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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #386C92 it is the complementary color #C7936D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #386C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #386C92 shade: #3D6C8D, #4E7EA0, #5F90B3, #70A2C6 and #81B4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #386C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #386C92 shade: #386C92, #275A7F, #16486C, #053659 and #002446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #386C92 shade: #386D93, #385493, #383B93, #4D3893 and #663893

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #386C92 shade: #386D93, #385493, #383B93 and #383893

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #386C92 shade matches the following richer shades: #386D93, #276FA4, #1772B4 and #0674C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #386C92 shade: #386D93, #486A83, #596872, #696562 and #7A6251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #386C92 shade: #389389, #388693, #386D93, #385593 and #383C93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #386C92 shade: #214058, #2C5775, #386D93, #4383B1 and #5C97C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #386C92 shade: #386C92, #703893 and #929338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #386C92 shade: #386C92, #93386D and #6D9338

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #386C92 shade: #386C92, #703893, #935E38 and #5B9338

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #386C92 shade: #386C92, #8C3893, #935E38 and #3F9338

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 26 / 0 / 43

HEX #386C92

RGB 56 108 146

HSL 205.33, 0.45%, 0.4%

LAB 43.71, -5.29, -26

 

Complementary color

CMYK 0 / 26 / 45 / 22

HEX #C7936D

RGB 199 147 109

HSL 25.33, 0.45%, 0.6%

LAB 65.05, 14.88, 27.76

 

CMYK 57 / 23 / 0 / 45

HEX #3D6C8D

RGB 61 108 141

HSL 204.75, 0.4%, 0.4%

LAB 43.71, -5.89, -23

 

CMYK 51 / 21 / 0 / 37

HEX #4E7EA0

RGB 78 126 160

HSL 204.88, 0.34%, 0.47%

LAB 50.78, -6.42, -23.22

 

CMYK 47 / 20 / 0 / 30

HEX #5F90B3

RGB 95 144 179

HSL 205, 0.36%, 0.54%

LAB 57.69, -6.82, -23.45

 

CMYK 43 / 18 / 0 / 22

HEX #70A2C6

RGB 112 162 198

HSL 205.12, 0.43%, 0.61%

LAB 64.45, -7.13, -23.69

 

CMYK 41 / 17 / 0 / 15

HEX #81B4D9

RGB 129 180 217

HSL 205.23, 0.54%, 0.68%

LAB 71.09, -7.37, -23.94

 

CMYK 62 / 26 / 0 / 43

HEX #386C92

RGB 56 108 146

HSL 205.33, 0.45%, 0.4%

LAB 43.71, -5.29, -26

 

CMYK 69 / 29 / 0 / 50

HEX #275A7F

RGB 39 90 127

HSL 205.23, 0.53%, 0.33%

LAB 36.51, -4.3, -25.8

 

CMYK 80 / 33 / 0 / 58

HEX #16486C

RGB 22 72 108

HSL 205.12, 0.66%, 0.25%

LAB 29.13, -2.84, -25.58

 

CMYK 94 / 39 / 0 / 65

HEX #053659

RGB 5 54 89

HSL 205, 0.89%, 0.18%

LAB 21.55, -0.65, -25.31

 

CMYK 100 / 49 / 0 / 73

HEX #002446

RGB 0 36 70

HSL 209.14, 1%, 0.14%

LAB 13.85, 3.02, -24.78

 

CMYK 62 / 26 / 0 / 42

HEX #386D93

RGB 56 109 147

HSL 205.05, 0.45%, 0.4%

LAB 44.07, -5.55, -26.04

 

CMYK 62 / 43 / 0 / 42

HEX #385493

RGB 56 84 147

HSL 221.54, 0.45%, 0.4%

LAB 36.53, 10.14, -37.91

 

CMYK 62 / 60 / 0 / 42

HEX #383B93

RGB 56 59 147

HSL 238.02, 0.45%, 0.4%

LAB 29.6, 26.7, -49.06

 

