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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #378CA3 it is the complementary color #C8735C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #378CA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #378CA3 shade: #3C8C9E, #4D9EB1, #5EB0C4, #6FC2D7 and #80D4EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #378CA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #378CA3 shade: #378CA3, #267A90, #15687D, #04566A and #004457

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #378CA3 shade: #368DA4, #366FA4, #3651A4, #3936A4 and #5636A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #378CA3 shade: #368DA4, #366FA4, #3651A4 and #3636A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #378CA3 shade matches the following richer shades: #368DA4, #2597B6, #13A1C7 and #01ABD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #378CA3 shade: #368DA4, #488292, #5A7880, #6C6E6F and #7D645D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #378CA3 shade: #36A47F, #36A49D, #368EA4, #3671A4 and #3654A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #378CA3 shade: #225866, #2C7285, #368DA4, #43A6C0 and #62B4CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #378CA3 shade: #378CA3, #6236A4 and #A48E36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #378CA3 shade: #378CA3, #A4368E and #8EA436

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #378CA3 shade: #378CA3, #6236A4, #A44C36 and #78A436

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #378CA3 shade: #378CA3, #8336A4, #A44C36 and #57A436

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 14 / 0 / 36

HEX #378CA3

RGB 55 140 163

HSL 192.78, 0.5%, 0.43%

LAB 54.25, -18.01, -19.7

 

Complementary color

CMYK 0 / 43 / 54 / 22

HEX #C8735C

RGB 200 115 92

HSL 12.78, 0.5%, 0.57%

LAB 57.38, 31.12, 27.21

 

CMYK 62 / 11 / 0 / 38

HEX #3C8C9E

RGB 60 140 158

HSL 191.02, 0.45%, 0.43%

LAB 54.22, -18.71, -16.85

 

CMYK 56 / 11 / 0 / 31

HEX #4D9EB1

RGB 77 158 177

HSL 191.4, 0.39%, 0.5%

LAB 60.96, -19.15, -17.39

 

CMYK 52 / 10 / 0 / 23

HEX #5EB0C4

RGB 94 176 196

HSL 191.76, 0.46%, 0.57%

LAB 67.59, -19.46, -17.88

 

CMYK 48 / 10 / 0 / 16

HEX #6FC2D7

RGB 111 194 215

HSL 192.12, 0.57%, 0.64%

LAB 74.11, -19.68, -18.34

 

CMYK 45 / 9 / 0 / 8

HEX #80D4EA

RGB 128 212 234

HSL 192.45, 0.72%, 0.71%

LAB 80.53, -19.84, -18.79

 

CMYK 66 / 14 / 0 / 36

HEX #378CA3

RGB 55 140 163

HSL 192.78, 0.5%, 0.43%

LAB 54.25, -18.01, -19.7

 

CMYK 74 / 15 / 0 / 44

HEX #267A90

RGB 38 122 144

HSL 192.45, 0.58%, 0.36%

LAB 47.42, -17.14, -19.13

 

CMYK 83 / 17 / 0 / 51

HEX #15687D

RGB 21 104 125

HSL 192.12, 0.71%, 0.29%

LAB 40.48, -15.86, -18.47

 

CMYK 96 / 19 / 0 / 58

HEX #04566A

RGB 4 86 106

HSL 191.76, 0.93%, 0.22%

LAB 33.4, -14.06, -17.69

 

CMYK 100 / 22 / 0 / 66

HEX #004457

RGB 0 68 87

HSL 193.1, 1%, 0.17%

LAB 26.22, -11.21, -16.67

 

CMYK 67 / 14 / 0 / 36

HEX #368DA4

RGB 54 141 164

HSL 192.55, 0.5%, 0.43%

LAB 54.57, -18.39, -19.8

 

CMYK 67 / 32 / 0 / 36

HEX #366FA4

RGB 54 111 164

HSL 208.91, 0.5%, 0.43%

LAB 45.41, -1.21, -34.01

 

