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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38730C it is the complementary color #C78CF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38730C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38730C shade: #3D7307, #4E851A, #5F972D, #70A940 and #81BB53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38730C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38730C shade: #38730C, #276100, #164F00, #053D00 and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38730C shade: #38730C, #54730C, #6F730C, #735A0C and #733F0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38730C shade: #38730C, #1C730C, #0C7317, #0C7333 and #0C734F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38730C shade matches the following richer shades: #38730C and #367D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38730C shade: #38730C, #396916, #3B5E20, #3C542B and #3E4A35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38730C shade: #6F730C, #54730C, #38730C, #1D730C and #0C7316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38730C shade: #132804, #264E08, #38730C, #4A9810 and #5CBE13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38730C shade: #38730C, #0C735B and #730C62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38730C shade: #38730C, #0C3873 and #730C38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38730C shade: #38730C, #0C735B, #460C73 and #730C24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38730C shade: #38730C, #0C6C73, #460C73 and #73120C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

Complementary color

CMYK 18 / 42 / 0 / 5

HEX #C78CF3

RGB 199 140 243

HSL 274.37, 0.81%, 0.75%

LAB 67.55, 41.07, -43.23

 

CMYK 47 / 0 / 94 / 55

HEX #3D7307

RGB 61 115 7

HSL 90, 0.89%, 0.24%

LAB 43.17, -35.05, 46.44

 

CMYK 41 / 0 / 80 / 48

HEX #4E851A

RGB 78 133 26

HSL 90.84, 0.67%, 0.31%

LAB 50.06, -35.91, 47.83

 

CMYK 37 / 0 / 70 / 41

HEX #5F972D

RGB 95 151 45

HSL 91.7, 0.54%, 0.38%

LAB 56.84, -36.39, 47.8

 

CMYK 34 / 0 / 62 / 34

HEX #70A940

RGB 112 169 64

HSL 92.57, 0.45%, 0.46%

LAB 63.5, -36.63, 47.09

 

CMYK 31 / 0 / 56 / 27

HEX #81BB53

RGB 129 187 83

HSL 93.46, 0.43%, 0.53%

LAB 70.06, -36.73, 46.08

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 60 / 0 / 100 / 62

HEX #276100

RGB 39 97 0

HSL 95.88, 1%, 0.19%

LAB 35.95, -35.18, 42.01

 

CMYK 72 / 0 / 100 / 69

HEX #164F00

RGB 22 79 0

HSL 103.29, 1%, 0.15%

LAB 28.81, -32.91, 36.11

 

CMYK 92 / 0 / 100 / 76

HEX #053D00

RGB 5 61 0

HSL 115.08, 1%, 0.12%

LAB 21.47, -29.94, 29.02

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 27 / 0 / 90 / 55

HEX #54730C

RGB 84 115 12

HSL 78.06, 0.81%, 0.25%

LAB 44.48, -25.81, 46.95

 

CMYK 3 / 0 / 90 / 55

HEX #6F730C

RGB 111 115 12

HSL 62.33, 0.81%, 0.25%

LAB 46.54, -13.58, 49.5

 

CMYK 0 / 22 / 90 / 55

HEX #735A0C

RGB 115 90 12

HSL 45.44, 0.81%, 0.25%

LAB 39.55, 2.67, 43.91

 

CMYK 0 / 45 / 90 / 55

HEX #733F0C

RGB 115 63 12

HSL 29.71, 0.81%, 0.25%

LAB 32.32, 18.91, 37.91

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 76 / 0 / 90 / 55

HEX #1C730C

RGB 28 115 12

HSL 110.68, 0.81%, 0.25%

LAB 42.05, -43.93, 43.9

 

CMYK 90 / 0 / 80 / 55

HEX #0C7317

RGB 12 115 23

HSL 126.41, 0.81%, 0.25%

LAB 41.85, -45.53, 40.25

 

CMYK 90 / 0 / 56 / 55

HEX #0C7333

RGB 12 115 51

HSL 142.72, 0.81%, 0.25%

LAB 42.12, -42.15, 27.66

 

CMYK 90 / 0 / 31 / 55

HEX #0C734F

RGB 12 115 79

HSL 159.03, 0.81%, 0.25%

LAB 42.62, -36.38, 12.42

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 57 / 0 / 99 / 51

HEX #367D01

RGB 54 125 1

HSL 94.35, 0.98%, 0.25%

LAB 46.25, -41.6, 50.15

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 46 / 0 / 79 / 59

HEX #396916

RGB 57 105 22

HSL 94.7, 0.65%, 0.25%

LAB 39.63, -31.38, 38.88

 

