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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3889CB it is the complementary color #C77634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3889CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3889CB shade: #3D89C6, #4E9BD9, #5FADEC, #70BFFF and #81D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3889CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3889CB shade: #3889CB, #2777B8, #1665A5, #055392 and #00417F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3889CB shade: #3889CB, #3861CB, #383ACB, #5E38CB and #8638CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3889CB shade: #3889CB, #3861CB, #383ACB and #3838CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3889CB shade matches the following richer shades: #3889CB, #248BDF and #0F8DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3889CB shade: #3889CB, #4C87B7, #6085A3, #74838F and #89817A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3889CB shade: #38CBBD, #38B3CB, #388BCB, #3864CB and #383DCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3889CB shade: #245E8D, #2C74AD, #3889CB, #599CD4 and #79B0DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3889CB shade: #3889CB, #9538CB and #C6CB38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3889CB shade: #3889CB, #CB388B and #8BCB38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3889CB shade: #3889CB, #9538CB, #CB7838 and #6ECB38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3889CB shade: #3889CB, #C138CB, #CB7838 and #42CB38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

Complementary color

CMYK 0 / 41 / 74 / 22

HEX #C77634

RGB 199 118 52

HSL 26.94, 0.59%, 0.49%

LAB 57.41, 26.45, 48.3

 

CMYK 69 / 31 / 0 / 22

HEX #3D89C6

RGB 61 137 198

HSL 206.72, 0.55%, 0.51%

LAB 55.03, -3.6, -38.48

 

CMYK 64 / 29 / 0 / 15

HEX #4E9BD9

RGB 78 155 217

HSL 206.76, 0.65%, 0.58%

LAB 61.72, -4.74, -38.63

 

CMYK 60 / 27 / 0 / 7

HEX #5FADEC

RGB 95 173 236

HSL 206.81, 0.79%, 0.65%

LAB 68.3, -5.64, -38.76

 

CMYK 56 / 25 / 0 / 0

HEX #70BFFF

RGB 112 191 255

HSL 206.85, 1%, 0.72%

LAB 74.78, -6.37, -38.91

 

CMYK 49 / 18 / 0 / 0

HEX #81D1FF

RGB 129 209 255

HSL 201.9, 1%, 0.75%

LAB 80.45, -12.38, -30.08

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 79 / 35 / 0 / 28

HEX #2777B8

RGB 39 119 184

HSL 206.9, 0.65%, 0.44%

LAB 48.37, -0.88, -41.02

 

CMYK 87 / 39 / 0 / 35

HEX #1665A5

RGB 22 101 165

HSL 206.85, 0.76%, 0.37%

LAB 41.52, 1.32, -40.8

 

CMYK 97 / 43 / 0 / 43

HEX #055392

RGB 5 83 146

HSL 206.81, 0.93%, 0.3%

LAB 34.59, 4.17, -40.5

 

CMYK 100 / 49 / 0 / 50

HEX #00417F

RGB 0 65 127

HSL 209.29, 1%, 0.25%

LAB 27.61, 7.99, -40

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 72 / 52 / 0 / 20

HEX #3861CB

RGB 56 97 203

HSL 223.27, 0.59%, 0.51%

LAB 43.8, 22.19, -59.27

 

CMYK 72 / 71 / 0 / 20

HEX #383ACB

RGB 56 58 203

HSL 239.18, 0.59%, 0.51%

LAB 34.35, 46.54, -74.7

 

CMYK 54 / 72 / 0 / 20

HEX #5E38CB

RGB 94 56 203

HSL 255.51, 0.59%, 0.51%

LAB 36.97, 52.35, -70.29

 

CMYK 34 / 72 / 0 / 20

HEX #8638CB

RGB 134 56 203

HSL 271.84, 0.59%, 0.51%

LAB 41.55, 59.07, -62.63

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 72 / 52 / 0 / 20

HEX #3861CB

RGB 56 97 203

HSL 223.27, 0.59%, 0.51%

LAB 43.8, 22.19, -59.27

 

CMYK 72 / 71 / 0 / 20

HEX #383ACB

RGB 56 58 203

HSL 239.18, 0.59%, 0.51%

LAB 34.35, 46.54, -74.7

 

CMYK 72 / 72 / 0 / 20

HEX #3838CB

RGB 56 56 203

HSL 240, 0.59%, 0.51%

LAB 33.94, 47.68, -75.37

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 84 / 38 / 0 / 13

HEX #248BDF

RGB 36 139 223

HSL 206.95, 0.75%, 0.51%

LAB 56.26, 1.39, -50.67

 

