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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #384129 it is the complementary color #C7BED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #384129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #384129 shade: #3D4124, #4E5337, #5F654A, #70775D and #818970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #384129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #384129 shade: #384129, #272F16, #161D03 and #050B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #384129 shade: #384129, #3F4129, #413D29, #413729 and #413029

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #384129 shade: #384129, #314129, #2B4129, #29412D and #294134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #384129 shade matches the following richer shades: #384129, #3A4A20, #3C5317, #3F5B0F and #416406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #384129 shade: #384129, #363931, #34303A, #322743 and #2F1F4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #384129 shade: #413D29, #3F4129, #384129, #324129 and #2B4129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #384129 shade: #0C0F09, #222819, #384129, #4E5B39 and #647449

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #384129 shade: #384129, #294137 and #412941

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #384129 shade: #384129, #293841 and #412938

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #384129 shade: #384129, #294137, #322941 and #412933

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #384129 shade: #384129, #29413E, #322941 and #41292C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

Complementary color

CMYK 7 / 11 / 0 / 16

HEX #C7BED6

RGB 199 190 214

HSL 262.5, 0.23%, 0.79%

LAB 78.36, 7.66, -10.87

 

CMYK 6 / 0 / 45 / 75

HEX #3D4124

RGB 61 65 36

HSL 68.28, 0.29%, 0.2%

LAB 26.45, -7.14, 17.13

 

CMYK 6 / 0 / 34 / 67

HEX #4E5337

RGB 78 83 55

HSL 70.71, 0.2%, 0.27%

LAB 34.15, -7.35, 15.77

 

CMYK 6 / 0 / 27 / 60

HEX #5F654A

RGB 95 101 74

HSL 73.33, 0.15%, 0.34%

LAB 41.59, -7.48, 14.55

 

CMYK 6 / 0 / 22 / 53

HEX #70775D

RGB 112 119 93

HSL 76.15, 0.12%, 0.42%

LAB 48.8, -7.57, 13.45

 

CMYK 6 / 0 / 18 / 46

HEX #818970

RGB 129 137 112

HSL 79.2, 0.1%, 0.49%

LAB 55.81, -7.64, 12.44

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 17 / 0 / 53 / 82

HEX #272F16

RGB 39 47 22

HSL 79.2, 0.36%, 0.14%

LAB 18.02, -8.64, 14.89

 

CMYK 24 / 0 / 90 / 89

HEX #161D03

RGB 22 29 3

HSL 76.15, 0.81%, 0.06%

LAB 9.45, -8.5, 12.74

 

CMYK 55 / 0 / 100 / 96

HEX #050B00

RGB 5 11 0

HSL 92.73, 1%, 0.02%

LAB 2.45, -3.11, 3.62

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 3 / 0 / 37 / 75

HEX #3F4129

RGB 63 65 41

HSL 65, 0.23%, 0.21%

LAB 26.73, -5.45, 14.4

 

CMYK 0 / 6 / 37 / 75

HEX #413D29

RGB 65 61 41

HSL 50, 0.23%, 0.21%

LAB 25.63, -1.98, 12.98

 

CMYK 0 / 15 / 37 / 75

HEX #413729

RGB 65 55 41

HSL 35, 0.23%, 0.21%

LAB 23.73, 1.91, 10.42

 

CMYK 0 / 26 / 37 / 75

HEX #413029

RGB 65 48 41

HSL 17.5, 0.23%, 0.21%

LAB 21.57, 6.55, 7.47

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 25 / 0 / 37 / 75

HEX #314129

RGB 49 65 41

HSL 100, 0.23%, 0.21%

LAB 25.54, -11.82, 12.62

 

CMYK 34 / 0 / 37 / 75

HEX #2B4129

RGB 43 65 41

HSL 115, 0.23%, 0.21%

LAB 25.12, -14.34, 11.97

 

CMYK 37 / 0 / 31 / 75

HEX #29412D

RGB 41 65 45

HSL 130, 0.23%, 0.21%

LAB 25.08, -14.31, 9.32

 

CMYK 37 / 0 / 20 / 75

HEX #294134

RGB 41 65 52

HSL 147.5, 0.23%, 0.21%

LAB 25.26, -12.7, 5

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 22 / 0 / 57 / 71

HEX #3A4A20

RGB 58 74 32

HSL 82.86, 0.4%, 0.21%

LAB 29.16, -14.4, 22.81

 

CMYK 28 / 0 / 72 / 67

HEX #3C5317

RGB 60 83 23

HSL 83, 0.57%, 0.21%

LAB 32.28, -19.37, 31.07

 

CMYK 31 / 0 / 84 / 64

HEX #3F5B0F

RGB 63 91 15

HSL 82.11, 0.72%, 0.21%

LAB 35.15, -22.75, 37.27

 

