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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #380DA5 it is the complementary color #C7F25A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #380DA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #380DA5 shade: #3D0DA0, #4E1FB3, #5F31C6, #7043D9 and #8155EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #380DA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #380DA5 shade: #380DA5, #270092, #16007F, #05006C and #000059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #380DA5 shade: #380DA5, #610DA5, #8A0DA5, #A50D97 and #A50D6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #380DA5 shade: #380DA5, #0F0DA5 and #0D0DA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #380DA5 shade matches the following richer shades: #380DA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #380DA5 shade: #380DA5, #3E1B96, #442A88, #4B3879 and #51476B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #380DA5 shade: #0D35A5, #0D0DA5, #350DA5, #5E0DA5 and #860DA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #380DA5 shade: #1E0758, #2B0A7E, #380DA5, #4510CB and #5418EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #380DA5 shade: #380DA5, #A50D5E and #21A50D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #380DA5 shade: #380DA5, #A5350D and #0DA535

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #380DA5 shade: #380DA5, #A50D5E, #7CA50D and #0DA554

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #380DA5 shade: #380DA5, #A50D30, #7CA50D and #0DA581

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

Complementary color

CMYK 18 / 0 / 63 / 5

HEX #C7F25A

RGB 199 242 90

HSL 76.97, 0.85%, 0.65%

LAB 90.04, -35.04, 66.53

 

CMYK 62 / 92 / 0 / 37

HEX #3D0DA0

RGB 61 13 160

HSL 259.59, 0.85%, 0.34%

LAB 23.06, 54.47, -67.74

 

CMYK 56 / 83 / 0 / 30

HEX #4E1FB3

RGB 78 31 179

HSL 259.05, 0.7%, 0.41%

LAB 29.04, 55.06, -69.26

 

CMYK 52 / 75 / 0 / 22

HEX #5F31C6

RGB 95 49 198

HSL 258.52, 0.6%, 0.48%

LAB 35.41, 54.53, -69.92

 

CMYK 48 / 69 / 0 / 15

HEX #7043D9

RGB 112 67 217

HSL 258, 0.66%, 0.56%

LAB 41.95, 53.5, -70.14

 

CMYK 45 / 64 / 0 / 7

HEX #8155EC

RGB 129 85 236

HSL 257.48, 0.8%, 0.63%

LAB 48.54, 52.29, -70.12

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 73 / 100 / 0 / 43

HEX #270092

RGB 39 0 146

HSL 256.03, 1%, 0.29%

LAB 17.95, 53.03, -67.67

 

CMYK 83 / 100 / 0 / 50

HEX #16007F

RGB 22 0 127

HSL 250.39, 1%, 0.25%

LAB 13.84, 47.59, -62.59

 

CMYK 95 / 100 / 0 / 58

HEX #05006C

RGB 5 0 108

HSL 242.78, 1%, 0.21%

LAB 9.91, 42.16, -56.88

 

CMYK 100 / 100 / 0 / 65

HEX #000059

RGB 0 0 89

HSL 240, 1%, 0.17%

LAB 6.52, 36.3, -49.87

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 41 / 92 / 0 / 35

HEX #610DA5

RGB 97 13 165

HSL 273.16, 0.85%, 0.35%

LAB 28.24, 59.22, -62.08

 

CMYK 16 / 92 / 0 / 35

HEX #8A0DA5

RGB 138 13 165

HSL 289.34, 0.85%, 0.35%

LAB 34.82, 64.95, -51.07

 

CMYK 0 / 92 / 8 / 35

HEX #A50D97

RGB 165 13 151

HSL 305.53, 0.85%, 0.35%

LAB 38.76, 67.41, -36

 

CMYK 0 / 92 / 33 / 35

HEX #A50D6E

RGB 165 13 110

HSL 321.71, 0.85%, 0.35%

LAB 36.77, 62.19, -13.66

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 91 / 92 / 0 / 35

HEX #0F0DA5

RGB 15 13 165

HSL 240.79, 0.85%, 0.35%

LAB 20.46, 53.73, -75.2

 

CMYK 92 / 92 / 0 / 35

HEX #0D0DA5

RGB 13 13 165

HSL 240, 0.85%, 0.35%

LAB 20.4, 53.69, -75.3

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 59 / 82 / 0 / 41

HEX #3E1B96

RGB 62 27 150

HSL 257.07, 0.69%, 0.35%

LAB 23.7, 46.91, -60.54

 