CMYK 48 / 62 / 0 / 42

HEX #4D3893

RGB 77 56 147

HSL 253.85, 0.45%, 0.4%

LAB 30.67, 32.82, -47.24

 

CMYK 31 / 62 / 0 / 42

HEX #663893

RGB 102 56 147

HSL 270.33, 0.45%, 0.4%

LAB 33.48, 38.68, -42.57

 

CMYK 62 / 26 / 0 / 42

HEX #386D93

RGB 56 109 147

HSL 205.05, 0.45%, 0.4%

LAB 44.07, -5.55, -26.04

 

CMYK 62 / 43 / 0 / 42

HEX #385493

RGB 56 84 147

HSL 221.54, 0.45%, 0.4%

LAB 36.53, 10.14, -37.91

 

CMYK 62 / 60 / 0 / 42

HEX #383B93

RGB 56 59 147

HSL 238.02, 0.45%, 0.4%

LAB 29.6, 26.7, -49.06

 

CMYK 62 / 62 / 0 / 42

HEX #383893

RGB 56 56 147

HSL 240, 0.45%, 0.4%

LAB 28.84, 28.66, -50.3

 

CMYK 62 / 26 / 0 / 42

HEX #386D93

RGB 56 109 147

HSL 205.05, 0.45%, 0.4%

LAB 44.07, -5.55, -26.04

 

CMYK 76 / 32 / 0 / 36

HEX #276FA4

RGB 39 111 164

HSL 205.44, 0.62%, 0.4%

LAB 44.91, -3.49, -34.82

 

CMYK 87 / 37 / 0 / 29

HEX #1772B4

RGB 23 114 180

HSL 205.22, 0.77%, 0.4%

LAB 46.33, -0.82, -41.96

 

CMYK 97 / 41 / 0 / 23

HEX #0674C5

RGB 6 116 197

HSL 205.45, 0.94%, 0.4%

LAB 47.7, 3.77, -49.6

 

CMYK 62 / 26 / 0 / 42

HEX #386D93

RGB 56 109 147

HSL 205.05, 0.45%, 0.4%

LAB 44.07, -5.55, -26.04

 

CMYK 45 / 19 / 0 / 49

HEX #486A83

RGB 72 106 131

HSL 205.42, 0.29%, 0.4%

LAB 43.25, -5.08, -17.67

 

CMYK 22 / 9 / 0 / 55

HEX #596872

RGB 89 104 114

HSL 204, 0.12%, 0.4%

LAB 43.12, -3.26, -7.5

 

CMYK 0 / 4 / 7 / 59

HEX #696562

RGB 105 101 98

HSL 25.71, 0.03%, 0.4%

LAB 43.05, 0.98, 2.25

 

CMYK 0 / 20 / 34 / 52

HEX #7A6251

RGB 122 98 81

HSL 24.88, 0.2%, 0.4%

LAB 43.46, 7.01, 13.34

 

CMYK 62 / 0 / 7 / 42

HEX #389389

RGB 56 147 137

HSL 173.41, 0.45%, 0.4%

LAB 55.6, -29.24, -2.72

 

CMYK 62 / 9 / 0 / 42

HEX #388693

RGB 56 134 147

HSL 188.57, 0.45%, 0.4%

LAB 51.83, -19.68, -14.12

 

CMYK 62 / 26 / 0 / 42

HEX #386D93

RGB 56 109 147

HSL 205.05, 0.45%, 0.4%

LAB 44.07, -5.55, -26.04

 

CMYK 62 / 42 / 0 / 42

HEX #385593

RGB 56 85 147

HSL 220.88, 0.45%, 0.4%

LAB 36.83, 9.49, -37.44

 

CMYK 62 / 59 / 0 / 42

HEX #383C93

RGB 56 60 147

HSL 237.36, 0.45%, 0.4%

LAB 29.86, 26.04, -48.64

 