CMYK 35 / 0 / 94 / 61

HEX #416406

RGB 65 100 6

HSL 82.34, 0.89%, 0.21%

LAB 38.29, -26.75, 42.71

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 5 / 0 / 14 / 78

HEX #363931

RGB 54 57 49

HSL 82.5, 0.08%, 0.21%

LAB 23.45, -3.07, 4.55

 

CMYK 10 / 17 / 0 / 77

HEX #34303A

RGB 52 48 58

HSL 264, 0.09%, 0.21%

LAB 20.63, 4.17, -5.68

 

CMYK 25 / 42 / 0 / 74

HEX #322743

RGB 50 39 67

HSL 263.57, 0.26%, 0.21%

LAB 18.07, 12.09, -15.8

 

CMYK 37 / 59 / 0 / 71

HEX #2F1F4B

RGB 47 31 75

HSL 261.82, 0.42%, 0.21%

LAB 15.96, 19.04, -24.65

 

CMYK 0 / 6 / 37 / 75

HEX #413D29

RGB 65 61 41

HSL 50, 0.23%, 0.21%

LAB 25.63, -1.98, 12.98

 

CMYK 3 / 0 / 37 / 75

HEX #3F4129

RGB 63 65 41

HSL 65, 0.23%, 0.21%

LAB 26.73, -5.45, 14.4

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 23 / 0 / 37 / 75

HEX #324129

RGB 50 65 41

HSL 97.5, 0.23%, 0.21%

LAB 25.62, -11.39, 12.73

 

CMYK 34 / 0 / 37 / 75

HEX #2B4129

RGB 43 65 41

HSL 115, 0.23%, 0.21%

LAB 25.12, -14.34, 11.97

 

CMYK 20 / 0 / 40 / 94

HEX #0C0F09

RGB 12 15 9

HSL 90, 0.25%, 0.05%

LAB 3.97, -1.88, 2.22

 

CMYK 15 / 0 / 38 / 84

HEX #222819

RGB 34 40 25

HSL 84, 0.23%, 0.13%

LAB 15.1, -6.09, 9.02

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 14 / 0 / 37 / 64

HEX #4E5B39

RGB 78 91 57

HSL 82.94, 0.23%, 0.29%

LAB 36.74, -11.71, 17.98

 

CMYK 14 / 0 / 37 / 55

HEX #647449

RGB 100 116 73

HSL 82.33, 0.23%, 0.37%

LAB 46.55, -13.98, 21.84

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 37 / 0 / 15 / 75

HEX #294137

RGB 41 65 55

HSL 155, 0.23%, 0.21%

LAB 25.34, -11.95, 3.15

 

CMYK 0 / 37 / 0 / 75

HEX #412941

RGB 65 41 65

HSL 300, 0.23%, 0.21%

LAB 20.41, 15.93, -10.67

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 37 / 14 / 0 / 75

HEX #293841

RGB 41 56 65

HSL 202.5, 0.23%, 0.21%

LAB 22.59, -3.5, -7.57

 

CMYK 0 / 37 / 14 / 75

HEX #412938

RGB 65 41 56

HSL 322.5, 0.23%, 0.21%

LAB 20.02, 13.97, -5.06

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 37 / 0 / 15 / 75

HEX #294137

RGB 41 65 55

HSL 155, 0.23%, 0.21%

LAB 25.34, -11.95, 3.15

 

CMYK 23 / 37 / 0 / 75

HEX #322941

RGB 50 41 65

HSL 262.5, 0.23%, 0.21%

LAB 18.56, 10.12, -13.66

 

CMYK 0 / 37 / 22 / 75

HEX #412933

RGB 65 41 51

HSL 335, 0.23%, 0.21%

LAB 19.84, 12.98, -1.88

 

CMYK 14 / 0 / 37 / 75

HEX #384129

RGB 56 65 41

HSL 82.5, 0.23%, 0.21%

LAB 26.1, -8.71, 13.46

 

CMYK 37 / 0 / 5 / 75

HEX #29413E

RGB 41 65 62

HSL 172.5, 0.23%, 0.21%

LAB 25.56, -10.09, -1.14

 

CMYK 23 / 37 / 0 / 75

HEX #322941

RGB 50 41 65

HSL 262.5, 0.23%, 0.21%

LAB 18.56, 10.12, -13.66

 

CMYK 0 / 37 / 32 / 75

HEX #41292C

RGB 65 41 44

HSL 352.5, 0.23%, 0.21%

LAB 19.6, 11.72, 2.63

 

Description

Color code: HEX #384129 | qconv.com Color code: HEX #384129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 65 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 65 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 37 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 37% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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