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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #384233 it is the complementary color #C7BDCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #384233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #384233 shade: #3D422E, #4E5441, #5F6654, #707867 and #818A7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #384233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #384233 shade: #384233, #273020, #161E0D and #050C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #384233 shade: #384233, #3C4233, #404233, #424033 and #423B33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #384233 shade: #384233, #334233, #334236, #33423A and #33423E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #384233 shade matches the following richer shades: #384233, #344B29, #315520, #2E5E16 and #2B680D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #384233 shade: #384233, #3B383C, #3E2F46, #41254F and #441C58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #384233 shade: #404233, #3C4233, #384233, #344233 and #334236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #384233 shade: #10130F, #242A21, #384233, #4B5944 and #5F7056

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #384233 shade: #384233, #334240 and #42333E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #384233 shade: #384233, #333842 and #423338

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #384233 shade: #384233, #334240, #3D3342 and #423335

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #384233 shade: #384233, #333F42, #3D3342 and #423533

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

Complementary color

CMYK 2 / 7 / 0 / 20

HEX #C7BDCC

RGB 199 189 204

HSL 280, 0.13%, 0.77%

LAB 77.81, 6.26, -6.27

 

CMYK 8 / 0 / 30 / 74

HEX #3D422E

RGB 61 66 46

HSL 75, 0.18%, 0.22%

LAB 26.98, -6.18, 11.52

 

CMYK 7 / 0 / 23 / 67

HEX #4E5441

RGB 78 84 65

HSL 78.95, 0.13%, 0.29%

LAB 34.69, -6.26, 10.33

 

CMYK 7 / 0 / 18 / 60

HEX #5F6654

RGB 95 102 84

HSL 83.33, 0.1%, 0.36%

LAB 42.12, -6.32, 9.28

 

CMYK 7 / 0 / 14 / 53

HEX #707867

RGB 112 120 103

HSL 88.24, 0.08%, 0.44%

LAB 49.32, -6.37, 8.32

 

CMYK 7 / 0 / 12 / 46

HEX #818A7A

RGB 129 138 122

HSL 93.75, 0.06%, 0.51%

LAB 56.34, -6.42, 7.44

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 19 / 0 / 33 / 81

HEX #273020

RGB 39 48 32

HSL 93.75, 0.2%, 0.16%

LAB 18.58, -7.56, 9.01

 

CMYK 27 / 0 / 57 / 88

HEX #161E0D

RGB 22 30 13

HSL 88.24, 0.4%, 0.08%

LAB 10.02, -7.64, 9.36

 

CMYK 58 / 0 / 100 / 95

HEX #050C00

RGB 5 12 0

HSL 95, 1%, 0.02%

LAB 2.67, -3.54, 3.93

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 9 / 0 / 23 / 74

HEX #3C4233

RGB 60 66 51

HSL 84, 0.13%, 0.23%

LAB 27.01, -5.72, 8.32

 

CMYK 3 / 0 / 23 / 74

HEX #404233

RGB 64 66 51

HSL 68, 0.13%, 0.23%

LAB 27.37, -3.93, 8.87

 

CMYK 0 / 3 / 23 / 74

HEX #424033

RGB 66 64 51

HSL 52, 0.13%, 0.23%

LAB 26.92, -1.75, 8.28

 

CMYK 0 / 11 / 23 / 74

HEX #423B33

RGB 66 59 51

HSL 32, 0.13%, 0.23%

LAB 25.34, 1.47, 6.07

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 23 / 0 / 23 / 74

HEX #334233

RGB 51 66 51

HSL 120, 0.13%, 0.23%

LAB 26.27, -9.59, 7.18

 

CMYK 23 / 0 / 18 / 74

HEX #334236

RGB 51 66 54

HSL 132, 0.13%, 0.23%

LAB 26.35, -8.93, 5.34

 

CMYK 23 / 0 / 12 / 74

HEX #33423A

RGB 51 66 58

HSL 148, 0.13%, 0.23%

LAB 26.46, -8.01, 2.88

 

CMYK 23 / 0 / 6 / 74

HEX #33423E

RGB 51 66 62

HSL 164, 0.13%, 0.23%

LAB 26.59, -7.03, 0.44

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 31 / 0 / 45 / 71

HEX #344B29

RGB 52 75 41

HSL 100.59, 0.29%, 0.23%

LAB 29.22, -16.29, 17.47

 

CMYK 42 / 0 / 62 / 67

HEX #315520

RGB 49 85 32

HSL 100.75, 0.45%, 0.23%

LAB 32.38, -24.03, 26.45

 

