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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #383884 it is the complementary color #C7C77B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #383884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #383884 shade: #3D387F, #4E4A92, #5F5CA5, #706EB8 and #8180CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #383884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #383884 shade: #383884, #272671, #16145E, #05024B and #000038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #383884 shade: #383884, #4C3884, #613884, #753884 and #84387E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #383884 shade: #383884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #383884 shade matches the following richer shades: #383884, #292993, #1A1AA2 and #0A0AB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #383884 shade: #383884, #474774, #575765, #666656 and #757547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #383884 shade: #386084, #384C84, #383884, #4C3884 and #603884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #383884 shade: #1F1F4A, #2C2C67, #383884, #4444A0 and #5757B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #383884 shade: #383884, #843874 and #568438

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #383884 shade: #383884, #843838 and #388438

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #383884 shade: #383884, #843874, #848438 and #388447

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #383884 shade: #383884, #84385E, #848438 and #38845E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

Complementary color

CMYK 0 / 0 / 38 / 22

HEX #C7C77B

RGB 199 199 123

HSL 60, 0.4%, 0.63%

LAB 78.71, -11.28, 38.04

 

CMYK 52 / 56 / 0 / 50

HEX #3D387F

RGB 61 56 127

HSL 244.23, 0.39%, 0.36%

LAB 27.72, 22.83, -39.69

 

CMYK 47 / 49 / 0 / 43

HEX #4E4A92

RGB 78 74 146

HSL 243.33, 0.33%, 0.43%

LAB 35.19, 21.38, -39.36

 

CMYK 42 / 44 / 0 / 35

HEX #5F5CA5

RGB 95 92 165

HSL 242.47, 0.29%, 0.5%

LAB 42.47, 20.21, -39.09

 

CMYK 39 / 40 / 0 / 28

HEX #706EB8

RGB 112 110 184

HSL 241.62, 0.34%, 0.58%

LAB 49.57, 19.23, -38.89

 

CMYK 36 / 37 / 0 / 20

HEX #8180CB

RGB 129 128 203

HSL 240.8, 0.42%, 0.65%

LAB 56.5, 18.39, -38.74

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 65 / 66 / 0 / 56

HEX #272671

RGB 39 38 113

HSL 240.8, 0.5%, 0.3%

LAB 20.08, 25.49, -43.25

 

CMYK 77 / 79 / 0 / 63

HEX #16145E

RGB 22 20 94

HSL 241.62, 0.65%, 0.22%

LAB 12.47, 27.95, -43.31

 

CMYK 93 / 97 / 0 / 71

HEX #05024B

RGB 5 2 75

HSL 242.47, 0.95%, 0.15%

LAB 5.27, 29.53, -42.27

 

CMYK 100 / 100 / 0 / 78

HEX #000038

RGB 0 0 56

HSL 240, 1%, 0.11%

LAB 2.58, 18.12, -33.09

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 42 / 58 / 0 / 48

HEX #4C3884

RGB 76 56 132

HSL 255.79, 0.4%, 0.37%

LAB 29.49, 28.04, -39.89

 

CMYK 27 / 58 / 0 / 48

HEX #613884

RGB 97 56 132

HSL 272.37, 0.4%, 0.37%

LAB 31.89, 33.57, -35.91

 

CMYK 11 / 58 / 0 / 48

HEX #753884

RGB 117 56 132

HSL 288.16, 0.4%, 0.37%

LAB 34.55, 39.16, -31.51

 

CMYK 0 / 58 / 5 / 48

HEX #84387E

RGB 132 56 126

HSL 304.74, 0.4%, 0.37%

LAB 36.44, 42.32, -24.67

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 72 / 72 / 0 / 42

HEX #292993

RGB 41 41 147

HSL 240, 0.56%, 0.37%

LAB 24.21, 36.02, -57.92

 

CMYK 84 / 84 / 0 / 36

HEX #1A1AA2

RGB 26 26 162

HSL 240, 0.72%, 0.37%

LAB 22.19, 48.11, -70.49

 

CMYK 94 / 94 / 0 / 31

HEX #0A0AB1

RGB 10 10 177

HSL 240, 0.89%, 0.37%

LAB 21.78, 57.8, -80.25

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 39 / 39 / 0 / 55

HEX #474774

RGB 71 71 116

HSL 240, 0.24%, 0.37%

LAB 32.05, 12.05, -25.84

 

