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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #386095 it is the complementary color #C79F6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #386095. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #386095 shade: #3D6090, #4E72A3, #5F84B6, #7096C9 and #81A8DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #386095. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #386095 shade: #386095, #274E82, #163C6F, #052A5C and #001849

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #386095 shade: #385F93, #384693, #423893, #5A3893 and #733893

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #386095 shade: #385F93, #384693 and #383893

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #386095 shade matches the following richer shades: #385F93, #275DA4, #175AB4 and #0658C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #386095 shade: #385F93, #486183, #596472, #696662 and #7A6851

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #386095 shade: #389093, #387893, #385F93, #384793 and #413893

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #386095 shade: #213858, #2C4C75, #385F93, #4372B1 and #5C88C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #386095 shade: #386095, #7E3893 and #849338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #386095 shade: #386095, #93385F and #5F9338

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #386095 shade: #386095, #7E3893, #936C38 and #4D9338

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #386095 shade: #386095, #93388D, #936C38 and #38933E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 36 / 0 / 42

HEX #386095

RGB 56 96 149

HSL 214.19, 0.45%, 0.4%

LAB 40.21, 3.14, -33.29

 

Complementary color

CMYK 0 / 20 / 47 / 22

HEX #C79F6A

RGB 199 159 106

HSL 34.19, 0.45%, 0.6%

LAB 68.01, 8.03, 33.2

 

CMYK 58 / 33 / 0 / 44

HEX #3D6090

RGB 61 96 144

HSL 214.7, 0.4%, 0.4%

LAB 40.2, 2.46, -30.28

 

CMYK 52 / 30 / 0 / 36

HEX #4E72A3

RGB 78 114 163

HSL 214.59, 0.35%, 0.47%

LAB 47.36, 1.63, -30.27

 

CMYK 48 / 27 / 0 / 29

HEX #5F84B6

RGB 95 132 182

HSL 214.48, 0.37%, 0.54%

LAB 54.36, 0.98, -30.31

 

CMYK 44 / 25 / 0 / 21

HEX #7096C9

RGB 112 150 201

HSL 214.38, 0.45%, 0.61%

LAB 61.2, 0.46, -30.38

 

CMYK 41 / 24 / 0 / 14

HEX #81A8DC

RGB 129 168 220

HSL 214.29, 0.57%, 0.68%

LAB 67.9, 0.03, -30.48

 

CMYK 62 / 36 / 0 / 42

HEX #386095

RGB 56 96 149

HSL 214.19, 0.45%, 0.4%

LAB 40.21, 3.14, -33.29

 

CMYK 70 / 40 / 0 / 49

HEX #274E82

RGB 39 78 130

HSL 214.29, 0.54%, 0.33%

LAB 32.9, 4.54, -33.34

 

CMYK 80 / 46 / 0 / 56

HEX #163C6F

RGB 22 60 111

HSL 214.38, 0.67%, 0.26%

LAB 25.41, 6.52, -33.39

 

CMYK 95 / 54 / 0 / 64

HEX #052A5C

RGB 5 42 92

HSL 214.48, 0.9%, 0.19%

LAB 17.74, 9.4, -33.4

 

CMYK 100 / 67 / 0 / 71

HEX #001849

RGB 0 24 73

HSL 220.27, 1%, 0.14%

LAB 10.06, 13.88, -32.99

 

CMYK 62 / 35 / 0 / 42

HEX #385F93

RGB 56 95 147

HSL 214.29, 0.45%, 0.4%

LAB 39.8, 3.06, -32.73

 

CMYK 62 / 52 / 0 / 42

HEX #384693

RGB 56 70 147

HSL 230.77, 0.45%, 0.4%

LAB 32.54, 19.4, -44.3

 

CMYK 55 / 62 / 0 / 42

HEX #423893

RGB 66 56 147

HSL 246.59, 0.45%, 0.4%

LAB 29.65, 30.53, -48.95

 

CMYK 39 / 62 / 0 / 42

HEX #5A3893

RGB 90 56 147

HSL 262.42, 0.45%, 0.4%

LAB 32.05, 35.78, -44.94

 

CMYK 22 / 62 / 0 / 42

HEX #733893

RGB 115 56 147

HSL 278.9, 0.45%, 0.4%

LAB 35.16, 41.96, -39.78

 

CMYK 62 / 35 / 0 / 42

HEX #385F93

RGB 56 95 147

HSL 214.29, 0.45%, 0.4%

LAB 39.8, 3.06, -32.73

 

CMYK 62 / 52 / 0 / 42

HEX #384693

RGB 56 70 147

HSL 230.77, 0.45%, 0.4%

LAB 32.54, 19.4, -44.3

 

CMYK 62 / 62 / 0 / 42

HEX #383893

RGB 56 56 147

HSL 240, 0.45%, 0.4%

LAB 28.84, 28.66, -50.3

 

CMYK 62 / 35 / 0 / 42

HEX #385F93

RGB 56 95 147

HSL 214.29, 0.45%, 0.4%

LAB 39.8, 3.06, -32.73

 

CMYK 76 / 43 / 0 / 36

HEX #275DA4

RGB 39 93 164

HSL 214.08, 0.62%, 0.4%

LAB 39.48, 7.82, -43.44

 

CMYK 87 / 50 / 0 / 29

HEX #175AB4

RGB 23 90 180

HSL 214.39, 0.77%, 0.4%

LAB 39.22, 14.51, -53.34

 

CMYK 97 / 55 / 0 / 23

HEX #0658C5

RGB 6 88 197

HSL 214.24, 0.94%, 0.4%

LAB 39.66, 21.86, -62.57

 

