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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #381249 it is the complementary color #C7EDB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #381249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #381249 shade: #3D1244, #4E2457, #5F366A, #70487D and #815A90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #381249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #381249 shade: #381249, #270036, #160023 and #050010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #381249 shade: #381249, #471249, #49123C, #49122D and #49121F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #381249 shade: #381249, #291249, #1A1249 and #121249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #381249 shade matches the following richer shades: #381249, #3B0A50 and #3E0358

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #381249 shade: #381249, #351942, #32213A, #2F2833 and #2D302B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #381249 shade: #1A1249, #291249, #371249, #461249 and #49123D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #381249 shade: #050107, #1F0A28, #381249, #511A6A and #6B228B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #381249 shade: #381249, #491218 and #124921

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #381249 shade: #381249, #493712 and #124937

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #381249 shade: #381249, #491218, #234912 and #124943

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #381249 shade: #381249, #491C12, #234912 and #123F49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

Complementary color

CMYK 16 / 0 / 23 / 7

HEX #C7EDB6

RGB 199 237 182

HSL 101.45, 0.6%, 0.82%

LAB 89.9, -22.18, 22.67

 

CMYK 10 / 74 / 0 / 73

HEX #3D1244

RGB 61 18 68

HSL 291.6, 0.58%, 0.17%

LAB 14.64, 29.13, -21.81

 

CMYK 10 / 59 / 0 / 66

HEX #4E2457

RGB 78 36 87

HSL 289.41, 0.41%, 0.24%

LAB 22.19, 28.68, -22.59

 

CMYK 10 / 49 / 0 / 58

HEX #5F366A

RGB 95 54 106

HSL 287.31, 0.33%, 0.31%

LAB 29.69, 27.86, -23.02

 

CMYK 10 / 42 / 0 / 51

HEX #70487D

RGB 112 72 125

HSL 285.28, 0.27%, 0.39%

LAB 37.04, 27, -23.32

 

CMYK 10 / 38 / 0 / 44

HEX #815A90

RGB 129 90 144

HSL 283.33, 0.23%, 0.46%

LAB 44.22, 26.18, -23.58

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 28 / 100 / 0 / 79

HEX #270036

RGB 39 0 54

HSL 283.33, 1%, 0.11%

LAB 6.3, 29.36, -25.41

 

CMYK 37 / 100 / 0 / 86

HEX #160023

RGB 22 0 35

HSL 277.71, 1%, 0.07%

LAB 2.64, 14.62, -16.99

 

CMYK 69 / 100 / 0 / 94

HEX #050010

RGB 5 0 16

HSL 258.75, 1%, 0.03%

LAB 0.63, 3.68, -6

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 3 / 75 / 0 / 71

HEX #471249

RGB 71 18 73

HSL 297.82, 0.6%, 0.18%

LAB 16.76, 32.95, -21.78

 

CMYK 0 / 75 / 18 / 71

HEX #49123C

RGB 73 18 60

HSL 314.18, 0.6%, 0.18%

LAB 16.38, 31.09, -13.3

 

CMYK 0 / 75 / 38 / 71

HEX #49122D

RGB 73 18 45

HSL 330.55, 0.6%, 0.18%

LAB 15.69, 28.76, -3.65

 

CMYK 0 / 75 / 58 / 71

HEX #49121F

RGB 73 18 31

HSL 345.82, 0.6%, 0.18%

LAB 15.21, 27.11, 5.84

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 44 / 75 / 0 / 71

HEX #291249

RGB 41 18 73

HSL 265.09, 0.6%, 0.18%

LAB 11.86, 25.24, -29.92

 

CMYK 64 / 75 / 0 / 71

HEX #1A1249

RGB 26 18 73

HSL 248.73, 0.6%, 0.18%

LAB 10.06, 22.07, -32.94

 

CMYK 75 / 75 / 0 / 71

HEX #121249

RGB 18 18 73

HSL 240, 0.6%, 0.18%

LAB 9.34, 20.73, -34.14

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 26 / 88 / 0 / 69

HEX #3B0A50

RGB 59 10 80

HSL 282, 0.78%, 0.18%

LAB 13.98, 34.88, -31.18

 

CMYK 30 / 97 / 0 / 65

HEX #3E0358

RGB 62 3 88

HSL 281.65, 0.93%, 0.18%

LAB 14.37, 39.79, -35.97

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 20 / 62 / 0 / 74

HEX #351942

RGB 53 25 66

HSL 280.98, 0.45%, 0.18%

LAB 14.65, 22.28, -20.46

 