CMYK 67 / 51 / 0 / 36

HEX #3651A4

RGB 54 81 164

HSL 225.27, 0.5%, 0.43%

LAB 36.65, 17.94, -47.95

 

CMYK 65 / 67 / 0 / 36

HEX #3936A4

RGB 57 54 164

HSL 241.64, 0.5%, 0.43%

LAB 29.88, 35.94, -58.94

 

CMYK 48 / 67 / 0 / 36

HEX #5636A4

RGB 86 54 164

HSL 257.45, 0.5%, 0.43%

LAB 32.47, 40.9, -54.6

 

CMYK 67 / 14 / 0 / 36

HEX #368DA4

RGB 54 141 164

HSL 192.55, 0.5%, 0.43%

LAB 54.57, -18.39, -19.8

 

CMYK 67 / 32 / 0 / 36

HEX #366FA4

RGB 54 111 164

HSL 208.91, 0.5%, 0.43%

LAB 45.41, -1.21, -34.01

 

CMYK 67 / 51 / 0 / 36

HEX #3651A4

RGB 54 81 164

HSL 225.27, 0.5%, 0.43%

LAB 36.65, 17.94, -47.95

 

CMYK 67 / 67 / 0 / 36

HEX #3636A4

RGB 54 54 164

HSL 240, 0.5%, 0.43%

LAB 29.67, 35.52, -59.29

 

CMYK 67 / 14 / 0 / 36

HEX #368DA4

RGB 54 141 164

HSL 192.55, 0.5%, 0.43%

LAB 54.57, -18.39, -19.8

 

CMYK 80 / 17 / 0 / 29

HEX #2597B6

RGB 37 151 182

HSL 192.83, 0.66%, 0.43%

LAB 57.95, -19.99, -24.92

 

CMYK 90 / 19 / 0 / 22

HEX #13A1C7

RGB 19 161 199

HSL 192.67, 0.83%, 0.43%

LAB 61.44, -20.76, -29.12

 

CMYK 100 / 21 / 0 / 15

HEX #01ABD9

RGB 1 171 217

HSL 192.78, 0.99%, 0.43%

LAB 65.08, -20.37, -33.49

 

CMYK 67 / 14 / 0 / 36

HEX #368DA4

RGB 54 141 164

HSL 192.55, 0.5%, 0.43%

LAB 54.57, -18.39, -19.8

 

CMYK 51 / 11 / 0 / 43

HEX #488292

RGB 72 130 146

HSL 192.97, 0.34%, 0.43%

LAB 51.17, -14.37, -14.48

 

CMYK 30 / 6 / 0 / 50

HEX #5A7880

RGB 90 120 128

HSL 192.63, 0.17%, 0.43%

LAB 48.47, -8.7, -7.88

 

CMYK 3 / 1 / 0 / 56

HEX #6C6E6F

RGB 108 110 111

HSL 200, 0.01%, 0.43%

LAB 46.3, -0.55, -0.83

 

CMYK 0 / 20 / 26 / 51

HEX #7D645D

RGB 125 100 93

HSL 13.13, 0.15%, 0.43%

LAB 44.61, 8.89, 7.77

 

CMYK 67 / 0 / 23 / 36

HEX #36A47F

RGB 54 164 127

HSL 159.82, 0.5%, 0.43%

LAB 60.66, -40.02, 10.26

 

CMYK 67 / 0 / 4 / 36

HEX #36A49D

RGB 54 164 157

HSL 176.18, 0.5%, 0.43%

LAB 61.45, -32.15, -5.45

 

CMYK 67 / 13 / 0 / 36

HEX #368EA4

RGB 54 142 164

HSL 192, 0.5%, 0.43%

LAB 54.88, -18.93, -19.33

 

CMYK 67 / 31 / 0 / 36

HEX #3671A4

RGB 54 113 164

HSL 207.82, 0.5%, 0.43%

LAB 46.01, -2.42, -33.06

 