CMYK 63 / 27 / 0 / 65

HEX #214058

RGB 33 64 88

HSL 206.18, 0.45%, 0.24%

LAB 25.85, -3.3, -17.83

 

CMYK 62 / 26 / 0 / 54

HEX #2C5775

RGB 44 87 117

HSL 204.66, 0.45%, 0.32%

LAB 35.27, -5.06, -21.55

 

CMYK 62 / 26 / 0 / 42

HEX #386D93

RGB 56 109 147

HSL 205.05, 0.45%, 0.4%

LAB 44.07, -5.55, -26.04

 

CMYK 62 / 26 / 0 / 31

HEX #4383B1

RGB 67 131 177

HSL 205.09, 0.45%, 0.48%

LAB 52.51, -6.23, -30.42

 

CMYK 52 / 22 / 0 / 24

HEX #5C97C1

RGB 92 151 193

HSL 204.95, 0.45%, 0.56%

LAB 60.12, -7.3, -27.63

 

CMYK 62 / 26 / 0 / 43

HEX #386C92

RGB 56 108 146

HSL 205.33, 0.45%, 0.4%

LAB 43.71, -5.29, -26

 

CMYK 24 / 62 / 0 / 42

HEX #703893

RGB 112 56 147

HSL 276.92, 0.45%, 0.4%

LAB 34.76, 41.19, -40.44

 

CMYK 1 / 0 / 62 / 42

HEX #929338

RGB 146 147 56

HSL 60.66, 0.45%, 0.4%

LAB 59.22, -12.63, 46.65

 

CMYK 62 / 26 / 0 / 43

HEX #386C92

RGB 56 108 146

HSL 205.33, 0.45%, 0.4%

LAB 43.71, -5.29, -26

 

CMYK 0 / 62 / 26 / 42

HEX #93386D

RGB 147 56 109

HSL 325.05, 0.45%, 0.4%

LAB 38.08, 44.14, -11.34

 

CMYK 26 / 0 / 62 / 42

HEX #6D9338

RGB 109 147 56

HSL 85.05, 0.45%, 0.4%

LAB 56.49, -28.26, 42.88

 

CMYK 62 / 26 / 0 / 43

HEX #386C92

RGB 56 108 146

HSL 205.33, 0.45%, 0.4%

LAB 43.71, -5.29, -26

 

CMYK 24 / 62 / 0 / 42

HEX #703893

RGB 112 56 147

HSL 276.92, 0.45%, 0.4%

LAB 34.76, 41.19, -40.44

 

CMYK 0 / 36 / 62 / 42

HEX #935E38

RGB 147 94 56

HSL 25.05, 0.45%, 0.4%

LAB 44.93, 17.68, 30.43

 

CMYK 38 / 0 / 62 / 42

HEX #5B9338

RGB 91 147 56

HSL 96.92, 0.45%, 0.4%

LAB 55.46, -35.06, 41.44

 

CMYK 62 / 26 / 0 / 43

HEX #386C92

RGB 56 108 146

HSL 205.33, 0.45%, 0.4%

LAB 43.71, -5.29, -26

 

CMYK 5 / 62 / 0 / 42

HEX #8C3893

RGB 140 56 147

HSL 295.38, 0.45%, 0.4%

LAB 38.74, 48.46, -33.86

 

CMYK 0 / 36 / 62 / 42

HEX #935E38

RGB 147 94 56

HSL 25.05, 0.45%, 0.4%

LAB 44.93, 17.68, 30.43

 

CMYK 57 / 0 / 62 / 42

HEX #3F9338

RGB 63 147 56

HSL 115.38, 0.45%, 0.4%

LAB 54.25, -43.88, 39.75

 

Description

Color code: HEX #386C92 | qconv.com Color code: HEX #386C92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 108 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 108 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 26 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 26% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - New Heavy Equipment ...
Link: http://www.catallday.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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