CMYK 14 / 14 / 0 / 60

HEX #575765

RGB 87 87 101

HSL 240, 0.07%, 0.37%

LAB 37.45, 3.18, -8.04

 

CMYK 0 / 0 / 16 / 60

HEX #666656

RGB 102 102 86

HSL 60, 0.09%, 0.37%

LAB 42.76, -3.08, 9.06

 

CMYK 0 / 0 / 39 / 54

HEX #757547

RGB 117 117 71

HSL 60, 0.24%, 0.37%

LAB 48.21, -7.56, 25.39

 

CMYK 58 / 27 / 0 / 48

HEX #386084

RGB 56 96 132

HSL 208.42, 0.4%, 0.37%

LAB 39.36, -2.77, -24.35

 

CMYK 58 / 42 / 0 / 48

HEX #384C84

RGB 56 76 132

HSL 224.21, 0.4%, 0.37%

LAB 33.3, 10.05, -33.89

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 42 / 58 / 0 / 48

HEX #4C3884

RGB 76 56 132

HSL 255.79, 0.4%, 0.37%

LAB 29.49, 28.04, -39.89

 

CMYK 27 / 58 / 0 / 48

HEX #603884

RGB 96 56 132

HSL 271.58, 0.4%, 0.37%

LAB 31.76, 33.29, -36.12

 

CMYK 58 / 58 / 0 / 71

HEX #1F1F4A

RGB 31 31 74

HSL 240, 0.41%, 0.21%

LAB 14.21, 14.24, -26.87

 

CMYK 57 / 57 / 0 / 60

HEX #2C2C67

RGB 44 44 103

HSL 240, 0.4%, 0.29%

LAB 21.27, 18.73, -34.83

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 58 / 58 / 0 / 37

HEX #4444A0

RGB 68 68 160

HSL 240, 0.4%, 0.45%

LAB 33.78, 27.59, -50.15

 

CMYK 52 / 52 / 0 / 28

HEX #5757B7

RGB 87 87 183

HSL 240, 0.4%, 0.53%

LAB 41.63, 27.02, -51.07

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 0 / 58 / 12 / 48

HEX #843874

RGB 132 56 116

HSL 312.63, 0.4%, 0.37%

LAB 35.97, 40.55, -19.16

 

CMYK 35 / 0 / 58 / 48

HEX #568438

RGB 86 132 56

HSL 96.32, 0.4%, 0.37%

LAB 50.41, -29.96, 35.59

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 0 / 58 / 58 / 48

HEX #843838

RGB 132 56 56

HSL 0, 0.4%, 0.37%

LAB 34.02, 32.71, 16.21

 

CMYK 58 / 0 / 58 / 48

HEX #388438

RGB 56 132 56

HSL 120, 0.4%, 0.37%

LAB 49.04, -39.72, 33.64

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 0 / 58 / 12 / 48

HEX #843874

RGB 132 56 116

HSL 312.63, 0.4%, 0.37%

LAB 35.97, 40.55, -19.16

 

CMYK 0 / 0 / 58 / 48

HEX #848438

RGB 132 132 56

HSL 60, 0.4%, 0.37%

LAB 53.7, -10.77, 40.23

 

CMYK 58 / 0 / 46 / 48

HEX #388447

RGB 56 132 71

HSL 131.84, 0.4%, 0.37%

LAB 49.25, -37.45, 25.98

 

CMYK 58 / 58 / 0 / 48

HEX #383884

RGB 56 56 132

HSL 240, 0.4%, 0.37%

LAB 27.67, 23.43, -42.91

 

CMYK 0 / 58 / 29 / 48

HEX #84385E

RGB 132 56 94

HSL 330, 0.4%, 0.37%

LAB 35.09, 37.08, -6.61

 

CMYK 0 / 0 / 58 / 48

HEX #848438

RGB 132 132 56

HSL 60, 0.4%, 0.37%

LAB 53.7, -10.77, 40.23

 

CMYK 58 / 0 / 29 / 48

HEX #38845E

RGB 56 132 94

HSL 150, 0.4%, 0.37%

LAB 49.68, -32.95, 13.6

 

Description

Color code: HEX #383884 | qconv.com Color code: HEX #383884 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 56 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 56 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 58 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 58% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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