CMYK 67 / 49 / 0 / 36

HEX #3654A4

RGB 54 84 164

HSL 223.64, 0.5%, 0.43%

LAB 37.49, 15.96, -46.6

 

CMYK 67 / 14 / 0 / 60

HEX #225866

RGB 34 88 102

HSL 192.35, 0.5%, 0.27%

LAB 34.56, -12.95, -13.35

 

CMYK 67 / 14 / 0 / 48

HEX #2C7285

RGB 44 114 133

HSL 192.81, 0.5%, 0.35%

LAB 44.61, -15.46, -16.9

 

CMYK 67 / 14 / 0 / 36

HEX #368DA4

RGB 54 141 164

HSL 192.55, 0.5%, 0.43%

LAB 54.57, -18.39, -19.8

 

CMYK 65 / 14 / 0 / 25

HEX #43A6C0

RGB 67 166 192

HSL 192.48, 0.5%, 0.51%

LAB 63.57, -20.62, -21.86

 

CMYK 51 / 11 / 0 / 21

HEX #62B4CA

RGB 98 180 202

HSL 192.69, 0.5%, 0.59%

LAB 69.11, -18.97, -18.86

 

CMYK 66 / 14 / 0 / 36

HEX #378CA3

RGB 55 140 163

HSL 192.78, 0.5%, 0.43%

LAB 54.25, -18.01, -19.7

 

CMYK 40 / 67 / 0 / 36

HEX #6236A4

RGB 98 54 164

HSL 264, 0.5%, 0.43%

LAB 33.81, 43.31, -52.37

 

CMYK 0 / 13 / 67 / 36

HEX #A48E36

RGB 164 142 54

HSL 48, 0.5%, 0.43%

LAB 59.44, -2.06, 48.28

 

CMYK 66 / 14 / 0 / 36

HEX #378CA3

RGB 55 140 163

HSL 192.78, 0.5%, 0.43%

LAB 54.25, -18.01, -19.7

 

CMYK 0 / 67 / 13 / 36

HEX #A4368E

RGB 164 54 142

HSL 312, 0.5%, 0.43%

LAB 41.97, 54.81, -25.49

 

CMYK 13 / 0 / 67 / 36

HEX #8EA436

RGB 142 164 54

HSL 72, 0.5%, 0.43%

LAB 63.81, -23.24, 52.28

 

CMYK 66 / 14 / 0 / 36

HEX #378CA3

RGB 55 140 163

HSL 192.78, 0.5%, 0.43%

LAB 54.25, -18.01, -19.7

 

CMYK 40 / 67 / 0 / 36

HEX #6236A4

RGB 98 54 164

HSL 264, 0.5%, 0.43%

LAB 33.81, 43.31, -52.37

 

CMYK 0 / 54 / 67 / 36

HEX #A44C36

RGB 164 76 54

HSL 12, 0.5%, 0.43%

LAB 43.25, 34.68, 30.14

 

CMYK 27 / 0 / 67 / 36

HEX #78A436

RGB 120 164 54

HSL 84, 0.5%, 0.43%

LAB 62.35, -32.17, 50.3

 

CMYK 66 / 14 / 0 / 36

HEX #378CA3

RGB 55 140 163

HSL 192.78, 0.5%, 0.43%

LAB 54.25, -18.01, -19.7

 

CMYK 20 / 67 / 0 / 36

HEX #8336A4

RGB 131 54 164

HSL 282, 0.5%, 0.43%

LAB 38.1, 50.61, -45.23

 

CMYK 0 / 54 / 67 / 36

HEX #A44C36

RGB 164 76 54

HSL 12, 0.5%, 0.43%

LAB 43.25, 34.68, 30.14

 

CMYK 47 / 0 / 67 / 36

HEX #57A436

RGB 87 164 54

HSL 102, 0.5%, 0.43%

LAB 60.64, -43.91, 47.98

 

Description

Color code: HEX #378CA3 | qconv.com Color code: HEX #378CA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 140 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 140 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 14 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 14% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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