CMYK 62 / 35 / 0 / 42

HEX #385F93

RGB 56 95 147

HSL 214.29, 0.45%, 0.4%

LAB 39.8, 3.06, -32.73

 

CMYK 45 / 26 / 0 / 49

HEX #486183

RGB 72 97 131

HSL 214.58, 0.29%, 0.4%

LAB 40.52, 0.38, -21.88

 

CMYK 22 / 12 / 0 / 55

HEX #596472

RGB 89 100 114

HSL 213.6, 0.12%, 0.4%

LAB 41.93, -0.86, -9.29

 

CMYK 0 / 3 / 7 / 59

HEX #696662

RGB 105 102 98

HSL 34.29, 0.03%, 0.4%

LAB 43.34, 0.38, 2.67

 

CMYK 0 / 15 / 34 / 52

HEX #7A6851

RGB 122 104 81

HSL 33.66, 0.2%, 0.4%

LAB 45.13, 3.45, 15.62

 

CMYK 62 / 2 / 0 / 42

HEX #389093

RGB 56 144 147

HSL 181.98, 0.45%, 0.4%

LAB 54.96, -24.88, -9.41

 

CMYK 62 / 18 / 0 / 42

HEX #387893

RGB 56 120 147

HSL 197.8, 0.45%, 0.4%

LAB 47.47, -11.97, -20.78

 

CMYK 62 / 35 / 0 / 42

HEX #385F93

RGB 56 95 147

HSL 214.29, 0.45%, 0.4%

LAB 39.8, 3.06, -32.73

 

CMYK 62 / 52 / 0 / 42

HEX #384793

RGB 56 71 147

HSL 230.11, 0.45%, 0.4%

LAB 32.82, 18.74, -43.86

 

CMYK 56 / 62 / 0 / 42

HEX #413893

RGB 65 56 147

HSL 245.93, 0.45%, 0.4%

LAB 29.56, 30.33, -49.09

 

CMYK 63 / 36 / 0 / 65

HEX #213858

RGB 33 56 88

HSL 214.91, 0.45%, 0.24%

LAB 23.19, 2.09, -21.99

 

CMYK 62 / 35 / 0 / 54

HEX #2C4C75

RGB 44 76 117

HSL 213.7, 0.45%, 0.32%

LAB 31.78, 1.96, -27.01

 

CMYK 62 / 35 / 0 / 42

HEX #385F93

RGB 56 95 147

HSL 214.29, 0.45%, 0.4%

LAB 39.8, 3.06, -32.73

 

CMYK 62 / 36 / 0 / 31

HEX #4372B1

RGB 67 114 177

HSL 214.36, 0.45%, 0.48%

LAB 47.5, 3.91, -38.28

 

CMYK 52 / 30 / 0 / 24

HEX #5C88C1

RGB 92 136 193

HSL 213.86, 0.45%, 0.56%

LAB 55.82, 1.3, -34.31

 

CMYK 62 / 36 / 0 / 42

HEX #386095

RGB 56 96 149

HSL 214.19, 0.45%, 0.4%

LAB 40.21, 3.14, -33.29

 

CMYK 14 / 62 / 0 / 42

HEX #7E3893

RGB 126 56 147

HSL 286.15, 0.45%, 0.4%

LAB 36.69, 44.8, -37.25

 

CMYK 10 / 0 / 62 / 42

HEX #849338

RGB 132 147 56

HSL 69.89, 0.45%, 0.4%

LAB 58.09, -18.72, 45.1

 

CMYK 62 / 36 / 0 / 42

HEX #386095

RGB 56 96 149

HSL 214.19, 0.45%, 0.4%

LAB 40.21, 3.14, -33.29

 

CMYK 0 / 62 / 35 / 42

HEX #93385F

RGB 147 56 95

HSL 334.29, 0.45%, 0.4%

LAB 37.59, 42.27, -3.26

 

CMYK 35 / 0 / 62 / 42

HEX #5F9338

RGB 95 147 56

HSL 94.29, 0.45%, 0.4%

LAB 55.67, -33.62, 41.74

 

CMYK 62 / 36 / 0 / 42

HEX #386095

RGB 56 96 149

HSL 214.19, 0.45%, 0.4%

LAB 40.21, 3.14, -33.29

 

CMYK 14 / 62 / 0 / 42

HEX #7E3893

RGB 126 56 147

HSL 286.15, 0.45%, 0.4%

LAB 36.69, 44.8, -37.25

 

CMYK 0 / 27 / 62 / 42

HEX #936C38

RGB 147 108 56

HSL 34.29, 0.45%, 0.4%

LAB 48.53, 9.57, 34.69

 

CMYK 48 / 0 / 62 / 42

HEX #4D9338

RGB 77 147 56

HSL 106.15, 0.45%, 0.4%

LAB 54.79, -39.79, 40.51

 

CMYK 62 / 36 / 0 / 42

HEX #386095

RGB 56 96 149

HSL 214.19, 0.45%, 0.4%

LAB 40.21, 3.14, -33.29

 

CMYK 0 / 62 / 4 / 42

HEX #93388D

RGB 147 56 141

HSL 303.96, 0.45%, 0.4%

LAB 39.5, 49.24, -28.94

 

CMYK 0 / 27 / 62 / 42

HEX #936C38

RGB 147 108 56

HSL 34.29, 0.45%, 0.4%

LAB 48.53, 9.57, 34.69

 

CMYK 62 / 0 / 58 / 42

HEX #38933E

RGB 56 147 62

HSL 123.96, 0.45%, 0.4%

LAB 54.09, -44.92, 36.61

 

Description

Color code: HEX #386095 | qconv.com Color code: HEX #386095 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 96 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 96 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 36 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 36% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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