CMYK 50 / 69 / 0 / 47

HEX #442A88

RGB 68 42 136

HSL 256.6, 0.53%, 0.35%

LAB 25.75, 35.97, -48.47

 

CMYK 38 / 54 / 0 / 53

HEX #4B3879

RGB 75 56 121

HSL 257.54, 0.37%, 0.35%

LAB 28.65, 24.5, -34.34

 

CMYK 24 / 34 / 0 / 58

HEX #51476B

RGB 81 71 107

HSL 256.67, 0.2%, 0.35%

LAB 32.52, 12.7, -19.38

 

CMYK 92 / 68 / 0 / 35

HEX #0D35A5

RGB 13 53 165

HSL 224.21, 0.85%, 0.35%

LAB 27.71, 32.82, -63.19

 

CMYK 92 / 92 / 0 / 35

HEX #0D0DA5

RGB 13 13 165

HSL 240, 0.85%, 0.35%

LAB 20.4, 53.69, -75.3

 

CMYK 68 / 92 / 0 / 35

HEX #350DA5

RGB 53 13 165

HSL 255.79, 0.85%, 0.35%

LAB 22.87, 55.22, -71.13

 

CMYK 43 / 92 / 0 / 35

HEX #5E0DA5

RGB 94 13 165

HSL 271.97, 0.85%, 0.35%

LAB 27.8, 58.87, -62.81

 

CMYK 19 / 92 / 0 / 35

HEX #860DA5

RGB 134 13 165

HSL 287.76, 0.85%, 0.35%

LAB 34.13, 64.32, -52.21

 

CMYK 66 / 92 / 0 / 65

HEX #1E0758

RGB 30 7 88

HSL 257.04, 0.85%, 0.19%

LAB 10.05, 33.85, -43.25

 

CMYK 66 / 92 / 0 / 51

HEX #2B0A7E

RGB 43 10 126

HSL 257.07, 0.85%, 0.27%

LAB 16.69, 44.83, -57.17

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 66 / 92 / 0 / 20

HEX #4510CB

RGB 69 16 203

HSL 257.01, 0.85%, 0.43%

LAB 29.28, 65.18, -83.06

 

CMYK 64 / 90 / 0 / 7

HEX #5418EC

RGB 84 24 236

HSL 256.98, 0.85%, 0.51%

LAB 35.19, 72.33, -92.22

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 0 / 92 / 43 / 35

HEX #A50D5E

RGB 165 13 94

HSL 328.03, 0.85%, 0.35%

LAB 36.17, 60.57, -4.36

 

CMYK 80 / 0 / 92 / 35

HEX #21A50D

RGB 33 165 13

HSL 112.11, 0.85%, 0.35%

LAB 59.22, -59.18, 58.56

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 0 / 68 / 92 / 35

HEX #A5350D

RGB 165 53 13

HSL 15.79, 0.85%, 0.35%

LAB 38.85, 44.51, 46.28

 

CMYK 92 / 0 / 68 / 35

HEX #0DA535

RGB 13 165 53

HSL 135.79, 0.85%, 0.35%

LAB 59.21, -58.46, 46.33

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 0 / 92 / 43 / 35

HEX #A50D5E

RGB 165 13 94

HSL 328.03, 0.85%, 0.35%

LAB 36.17, 60.57, -4.36

 

CMYK 25 / 0 / 92 / 35

HEX #7CA50D

RGB 124 165 13

HSL 76.18, 0.85%, 0.35%

LAB 62.7, -32.96, 62.86

 

CMYK 92 / 0 / 49 / 35

HEX #0DA554

RGB 13 165 84

HSL 148.03, 0.85%, 0.35%

LAB 59.56, -54.16, 31.99

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 0 / 92 / 71 / 35

HEX #A50D30

RGB 165 13 48

HSL 346.18, 0.85%, 0.35%

LAB 35, 57.34, 23.85

 

CMYK 25 / 0 / 92 / 35

HEX #7CA50D

RGB 124 165 13

HSL 76.18, 0.85%, 0.35%

LAB 62.7, -32.96, 62.86

 

CMYK 92 / 0 / 22 / 35

HEX #0DA581

RGB 13 165 129

HSL 165.79, 0.85%, 0.35%

LAB 60.41, -44.45, 8.69

 

Description

Color code: HEX #380DA5 | qconv.com Color code: HEX #380DA5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 13 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 13 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 92 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 92% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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