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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #387E19 it is the complementary color #C781E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #387E19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #387E19 shade: #3D7E14, #4E9027, #5FA23A, #70B44D and #81C660

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #387E19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #387E19 shade: #387E19, #276C06, #165A00, #054800 and #003600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #387E19 shade: #387F19, #547F19, #707F19, #7F7319 and #7F5819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #387E19 shade: #387F19, #1D7F19, #197F31, #197F4C and #197F68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #387E19 shade matches the following richer shades: #387F19, #338C0C and #2F9800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #387E19 shade: #387F19, #3D7325, #426632, #475A3E and #4B4E4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #387E19 shade: #707F19, #557F19, #397F19, #1E7F19 and #197F2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #387E19 shade: #1A3A0B, #295D12, #387F19, #48A220 and #57C426

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #387E19 shade: #387E19, #197F73 and #7F1962

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #387E19 shade: #387E19, #19397F and #7F1939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #387E19 shade: #387E19, #197F73, #5F197F and #7F1925

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #387E19 shade: #387E19, #196C7F, #5F197F and #7F2C19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 80 / 51

HEX #387E19

RGB 56 126 25

HSL 101.58, 0.67%, 0.3%

LAB 46.75, -40.36, 44.68

 

Complementary color

CMYK 13 / 44 / 0 / 10

HEX #C781E6

RGB 199 129 230

HSL 281.58, 0.67%, 0.7%

LAB 64.61, 44.22, -40.68

 

CMYK 52 / 0 / 84 / 51

HEX #3D7E14

RGB 61 126 20

HSL 96.79, 0.73%, 0.29%

LAB 46.93, -39.1, 46.51

 

CMYK 46 / 0 / 73 / 44

HEX #4E9027

RGB 78 144 39

HSL 97.71, 0.57%, 0.36%

LAB 53.72, -39.76, 46.73

 

CMYK 41 / 0 / 64 / 36

HEX #5FA23A

RGB 95 162 58

HSL 98.65, 0.47%, 0.43%

LAB 60.41, -40.09, 46.1

 

CMYK 38 / 0 / 57 / 29

HEX #70B44D

RGB 112 180 77

HSL 99.61, 0.41%, 0.5%

LAB 66.99, -40.2, 45.1

 

CMYK 35 / 0 / 52 / 22

HEX #81C660

RGB 129 198 96

HSL 100.59, 0.47%, 0.58%

LAB 73.48, -40.2, 43.96

 

CMYK 56 / 0 / 80 / 51

HEX #387E19

RGB 56 126 25

HSL 101.58, 0.67%, 0.3%

LAB 46.75, -40.36, 44.68

 

CMYK 64 / 0 / 94 / 58

HEX #276C06

RGB 39 108 6

HSL 100.59, 0.89%, 0.22%

LAB 39.86, -39.17, 43.55

 

CMYK 76 / 0 / 100 / 65

HEX #165A00

RGB 22 90 0

HSL 105.33, 1%, 0.18%

LAB 32.88, -36.97, 39.35

 

CMYK 93 / 0 / 100 / 72

HEX #054800

RGB 5 72 0

HSL 115.83, 1%, 0.14%

LAB 25.76, -33.74, 33.33

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 56 / 0 / 80 / 50

HEX #387F19

RGB 56 127 25

HSL 101.76, 0.67%, 0.3%

LAB 47.09, -40.76, 45.01

 

CMYK 34 / 0 / 80 / 50

HEX #547F19

RGB 84 127 25

HSL 85.29, 0.67%, 0.3%

LAB 48.43, -30.98, 46.74

 

CMYK 12 / 0 / 80 / 50

HEX #707F19

RGB 112 127 25

HSL 68.82, 0.67%, 0.3%

LAB 50.33, -19.05, 49.19

 

CMYK 0 / 9 / 80 / 50

HEX #7F7319

RGB 127 115 25

HSL 52.94, 0.67%, 0.3%

LAB 48.06, -5.58, 47.61

 

CMYK 0 / 31 / 80 / 50

HEX #7F5819

RGB 127 88 25

HSL 37.06, 0.67%, 0.3%

LAB 40.51, 10.13, 40.61

 

CMYK 56 / 0 / 80 / 50

HEX #387F19

RGB 56 127 25

HSL 101.76, 0.67%, 0.3%

LAB 47.09, -40.76, 45.01

 

CMYK 77 / 0 / 80 / 50

HEX #1D7F19

RGB 29 127 25

HSL 117.65, 0.67%, 0.3%

LAB 46.33, -47.07, 44

 

CMYK 80 / 0 / 61 / 50

HEX #197F31

RGB 25 127 49

HSL 134.12, 0.67%, 0.3%

LAB 46.45, -45.22, 33.89

 

CMYK 80 / 0 / 40 / 50

HEX #197F4C

RGB 25 127 76

HSL 150, 0.67%, 0.3%

LAB 46.85, -40.56, 19.92

 

CMYK 80 / 0 / 18 / 50

HEX #197F68

RGB 25 127 104

HSL 166.47, 0.67%, 0.3%

LAB 47.48, -33.77, 4.55

 

CMYK 56 / 0 / 80 / 50

HEX #387F19

RGB 56 127 25

HSL 101.76, 0.67%, 0.3%

LAB 47.09, -40.76, 45.01

 

CMYK 64 / 0 / 91 / 45

HEX #338C0C

RGB 51 140 12

HSL 101.72, 0.84%, 0.3%

LAB 51.25, -47.63, 52.12

 

CMYK 69 / 0 / 100 / 40

HEX #2F9800

RGB 47 152 0

HSL 101.45, 1%, 0.3%

LAB 55.13, -53.02, 57.3

 