CMYK 37 / 0 / 66 / 63

HEX #3B5E20

RGB 59 94 32

HSL 93.87, 0.49%, 0.25%

LAB 36.06, -24.57, 30.79

 

CMYK 29 / 0 / 49 / 67

HEX #3C542B

RGB 60 84 43

HSL 95.12, 0.32%, 0.25%

LAB 32.87, -17.59, 21.03

 

CMYK 16 / 0 / 28 / 71

HEX #3E4A35

RGB 62 74 53

HSL 94.29, 0.17%, 0.25%

LAB 29.86, -9.35, 11

 

CMYK 3 / 0 / 90 / 55

HEX #6F730C

RGB 111 115 12

HSL 62.33, 0.81%, 0.25%

LAB 46.54, -13.58, 49.5

 

CMYK 27 / 0 / 90 / 55

HEX #54730C

RGB 84 115 12

HSL 78.06, 0.81%, 0.25%

LAB 44.48, -25.81, 46.95

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 75 / 0 / 90 / 55

HEX #1D730C

RGB 29 115 12

HSL 110.1, 0.81%, 0.25%

LAB 42.08, -43.74, 43.92

 

CMYK 90 / 0 / 81 / 55

HEX #0C7316

RGB 12 115 22

HSL 125.83, 0.81%, 0.25%

LAB 41.84, -45.61, 40.6

 

CMYK 53 / 0 / 90 / 84

HEX #132804

RGB 19 40 4

HSL 95, 0.82%, 0.09%

LAB 13.62, -16.34, 18.03

 

CMYK 51 / 0 / 90 / 69

HEX #264E08

RGB 38 78 8

HSL 94.29, 0.81%, 0.17%

LAB 29.1, -27, 33.55

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 51 / 0 / 89 / 40

HEX #4A9810

RGB 74 152 16

HSL 94.41, 0.81%, 0.33%

LAB 56.04, -45.53, 55.74

 

CMYK 52 / 0 / 90 / 25

HEX #5CBE13

RGB 92 190 19

HSL 94.39, 0.82%, 0.41%

LAB 68.86, -54.44, 66.33

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 90 / 0 / 21 / 55

HEX #0C735B

RGB 12 115 91

HSL 166.02, 0.81%, 0.25%

LAB 42.91, -33.24, 5.69

 

CMYK 0 / 90 / 15 / 55

HEX #730C62

RGB 115 12 98

HSL 309.9, 0.81%, 0.25%

LAB 26.13, 49.69, -23.21

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 90 / 51 / 0 / 55

HEX #0C3873

RGB 12 56 115

HSL 214.37, 0.81%, 0.25%

LAB 24.14, 9.97, -38

 

CMYK 0 / 90 / 51 / 55

HEX #730C38

RGB 115 12 56

HSL 334.37, 0.81%, 0.25%

LAB 24.3, 44.64, 2.27

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 90 / 0 / 21 / 55

HEX #0C735B

RGB 12 115 91

HSL 166.02, 0.81%, 0.25%

LAB 42.91, -33.24, 5.69

 

CMYK 39 / 90 / 0 / 55

HEX #460C73

RGB 70 12 115

HSL 273.79, 0.81%, 0.25%

LAB 19.24, 44.42, -45.78

 

CMYK 0 / 90 / 69 / 55

HEX #730C24

RGB 115 12 36

HSL 346.02, 0.81%, 0.25%

LAB 23.79, 43.15, 15.38

 

CMYK 51 / 0 / 90 / 55

HEX #38730C

RGB 56 115 12

HSL 94.37, 0.81%, 0.25%

LAB 42.96, -36.58, 45.04

 

CMYK 90 / 6 / 0 / 55

HEX #0C6C73

RGB 12 108 115

HSL 184.08, 0.81%, 0.25%

LAB 41.28, -22.36, -11.19

 

CMYK 39 / 90 / 0 / 55

HEX #460C73

RGB 70 12 115

HSL 273.79, 0.81%, 0.25%

LAB 19.24, 44.42, -45.78

 

CMYK 0 / 84 / 90 / 55

HEX #73120C

RGB 115 18 12

HSL 3.5, 0.81%, 0.25%

LAB 24.01, 40.58, 30.64

 

Description

Color code: HEX #38730C | qconv.com Color code: HEX #38730C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 115 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 115 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 90 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 90% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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