CMYK 94 / 42 / 0 / 4

HEX #0F8DF4

RGB 15 141 244

HSL 206.99, 0.91%, 0.51%

LAB 57.73, 6.96, -59.99

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 58 / 26 / 0 / 28

HEX #4C87B7

RGB 76 135 183

HSL 206.92, 0.43%, 0.51%

LAB 54.33, -4.79, -31

 

CMYK 41 / 18 / 0 / 36

HEX #6085A3

RGB 96 133 163

HSL 206.87, 0.27%, 0.51%

LAB 53.93, -4.9, -20.04

 

CMYK 19 / 8 / 0 / 44

HEX #74838F

RGB 116 131 143

HSL 206.67, 0.11%, 0.51%

LAB 53.95, -2.75, -8.3

 

CMYK 0 / 6 / 11 / 46

HEX #89817A

RGB 137 129 122

HSL 28, 0.06%, 0.51%

LAB 54.47, 1.73, 4.87

 

CMYK 72 / 0 / 7 / 20

HEX #38CBBD

RGB 56 203 189

HSL 174.29, 0.59%, 0.51%

LAB 74.33, -40.92, -4.07

 

CMYK 72 / 12 / 0 / 20

HEX #38B3CB

RGB 56 179 203

HSL 189.8, 0.59%, 0.51%

LAB 67.57, -25.44, -21.87

 

CMYK 72 / 32 / 0 / 20

HEX #388BCB

RGB 56 139 203

HSL 206.12, 0.59%, 0.51%

LAB 55.7, -3.74, -40.27

 

CMYK 72 / 51 / 0 / 20

HEX #3864CB

RGB 56 100 203

HSL 222.04, 0.59%, 0.51%

LAB 44.61, 20.27, -57.95

 

CMYK 72 / 70 / 0 / 20

HEX #383DCB

RGB 56 61 203

HSL 237.96, 0.59%, 0.51%

LAB 34.98, 44.8, -73.66

 

CMYK 74 / 33 / 0 / 45

HEX #245E8D

RGB 36 94 141

HSL 206.86, 0.59%, 0.35%

LAB 38.38, -2.05, -31.4

 

CMYK 75 / 33 / 0 / 32

HEX #2C74AD

RGB 44 116 173

HSL 206.51, 0.59%, 0.43%

LAB 47.03, -2.53, -36.74

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 58 / 26 / 0 / 17

HEX #599CD4

RGB 89 156 212

HSL 207.32, 0.59%, 0.59%

LAB 62.21, -4.87, -35.03

 

CMYK 45 / 20 / 0 / 14

HEX #79B0DC

RGB 121 176 220

HSL 206.67, 0.59%, 0.67%

LAB 69.67, -6.41, -27.79

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 27 / 72 / 0 / 20

HEX #9538CB

RGB 149 56 203

HSL 277.96, 0.59%, 0.51%

LAB 43.55, 61.91, -59.28

 

CMYK 2 / 0 / 72 / 20

HEX #C6CB38

RGB 198 203 56

HSL 62.04, 0.59%, 0.51%

LAB 79.04, -18.94, 68.06

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 0 / 72 / 32 / 20

HEX #CB388B

RGB 203 56 139

HSL 326.12, 0.59%, 0.51%

LAB 48.75, 63.99, -12.71

 

CMYK 32 / 0 / 72 / 20

HEX #8BCB38

RGB 139 203 56

HSL 86.12, 0.59%, 0.51%

LAB 75.13, -42.39, 62.92

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 27 / 72 / 0 / 20

HEX #9538CB

RGB 149 56 203

HSL 277.96, 0.59%, 0.51%

LAB 43.55, 61.91, -59.28

 

CMYK 0 / 41 / 72 / 20

HEX #CB7838

RGB 203 120 56

HSL 26.12, 0.59%, 0.51%

LAB 58.43, 27.23, 47.64

 

CMYK 46 / 0 / 72 / 20

HEX #6ECB38

RGB 110 203 56

HSL 97.96, 0.59%, 0.51%

LAB 73.75, -52.18, 61.09

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 5 / 72 / 0 / 20

HEX #C138CB

RGB 193 56 203

HSL 295.92, 0.59%, 0.51%

LAB 50.07, 70.8, -48.46

 

CMYK 0 / 41 / 72 / 20

HEX #CB7838

RGB 203 120 56

HSL 26.12, 0.59%, 0.51%

LAB 58.43, 27.23, 47.64

 

CMYK 67 / 0 / 72 / 20

HEX #42CB38

RGB 66 203 56

HSL 115.92, 0.59%, 0.51%

LAB 72.33, -63.33, 59.2

 

Description

Color code: HEX #3889CB | qconv.com Color code: HEX #3889CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 137 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 137 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 33 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 33% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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