CMYK 51 / 0 / 77 / 63

HEX #2E5E16

RGB 46 94 22

HSL 100, 0.62%, 0.23%

LAB 35.29, -30.37, 34.38

 

CMYK 59 / 0 / 88 / 59

HEX #2B680D

RGB 43 104 13

HSL 100.22, 0.78%, 0.23%

LAB 38.63, -36.16, 40.73

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 2 / 7 / 0 / 76

HEX #3B383C

RGB 59 56 60

HSL 285, 0.03%, 0.23%

LAB 23.95, 2.21, -2.02

 

CMYK 11 / 33 / 0 / 73

HEX #3E2F46

RGB 62 47 70

HSL 279.13, 0.2%, 0.23%

LAB 21.94, 11.93, -11.75

 

CMYK 18 / 53 / 0 / 69

HEX #41254F

RGB 65 37 79

HSL 280, 0.36%, 0.23%

LAB 20.09, 21.95, -20.68

 

CMYK 23 / 68 / 0 / 65

HEX #441C58

RGB 68 28 88

HSL 280, 0.52%, 0.23%

LAB 19.07, 30.51, -28.31

 

CMYK 3 / 0 / 23 / 74

HEX #404233

RGB 64 66 51

HSL 68, 0.13%, 0.23%

LAB 27.37, -3.93, 8.87

 

CMYK 9 / 0 / 23 / 74

HEX #3C4233

RGB 60 66 51

HSL 84, 0.13%, 0.23%

LAB 27.01, -5.72, 8.32

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 21 / 0 / 23 / 74

HEX #344233

RGB 52 66 51

HSL 116, 0.13%, 0.23%

LAB 26.35, -9.17, 7.3

 

CMYK 23 / 0 / 18 / 74

HEX #334236

RGB 51 66 54

HSL 132, 0.13%, 0.23%

LAB 26.35, -8.93, 5.34

 

CMYK 16 / 0 / 21 / 93

HEX #10130F

RGB 16 19 15

HSL 105, 0.12%, 0.07%

LAB 5.51, -1.94, 1.76

 

CMYK 14 / 0 / 21 / 84

HEX #242A21

RGB 36 42 33

HSL 100, 0.12%, 0.15%

LAB 16.21, -4.82, 5.01

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 16 / 0 / 24 / 65

HEX #4B5944

RGB 75 89 68

HSL 100, 0.13%, 0.31%

LAB 36.1, -9.93, 10.39

 

CMYK 15 / 0 / 23 / 56

HEX #5F7056

RGB 95 112 86

HSL 99.23, 0.13%, 0.39%

LAB 45.21, -11.67, 12.4

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 23 / 0 / 3 / 74

HEX #334240

RGB 51 66 64

HSL 172, 0.13%, 0.23%

LAB 26.65, -6.52, -0.78

 

CMYK 0 / 23 / 6 / 74

HEX #42333E

RGB 66 51 62

HSL 316, 0.13%, 0.23%

LAB 23.25, 8.98, -4.32

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 0 / 23 / 15 / 74

HEX #423338

RGB 66 51 56

HSL 340, 0.13%, 0.23%

LAB 23.04, 7.72, -0.58

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 23 / 0 / 3 / 74

HEX #334240

RGB 51 66 64

HSL 172, 0.13%, 0.23%

LAB 26.65, -6.52, -0.78

 

CMYK 8 / 23 / 0 / 74

HEX #3D3342

RGB 61 51 66

HSL 280, 0.13%, 0.23%

LAB 22.84, 7.83, -7.69

 

CMYK 0 / 23 / 20 / 74

HEX #423335

RGB 66 51 53

HSL 352, 0.13%, 0.23%

LAB 22.94, 7.13, 1.3

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 23 / 5 / 0 / 74

HEX #333F42

RGB 51 63 66

HSL 192, 0.13%, 0.23%

LAB 25.72, -4.1, -3.47

 

CMYK 8 / 23 / 0 / 74

HEX #3D3342

RGB 61 51 66

HSL 280, 0.13%, 0.23%

LAB 22.84, 7.83, -7.69

 

CMYK 0 / 20 / 23 / 74

HEX #423533

RGB 66 53 51

HSL 8, 0.13%, 0.23%

LAB 23.48, 5.41, 3.43

 

Description

Color code: HEX #384233 | qconv.com Color code: HEX #384233 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 66 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 66 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 23 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 23% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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