 143.16, 0.4%, 0.28%

LAB 37.46, -27.61, 14.38

 

CMYK 57 / 0 / 35 / 50

HEX #378053

RGB 55 128 83

HSL 143.01, 0.4%, 0.36%

LAB 48.1, -33.71, 17.75

 

CMYK 57 / 0 / 35 / 38

HEX #439D66

RGB 67 157 102

HSL 143.33, 0.4%, 0.44%

LAB 58.29, -39.78, 20.91

 

CMYK 54 / 0 / 33 / 29

HEX #54B57A

RGB 84 181 122

HSL 143.51, 0.4%, 0.52%

LAB 66.78, -42.12, 21.61

 

CMYK 57 / 0 / 35 / 50

HEX #377F53

RGB 55 127 83

HSL 143.33, 0.4%, 0.36%

LAB 47.77, -33.25, 17.3

 

CMYK 57 / 34 / 0 / 50

HEX #375580

RGB 55 85 128

HSL 215.34, 0.4%, 0.36%

LAB 35.73, 2.54, -27.59

 

CMYK 0 / 57 / 56 / 50

HEX #803738

RGB 128 55 56

HSL 359.18, 0.4%, 0.36%

LAB 33.15, 31.67, 14.93

 

CMYK 57 / 0 / 35 / 50

HEX #377F53

RGB 55 127 83

HSL 143.33, 0.4%, 0.36%

LAB 47.77, -33.25, 17.3

 

CMYK 35 / 57 / 0 / 50

HEX #533780

RGB 83 55 128

HSL 263.01, 0.4%, 0.36%

LAB 29.74, 29.3, -36.95

 

CMYK 0 / 35 / 57 / 50

HEX #805337

RGB 128 83 55

HSL 23.01, 0.4%, 0.36%

LAB 39.67, 15.57, 23.98

 

CMYK 57 / 0 / 35 / 50

HEX #377F53

RGB 55 127 83

HSL 143.33, 0.4%, 0.36%

LAB 47.77, -33.25, 17.3

 

CMYK 57 / 34 / 0 / 50

HEX #375580

RGB 55 85 128

HSL 215.34, 0.4%, 0.36%

LAB 35.73, 2.54, -27.59

 

CMYK 0 / 57 / 22 / 50

HEX #803764

RGB 128 55 100

HSL 323.01, 0.4%, 0.36%

LAB 34.48, 37.14, -11.41

 

CMYK 0 / 24 / 57 / 50

HEX #806137

RGB 128 97 55

HSL 34.52, 0.4%, 0.36%

LAB 43.38, 7.26, 28.57

 

CMYK 57 / 0 / 35 / 50

HEX #377F53

RGB 55 127 83

HSL 143.33, 0.4%, 0.36%

LAB 47.77, -33.25, 17.3

 

CMYK 57 / 51 / 0 / 50

HEX #373F80

RGB 55 63 128

HSL 233.42, 0.4%, 0.36%

LAB 29.22, 17.11, -37.92

 

CMYK 0 / 57 / 22 / 50

HEX #803764

RGB 128 55 100

HSL 323.01, 0.4%, 0.36%

LAB 34.48, 37.14, -11.41

 

CMYK 0 / 7 / 57 / 50

HEX #807737

RGB 128 119 55

HSL 52.6, 0.4%, 0.36%

LAB 49.57, -5.46, 35.91

 

Description

Color code: HEX #377F53 | qconv.com Color code: HEX #377F53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 127 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 127 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 35 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 35% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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