CMYK 56 / 0 / 80 / 50

HEX #387F19

RGB 56 127 25

HSL 101.76, 0.67%, 0.3%

LAB 47.09, -40.76, 45.01

 

CMYK 47 / 0 / 68 / 55

HEX #3D7325

RGB 61 115 37

HSL 101.54, 0.51%, 0.3%

LAB 43.34, -33.16, 36.43

 

CMYK 35 / 0 / 51 / 60

HEX #426632

RGB 66 102 50

HSL 101.54, 0.34%, 0.3%

LAB 39.4, -23.62, 25.25

 

CMYK 21 / 0 / 31 / 65

HEX #475A3E

RGB 71 90 62

HSL 100.71, 0.18%, 0.3%

LAB 35.98, -13.25, 13.86

 

CMYK 4 / 0 / 5 / 69

HEX #4B4E4A

RGB 75 78 74

HSL 105, 0.03%, 0.3%

LAB 32.79, -2.09, 1.94

 

CMYK 12 / 0 / 80 / 50

HEX #707F19

RGB 112 127 25

HSL 68.82, 0.67%, 0.3%

LAB 50.33, -19.05, 49.19

 

CMYK 33 / 0 / 80 / 50

HEX #557F19

RGB 85 127 25

HSL 84.71, 0.67%, 0.3%

LAB 48.49, -30.58, 46.82

 

CMYK 55 / 0 / 80 / 50

HEX #397F19

RGB 57 127 25

HSL 101.18, 0.67%, 0.3%

LAB 47.13, -40.46, 45.06

 

CMYK 76 / 0 / 80 / 50

HEX #1E7F19

RGB 30 127 25

HSL 117.06, 0.67%, 0.3%

LAB 46.34, -46.9, 44.03

 

CMYK 80 / 0 / 63 / 50

HEX #197F2F

RGB 25 127 47

HSL 132.94, 0.67%, 0.3%

LAB 46.43, -45.48, 34.85

 

CMYK 55 / 0 / 81 / 77

HEX #1A3A0B

RGB 26 58 11

HSL 100.85, 0.68%, 0.14%

LAB 21.09, -21.86, 24.32

 

CMYK 56 / 0 / 81 / 64

HEX #295D12

RGB 41 93 18

HSL 101.6, 0.68%, 0.22%

LAB 34.69, -31.92, 35.32

 

CMYK 56 / 0 / 80 / 50

HEX #387F19

RGB 56 127 25

HSL 101.76, 0.67%, 0.3%

LAB 47.09, -40.76, 45.01

 

CMYK 56 / 0 / 80 / 36

HEX #48A220

RGB 72 162 32

HSL 101.54, 0.67%, 0.38%

LAB 59.27, -49.22, 54.51

 

CMYK 56 / 0 / 81 / 23

HEX #57C426

RGB 87 196 38

HSL 101.39, 0.68%, 0.46%

LAB 70.63, -57.27, 63.52

 

CMYK 56 / 0 / 80 / 51

HEX #387E19

RGB 56 126 25

HSL 101.58, 0.67%, 0.3%

LAB 46.75, -40.36, 44.68

 

CMYK 80 / 0 / 9 / 50

HEX #197F73

RGB 25 127 115

HSL 172.94, 0.67%, 0.3%

LAB 47.78, -30.63, -1.49

 

CMYK 0 / 80 / 23 / 50

HEX #7F1962

RGB 127 25 98

HSL 317.06, 0.67%, 0.3%

LAB 29.64, 49.18, -17.56

 

CMYK 56 / 0 / 80 / 51

HEX #387E19

RGB 56 126 25

HSL 101.58, 0.67%, 0.3%

LAB 46.75, -40.36, 44.68

 

CMYK 80 / 55 / 0 / 50

HEX #19397F

RGB 25 57 127

HSL 221.18, 0.67%, 0.3%

LAB 25.76, 15.66, -42.96

 

CMYK 0 / 80 / 55 / 50

HEX #7F1939

RGB 127 25 57

HSL 341.18, 0.67%, 0.3%

LAB 28.12, 44.59, 7.36

 

CMYK 56 / 0 / 80 / 51

HEX #387E19

RGB 56 126 25

HSL 101.58, 0.67%, 0.3%

LAB 46.75, -40.36, 44.68

 

CMYK 80 / 0 / 9 / 50

HEX #197F73

RGB 25 127 115

HSL 172.94, 0.67%, 0.3%

LAB 47.78, -30.63, -1.49

 

CMYK 25 / 80 / 0 / 50

HEX #5F197F

RGB 95 25 127

HSL 281.18, 0.67%, 0.3%

LAB 25.74, 47.1, -42.67

 

CMYK 0 / 80 / 71 / 50

HEX #7F1925

RGB 127 25 37

HSL 352.94, 0.67%, 0.3%

LAB 27.68, 43.21, 20.16

 

CMYK 56 / 0 / 80 / 51

HEX #387E19

RGB 56 126 25

HSL 101.58, 0.67%, 0.3%

LAB 46.75, -40.36, 44.68

 

CMYK 80 / 15 / 0 / 50

HEX #196C7F

RGB 25 108 127

HSL 191.18, 0.67%, 0.3%

LAB 41.94, -16.95, -17.42

 

CMYK 25 / 80 / 0 / 50

HEX #5F197F

RGB 95 25 127

HSL 281.18, 0.67%, 0.3%

LAB 25.74, 47.1, -42.67

 

CMYK 0 / 65 / 80 / 50

HEX #7F2C19

RGB 127 44 25

HSL 11.18, 0.67%, 0.3%

LAB 30.36, 34.86, 30.6

 

Description

Color code: HEX #387E19 | qconv.com Color code: HEX #387E19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 126 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 126 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 80 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 80% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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