CMYK 14 / 43 / 0 / 77

HEX #32213A

RGB 50 33 58

HSL 280.8, 0.27%, 0.18%

LAB 15.86, 13.78, -12.99

 

CMYK 8 / 22 / 0 / 80

HEX #2F2833

RGB 47 40 51

HSL 278.18, 0.12%, 0.18%

LAB 17.28, 5.82, -5.94

 

CMYK 6 / 0 / 10 / 81

HEX #2D302B

RGB 45 48 43

HSL 96, 0.05%, 0.18%

LAB 19.42, -2.49, 2.75

 

CMYK 64 / 75 / 0 / 71

HEX #1A1249

RGB 26 18 73

HSL 248.73, 0.6%, 0.18%

LAB 10.06, 22.07, -32.94

 

CMYK 44 / 75 / 0 / 71

HEX #291249

RGB 41 18 73

HSL 265.09, 0.6%, 0.18%

LAB 11.86, 25.24, -29.92

 

CMYK 25 / 75 / 0 / 71

HEX #371249

RGB 55 18 73

HSL 280.36, 0.6%, 0.18%

LAB 13.98, 28.7, -26.39

 

CMYK 4 / 75 / 0 / 71

HEX #461249

RGB 70 18 73

HSL 296.73, 0.6%, 0.18%

LAB 16.58, 32.68, -22.08

 

CMYK 0 / 75 / 16 / 71

HEX #49123D

RGB 73 18 61

HSL 313.09, 0.6%, 0.18%

LAB 16.43, 31.26, -13.92

 

CMYK 29 / 86 / 0 / 97

HEX #050107

RGB 5 1 7

HSL 280, 0.75%, 0.02%

LAB 0.63, 1.88, -1.9

 

CMYK 23 / 75 / 0 / 84

HEX #1F0A28

RGB 31 10 40

HSL 282, 0.6%, 0.1%

LAB 5.98, 16.87, -15.57

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 24 / 75 / 0 / 58

HEX #511A6A

RGB 81 26 106

HSL 281.25, 0.61%, 0.26%

LAB 22.05, 39.04, -35.3

 

CMYK 23 / 76 / 0 / 45

HEX #6B228B

RGB 107 34 139

HSL 281.71, 0.61%, 0.34%

LAB 29.75, 48.64, -43.62

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 0 / 75 / 67 / 71

HEX #491218

RGB 73 18 24

HSL 353.45, 0.6%, 0.18%

LAB 15.03, 26.47, 10.68

 

CMYK 75 / 0 / 55 / 71

HEX #124921

RGB 18 73 33

HSL 136.36, 0.6%, 0.18%

LAB 26.74, -27.89, 18.8

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 0 / 25 / 75 / 71

HEX #493712

RGB 73 55 18

HSL 40.36, 0.6%, 0.18%

LAB 24.3, 3.39, 25.49

 

CMYK 75 / 0 / 25 / 71

HEX #124937

RGB 18 73 55

HSL 160.36, 0.6%, 0.18%

LAB 27.21, -22.79, 5.68

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 0 / 75 / 67 / 71

HEX #491218

RGB 73 18 24

HSL 353.45, 0.6%, 0.18%

LAB 15.03, 26.47, 10.68

 

CMYK 52 / 0 / 75 / 71

HEX #234912

RGB 35 73 18

HSL 101.45, 0.6%, 0.18%

LAB 27.2, -25.02, 27.62

 

CMYK 75 / 0 / 8 / 71

HEX #124943

RGB 18 73 67

HSL 173.45, 0.6%, 0.18%

LAB 27.57, -19.19, -1.58

 

CMYK 23 / 75 / 0 / 71

HEX #381249

RGB 56 18 73

HSL 281.45, 0.6%, 0.18%

LAB 14.14, 28.96, -26.12

 

CMYK 0 / 62 / 75 / 71

HEX #491C12

RGB 73 28 18

HSL 10.91, 0.6%, 0.18%

LAB 16.94, 20.65, 17.17

 

CMYK 52 / 0 / 75 / 71

HEX #234912

RGB 35 73 18

HSL 101.45, 0.6%, 0.18%

LAB 27.2, -25.02, 27.62

 

CMYK 75 / 14 / 0 / 71

HEX #123F49

RGB 18 63 73

HSL 190.91, 0.6%, 0.18%

LAB 24.21, -11.37, -10.55

 

Description

Color code: HEX #381249 | qconv.com Color code: HEX #381249 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 18 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 18 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 75 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 75% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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